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Women used automobiles as soon as they had access to them. Black, Indigenous, and White American women utilized the automobile to improve their quality of life and achieve greater freedom. These women shared unique concerns and common aims as they negotiated their way through a time when advocacy for social change was undergoing a resurgence. The years that brought the automobile to the United States, 1893-1929, also brought increased legal and social restrictions based on racism and gender stereotypes. For women the automobile was a useful tool as they worked to improve their quality of life. The automobile provided a means for Black, Indigenous, and White women to pull away from limitations and work toward greater freedom. Exploring these key issues and more, this book is a history and social exploration of women and the automobile during the early automotive era.

This work examines African American children's poetry through a variety of lenses: jazz poetics, the blues, nonsense verse, gender, and working class studies. African American children's poetry reveals legacies of segregation, the Great Migration north, and racial and gender reckonings in United States history. Works by Gwendolyn Brooks, Langston Hughes, Lauryn Hill, and Wynton Marsalis reveal warnings, scenes of empowerment, and moments of remembrance for children and young adults. This is the first academic book to investigate African American children's poetry thematically across two centuries, including hip hop lyrics and jazz poetry.

A brave heroine whose quest involves living her true gender. A genderqueer knight who battles the transphobic court to save their prince. Often fearing discovers, the trans hero embarks on adventure, aided by an accepting mentor and other allies, and challenged by transphobic villains and sometimes uncomprehending family members. Ultimately, the trans hero triumphs, finding love, selfhood, and affirmation. This book takes Joseph Campbell's classic pattern of comparative mythology and applies it to trans and non-binary heroes in modern popular media who are traversing multiple worlds. Analyzed are works for the screen such as Steven Universe, The Matrix, The Umbrella Academy, Sense8, and Sandman; print materials such as DC and Marvel comics; and television, fantasy books, and graphic novels from trans and non-binary creators worldwide.

This work recounts the lives and deaths of athletes who departed the world suddenly and without warning during their playing careers. From slugger Ed Delahanty's fatal plunge into the Niagara River in 1903 to the demise of Dwayne Haskins on a dark Florida highway in 2022, their untimely ends shocked and saddened millions of fans. Many died from injuries sustained in the course of competition. Others met their fate in airplane and motor vehicle crashes, by freak accident and through disease, drug overdose, drowning and suicide. Several were victims of cold-blooded murder. Regardless of how or why they perished, Dale Earnhardt, Len Bias, Thurman Munson, Flo Hyman, the Marshall Thundering Herd and all the rest faced the same merciless truth--there would be no next year.

Rescue dogs provide above-and-beyond value to humans at our most vulnerable: when we experience deep depression and severe mental illness; searing trauma and gripping grief; debilitating drug addiction; and of course, strained relationships with our fellow humans. Alternating between memoir and rescue dog owner profiles, this book intimately binds together shelter dogs, mental health and human relationships, exploring the tangible benefits these damaged dogs bring to us damaged humans. The author offers firsthand experience with each of the mental health themes and relationship issues covered herein and discusses how his beloved rescue dog--a battered mutt with an odd name and a heartbreaking backstory--substantially helped him cope with these challenges. Throughout, we find rescue dogs compelling their humans to be better people--to push forward through headwinds, persist despite setbacks, and build self-esteem through the estimable acts of feeding, sheltering and loving an innocent, mistreated being.

In this book, retired university president Alvin J. Schexnider shares the lived experiences that shaped his career and the challenges presented by race. About half of his career was spent at white universities. He details how he navigated those challenges in spite of longstanding policies and practices. He examines how certain events of his youth shaped his views on race including segregation, the execution of a Black man in his hometown, lynching in the South, and the pervasive opposition and violence spawned by the civil rights movement. The second half of his career was spent at historically Black universities (HBCUs) where, as a product of one, he felt a sense of commitment. Schexnider provides a unique lens through which his career evolved from the early days of affirmative action and equal employment opportunity (AA/EEO) to the current era of diversity, equity and inclusion (DEI). The book spotlights the continuing role of race in the recruitment, promotion and retention of Black faculty, the challenges to DEI, and its ability to effect change. It contrasts affirmative action and diversity and argues that diversity is more likely to benefit other ethnic groups rather than Blacks based on current trends in higher education. The book concludes with a chapter on the future of HBCUs, a sector of higher education that is currently receiving unprecedented attention but is likely fleeting. This chapter acknowledges the challenges and opportunities HBCUs face and it offers strategies to put them on a sustainable path to secure their future.

Born in Italy in 1891, Andy Varipapa immigrated to the United States in 1903, uneducated and unable to speak English. Equipped with little more than athletic ability, the will to succeed, and a healthy dose of self-confidence, he became bowling's first superstar. In the 1940s and 1950s, Varipapa was the world's most famous bowler. For more than 50 years, he dazzled fans with an array of never-before-seen trick shots in person, on movie screens, and on television. Varipapa was not only a performer but one of the greatest bowlers ever. He won the prestigious BPAA All-Star tournament in 1946, silencing critics who claimed he was just an entertainer. And he did so at age 55, long past most bowlers' retirement age. To prove it was no fluke, he repeated in 1947. Bowling fans recognized the outspoken and brash "Great Varipapa," who once said, "I'm the most skillful, talkative, and controversial bowler who ever lived." Few knew Andy, the kind and loyal family man and friend. Sourced from interviews with family and friends and more than 1,000 secondary sources, this first-ever, biography of Varipapa tells the personal story of bowling's greatest showman and one of its most influential figures.

Senator Charles "Mac" Mathias was a lifelong Republican who easily won every election in a 26-year congressional career in otherwise heavily Democratic Maryland. Mathias was a courageous risk-taker who led efforts to advance civil rights, voting rights, environmental initiatives to clean up the Chesapeake Bay, and establish the Vietnam Veterans Memorial. On foreign policy, he was an early critic of the Vietnam War and a consistent advocate of bipartisan action on nuclear arms control, Middle East peace and sanctions against apartheid South Africa. His story, captured here by senior staff members and leading members of Congress, is an inspiring example of what a principled and courageous political leader can do when he follows his conscience and is willing to take on not just the opposition, but his own party. His thoughtful leadership and bipartisan spirit led (then) Senate Majority Leader Mike Mansfield to call him "the conscience of the Senate." His remarkable career is a stark reminder of the days when the Republican Party stood for the rule of law, respect for the Constitution and a balanced foreign policy.

As a 21-year-old Marine sent to the front lines of the Korean War, Al Martinez dispatched letters almost daily to his young bride, Joanne. In battle, he experienced the worst that war can bring, and then he served as a combat correspondent and as writer and editor of his regimental newsletter, the Ridgerunner. After the war, he entered a career in journalism, becoming a featured columnist for the Los Angeles Times where he would earn three shared Pulitzer Prizes. Written from the unique perspective of an obviously gifted, professional writer at the beginning of his career, his letters home capture his experiences eloquently and with depth of understanding as they express the dangers, hardships, fear, friendships, and even humor of life at the front. His vivid, often humorous pen-and-ink drawings portray scenes from the front lines.

In 1953, seven universities seceded from the NCAA's Southern Conference to form the Atlantic Coast Conference. Founding members Clemson, Duke, Maryland, North Carolina, North Carolina State, South Carolina and Wake Forest were soon joined by Virginia. Inspired by national academic and gambling scandals, and a bowl game crisis in 1951, the ACC's leaders hoped to reduce the commercialism and professionalism that permeated college athletics in the 1950s. This first ever full-length history examines founding of the ACC, the star athletes and coaches and football and basketball season highlights, along with the negotiations that led to the creation one of America's most successful athletic conferences.

Some of the most raucous evenings in the history of theater are chronicled in this lively discussion of occasions when theater-makers changed the course of theatrical, and sometimes world, history. Covering a wide range of events from the inauspicious opening of Oedipus Rexin Athens, to the assassination of Abraham Lincoln in Washington, D.C., to the violence-riddled performance of Halla Bol in New Delhi, this book offers detailed and studied observations of specific minutes, hours, and days on the stage. For each staging covered, the author examines the reactions of critics and the public and tells the inside story, identifies the key players, and examines why these events still resound today.

Grunge. Flannel. Generation X. In 1993, Seattle was the capital of the world, Nirvana was king, and slackers were everywhere. When the Red Hot organization, a group of activists dedicated to raising money and awareness of AIDS, released their third compilation CD featuring the biggest bands of the era--Soundgarden, Smashing Pumpkins, Beastie Boys, The Breeders, Nirvana and more it quickly became the touchstone of a generation. Rolling Stone called No Alternative a "jaw-dropping compilation of musical gems." This book takes a look back at what happened to the bands involved with No Alternative. It includes new interviews with the musicians and others behind the record, and chronicles the downfall of an industry, the taming of a devastating illness, and the arrival of another global pandemic. It's about growing up, saying goodbye, and proving once more that you can't go home again (even if that's where you left all of your CDs).

This book details British fortifications used from the Tudor period beginning in 1485 through the end of World War II in 1945. With the advent of firearms, the Tudor period indeed opened a new chapter in the histories of Britain, fortification and warfare. By 1500 AD, Britain and Europe at large entered a new phase, marked by the foundation of colonial empires and a broadened sphere of influence and rule. During the following centuries, British sailors, ruthless adventurers, fighting men, and greedy merchants laid foundations to fortify the most widespread and most prosperous colonial Empire the world had ever seen. This text focuses on British coastal fortifications and on combinations of fortresses used for more general strategic purposes. Featured structures have protected points of vital importance, such as capital cities, military depots, ports, harbors and dockyards at essential locations in Britain and throughout the British Empire.

Before the Civil War, George Proctor Kane had been a businessman, thespian, political appointee, philanthropist and militiaman. During the war, as Baltimore's chief of police, he harbored the divided loyalties familiar to the border states--Southern in his sentiments yet Northern in his allegiances. As the city's top lawman, he sought to reform Baltimore's "Mobtown" image. He ensured that President-elect Lincoln, passing through on the way to his inauguration, was not assassinated. He protected Union troops marching to defend Washington, D.C. He was eventually imprisoned as a Southern sympathizer, denied habeas corpus as his captors transferred him from prison to prison. This book recounts Kane's enigmatic public life before and during the Civil War, his Confederate activities after prison and his return to serve as mayor of Baltimore.

With a writer who had never written a play, an actress who had never taken the stage alone, and a director who had never headed a live performance, The Belle of Amherst managed to become an American theater classic. Despite being savaged by critics attending its opening night in April 1976, the play, which details the life of Emily Dickinson, survived its baptism by fire and went on to appear in theaters across the world. This is the remarkable untold story of "the little play that could." Covering the play's humble beginnings as well as its pioneers--like writer William Luce, director Charles Nelson Reilly and actress Julie Harris--this work also documents the modern efforts to keep the play alive. Exploring the show's enduring dramatic power, this book ultimately pays respect to the one-woman show that has triumphed for decades.

This work demonstrates that not everything that Disney touched turned to gold. In its first 100 years, the company had major successes that transformed filmmaking and culture, but it also had its share of unfinished projects, unmet expectations, and box-office misses. Some works failed but nevertheless led to other more stunning and lucrative ones; others shed light on periods when the Disney Company was struggling to establish or re-establish its brand. In addition, many Disney properties, popular in their time but lost to modern audiences, emerge as forgotten gems. By exploring the studio's missteps, this book provides a more complex portrayal of the history of the company than one would gain from a simple recounting of its many hits. With essays by writers from across the globe, it also asserts that what endures or is forgotten varies from person to person, place to place, or generation to generation. What one dismisses, someone else recalls with deep fondness as a magical Disney memory.

From early classics like Contact to marvels like High Speed, gaming publisher Williams dazzled arcade goers with its diverse range of quality pinball games. The age of video games catapulted the company into legend with blockbusters like Defender and Joust, and by the end of the 1980s it was the largest coin-op publisher in North America. Williams' acquisition of Bally/Midway began a period of hits that included Mortal Kombat and NBA Jam, as well as the best-selling pinball machine of all time, The Addams Family. The history of Williams spans nearly six decades and is filled with great games, huge gambles and technical innovations that impacted every aspect of pinball and arcade video games. With interviews of 40+ former designers and executives from Williams/Bally/Midway, as well as information from hundreds of contemporaneous news reports and documents, this book presents a never-before-seen chronology of how the small company became a coin-op juggernaut. Thirty pinball and 26 video game classics are examined in depth with direct input from the people who made them, along with the story of the events that shaped one of gaming's greatest publishing houses.

This is a comprehensive and detailed encyclopedia for readers of Evelyn Waugh's Brideshead Revisited, one of the most popular and critically acclaimed novels of the twentieth century. It contains 175 entries on all aspects of the novel, covering such topics as the novel's main characters; cultural, literary, and political references; themes; organization; homosexuality; the novel's critical reception; and its film adaptions. It also pays particular attention to the importance of Catholicism in the story, discussing such subjects as sin, good and evil, divine grace, time, art, and love. A helpful list of recommended readings is included.

This work is a straightforward approach to the creative process of actor training. Combining principles of verbal and nonverbal communication with the basic tenets of Stanislavski's approach, it includes a step-by-step guide for reading, analyzing, and preparing a text for performance. The book also provides a template for rehearsing a sonnet, a soliloquy, and scenes from plays of heightened language ranging from Shakespeare, Moliere, and Congreve, to Ibsen, Shaw, and Lynn Nottage. Using improvisation, games and exercises with a series of tools designed to enhance the creative process, the book outlines the specific steps necessary to engage in the basic tenets of acting: overcoming obstacles and playing action-based objectives. Enlarging the field of study to include status, opposition, and releasing, as well as scansion and an emphasis on operative words and images, the actor emerges from this training process prepared to play any text, in any style, under any circumstance, with confidence, ease and a sense of joy.

This is a history and critical appreciation of an unusually fertile period for the production of great or near-great silent films: late 1927 through early 1929, in the midst of the tumult and upheaval of Hollywood's transition from silent to sound. The book offers in-depth looks at several of the best of these films and discusses the gifted artists such as Charlie Chaplin, Mary Pickford, and Lillian Gish who helped bring them to life, even as the art they had taken to remarkable heights was about to be obliterated. It depicts some of the silent medium's most talented filmmakers and their efforts--in the face of inescapable technological change--to give their dying art a rousing last hurrah.

Things to Come is the 1936 release of London Films, produced from the 1935 "film story" by H.G. Wells, the text of the present work. The book includes more than 100 illustrations, most of them publicity stills that are all the more relevant because Wells, for a script writer, had unusual control over the actual film production. The images are very much a direct expression of his film story. Done at age 70, Things to Come reflects on a long literary career, in both fiction and nonfiction, often given to the fate of man and the prospect of a unified world state, a utopian future realized in the film by A.D. 2036. That is what is coming: the end of warfare between belligerent nation states. Now the new frontier of human conquest is space, begun at film's end with the first firing of a gigantic space gun.

The Time Machine is one of the most enduring works of the English language. A hundred years after it was first published, the book continues to be studied. The 1895 London first edition is used as a basis for the exhaustive annotations and other critical apparatus of the world's foremost Wellsian scholar. The widely reprinted version of 1924 is also fully accounted for. For most students, one of the chief points of interest is what the novel signified to readers when it was first published and how it relates to Wells's later works. Accordingly, the annotations focus on these questions. The introduction gives in great depth the background of the work and its complex bibliographical history, and a synopsis of the literary conventions that Wells used.

This book studies Los Angeles County and its government since World War II. A special focus is given to the "Titans of Temple Street," the five-member Board of Supervisors that determines policies and actions for many issues throughout the county, especially for residents who do not live in the county's 88 cities. It is the largest of all U.S. counties, with a population of more than 10 million, more residents than 41 states, and an annual budget of more than $44 billion, more than all but 19 states. It has served as an innovative example of county government since the early 1900s.

From its birth in 1913 to its abolition in 2021, film censorship marked the history of Italian cinema, and its evolution mirrored the social, political, and cultural travail of the country. During the Fascist regime and in the postwar period, censorship was a powerful political tool in the hands of the ruling party; many films were banned or severely cut. By the end of the 1960s, censors had to cope with the changing morals and the widespread diffusion of sexuality in popular culture, which led to the boom of hardcore pornography. With the crisis of the national industry and the growing influence of television, censorship gradually changed its focus and targets. The book analyzes Italian film censorship from its early days to the present, discussing the most controversial cases and protagonists. These include such notorious works as Last Tango in Paris and Salo, or the 120 Days of Sodom, and groundbreaking filmmakers such as Luchino Visconti, Federico Fellini and Pier Paolo Pasolini, who pushed the limits of what was acceptable on screen, causing scandal and public debate.

All-American quarterback Charlie Conerly's college career was interrupted by World War II. He started at University of Mississippi in 1942, fought in the Battle of Guam in 1944, then led Ole Miss to their first conference championship in 1947. He went on to play for the New York Giants from 1948 to 1961, ultimately leading them to an NFL title. A College Football Hall of Famer, Conerly was a professional All-Star and the lynchpin of the Giants offense at time when the team was loaded with Hall of Famers who unduly overshadowed him during his heyday. New York won repeat divisional crowns under the soft-spoken Conerly and participated in the suspenseful, first-ever sudden death NFL title game in 1958. This first-ever full-length biography chronicles his life and career in detail.

In 1932, The Mummy, starring Boris Karloff, introduced another icon to the classic monster pantheon, beginning a journey down the cinematic Nile that has yet to reach its end. Over the past century, movie mummies have met everyone from Abbott and Costello to Tom Cruise, not to mention a myriad of fellow monsters. Horrifying and mysterious, the mummy comes from a different time with uncommon knowledge and unique motivation, offering the lure of the exotic as well as the terrors of the dark. From obscure no-budgeters to Hollywood blockbusters, the mummy has featured in films from all over the globe, including Brazil, China, France, Hong Kong, India, Mexico, and even its fictional home country of Egypt--with each film bringing its own cultural sensibilities. Movie mummies have taken the form of teenagers, superheroes, dwarves, kung fu fighters, Satanists, cannibals and even mummies from outer space. Some can fly, some are sexy, some are scary and some are hilarious, and mummies quickly moved beyond horror cinema and into science fiction, comedy, romance, sexploitation and cartoons. From the Universal classics to the Aztec Mummy series, from Hammer's versions to Mexico's Guanajuato variations, this first-ever comprehensive guide to mummy movies offers in-depth production histories and critical analyses for every feature-length iteration of bandaged horror.

The legendary story of Beowulf comes to us in only one medieval manuscript with no illustrations. Modern comic book and graphic novel artists have created visual interpretations of Beowulf for decades, both illustrating and altering the classic story to pull out new themes. This book examines the growing canon of Beowulf comic books and graphic novels since the 1940s, and shows the remarkable emergence of new traditions--from re-envisioning the medieval look, to creating new plotlines, and even to transforming his identity. While placing Beowulf in a fantastical medieval setting, a techno-dystopia of the future, or modern-day America, artists have appropriated the tale to comment on social issues such as war, environmental issues, masculinity, and consumerism. Whether Beowulf is fighting new monsters or allying with popular comic book superheroes, these artists are creating a new canon of illustration that redefines Beowulf's place in our culture.

This volume is a fresh examination of the works of Jules Verne, the pioneering and enduringly popular science fiction writer. Essays study Verne's various novels--including Around the World in Eighty Days, The Mysterious Island and The Adventures of Captain Hatteras. Included essays offer analyses of literary responses to Verne's work, assessments of film adaptations of his novels and discussions of steampunk, the Verne-inspired science fiction subgenre that has influenced writers like Philip Jose Farmer, Caleb Carr and Adam Roberts.

Warren Buffett famously invoked the metaphor of a tapeworm when describing what healthcare is to the American economy. The United States spends approximately 20% of its gross national product on healthcare, but it is unclear where the money goes or who is minding the store. This healthcare crisis is mostly about money--not lack of money, but rather misspending of money. From the perspective of a healthcare auditor and provider, this work describes the problems of American healthcare finance and proposes solutions. Extensive charts and graphs are used to trace where money goes in the American healthcare system, while other topics such as ethics in healthcare billing, un-auditable hospital costs and scams are discussed. There is evidence that clearly identifies where the money goes, and its destination may surprise the reader.

The Middle Ages in Western Europe extended from roughly 500 to 1500 c.e. During these thousand years, hundreds of monastic communities were founded and played important roles in religious, economic, social, literary and even military realms. Each had different emphases and goals, ranging from aristocratic monasteries and nunneries that offered comfort and security, to rural institutions that specialized only in the most ascetic lifestyles. This book has two goals. The first is to detail the most significant monastic and secular events of the Middle Ages in Western Europe, such as the decline of the Roman Catholic Church, the rise of Protestantism and the various types and purposes of monasteries and nunneries. The second is to introduce some notable (and unusual) individuals who made their mark upon the Middle Ages-- such as Eustache, the French monk who became a pirate and made a pact with the Devil.