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""In 1964, the New York Yankees were the undisputed champions of Major League Baseball. This book presents in all its context the story of the upstart St. Louis Cardinals, improbable champions of the National League, taking the Bronx Bombers to game seven in a harrowing World Series that ended with the toppling of an MLB dynasty and the ascension of an exciting new St. Louis Cardinals. Herein is the story of Bob Gibson, Tim McCarver, Mickey Mantle, Bobby Richardson, and numerous others who made baseball history and captivated the public during that exciting Fall Classic."-Provided by publisher"--

We are witnessing the collapse of the postwar consensus, the implosion of the caring society. In times of social, economic, and political insecurity, egotism spreads. Many popular videogames follow a logic of consumerist self-gratification and self-empowerment. Deeply political, videogames contribute to the transformation of players, causing a need for change in what game designers do and how and why they do it. Awareness of the socio-political and cultural contexts can be promoted by the mainstream videogame market for critical active participation. This book focuses on the need for individual self-realization in Western societies and how it manifests in the various dimensions of videogames. Videogames remind us that we can never be isolated in a world defined by complexity and interlaced systems. Connecting videogames and new Neo-Kantian virtual ethics builds upon notions of agency, mutual respect, and obligation. This addresses humans in their entirety as thinking, acting, and feeling agents through engagement, immersion, and involvement.

"This book brings together essays written by a number of well-known writers of cozy mysteries, including Sherry Harris, Amanda Flower, Leslie Budewitz, and Edith Maxwell, among others, who provide insight into their approaches to writing. Topics covered include how they work with the form, develop characters and settings, and utilize the particular hook, skill or business that establishes the protagonist's ability to solve crimes. In addition to discussing these traditional aspects of writing, several authors focus on how they have expanded the direction the contemporary cozy mystery has taken with the inclusion of more diverse characters and social issues"--

"In this uplifting memoir, Lee Wilson shares stories from her four decades of dancing on Broadway, with anecdotes about theatre legends including Agnes de Mille, Richard Rodgers, Michael Bennett, Donna McKechnie, and Bernadette Peters. She details the economic, political, and social events that led from the Golden Age to the slump of the early 1970s to the rejuvenation of Broadway with the huge success of A Chorus Line. Wilson's feminist viewpoint gives readers new insight into well-known musicals and examines why Golden Age musicals are still relevant to Broadway audiences today. This book is for musical theatre students in high schools and colleges, performers in community and regional theatre, professionals on and off-Broadway, dance moms, lovers of musical theatre, and readers who want to peek into the rehearsal rooms, dressing rooms, and hearts of Broadway dancers."--

"With three railroads and a canal passing through the city, Lynchburg, Virginia, was a major hospital center during the Civil War, far from the remote battlefields. Thus, it was chosen as the site of a transit camp where Union soldiers remained before being paroled or transferred to another prison, opening in June 1862 at the Fair Ground, just outside the city limits. Upon arrival, the sick and wounded were assigned to one of the 32 hospitals regardless of the uniform they wore. Union POWs who died were buried in the City Cemetery by the local funeral service which also carefully recorded their personal data. Local ministers daily performed burial services for all soldiers, regardless of their race or the color of their uniforms, and all their expenses were paid by the Confederate government. This book presents the complete history of this Union POW camp in Lynchburg: the context of its founding, its operations, and its ultimate fate after the war. Two appendices present burial records for the POWs and Lynchburg Campaign casualties." --

"A high-stakes wager placed on a woman's virtue; men who spy on bathing women; tell-tale birthmarks; cross-dressing; dragons; tournaments; and aristocrats bursting into song--these features and more appear in the three stories translated here, all versions of the folktale known as 'the wager tale.' Such stories were especially popular in thirteenth-century France, when noblemen fulfilled their feudal duties far from home. Did their women remain faithful? A pressing question, for only female chastity guaranteed the legitimacy of heirs. This collection offers the first translations into English of The Romance of the Violet and The Count of Poitiers, along with a new version of The Tale of King Flore and the Fair Joan. The first paints a vivid portrait of thirteenth-century courtly life. The second, set in the eighth-century court of King Pepin, includes both a wager tale and a bride quest, the latter involving a shocking scene of female group nudity. Flore and Joan takes a different tack, presenting a clear-eyed heroine who overcomes daunting odds by posing as a man. These medieval tales portray strong women who gainsay social control of their bodies, thereby winning the respect of men--a scenario that resonates even today"--

""The "Happiest Place on Earth" opened in 1955 during a trying time in American life-the Cold War. Disneyland was envisioned as a utopian resort where families could play together and escape the tension of the "real world." Since its construction, the park has continually been updated to reflect changing American culture. The park's themed features are based on familiar Disney stories and American history and folklore. They reflect the hopes of a society trying to understand itself in the wake of World War II. This second edition expands its perspective in response to, among other things, the cultural shifts brought on by the COVID-19 pandemic. New and updated chapters endeavor to hold Disney accountable: not accountability for misdeeds, but its accountability to include everyone, as American mythmakers and cultural titans."-Provided by publisher"--

Though much has been written about the American Revolution, much less has been written on its western front. The war effort west of the Appalachians consisted of fewer than 1,000 Continental troops trying to wrest control of 250,000 square miles of forest from a small number of British troops and their Indian allies fighting to keep the land. The garrison at Fort Pitt in Western Pennsylvania comprised the bulk of federal forces in the west, paltry armies serving under abysmal conditions, and with little success. Despite this, a colorful collection of heroes and leaders emerged who endured long enough to establish a presence that facilitated future westward expansion for the United States. This book presents this underreported and unique conflict in full historical detail, with an emphasis on Washington's personal experience in the west and his relationship with Continental Army officers he selected to command his Western Department.

The words "pride and prejudice" became the title of Jane Austen's most famous novel, but the history of the phrase before Austen is less famous. In particular, most of the reading public has never known that "pride and prejudice" was a traditional critique adopted by British and American antislavery writers. After Austen's lifetime, the antislavery associations intensified, especially in America. This is the only book about the tradition and the many newly discovered uses of "pride and prejudice" before and after Austen's popular novel. Hundreds of examples in an annotated list show the use of "pride and prejudice" used to uphold independence--independent judgment, independent ethical behavior, independence that repudiated all forms of oppression. The book demonstrates how, in a natural evolution, the phrase was used to criticize enslavement and the slave trade. Eighteenth-century revolutionary Thomas Paine used the phrase in Common Sense

"Virginity is one of the major adolescent rites of passage, one which has been explored in the coming-of-age film genre for many decades. This book examines the evolution of teen movies over the past 40 years, posing crucial questions about how film shapes our cultural understanding of virginity. By surveying more than 30 mainstream and independent coming-of-age films from the 1980s to the present, it considers what types of first-time sexual experiences are being portrayed on screen, how they are different for men and women, and whether or not they are subverting or reinforcing gender stereotypes. Drawing from notable teen movies such as Dirty Dancing (1987), American Pie (1999), Real Women Have Curves (2002), Lady Bird (2017), and Plan B (2021), the book identifies a progressive shift towards more sex-positive and feminist representations of first-time sexual experiences on screen. Each chapter studies how the political climate, sex education policies, and cultural norms specific to each era impact the film's release and its teenage audience."--

"In this memoir, Eric Newhall traces his life and political evolution with a particular focus on his time inside Lompoc Federal Correctional Institution, where he was incarcerated for refusing to participate in the Vietnam War. Beginning with his youth in an all-white neighborhood in Portland, Oregon, he describes his undergraduate experience at Occidental College in Los Angeles (1963-1967), his time in prison, and the powerful impact that his time behind bars had on both his 34-year marriage and 44-year teaching career. His memoir is a reminder that much work remains to be done, that subtle racism takes many forms and can be found even in outwardly progressive families like the one in which he was raised, and that the social problems examined here are even more pressing today than they were during the 1960s. The book will be particularly compelling to readers concerned by the threat to democracy posed by persistent war, authoritarianism and racism"--

Despite its relative invisibility to the public, the administration of military justice during the Civil War played a vital role in maintaining the discipline necessary for Union military success. While some scholars have criticized the Union military courts as arbitrary and excessively harsh, others have defended it as a necessary means of maintaining order in the face of unprecedented challenges faced by the Union. Drawing on extensive primary research, this history presents a compelling narrative based on a statistical analysis of 5,000 Union military trials, court records, historical legal publications, and insights from contemporary historians. This work analyzes the relationship between alcohol misuse and misconduct, covers the differing approaches to sexual misconduct across the services, and exposes the uneven and sometimes unfair application of military justice. Offering a balanced perspective on the struggle between maintaining discipline and protecting the legal rights of service members, this history is the first of its kind.

Sergeant Paul S. Porter experienced combat like few soldiers have lived to write about. Serving with the Fourth Armored Division in Company B, 53rd Armored Infantry Battalion, Porter and his light machine gun squad entered the front line of World War II on July 17, 1944, and were soon in the thick of the action. The Fourth fought through the hedgerows of Normandy before leading Patton's Third Army in its breakout and pursuit toward the German border. The slugfests that followed as the Fourth advanced through the mud and battered villages of the Alsace-Lorraine region were Porter's most difficult of the war. For his heroic actions in combat on December 4, 1944, Sergeant Porter was awarded the Distinguished Service Cross. This memoir presents the full story of Porter's extraordinary service in his own candid words, illustrated with family photographs. He paints a vivid portrait of a young man coping with the unique pressures of the battlefield. His candor when describing his officers and fellow soldiers provides a sober view of the dynamics within a team when comprised of individuals with diverse backgrounds and motives. Sergeant Porter has an intense desire to survive yet possesses a resolve to enter the fray and engage in combat eye-to-eye with the enemy.

"Every serious baseball fan can attest to the perennial excellence of stars like Babe Ruth and Ken Griffey, Jr. But how many can recall the exploits of Fred Dunlap, George Stone, Bobby Shantz, or Mark Fidrych? Each of these players performed like a superstar for a single season, but none of them came close to replicating that success in subsequent years. Some achieved early success and flamed out, while others overcame early setbacks to achieve brief stardom late in their careers. Some were one-year wonders, and others sustained solid careers after setting an early standard that they would never again reach. This book contains the bittersweet stories of 30 such players who tantalized their fans with visions of greatness, but ultimately fell short."--

Jane Austen's creative process has been largely unexamined. This book explores her development as a writer: what she adapted from tradition for her needs; what she learned novel to novel; how she used that learning in future works; and how her ultimate mastery of fiction changed the course of English literature. Jane Austen overcame the limitations of early fiction by pivoting from superficial adventures to the psychological studies that have defined the novel since. Her creativity and technique grew as she wrestled with pragmatic writing issues. This evaluation of Austen's creative process brings into focus the strengths and weaknesses of her six novels. Each is examined in its use of major fictional techniques--description, scene-building, point of view, and psychological development--to reveal unique literary attributes. The result is a revealing analysis of how world-class fiction is built from the ground up.

"For nearly 60 years, Star Trek has imagined humanity's future while reflecting its present. Star Trek: The Original Series debuted with three male leads, but in the wake of a Trek renaissance that began with Star Trek: Discovery in 2017, additional series have explored the frontiers of representation, making the present moment ripe for new critical engagement and thoughtful reflection on the narratives that have shaped the journey thus far. Using the lens of feminist criticism and theory, this collection of essays presents a diverse array of academic and fan scholars engaging with the past, present, and future of Star Trek. Contributors consider issues like Klingon marriage, Majel Barrett's legacy, the Bechdel-Wallace test, LGBTQ+ representation, and more. They offer updated readings on legacy characters while also addressing wholly new characters like Michael Burnham, Beckett Mariner, and Adira Tal. Their essays provide some of the first critical examinations of the newest additions to the Trek franchise, including Picard, Strange New Worlds and Lower Decks"--

We are living through a time when the extinction of humanity itself looms on our generational horizon. While technological approaches to climate mitigation are admirable, our current ecological crisis results ultimately from an inherited, unexamined concept of selfhood, one standing in reciprocal relation to our misconceived view of nature. Regardless of our concept of nature--conservation, preservation, exploitation, or aesthetic/spiritual appreciation--the received idea that our self exists inside our skull engenders an unexamined assumption that nature is "out there," with historically devastating results for us all. This book explores three new ways of thinking about the interrelation of ourselves and "nature" Merleau-Ponty's notion of embodiment, the connection between enactivism and affordances, and object-oriented ontology. These approaches to selfhood reorder our moral obligations: what are our responsibilities to ourselves, our children, and nature itself? An embodied ethic based on empathy, one compatible with object-oriented ontology that incorporates panpsychism, and one derived from the social imaginary can provide an ethic that transcends supposed cultural biases and offers a new way of confronting climate change. To meet contemporary environmental challenges, we need to change our minds about our minds.

"Most professional baseball players hang up their spikes for good after their time in the major or minor leagues. Don August chose a different path. In 1989, August was the Milwaukee Brewers Opening Day starting pitcher. The year before, he went 13-7 and finished fourth in the balloting for American League Rookie of the Year. He was the Brewers' Ace-and then, suddenly, he wasn't. By 1992, August was a free agent looking for an opportunity that no big league team was willing to offer. After playing winter ball in Puerto Rico and the Dominican Republic, he signed to play in Mexico. After refusing to be a replacement player during the Major League Baseball lockout in 1994, he continued his career in Taiwan, learning new languages, earning multiple awards, making game show experiences, and surviving earthquakes, gambling scandals and a hurricane. After five years, August left Taiwan, and ended up in Europe, pitching his team to the Italian League title. This book is the complete autobiography of a singular baseball player, with a storied international career to which few players can lay claim"--

"Saxophonist Carlos Garnett, despite being blind in his later years, was an integral part of Miles Davis' nonet. His pivotal roles extended beyond live performances to studio work during the "On the Corner" era in 1972. Though he was born in a community of laborers who worked for the Panama Canal Company, his talent and work ethic led him to perform with some of the world's most notable musicians. Garnett's upbringing had influences from various cultures, including Jamaica, Trinidad, and Barbados, which informed his later musical fusions. This autobiography traces Carlos Garnett's journey from his native, segregated town of Red Tank, now erased from modern maps. After establishing himself as a prominent musician in his homeland, Garnett left for Brooklyn, NY. There, he worked with Art Blakey, Freddie Hubbard, Charles Mingus, Andrew Hill, Mtume James, Norman Connors and of course, Miles Davis. Garnett's original albums for Muse Records showcased his musical fusions, highlighting his talents as a composer, arranger, and instrumentalist"--

Seth MacFarlane has made an immense mark on popular culture through both his live action and animated television series: Family Guy, American Dad!, The Cleveland Show, and The Orville. While MacFarlane has garnered a large legion of fans, even those who do not personally watch Family Guy, MacFarlane's longest running series, will be quick to recognize images of Peter and Stewie Griffin: a caricature of the clueless dads from sitcoms of yesteryear and an inexplicably queer-coded evil baby genius, respectively. This book explores Family Guy and MacFarlane's other animated series closely, examining how the series uses satire and other strategies to construct specific ideas related to sex, gender, and family. The authors argue that the series, like many other televisions series, contribute to our collective understanding of family and reinforce (at times) unfavorable gender stereotypes.

Marco Ferreri (1928-1997) was one of Italian cinema's most unique auteurs. A maverick personality, he worked with some of the most popular actors of the time (Marcello Mastroianni, Michel Piccoli, Catherine Deneuve, Gerard Depardieu, Ugo Tognazzi, Carroll Baker, Roberto Benigni, Isabelle Huppert, Christopher Lambert...), and directed internationally acclaimed films. His filmography includes The Conjugal Bed (1963), The Ape Woman (1964), Dillinger Is Dead (1969), the scandalous La Grande Bouffe (1973), the absurdist western Don't Touch the White Woman! (1974), The Last Woman (1976), Bye Bye Monkey (1978) and the Charles Bukowski adaptation, Tales of Ordinary Madness (1981). Ferreri's cinema dealt in highly original and thought-provoking ways with contemporary issues: the crisis of marriage, relationships between sexes, consumerism, and political disillusionment. His films were controversial and had many censorship issues, leading to Ferreri's fame as a master provocateur. Theis book examines Marco Ferreri's life and career, placing his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of his films, with never-before-seen bits of information recovered from Italian ministerial archives and in-depth discussion of the director's unfilmed projects.

This work takes readers to two countries ravaged by World War II, Poland and Japan, recounting the wartime experiences of teenagers Bogdan and Seiko. Bogdan's family abandoned its home in Bydgoszcz, Poland, and fled to Warsaw, where Bogdan fought for the Polish Home Army in the 1944 Warsaw Uprising. During this brutal conflict, as Poles tried to oust occupying Germans, Bogdan sustained severe injuries, and after the Germans crushed the Uprising, he endured seven POW camps. On the other side of the globe, in Hokkaido, Japan, Seiko's country went to war against the U.S. With school suspended, Seiko worked in a wartime factory. Terror and turmoil haunted Japanese civilian life; Seiko's older sister died during the war, while her older brother trained as a kamikaze pilot. Despite suffering harsh misfortunes, Bogdan and Seiko resolved to rebound once the war ended. Both immigrated to the U.S. to pursue educational opportunities. In bustling postwar New York City, they met, fell in love, and then started a family. Offering a unique transnational perspective on WWII, Bogdan and Seiko's story is one of hope, symbolizing recovery from war's devastation while reminding readers of how immigrants to America have started new lives and pursued their dreams.

King Vidor (1894-1982) had the longest career of any Hollywood director, and his works include some of the most dramatic, sublime moments in the history of American cinema. Regarded by many film historians as one of the greatest of silent era filmmakers--especially for masterworks The Big Parade, The Crowd, and Show People--Vidor is nonetheless one of the most underrated of Hollywood's "old masters" in terms of his overall career. His sound era films include Hallelujah, Street Scene, The Champ, The Stranger's Return, Our Daily Bread, Stella Dallas, The Citadel, Northwest Passage, Duel in the Sun, Beyond the Forest, The Fountainhead, Ruby Gentry and War and Peace. He also helped to establish the Screen Directors Guild and served as its first president. This book charts the ways in which Vidor's vast, complex body of work ranges over diverse genres and styles while also expressing his recurring personal interests in spirituality (especially Christian Science), aesthetics, metaphysics, social realism, and the myth of America. The first book since 1988 to give a comprehensive view of Vidor's career, it discusses his artistic evolution in a way that appeals to the general reader as well as to the film scholar.

Covering the basics of media arts values and practice, this revised edition of the acclaimed graphic textbook offers cub reporters a primer on the drama, adventure and ethical conundrums that make journalism rewarding and fun. Using ripped-from-the-headlines examples, the authors challenge students to engage with the big issues. The stories revolve around a diverse newspaper staff at an urban high school who find themselves in a series of teachable moments. Packed with reporting exercises and fundamentals of the craft, woven into engaging narratives, each comic also gives readers a look at the real-life event that inspired the tale.

The evidence is overwhelming that the protection and expansion of slavery was a primary reason for the secession of the Confederate states and the Civil War that followed. While slavery undoubtedly was important, a more fundamental cause was a belief system held in common among the ruling elite. The antebellum South was not only a slave society but also an authoritarian society, shaped by a view of the world as dangerous/competitive, an us vs. them mentality, a dominance/obedience orientation, and closed-mindedness. The authoritarianism of the founding elites, in combination with the travails they experienced on the southern frontiers, led to oppression, racism, and corruptions in thinking, emotion, and behavior. It also perpetuated the practice of slavery, sparked the Civil War, and left a difficult legacy. In a unique application of contemporary social psychological theory and research to the interpretation of history, this book traces the evolution of southern authoritarianism from the founding of Virginia in 1606 to the secession of the Confederate states in 1861. In doing so, it examines how belief systems become embedded in a society, act as both consequences and causes of historical events, and have effects that reverberate far into the future.

In this book, Chief Sylvester Okereke uses the story of his life growing up in Eastern Nigeria to provide a first-hand account of several intriguing Igbo cultural practices such as the horse-acquisition chieftaincy title, the manhood rites, the women fattening/circumcision rites, marriage rites and more. Told in a very accessible style, the book covers his life at a time when the people of eastern Nigeria had no value for education and how his father, who had already had some experience in what was then known as the native court under British colonial masters, encouraged his son amidst unfriendly challenges to pursue education. The book discusses the Anglo-Aro war of 1901/1902, the conquer of eastern Nigeria by British colonialists in the early 1900s, the concept of warrant/paramount chiefs introduced by Britain as an indirect rule measure in southern Nigeria, and how the British shaped the rural communities in eastern Nigeria during colonial times. The work also discusses the life of the author in detail, his travail in boarding homes in distant communities where he was sent to live for studies, the influence of cultural practices on his decision to go to school, and how he conquered these challenges. The book also covers his sojourn into politics as a young man of 21 and discusses the political structure at the time, county councils, native courts, district councils and more.

American men began an earnest search for the meaning of manhood in the latter half of the 20th century and enlisted in such groups as Promise Keepers, Million Man March, National Congress of Men, and fathers' rights groups. This study chronicles those movements, as well as the more visible male activism of today in such groups as Proud Boys, Three Percenters, and Oath Keepers. The book explores the misogyny and militancy embodied in these new quests for manhood. The first section covers pop culture influences on conceptions of masculinity and moves from celebrity iconography to the institutional and organizational influences that men have relied on in the effort to make themselves masculine. The second section describes masculinity and men's movements in the 20th century, and the third section covers the 21st. The final chapters analyze the contrast between the more thoughtful men's movements before the turn of the century and the more militant and physical movements after 2000, posing and addressing critical questions about the relationship between prevailing ideals of masculinity and events like the January 6th insurrection.

By 1977 National Public Radio (NPR) was in trouble, plagued with too little funding and declining ratings. The phenomenal success of the creative scandal caused by the original Star Wars radio drama in 1981 gave NPR the needed ratings, publicity, and boost in donations that kept it afloat at exactly the time it was threatened the most. Most importantly, Star Wars brought a new audience to NPR. As it did in theaters, where George Lucas's films redefined movie making, so too did NPR's Star Wars, forever change the artistic world of radio drama. That a radio network, dependent exclusively on audio for its format, would find a lifeline in one of the most visually dynamic movies ever released is the stuff of irony. Utilizing new interviews with creatives such as Anthony Daniels (C-3PO), Ann Sachs (Princess Leia), Perry King (Han Solo), and director John Madden, and archival research, this book tells the story of how an unlikely alliance of academics, radio executives, Lucasfilm employees, actors, and behind-the-scenes artists banded together, despite the obstacles, to create a unique and consequential work. In turn, it is also the story of how writer Brian Daley was the fulcrum who made it all possible.

The U.S. Army 7708 War Crimes Group investigated atrocities committed in Germany and Nazi-occupied Europe during World War II. These young Americans--many barely out of their teens--gathered evidence, interviewed witnesses, apprehended suspects and prosecuted defendants at trials held at Dachau. Their work often put them in harm's way--some suspects facing arrest preferred to shoot it out. The War Crimes Group successfully prosecuted the perpetrators of the Malmedy Massacre, in which 84 American prisoners of war were shot by their German captors; and Waffen-SS commando Otto Skorzeny, aptly described as "the most dangerous man in Europe." Operation Paperclip, however, placed some war criminals--scientists and engineers recruited by the U.S. government--beyond their reach. From the ruins of the Third Reich arose a Nazi underground that preyed on Americans, especially members of the Group.