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At the end of the American Revolution, Elizabeth Freeman was an enslaved widow and mother living in Massachusetts. Hearing the words of the new Massachusetts state constitution which declared liberty and equality for all, she sought the help of a young lawyer named Theodore Sedgwick, later Speaker of the House and one of America's leading Federalist politicians. The lawsuit that she and Sedgwick pursued would bring freedom to her and her daughter, as well as thousands of other enslaved people. After leaving her enslaver's family to work for the family of Theodore Sedgwick, she effectively became the foster mother to his seven children when his wife Pamela became a chronic invalid, enabling Sedgwick to pursue his political career. Two of his sons would credit her with saving their lives. His daughter Catharine Maria Sedgwick, one of the most famous female novelists of the early decades of the nineteenth century, would make her the model for one of her most celebrated heroines. This biography details Elizabeth Freeman's life and the far-reaching influence of her battle for freedom.

Major League Baseball has been in crisis in recent years. Game attendance is down by millions and fan interest is in free fall. The future of the game is in jeopardy. While the League acknowledges the issues, many are stumped as to how to address them. This book explores in detail the critical challenges facing MLB, and their ramifications, along with some potential solutions. Interviews with baseball insiders, players to executives, give a perspective on baseball's struggle to reinvent itself for future generations.

Much has been written about the aesthetics of the television series Hannibal and its devoted fans, and some have discussed its philosophical ideas and its Gothic characteristics, but until now there has been no in-depth reading of the show as a fairy tale. However, the show positions itself as a fairy tale in its third season. Recognizing it as a fairy tale provides an understanding of its appeal and forces us to consider its lessons. Like a fairy tale, Hannibal plays with time and reality and teaches its audience about their world and how to survive in it. From the show, the audience learns both the importance and the danger of family and friends, the complicated nature of humanity containing the capability for good and evil, and the arbitrariness of society's definitions and taboos. As a fairy tale, it draws its viewers in and encourages them not only to come back time and again but to retell and even add to the story.

The Homer Simpson-esque stereotype has been a persistent trope in cartoons since programming aimed directly at children and adolescents began. Young viewers are exposed to the incapable and incompetent "hapless father" archetype on a regular basis, causing both boys and girls to expect the bare minimum of fathers while mothers hold the responsibility for all domestic and parenting work. Cartoons rely heavily on toxic stereotypes for ratings, when in fact, healthy representations of fathers are just as successful in maintaining viewership. Eleven essays, written by scholars from around the world, investigate the topic of fatherhood as it is represented in children's animated television shows. Main themes that emerge include absent and negligent fathers, single fathers, generational shifts within families, and raising the standard of fathering by creating secure bonds between father and child. The authors uncover problematic fathers, imperfect yet redemptive fathers, and fathers who embody idealized parenting traits through some of our most beloved animated dads. This collection demonstrates the impact that media representations of father figures have on young viewers and argues for better role models.

In such classic works as The Hobbit, The Lord of the Rings, and The Silmarillion, J. R. R. Tolkien depicts a vast, complex world-system. Tolkien's Middle-earth comes to life with intensely detailed historical, geographical, and multicultural content, which is presented through different poetic forms that combine elements of epic, romance, myth, history, and the modern novel. This book analyzes Tolkien's project, paying attention to narrative form and its relation to social contexts, while also exploring his broader philosophical conception of history and the role of individual and collective subjects within it. Tolkien's published and posthumous writings, the film adaptations, and recent scholarship are all examined to provide an enlarged and refined critical perspective of these major works. Drawing upon Marxist literary theory and criticism, Robert T. Tally Jr. calls into question traditional views of race, class, morality, escapism, and fantasy more generally. Through close readings mixed with theoretical speculation, Representing Middle-earth allows readers see Tolkien's world, as well as our own, in a new light.

From Afghanistan to Angola, Indonesia to Iran, and Colombia to Congo, violent reactions erupt, states collapse, and militaries relentlessly pursue operations doomed to fail. And yet, no useful theory exists to explain this common tragedy. All over the world, people and states clash violently outside their established political systems, as unfulfilled demands of control and productivity bend the modern state to a breaking point. This book lays out how dysfunctional governments disrupt social orders, make territory insecure, and interfere with political-economic institutions. These give rise to a form of organized violence against the state known as irregular war. Research reveals why this frequent phenomenon is so poorly understood among conventional forces in those conflicts and the states who send their children to die in them.

Earl "The Twirl" Cureton was never a star player in the NBA, but then again, few people will ever be a celebrity athlete. Earl's story, instead, is about a life on the fringes of the league during its "Golden Era" of the '80s and '90s. A teammate of Julius Erving, Moses Malone, Michael Jordan, Charles Oakley, Muggsy Bogues, Hakeem Olajuwon, and others, Earl was a part of seven NBA teams in his twelve-season career. He won two championships during his career, first in 1983 with the Philadelphia 76ers, and then in 1994 with the Houston Rockets. And yet, as a professional basketball journeyman, every day was a struggle. Growing up in Detroit during race riots, Earl worked hard and became a standout player at the University of Detroit. A 6' 9" center in the pros, he battled with Karem Abdul-Jabbar in back-to-back NBA Finals. While many people know the stories of big names like Jordan, Magic Johnson, and Larry Bird, few understand the life of a player on the outskirts of the league. This is Earl's own story, a unique perspective on the trials of a journeyman player: non-guaranteed contracts, tryouts and cuts, playing overseas, coming back from injury, and the looming "right of first refusal."

Once dismissed as a fading genre with little to say to contemporary audiences, the giant monster movie roared back to life in the new millennium. In one of modern cinema's most surprising turnarounds, a wave of 21st-century kaiju films has delivered exciting and thought-provoking viewing to global audiences. In a variety of works that range from action-packed CGI spectacles to more personal, introspective productions commenting on real-world issues of the day, the new millennium has witnessed some of the most intriguing films in any genre, including movies from such acclaimed directors such as Guillermo del Toro, Bong Joon-ho and Peter Jackson. This book takes a sober, multidimensional look at the new class of giant monster movies. It examines the making of these films and their sometimes-obscure meanings. It also covers efforts to reinvent storied kaiju characters from the past, including Godzilla and King Kong, and to transform the genre with movies such as Cloverfield, The Mist, Colossal, and Pacific Rim that feature all-new creatures.

The media that capture our attention, mold our thoughts, and shape our expressions are the invisible information environments that surround us. The "Digital Age" has forced humanity to engage in daily prolonged immersion within specific media of thought that, over time, become toxic media environments and can result in a state of mental imbalance. As a process for achieving stability, practicing media mindfulness is not about disengaging, but rather having a deeper awareness of the media environments that we are immersed in--how they engage our attention, how they affect our thoughts and behaviors and, most importantly, how we can manage them to avoid their harmful effects. Simply changing one's media environment results in a new way of attending to information and even a shift in one's behavior and thought patterns. This book explains why our media environments are often toxic, the effects they can have on our mental health, and steps we can take in order to practice mindful, balanced, and healthy engagement with media environments. The specific focus of this practice is on managing the psychological effects of all media. Readers will learn how to manage their media environments for optimal mental, emotional, physical, and spiritual health with the aid of a simple mantra: Change your behaviors and your thoughts will follow.

What do Euphoria, Normal People, Atlanta, Ramy, Vida, I May Destroy You, Stranger Things, and Lovecraft Country have in common? In the 2016-2020 time period they were created, these TV shows exemplified one (or more) of four noteworthy trends: authenticity, diversity, sexual candor, and retrospection. This is the first book to examine live action, fictional television shows produced within a five-year period through the lens of the trends that they epitomize. For each show, the following is discussed: the significance of the platform and the format; the intentions of the creators and showrunners; pertinent background information; similar shows and precedents; the storytelling approach; the cinematic form; and finally, how the show is emblematic of that particular trend. Since trends have the possibility of becoming part of the mainstream, they are important to identify as they emerge, especially for viewers who have a keen interest in narrative television shows.

When Carole Lombard was tragically killed in a plane crash on January 16, 1942, she was 33 years old and had been a film actress for almost 20 years, yet her best work probably still lay ahead. She had reached a career high point, earning praise for her talents as a comedienne as well as a dramatic actress. As well liked as she was on screen, she was equally popular off screen, known for being witty, uninhibited and a great party-giver. Blonde and beautiful, she reigned as the queen of Hollywood when she married Clark Gable, its king. This book offers a thorough examination of her too-short life and provides information about her 78 films, including cast and credits, synopses, reviews and comments. Photographs from her life and films complete the work.

Critics view When the Sleeper Wakes as a prototype of the anti-utopian novel, a genre developed by Zamyatin, Huxley, and Orwell into nightmare futures associated with the totalitarian age and the moral horrors of fascism and communism. Annotated by the world's leading Wellsian scholar, in Sleeper is found a greater measure of artistry and characterization than is usually accorded it. As a complex work combining technological with social speculation, Sleeper is unmatched for canniness in the history of futuristic literature. Indeed, its aeronautical details influenced the Wright Brothers in the design of their flyer, and the novel predicts the promotion of airplanes as a weapon, a prophecy dramatically fulfilled in the twentieth century. This exhaustive critical edition features a lengthy introduction, appendices, bibliography and index, and a frontispiece taken from the original 1899 edition.

Man Who Could Work Miracles (without a The) is a 1937 film, ostensibly a comedy, that H.G. Wells scripted late in life for London Film Productions. This work is a literary text of the scenario and dialogue published in advance of the movie's release. Wells himself says it is "a companion piece" to Things to Come, his deadly serious film done a year before, also produced by Alexander Korda. The editor's introduction explains how two such radically different films are related and discusses the artistic quality of the text, Wells' overriding sense of cosmic vision, his views on sex and politics, and his uncommon estimate of the common man's incapacity for public affairs. The world's foremost Wellsian scholar here brings his unique analytical powers to bear on, in the opinion of many, the strangest work Wells ever wrote. The appendices include the 1898 short story version, "The Man Who Could Work Miracles," three related cosmic-vision short stories by Wells, and an excerpt from a 1931 radio address by Wells not inaccurately retitled "If I Were Dictator of the World."

Much attention has been paid to the "scientific romance" novels of H.G. Wells, a founder of modern science fiction and one of the genre's greatest writers. In comparison, little attention has been given by critics to his works of fantasy, which in the opinion of many, are just as artistic and worthy of study. This work, takes a critical look at Wells' little known fantasy The Sea Lady: A Tissue of Moonshine, which is "a parable of dark foreboding that unveils the nothingness of utopian dreams" and foreshadows Franz Kafka's dark fables of the totalitarian age. A lengthy introduction by the editor provides a comprehensive overview of the text and the story of The Sea Lady, and serves to explain the ideas of civil death and every citizen's acting as a public servant, and the concept of totalitarian metaphysics, which deals with a revolt against the limits of the human condition. This work provides a complete, extensively annotated text of the 1902 London first edition of The Sea Lady.

H.G. Wells barely revised The Invisible Man once it was published, adding only an epilogue. But the opening statement of that epilogue--"So ends the strange and evil experiment of the Invisible Man"--has posed challenges to scholars. How to understand it? Does it speak strictly to the scientific elements of the novel? Or is it a part of the work's political underpinnings? The 1897 New York first edition (the first edition to incorporate the epilogue) is used here as the basis for the exhaustive annotations and other critical apparatus of the world's foremost Wellsian scholar. The introduction examines in great detail the novel's position in the Wellsian canon and sets the major themes in context with the literary conventions used in his other works, particularly the scientific romances.

The First Men in the Moon is the last in a series of "scientific romances" begun by Wells with The Time Machine. In the opinion of many, it is also the last in a series of pessimistic and anti-utopian novels before Wells took up the tone of an optimistic and utopian social prophet with Anticipations. The present critical edition of First Men questions that opinion. The lunar utopia described is far from a satire on the industrial order as many critics claim, but in historical context is instead related to the international scientific management movement, stemming from the Saint-Simonian school of socialism. This critical edition shows how First Men consciously builds on the whole literary tradition of moon voyages.

Before Louise Scherbyn founded the Women's International Motorcycle Association, she was simply a working girl who loved motorcycling--at a time when women weren't allowed to wear pants, roads weren't hard-topped, and handlebars could come apart while riding. The hardest part? Auxiliaries she looked to for support each proved to be the wrong fit--some uncomfortably, disastrously so. All Louise wanted was for women riders to have a proper space of their own. For that she would ultimately have to forge a new path. This book tells the fascinating story of Scherbyn's journey in forming the first stand-alone women-only motorcycle association. Chapters cover 225,000 miles and two decades' worth of community-building, hostilities, physical and professional attacks, recovery, sisterhood and more. Scherbyn paved the way for women motorcyclists across the world while facing a storm of threats and uncertainties, driving ahead with newfound friends and her singular, unifying vision for women who ride.

Locations play an important role in every story, but in British and American contemporary crime fiction, they are often inextricable from the narrative. This work examines the city, the countryside and the wilderness as places ripe with literary significance and symbolism. Using works by authors like Robert Galbraith, Ian Rankin, Denise Mina, Chris Brookmyre, John Knox, Peter Robinson, Linda Barnes, Dana Stabenow, Nevada Barr, Les Roberts, Philip R. Craig, and others, this work offers a fresh assessment of how place and space are employed in contemporary crime fiction. Highlighted are similarities and differences among the authors' approaches to setting, and how they relate to the history of crime fiction and to the general literary representation of place. Going beyond mere literary geography, the book engages the sociocultural dimensions of the communities affected by crime. Chapters also analyze the reader's perception, recognition and appreciation of place and community.

Until recently, it was assumed that the Nazis agitated against Chaplin from 1931 to 1933, and then again from 1938, when his plan to make The Great Dictator became public. This book demonstrates that Nazi agitation against Chaplin was in fact a constant from 1926 through the Third Reich. When The Gold Rush was released in the Weimar Republic in 1926, the Nazis began to fight Chaplin, whom they alleged to be Jewish, and attempted to expose him as an intellectual property thief whose fame had faded. In early 1935, the film The Gold Rush was explicitly banned from German theaters. In 1936, the NSDAP Main Archives opened its own file on Chaplin, and the same year, he became entangled in the machinery of Nazi press control. German diplomats were active on a variety of international levels to create a mood against The Great Dictator. The Nazis' dehumanizing attacks continued until 1944, when an opportunity to capitalize on the Joan Barry scandal arose. This book paints a complicated picture of how the Nazis battled Chaplin as one of their most reviled foreign artists.

In 1997, the superhero movie was all but dead. The last Superman flick had been released a decade earlier to disastrous reviews and ticket sales. The most recent Batman film was a franchise-killing bomb. And an oft-promised Spider-Man feature was grounded. Yet a mere five years later this once-derided genre would be well on its way to world domination at the box office and even critical respectability. How did this happen? And why, two decades later, does the phenomenon show no sign of abating? Here, for the first time, is an extensively researched soup-to-nuts history of the superhero movie, from the first bargain-basement black-and-white serials to today's multiverse blockbusters. Chronicling eight decades of stops and starts, controversies and creators, good guys and bad guys--onscreen and off--this entertaining account explains how and why our entertainment universe came to be overpowered by costumed crimefighters and their nefarious counterparts.

What are the skills necessary for effective leadership? How can we learn to lead toward a better tomorrow? For six decades, the captains of Star Trek have demonstrated the potential for leaders to leverage reason and compassion in the service of others. Grounded in science yet focused on practical application, this book uses case studies from more than 40 episodes and films to explore how Captains Archer, Burnham, Pike, Kirk, Picard, Sisko, and Janeway relied upon the basic leadership skills of communication, patience, and relationship to navigate the most challenging of events. This work lays out how leaders can leverage reason and compassion to create organizational cultures in which everyone has a place at the table. Whether you are a professional or a student of business, academics, schools, or government, Star Trek is more relevant than ever to the leaders of today to boldly go.

Over a memorable eight-season run (1956-1964), Ara Parseghian transformed the Northwestern University football program from a cellar-dweller in the Big Ten Conference to a nationally known power. Before his arrival from Miami of Ohio, he had never been associated with a losing team, as a coach or as a player. At 32, he would face his biggest challenge at Northwestern but would eventually lead the Wildcats to winning seasons in four of his last five years there. The payoff came in 1962, when the Wildcats were ranked number 1 in the nation and a safe bet to play in the Rose Bowl. This biography--the first documenting his stint at Northwestern--recounts Parseghian's struggles and successes as a dynamic young coach in the years before he made history at Notre Dame.

Throughout the new millennium, the number of women interested in amateur wrestling has skyrocketed. From grade school to college, girls and women have been strapping on their head guards and singlets to grapple with their dreams of success on the mat. However, the sport and its participants have not always had an easy time. This book documents the growth of female amateur wrestling in America, and the difficulties and victories it has faced, from removal from the 2013 Olympic Games, to missing the 2020 Games altogether due to Covid-19. The work chronicles the bravery of the women who have led the sport and sets out their performances in the 2021 Olympic Games. With 50 photographs, it also features interviews with the female wrestlers who continue to challenge an often-suppressed field, hoping eventually to leave their mark on the American sports world.

Over the last century, the medium of animation has served as an expression of childhood as well as a method of subverting the expectations of what society has promised for the future. Separated into three parts, this work assembles various explorations of taste, culture and passion through animation. Section I features essays that outline the historical changes in art and society that gave rise to an outsider culture that found a home in animation. In the second section, essays examine the practical use of animation as a voice for the underserved. Finally, in Section III, essays analyze the ways in which animation has reshaped the acceptance of outsider status to embrace otherness. Featuring everything from feature-length films to self-produced YouTube videos, the essays in this text reflect a shared love of animation and its unique ability to comment on society and culture.

As a Harvard alumnus, diplomat, U.S. President, member of Congress and attorney before the Supreme Court, John Quincy Adams had a unique relationship with slavery. Prickly and curmudgeonly, he danced with abolitionists, but never became one himself. However, Adams did harbor an intense hatred for the arguments of Southern slaveholders, and eventually found himself in the center of America's greatest struggle. Informed by Adams' revealing and often tormented musings from his vast diary, this sweeping narrative offers a unique and gripping account of John Quincy Adams' battle with slavery, while exploring the many fault lines in American society that led to the Civil War. Included are the dramatic showdowns in the House of Representatives and Supreme Court, as well as Adams' attempts at outsmarting Southern politicians and his efforts to keep slavery at the forefront of Congressional activities.

Most of the prominent figures from Ireland's revolutionary generation have been endlessly profiled and commemorated but the controversial General Eoin O'Duffy remains a pariah. Despite reaching the heights of leadership in the republican movement during the Irish revolutionary period--and subsequently becoming a key state-builder in early independent Ireland as head of the national police force--O'Duffy's legacy retains a whiff of sulphur. It has been tarnished by his controversial political career in the 1930s, including his leadership of the fascistic Blueshirts and his pro-Franco involvement in the Spanish Civil War. Using a blend of well-charted and previously overlooked or unavailable material, this book examines the tumultuous periods of Ireland's struggle for independence and the early Irish Free State. It foregrounds O'Duffy's place within pro-treaty Irish nationalism. A militarist and supporter of Michael Collins, he became a safe pair of hands relied upon to rescue the pro-treaty regime during crises.The book offers new interpretations on his involvement with international fascism and provides a much needed nuance on the prevalence of crypto-fascist outlooks in the 1930s. It seeks to blow away the cobwebs of mythology and recalibrate our understanding of this most controversial Irishman.

During World War I, Dr. Mary M. Crawford spent nearly a year volunteering at the American Ambulance Hospital in France. Among the first American physicians to join the Allied war effort in 1914, she was the only woman doctor on the hospital staff. Her diary and letters, presented here with historical context, narrate day-to-day life in a hospital on the Western Front, with clinical descriptions of the human toll at the battles of Ypres and Champagne. Torn between devotion to family and her commitment to the war effort, Crawford reveals her dedication to her patients, many of whom were French colonial soldiers.

In 19th-century America, it was assumed that woman patients would be treated by male doctors. The idea of a ""woman doctor"" was deemed by many to lie somewhere between unfathomable and repugnant. Then along came Susan Dimock. A young North Carolinian who dreamed of becoming a physician, and grew up to practice medicine in Boston, Dimock was not the first American woman to battle the patriarchal medical establishment. But in the 1870s, she was arguably the best-educated, most-skilled woman surgeon in the nation as well as living proof that a woman could be competent, smart, lovely, and kind--all in the same package. Dimock's life reads like an adventure story, from recoiling at slave auctions and witnessing Civil War battles to escaping her fire-engulfed Southern hometown, then finding her place among Boston's most enterprising women. She studied medicine in Zurich and Vienna, hiked the Swiss Alps, executed complex surgeries, and trained America's first professional nurses, ultimately inspiring a new generation of female surgeons. It is no surprise that a prestigious Viennese medical professor, when asked for advice to aspiring young doctors, replied simply, ""Make yourself to be like Miss Dimock."" This biography is the first to give Susan Dimock her rightful place in medical, women's, and world history.

After the Civil War, as Black freedmen prepared to exercise their new voting rights in Georgia, white supremacist groups rose to restrict their ability. Georgians faced a new prospect for brokering a class-based electoral coalition of white yeomen and Black freedmen. The failure of Reconstruction echoes today as Georgia remains a voting rights battleground. This book details this struggle for racial justice and democracy in postwar Georgia, with an eye on issues that have persisted more than 150 years later.

An agent of chaos and deceit, the trickster has been a favorite character spanning thousands of years and multiple peoples. From legends belonging to Native Americans such as the Creek, Natchez, Seminole and Catawba, to tales borrowed from Africa and Europe, this work discusses 73 trickster tales. Beginning with Creek tales, this book continues with a blend of Native American and African American folktales, organized according to the indigenous people who told them. These stories include the American Southeast's most notorious trickster, Rabbit; his gullible victims such as Alligator, Wildcat and Wolf; and other tricksters such as Buzzard, Pig, Possum and more.