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Volume 2 Part 1 of a parallel-text edition that contains all four versions of Piers Plowman specifically designed to facilitate study of the parallel text (Vol 1) alongside both the textual notes (Vol 2, Part 1) and the commentary/glossary (Vol 2, Part 2), and is intended to make the entire edition available to as many students as possible.

Volume 2 Part 2 of a parallel-text edition that contains all four versions of Piers Plowman specifically designed to facilitate study of the parallel text (Vol 1) alongside both the textual notes (Vol 2, Part 1) and the commentary/glossary (Vol 2, Part 2), and is intended to make the entire edition available to as many students as possible.

Volume 1 of a parallel-text edition that contains all four versions of Piers Plowman specifically designed to facilitate study of the parallel text (Vol 1) alongside both the textual notes (Vol 2, Part 1) and the commentary/glossary (Vol 2, Part 2), and is intended to make the entire edition available to as many students as possible.

Aims at a comprehensive, descriptive list of all authors and works known in Britain between c. 500 and c. 1100 CE. This volume brings up to date the entries on apocrypha first published in Sources of Anglo-Saxon literary culture: a trial version (1990).

Originally delivered as a lecture at the Bayerische Akademie der Wissenschaften, this volume was published in 2002 as "AElfric von Eynsham und seine Zeit," introducing, as Gneuss says, "an Anglo-Saxon author . . . who was the first, and for a long time the only, master of prose written in English."

The essays vary in subject, discipline, and methodological approach, they center on the interpretation of the material world, whether in literature, stone, or the artifacts removed from an archaeological dig. The essays deal mainly with the Germanic and Celtic worlds, but incorporate motifs from Eastern Christian and Roman cultures.

This particular collection of French lyrics made in France in the late fourteenth century, University of Pennsylvania MS 15, is the most likely repository of Chaucer's French poems. It is the largest manuscript anthology extant of fourteenth-century French lyrics in the formes fixes with by far the largest number of works of unknown authorship.

Ancrene Wisse or the Anchoresses Guide (Cambridge, Corpus Christi College, MS 402), written sometime roughly between 1225 and 1240, represents a revision of an earlier work, usually called the Ancrene Riwle or Anchorites' Rule, a book of religious instruction for three lay women of noble birth.

The poem that Richard Maidstone wrote on the metropolitan crisis of 1392 reports information about the royal entry that concluded the crisis in greater detail than any other source. The poem is not primarily a report, however; like Maidstone's other writings, it is above all an ideologically driven literary intervention, produced at a particular moment, addressing a particular political circumstance. . . . Maidstone's Concordia shows Anglo-Latin poetry, on a specific occasion, in the process of making itself a public poetry a broadly appealing, flexible, legible medium for addressing public issues.

Ava is the first woman whose name we know who wrote in German. She wrote her poem - or poems - on the lives of John the Baptist and Jesus Christ sometime early in the twelfth century, no later than 1127.

For all its spiritual cheerfulness and obvious importance as a tale to conclude tales, The Parson's Tale seems to have inspired sentence and solaas in remarkably few critics. . This rethinking of traditional scholarship on The Canterbury Tales will be of great interest to Chaucer scholars and students of medieval literature.

In this volume, John Metham's classic romance Amoryus and Cleopes is made available to a wider audience of students and teachers of Middle English with its contextualizing introduction, extensive notes, and helpful gloss. This fifteenth century romance, written by John Metham, creatively reworks Ovid's tale of Pyramus and Thisbe's tragic love from his Metamorphoses. Metham draws on a wide variety of popular romances and particularly Chaucer's Ovidian works to create an inventive romance of his own with a decidedly moral aim. This volume will be of interest to students of Middle English romance and all those interested in the literary legacy of Chaucer.

The commentary of Rabbi Ezra ben Solomon of Gerona (d. ca. 1245) on the Song of Songs is one of the most important texts of the first clearly identified circle of Kabbalists, those operating in the Catalonian town of Gerona at the middle of the thirteenth century.

This volume stands as a selection of works presented sessions at the thirteenth International Congress on Medieval Studies, helping to "fortify the strength of interest and inquiry directed toward rhetoric's symbiosis with historiography in centuries past".

One of the most ambitious attempts in medieval vernacular poetry to recount the story of the Trojan war. John Lydgate, monk of the great Benedictine abbey of Bury St. Edmunds in Suffolk, began composing the poem in October 1412 on commission from Henry, Prince of Wales, later King Henry V and he completed it in 1420.

Illustrates how, in the devout medieval English sensibility, doctrine was vitally connected to affective receptivity. Narrative moods range from love-longing and passion to bitter grief and sorrowful lament, feelings from the intimately personal state of being God's created creature, individually answerable to divine law and love.

Surveys of the history of biblical exegesis and, in particular, the history of Apocalypse commentaries rarely fail to allude to Nicholas of Lyra O.F.M. (1270-1349) as the greatest biblical exegete of the fourteenth century.

Primarily for students of medieval history, nothing from a specifically literary text has been included. Only material from record sources is provided as these are the only written materials that permit some measure of personalized contact with specific men and women from the past, so this gives them a special importance.

This fresh classroom edition of the Middle English poems of Laurence Minot, with its introduction, gloss, notes, and glossary, enables students of all levels to encounter Minot's poetry.

This book brings together and translates from the medieval Latin a series of commentaries on the biblical book of Ruth, with the intention of introducing readers to medieval exegesis or biblical interpretation. . . . Ruth is the shortest book of the Old Testament, being only four chapters long. It is partly for this reason that it lends itself so well to a short book introducing medieval exegesis; but it is also of interest in itself. Ruth poses a number of exegetical problems, including the basic one of why such an odd book, in which God never appears as an actor, and with a central character who was not an Israelite but a Moabite outsider, and a woman at that, should find a place in the canon of Scripture.

Poems and historical documents relevant to understanding the political climate of fourteenth- and fifteenth-century Britain, many of which have been out of print for a century. This new edition, geared towards classroom use with its notes, introductions, gloss, and glossary, opens up the fascinating study of late medieval English history.

The only known English version of Chretien de Troyes's romance of Perceval. Accompanying this tale is Ywain and Gawain. An excellent introduction to Middle English Arthurian romance, as they include editing, glosses, introductions, and a very helpful glossary for beginning students.

Depositions (or testimony) in marriage cases brought before fifteenth-century English church courts reveal the attitudes and feelings of medieval people towards the marital bond.

This new edition makes available to students of English romance and of the Matter of Britain two significant Middle English Arthurian romances. With introductions, glosses, notes, and glossary, a very accessible edition for students.

Wasson here provides the basic tools necessary to transcribe documents, without regard for the historical development of alphabets, letter forms, and the like. This manual will be of great interest to scholars of the arts in need of a guide for their journeys into the archives.

Eighteen essays by some of the most prominent British and North American students of heroic poetry, plus two poems and a bibliography, are gathered here to honor Jess B. Bessinger Jr., whose innovative studies of heroic poetry have instructed a generation of scholars and whose performances of Anglo-Saxon poems are legendary.

On anticlerical poetry in late medieval England. These Middle English poems attack ecclesiastical corruption; most of the poems were written by disgruntled Lollards about clerics and friars in the late fourteenth or early fifteenth century. Well glossed and include introductions and copious notes, for students of any level of experience.

An account of life in London during the reign of the first Tudor king.

New translations of texts on the Apocalypse written by Theodulf of Orleans and Smaragdus of Saint Mihiel, two early ninth-century theological advisers to Charlemagne.

Performative dance and dance history, social history and musicological issues are all explored, touching on topics from the later Renaissance back through the Carolingian Empire.