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Performative dance and dance history, social history and musicological issues are all explored, touching on topics from the later Renaissance back through the Carolingian Empire.

Clifford Davidson's newly revised and expanded edition of A Tretise of Miraclis Pleyinge makes available the longest and most significant text of dramatic criticism in Middle English.

Gower's imaginative French poetry is now available in a new edition with facing page translation, annotations, and introduction. Gower's Traitie employs the French poetic form of balade, typically used for courtly verses, to avow instead the virtues of loving marriage, characteristic of Gower's signature moralizing. His Cinkante Balades confront the tradition of the French Livre de Cent Balades, by describing the feelings of a young man towards his lady, but eventually offering a praise of love insofar as it is subject to reason and morality. Together the two works offer an excellent introduction to the Anglo-Norman works of Gower and are perfect for classroom use.

The Hero Recovered: Essays on Medieval Heroism in Honor of George Clark brings together studies concerning heroes and heroisms in Old English, Old Icelandic, Middle English, and modern literature as a tribute to the scholarship and teaching of George Clark. The thirteen essays in this collection appear in print here for the first time.

The paraphrase is a remarkable artifact of the Chaucerian period, one that can reveal a great deal about vernacular biblical literature in Middle English, about understandings of the Bible, about the environment in which the Lollards and other reformers worked, perceived roles of women in history and in society and composition of medieval drama.

This sourcebook presents editions and translations of seven 14th- and 15th-century texts that advance our understanding of gender, sexuality, and class in the late medieval German-speaking world. Three of the translated texts are fiction. Additionally, there is a religious treatise, a religious legend, an inventory of books, and a legal document.

Morality play deals allegorically with the life of man, his struggle against temptation and sin and hope of final redemption. The play begins before Mankind's birth and concludes with his salvation after death, and features the traditional enemies of Mankind (the World, the Flesh and the Devil) and his two advisors (the Good and the Bad Angel).

The idea for the Bloomfield Lectures was...[to] reflect to some extent Morton Bloomfield's wide and varied interests-in literature, in the history of philosophy, in language studies, in Judaic studies.

John Lydgate is known as the most distinguished poet of fifteenth-century England. This volume presents his brilliant and underappreciated dramatic texts written for both private and public entertainment, encompassing both religious and secular topics. This is the first time since 1934 that many of these poems have been reprinted or reedited. They are published here with an extensive gloss and notes, as well as a glossary and an introduction, making them accessible to a new generation of students of the Middle Ages. These works are indispensible to any study of medieval English drama.

A remarkable product of an important period in German literature and indeed in medieval European culture; it may be argued with considerable justification that Der Welsche Gast is the most significant didactic work of the German High Middle Ages.

A morality play warning Mankind how it may be led astray by temptation, while entertaining the audience with banter between the characters representing vice. With a gloss, notes, an introduction, and a glossary, this edition of the lively Middle English play is perfect for any level of instruction and invaluable to those who teach early drama.

This collection of essays addresses the concerns of Anglo-Saxon manuscript studies today, which have been given new energy by the publication of Helmut Gneuss's Handlist of Anglo-Saxon Manuscripts. .

This particular collection of French lyrics made in France in the late fourteenth century, University of Pennsylvania MS 15, is the most likely repository of Chaucer's French poems. It is the largest manuscript anthology extant of fourteenth-century French lyrics in the formes fixes with by far the largest number of works of unknown authorship.

Despite its title, Caxton's "Game and Playe of the Chesse" does not, in fact, have much to say about a game or about playing it. Instead, the work uses the chessboard and its pieces to allegorize a political community whose citizens contribute to the common good.

Since its rediscovery by nineteenth-century scholarship, Oxford, Bodleian Library MS Ashmole 61 has never been ignored, though it has also not gained a great deal of notoriety beyond the scholars of Middle English romance.

The essays in this collection honor Helen Damico's extensive interests in Old Norse and later medieval literatures as well as her primary focus on Anglo-Saxon studies, embracing Old English poetry, archaeology, art history, paleography, liturgy, landscape, and gender.

Takes the form of an elusive and suspenseful-but for that reason all the more sensational-dream vision that demands close attention to detail and the dynamic way in which the meaning of events unfolds.

These four narratives were among the most popular Middle English romances; all survive in multiple manuscripts and continued to circulate in prints through the sixteenth century. All were composed in the northeast Midlands in the fifty years between 1325 and 1375, and they appear together in several manuscripts.

At the forefront of the medieval wisdom tradition was "The Dicts and Sayings of the Philosophers," a long prose text that purports to be a compendium of lore collected from biblical, classical and legendary philosophers and sages. "Dicts and Sayings" was a well-known work that traveled across many lands and was translated into many languages.

It is the purpose of this small book to offer to the reader selections from Stone's modest compilation of the internal life of his own monastic community-obituaries of monks, the celebration of the liturgy, even the weather-set against the wider events of the tumultuous fifteenth century in England.

Gower's achievement in writing substantially in all three primary languages of his time-Anglo-French, English and Latin-was a source of pride to others and, undoubtedly, to him too: into the final years of his life he continued to produce poetry in all three languages.

The poems in this volume were prized and preserved because of their association with Chaucer's name and have been, paradoxically, almost entirely ignored by modern readers for the same reason. The various genres represented in this sampler attest to the diversity of late medieval literary tastes and to the flexibility of the courtly idiom.

The poem, which survives only in the Auchinleck Manuscript, deals with the later years of Guy's life, beginning with his return to Warwick after having established himself on the Continent as a pre-eminent model of knighthood.

Companion to another Middle English Texts series text, Sherry Reames' Middle English Legends of Women Saints. This selection is intended to be broadly representative of saints' lives in Middle English and of the classic types of hagiographic legend as these were presented to the lay public and less-literate clergy of late medieval England.

Translated with an introduction and notes by Mary Dove. In this translation of glosses on the Song of Songs, Mary Dove offers a readily accessible and inexpensive resource for students and scholars.

Scottish poet William Dunbar is usually considered one of the most important figures of fifteenth-century British literature, and may lay claim to being the finest lyric poet writing in English in the century and half between the death of Chaucer in 1400 and the appearance of Tottel's Miscellany in 1557. Dunbar's poems offer vivid depictions of late medieval Scottish society and serve up a striking pageant of colorful figures at the court of James IV (r. 1488-1513), with which he was associated for much of his adult life. The poems are remarkable both for their diversity and variability and for their multiplicity of voices, styles, and tones. The great variety of poems within Dunbar's canon includes religious hymns of exaltation, moral poems on a wide range of serious themes, comic and parodic poems of extreme salaciousness and scatological coarseness, general satires against the times, and satires with much more specific targets, often a single individual. This edition of eighty-four poems attributed to Dunbar includes extensive background material and explanatory notes that are sure to be of interest to students and Dunbar enthusiasts alike. The edition is rounded out with textual notes, an index of first lines, and a glossary.

Through these fourteenth-century Middle English poems, readers can experience something of the controversies that surfaced and resurfaced even after Aquinas had articulated his doctrine of the Communion of Saints

John Lydgate's The Siege of Thebes, written c. 1421-22, is the only Middle English poetic text that recounts the fratricidal struggle between Oedipus's sons Eteocles and Polynices as they contend for the lordship of Thebes. The text reflects the problem of poetic authority and the political and ethical themes of Lydgate's poetic career in the 1420s, when he was writing as a Lancastrian propagandist and as unofficial royal poet.

Walter Hilton's The Scale of Perfection maintains a secure place among the major religious treatises composed in fourteenth-century England. This guide to the contemplative life, written in two books of more than 40,000 words each, is notable for its careful explorations of its religious themes and also as a monument of Middle English prose. Its popularity is attested by the fact that some forty-two manuscripts containing one or both of the books survive, with a relatively large number of manuscipts with Book I alone, which suggests it may have been the more popular of the two. Hilton (born c. 1343) was a member of the religious order known as the Augustinian Canons. There is reason to believe that be was trained in canon law and studied at the University of Cambridge. He was the author of a number of works in English and Latin, all much shorter than The Scale. He died at the Augustinian Priory of Thurgarton in Nottinghamshire in 1396. On the basis of the content of certain of his works it can be safely inferred that he was actively involved in some of the religious controversies current in England in the 1380s and 1390s, and his principal concern, evident in The Scale , is to defend orthodox belief, especially in the conduct of the contemplative life.

Texts of interest because they represent a kind of writing - at the intersection of ecclesiastical and secular power, drawing on the whole range of medieval Latin learning - that is not found elsewhere in the European Middle Ages. Usefull in teaching as they illustrate a great number of characteristic medieval ways of writing.