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An excellent introduction to the tradition of romances dealing with the matter of France-that is, Charlemagne and his Twelve Peers. This is a valuable introduction to Charlemagne romances and is accessible to beginners in Middle English because of contextualizing introductions and glosses for each text, as well as a helpful glossary.

An asset to any study of gender in medieval England; three poems that complement each other in their treatments of relations between the sexes. Incl. contextualizing introductions and helpful glosses; also an extensive glossary for the entire volume. Useful to not only beginning students of Middle English and thos more advanced.

Professor Palmer has systematically surveyed the art of the former West Riding of Yorkshire and has provided an iconographic index of this large region where medieval drama also flourished.

In his foreward to the volume, Clifford Davidson praises Guilfoyle's application of the concept of scenic form in her study of Hamlet, Othello, and King Lear, and her exposition of historical consciousness. Any student of Shakespeare will benefit from the nuanced study of his imagery and how it colors his characters and the action in his plays.

Transcriptions were all designed for performances by the Society for Old Music, and were used in concerts for the local community, the International Congress on Medieval Studies. Concerts ranged from medieval chant and monophonic song to polyphonic choral works, and each concert focused on a particular topic.

"The Worlde and the Chylde," issued by the press of Wynkyn de Worde in 1521, is one of the very earliest plays published in England. It also has very considerable interest for its adaptation of the ages of man iconography, which is extensively treated in the introduction, notes and illustrations.

The Middle English texts of three "Legendary Romances of Didactic Intent". An edition aimed at students and designed for classroom use, with contextual introductions and marginal glosses of unfamiliar words and phrases. Second, revised edition.

This book illustrates this vastness of medieval interpretive tradition on the seven seals. It includes fifteen texts from the sixth through the fifteenth century.

A university exists to make known what can only be revealed by consistent, dedicated effort. Ultimately, a university exists in order to understand the things that are hidden from ordinary, casual view. This is a message that is subtly reinforced by all of the articles in this volume.

"The Wallace" catalogs the sheer brutality of war. We are regaled with such detailed accounts of the sacking of towns and the burning down of buildings full of screaming inhabitants that the smells and sounds, as well as the terrible sights, of war are graphically conveyed.

Published in cooperation with the Medieval and Renaissance Studies program at the University of Pittsburgh, this collection of essays explores the interconnectedness of pilgrimage and crusade, and the central role of these enterprises for the history of European society and thought.

The twelve essays in this volume proceed from a modern fantasy-epic back in time to oral epics that have been transmitted through the technology of manuscripts, and central in the collection are two articles that address Chaucer's Middle English courtly epic, Troilus and Criseyde.

As a scholar, senator and consul, whose life was centered in Rome and later in Ravenna, Boethius belonged to two worlds-the world of pagan antiquity and the world of the Christian Middle Ages-and his life and work embody and embrace the spirit of both.

Eibinder states in her lecture that over the thirteenth century, the scattered poetic remains that document persecutions against Jews in royal France often refer to burning books. Young poet Meir ben Baruch of Rothenburg captured the tone of mourning and bereavement following the events of 1242 in a remarkable tribute to Jewish study and students.

This book is the first comprehensive examination of a manuscript that is of supreme value to literary scholars of medieval English literature.

This collection of essays is the first published in North America that seeks to describe the methodology and some results of a scholarly enterprise that is hailed in the preface to the volume as "one of the most vibrant, innovative, and productive movements in medieval scholarship at the present time."

This volume contains collected papers on medieval England's names and naming patterns--mostly forenames or Christian names, but with some attention to family names.

Its over four hundred images make this manuscript (Cotton Claudius B. iv) one of the most extensively illustrated books to survive from the early Middle Ages and preserve evidence of the creativity of the Anglo-Saxon artist and his knowledge of other important early medieval picture cycles.

The radical Protestantism that led to the suppression of religious drama in England also destroyed perhaps the majority of ecclesiastical art in the country. The essays in this book provide analysis of the intellectual and religious motivation as well as new historical information concerning this phase of iconoclasm.

The study of popular hymnody is remote not only from contemporary experience but also from very many contemporary scholars. The first English study of the form. Illustrated, including musical notation and black-and-white plates.

Accessible to scholars whose specialties lie outside of technical music theory, keeping in mind especially the aesthetician but also general medieval scholars, and even the general reader.

The essays span across a wide range of different topics: the specificity of the Romance epic and how well it fits into the genre of epic at all, the structure of the chansons de geste, school influences on the Old French, the reconstruction of lost chansons de geste, the evolution of the genre through centuries and topics specific to certain works.

In addition to a catalogue of Easter sepulchres in England, Professor Sheingorn has produced in her introduction a superb study of the ceremonies, rites, and dramas associated with this structure.

This anthology aims to add to a deeper understanding of the tradition of natural law throughout the medieval period. It runs contrary to the opinion so commonly held since the Renaissance, that any tradition deemed medieval has little or even nothing to offer to contemporary needs and interests.

This illustrated volume provides a much-needed introduction to what may have been the most popular variety of drama in the Middle Ages: the saint play. A comprehensive and collaborative survey is provided with an emphasis on interdisciplinary study rather than only literary analysis.

The first of two volumes dedicated to the memory of Paul Remy and having as theme the scientific domain to which he had dedicated his research for nearly forty years: the Occitan literature and language.

The second of two volumes dedicated to the memory of Paul Remy and having as theme the scientific domain to which he had dedicated his research for nearly forty years: the Occitan literature and language.

Proceedings of the First International Interdisciplinary Conference on Medieval Prosopography (Bielefeld, Germany, December 1982).

The study of the early art of England can be frustrating for scholars, as the destruction by iconoclasm and neglect was very thorough in certain regions. Aids those studying the early art, including relics and musical iconography, of Coventry, Stratford-upon-Avon, Warwick, and other Warwickshire locations. 71 illustrations and 2 map.