Bøker utgitt av Manchester University Press

The career of Wisconsin-born Joseph Losey spanned over fourdecades and several countries, from . collaborator with Bertholt Brecht,director of Hollywood B-pictures and victim of McCarthyism, to director ofseminal British films such as "Time Without Pity," "Eve,""The Servant," and "The Go-Between". -- .

This book re-examines conflict resolution, and partcualry problem-solving conflict resolution, from a new perspective. A critical study of John Burton's work which outlines an alternative framework for the study of international conflict, it provides an insight into the problems of conflict and conflict resolution from a social constructionist angle. -- .

A fresh study of civil aviation as a tool of late British imperialism. It uses archival sources, biographies, industry magazines and newspapers to chronicle the disputed progress toward air empire.

Critically explores the interactions of comedy and drama within a group of popular and influential British films released during the 90s, demonstrating that this was an innovative period in British film history. Films discussed include: 'Brassed Off', 'The Full Monty', 'East is East', 'Four Weddings and a Funeral' and 'Love Actually'. -- .

Lisa Downing's comprehensive study of the films of PatriceLeconte traces lines of continuity and revision through a body of apparentlydisparate films whose "messages" often appear both contradictory andcontroversial. -- .

This is the first book on the celebrated films of director Claire Denis ('Chocolat', 'Beau Travail', 'Trouble Every Day'), one of the most remarkable filmmakers to come to prominence in the last 20 years. An essential read for students and specialists in contemporary French cinema. -- .

This book is the most sustained and comprehensive examination to date of one of cinema's most challenging and lauded auteur. It proposes new ways of seeing Gilliam and his films that go beyond reductive readings of him as a gifted but manic fantasist. It analyses Gilliam's work over nearly four decades, from Monty Python, to Brazil and Tideland. -- .

Emigration from Scotland has always been very high. However, emigration from Scotland between the wars surpassed all records; more people emigrated than were born, leading to an overall population decline. Why was it so many people left? This title maps out the many factors which worked together to cause this massive diaspora.

A standard text on the law of armed conflict, written in a non-technical and accessible style.

This book offers an appreciation of all of Fisher's films and also gives a sense of his place in British film history -- .

This study of Duras cinema, examines such films as "India Song", "Le Camion", and "Nathalie Granger". It provides an introduction to her films, and locates them in their autobiographical as well as social and historical context, with an empahasis on gender issues.

This book is about the spectacles and ceremonies of society in the Low Countries. It is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga's famous study of the Burgundian court in The Waning of the Middle Ages, a work which has never gone out of print. -- .

Presents an introduction to popular French film. This book charts developments in various genres of French cinema with analyzes of over 120 movies, from "Les Valseuses" to "Cache". It reflects the diversity of French film production since the New Wave. It includes chapters on the heritage film, and the thriller and the war movie.

This study defines the significance of filmmaking and film viewing in Korean society. It covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s.

A major reconsideration of one of British cinema's finest film directors, offering fresh insight into Carol Reed's distinctive work, and his place in the history of British cinema. -- .

This examination of the film editor's craft ranges from the beginning of cinema to the 21st century. Film editing, at its best when it goes unnoticed, is the least understood of the cinematic crafts. This book explains not only the "how" but also the "why" of this pivotal film making activity.

Examines the mock-documentary through the specific relationship which the form constructs with documentary. The analysis includes detailed discussions of a number of key mock-documentary texts ranging from "Zelig" and "The Falls" through to examples like "Bob Roberts" and "This is Spinal Tap".

This volume examines the films of Jean-Jacques Beineix. His work is placed within the context of the 1980's and each film is discussed in detail, including the controversies surrounding them, while attempting to analyze the films for their intrinsic interest.

This book gives detailed and original critical readings of all eleven of Derek Jarman's feature-length films, arguing that he occupies a major and influential place in European and world cinema rather than merely being a cult figure within a particular subculture. -- .

This innovative book is the first to make an explicit link between constructions of the body in Gothic literature and film and historically specific fashion discourse, from the 1790s to the 1990s. -- .

This ground-breaking study provides an entertaining insight into popular film in Brazil, situating major box-office successes such as 'Central Station' (Walter Salles, 1998), in their socio-historical context. -- .

The argument that this book presents is that narrative and visual representations of death can be read as symptoms of our culture and because the feminine body is culturally constructed as the superlative site of "other" and "not me", culture uses art to dream the deaths of beautiful women. -- .

An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model this title looks at how working-class people were portrayed in British feature films in the decade after the Second World War. -- .

This is a study of Britain's presence in China both at its peak, and during its inter-war dissolution in the face of assertive Chinese nationalism and declining British diplomatic support. The author seeks to challenge our understanding of British imperialism there.

This text examines the various media through which nationalist ideas were conveyed in late-Victorian and Edwardian times - in the theatre, "ethnic" shows, juvenile literature, education and the iconography of popular art. Several chapters look beyond World War I.

Luc Besson is considered one of the hottest international properties to emerge from the new wave of French film directors in the 1980s. This is a study of Besson's film-making career to date, placing the films within their socio-historical and political context.

A study of the "enfant terrible" of French cinema. The ingredients and influences of Carax's films (including "Les Amants du Pont Neuf" and "Pola X") are examined: Paris, pop music, flanerie, amour fou, mannerist and neo-baroque aesthetics, "Nouvelle Vague" and contemporary naturalist cinema.