Bøker utgitt av Melville House Publishing

UPDATED AND REVISED EDITION THE LITTLE-KNOWN STORY OF POOR AND WORKING-CLASS WHITES, URBAN ETHNIC GROUPS AND BLACK PANTHERS ORGANIZING SIDE BY SIDE FOR SOCIAL JUSTICE IN THE 1960S AND '70SSome of the most important and little-known activists of the 1960s were poor and working-class radicals. Inspired by the Civil Rights movement, the Black Panthers, and progressive populism, they started to organize significant political struggles against racism and inequality during the 1960s and into the 1970s. Historians of the period have traditionally emphasized the work of white college activists who courageously took to the streets to protest the war in Vietnam and continuing racial inequality. Poor and working-class whites have often been painted as spectators, reactionaries, and, even, racists. But authors James Tracy and Amy Sonnie disprove that narrative. Through over ten years of research, interviewing activists along with unprecedented access to their personal archives, Tracy and Sonnie tell a crucial, untold story of the New Left. Their deeply sourced narrative history shows how poor and working-class individuals from diverse ethnic, rural and urban backgrounds cooperated and drew strength from one another. The groups they founded redefined community organizing, and transformed the lives and communities they touched. Hillbilly Nationalists, Urban Race Rebels and Black Power is an important contribution to our understanding of a pivotal moment in U.S. history. Among the groups in the book: + JOIN Community Union brought together southern migrants, student radicals, and welfare recipients in Chicago to fight for housing, health, and welfare . . .   +  The Young Patriots Organization and Rising Up Angry organized self-identified hillbillies, Chicago greasers, Vietnam vets, and young feminists into a legendary “Rainbow Coalition” with Black and Puerto Rican activists . . .   + In Philadelphia, the October 4th Organization united residents of industrial Kensington against big business, war, and a repressive police force . . .   + In the Bronx, White Lightning occupied hospitals and built coalitions with doctors to fight for the rights of drug addicts and the poor.

Fred Rogers's gentle spirit and passion for children's television takes center stage in this collection of interviews spanning his nearly forty-year careerNearly twenty years after his death, Fred Rogers remains a source of comfort and fond memories for generations who grew up watching Mister Rogers' Neighborhood. Over the course of his career, Rogers revolutionized children's television and changed the way experts thought about the educational power of media. But perhaps his most lasting legacy was demonstrating the power of simply being nice to other people. In this collection of interviews including his firey (for him) 1969 senate testimony that saved PBS and his final interview with Diane Rehm, Rogers's gentle spirit and compassionate approach to life continues to be an inspiration.

In the follow up to her smart debut, The Ghost Network, Catie Disabato creates a vivid portrait of a young woman investigating her best friend's disappearance while navigating codependent friendships, toxic exes, and witchy ritualsEve has a carefully curated online life, works occasionally, and texts constantly with her best friend, Ezra. Basically, she is an archetypal L.A. millennial. She has also been carrying on a year-long conversation with her deceased friend Miggy over text. But when Ezra goes missing on the anniversary weekend of Miggy's death, Eve feels like her world is shattering.Over a frantic weekend Eve investigates Ezra's disappearance, scouring social media for clues, while drowning her anger and anxiety in drinks, drugs, and spiritual cleansing. Eve starts to spiral as her friends try to convince her that she's overreacting, and ghosts--both real and metaphorical--continue to haunt her. When she uncovers clues to a life Ezra kept hidden, Eve starts to question how much she really knows about her best friend...and herself.In U UP? Catie Disabato holds a mirror to the ways the phantom selves we create online permeate our emotional lives and hide our worst traits from everyone, including ourselves.

A supposedly long lost collection of fable-like stories supposedly written by the little-known middle European writer Maxim Guyavitch ... with a helpful intro and afterword making it hilariously clear that the keyword is "supposedly."In the novel WHO'S WHO WHEN EVERYONE IS SOMEONE ELSE, the character "C.D. Rose" (not to be confused with the author C.D. Rose) searches an unnamed middle-European city for the long-lost manuscript of a little-known writer named Maxim Guyavitch. That search was fruitless, but in THE BLIND ACCORDIONIST, "C.D. Rose" has found the manuscript--nine sparkling, fable-like short stories--and he presents them here with an (hilarious) introduction explaining the discovery, and an afterword providing (hilarious) critical commentary on the stories, and what they might reveal about the mysterious Guyavitch. THE BLIND ACCORDIONIST is another masterful book of world-making by the real C.D. Rose, absorbing in its mix of intelligence and light-heartedness, and its ultimate celebration of literature itself. It is the third novel in the series about "C.D. Rose," although the reader does not need to have read the previous two books. (The first in the series was THE BIOGRAPHICAL DICTIONARY OF LITERARY FAILURE, containing portraits of dunsuccessful writers; the second was WHO'S WHO WHEN EVERYONE IS SOMEONE ELSE, in which the author of the DICTIONARY, "C.D. Rose," searches for the manuscript of his favorite dead writer, Maxim Guyavitch, while on a book tour for the DICTIONARY.) Like those books, THE BLIND ACCORDIONIST can be read both as a simple but wonderful collection of quirky stories, and as comedy--or as a beautiful and moving elegy on the nobility of writers wanting to be read.

“Knowledge is what’s important, you know?  Not the erasure, but the confrontation of it.” — TONI MORRISON   In this wide-ranging collection of thought-provoking interviews — including her first and last — Toni Morrison (whom President Barrack Obama called a “national treasure”) details not only her writing life, but also her other careers as a teacher, and as a publisher, as well as the gripping story of her family. In fact, Morrison reveals here that her Nobel Prize-winning novels, such as Beloved and Song of Solomon, were born out of her family’s stories — such as those of her great-grandmother, born a slave, or her father, escaping the lynch mobs of the South. With an introduction by her close friend, poet Nikki Giovani, Morrison hereby weaves yet another fascinating and inspiring narrative — that of herself.

Gun violence is a problem with many faces, but seemingly no solution. From mass shootings to deadly domestic abuse to police officers opening fire, it permeates American life. And yet it feels impossible to address. That''s why it''s time to look at the issue differently. In this revelatory collection, gun violence in America is addressed from three angles: how gun violence affects us today, how we have gotten to this juncture legally and socially, and finally, what we can do to reduce and end gun violence in America.

"I''m so many people. They shock me sometimes. I wish I was just me!" --Marilyn MonroeNearly sixty years after her death, Marilyn Monroe remains an icon whom everyone loves but no one really knows. The conversations gathered here--spanning her emergence on the Hollywood scene to just days before her death at age 36--show Monroe at her sharpest and most insightful on the thorny topics of ambition, fame, femininity, desire, and more. Together with an introduction by Sady Doyle, these pieces reveal yet another Marilyn: not the tragic heroine she''s become in the popular imagination, but a righteously and justifiably angry figure breaking free of the limitations the world forced on her.

"A searching memoir . . . A subtle, expertly written repudiation of the American dream in favor of something more inclusive and more realistic."—Kirkus, starred review  There are many Pedros living in many Americas . . . One Pedro goes to a school where they take away his language. Another disappears in the desert, leaving behind only a backpack. A cousin Pedro comes to visit, awakening feelings that others are afraid to make plain. A rumored Pedro goes missing so completely it''s as if he were never there. In Pedro''s Theory Marcos Gonsalez explores the lives of these many Pedros, real and imagined. Several are the author himself, while others are strangers, lovers, archetypes, and the men he might have been in other circumstances. All are journeying to some sort of Promised Land, or hoping to discover an America of their own. With sparkling prose and cutting insights, this brilliant literary debut closes the gap between who the world sees in us and who we see in ourselves. Deeply personal yet inspiringly political, it also brings to life those selves that never get the chance to be seen at all.

“All I can say is that I’m a shaker-upper. That’s exactly what I am.” —Shirley ChisholmWhen Shirley Chisholm announced her candidacy for the democratic presidential nomination in 1972, she became the first Black candidate for a major party''s nomination—just four years after she had become the first ever Black woman in Congress. In this collection of interviews stretching from her first major profile to her final interview, this icon of iron will and unshakeable political principle reveals how her disciplined and demanding childhood and the expectations placed on her by the public shaped her into a force of nature and the ultimate people’s politician—tirelessly advocating in the halls of government for the poorest and most disadvantaged of the nation.

Frida Kahlo's legacy continues to grow in the public imagination in the nearly fifty years since her "discovery" in the 1970s. This collection of conversations over the course of her brief career allows a peek at the woman behind the hype. And allows us to see the image of herself she carefully crafted for the public.Frida Kahlo is now an icon. In the decades since her death, Kahlo has been celebrated as a proto-feminist, a misunderstood genius, and a leftist hero, but during her lifetime most knew her as ... Diego Rivera's wife. Featuring conversations with American scholar and Marxist, Bertram D. Wolfe, and art critic Raquel Tibol, this collection shows an artist undervalued, but also a woman in control of her image. From her timid beginnings after her first solo show, to a woman who confidently states that she is her only influence, the many faces of Kahlo presented here clearly show us the woman behind the "Fridamania" we know today.

Michael Bible's tragic and sublime third novel tells the story of a massacre in a small Southern town and expands into a heart-breaking meditation on guilt, trauma and redemption.In Harmony, North Carolina, the earth is soaked in blood. Lynchings and hangings; mobs and vigilante justice. But all of that is just whispers of history, lost to time. The summer of 2000 was different. Iggy in the Baptist church. Twenty-five people dead. This, Harmony couldn't forget.Told in a kaleidescope of timelines and voices, Michael Bible takes the reader through all of the dimensions of one tragedy. The victims and witnesses, perpetrators and condemned comingle and evolve as the passage of time works its way through their lives. A fable of the American South that calls to mind William Faulkner and Carson McCullers, this is Bible's finest and most complex work yet. His broken and striving characters call out to the reader from the page and the moral stakes have never been higher or more finely wrought.

From the story of being a "miracle baby" of undocumented immigrants to a NICU nurse who gave birth to two preemies, this anthology represents the diversity of experience with preemies and will be a welcome resource for many who need these words.Every year, 400,000 families in the United States have a premature baby. Ten percent of babies in the US are preemies. There are textbooks, medical-ish guidebooks, and the occasional memoir to turn to ... but no personal essay collections from the many types of people who have parented, cared for, or been preemies themselves. In What We Didn't Expect, Melody Schreiber brings together acclaimed writers and thinkers to share their diverse stories of having or being premature babies, including Representative Pramila Jayapal, Tyrese Coleman, Anne Thériault, Sarah DiGregorio, Dan Koboldt, and many more.

"Poignant and exquisite"--The Los Angeles Review of Books"An inspiring and powerful book"--Booklist"A genuinely absorbing read"--Kirkus"Revelatory, honest, and wondrous."--Chanel Miller, author of Know My NameA lyrical and meditative memoir on the damage we inflict in the pursuit of perfection, the pain of losing our dreams, and the power of letting go of both.With a promising career in classical ballet ahead of her, Ellen O'Connell Whittet was devastated when a misstep in rehearsal caused a career-ending injury. Ballet was the love of her life. She lived for her moments under the glare of the stage-lights--gliding through the air, pretending however fleetingly to effortlessly defy gravity.Yet with a debilitating injury forcing her to reconsider her future, she also began to reconsider what she had taken for granted in her past. Beneath every perfect arabesque was a foot, disfigured by pointe shoes, stuffed--taped and bleeding--into a pink, silk slipper. Behind her ballerina's body was a young girl starving herself into a fragile collection of limbs. Within her love of ballet was a hatred of herself for struggling to achieve the perfection it demanded of her. In this raw and redemptive debut memoir, Ellen O'Connell Whittet explores the silent suffering of the ballerina--and finds it emblematic of the violence that women quietly shoulder every day. For O'Connell Whittet, letting go of one meant confronting the other--only then was it possible to truly take flight.

This crystal ball look into the future of American politics shows how the brewing generational shift to the Left is only the beginning of transformations to come.A demographic apocalypse is coming for the Republican Party. Its most reliable voters are dying, and Republican elites have been unable to convince young people to vote for them in significant numbers for nearly 30 years. And yet, we find ourselves locked in a political stalement, and have twice this century sent the loser of the popular vote to the White House.In The Kids Are All Left, political scientist David Faris examines how young voters are poised to end this partisan gridlock. He explores the policy transformations that young Americans will pursue, what this new society will look like, and how the remnants of the GOP could be changed into a more public spirited, reality-based organization of the center-right. Faris offers progressives a hopeful vision of the future, but he is realistic about the institutional obstacles that stand between voters and true majority rule. The result is a first look at America after Donald Trump.

A classic, smart comedy from a modern-day Evelyn Waugh, about a meek college professor who achieves one of mankind''s most fervent wishes: the ability to fly.College professor George Entmen has been granted what he calls a "useless miracle" -- he can fly, but only three inches off the ground and very, very, very slowly. Plus, he has to put his arms out in front of him like Superman. But when word leaks out that he''s acheived one of mankind''s greatest desires, meek George finds himself in a Kafka-esque world of exploitive friends, angry magicians, and non-stop media attention.

From the acclaimed author of Kids These Days, this collection of new and selected essays traces how inequality, student debt, and over-work have come to define our culture and our lives.Our economic situation, political discourse, and future prospects have gotten much worse since a guy brought a sign that said SHIT IS FUCKED UP AND BULLSHIT to the Occupy Wall Street protests at Zuccotti Park. We all knew what he meant . . . but where are we now? And how did we get here? Malcolm Harris, one of our most exciting young cultural critics, takes on these questions, examnining everything from how we''ve become complicit in lowering the bar for what counts as prosperity; to how we sacrificed privacy so casually we didn''t even notice; to the higher education financial bubble that is about to burst. But these funny, voice-driven essays remind us to laugh at the absurdity of all: he cops to being the guy who tricked protestors into thinking Radiohead was playing Occupy Wall Street; he demonstrates how uncannily the Ikea catalog now reflects our worldview; and he assures us Marx saw the necessity of a crisis moment just like the one we''re in. This wide-ranging look at the mess we''re in shows a versitile cultural critic at the height of his powers.

A celebration of the revolutionary potential of women working with other women, and a powerful statement about myths like the "cool girl" or the "catty workplace"Covens. Girl Bands. Ballet troupes. Convents. In all times and places, girls and women have come together in communities of vocation, of necessity, of support. In Witches, Sam George-Allen explores how wherever women gather, magic happens. Female farmers change the way we grow our food. Online beauty communities democratize skin-care rituals. And more than any other demographic, it's teen girls that shape our culture. Patriarchal societies have long been content to champion boys' clubs, while viewing groups that exclude men as sites of rivalry and suspicion. This deeply personal investigation takes us from our workplaces to our social circles, surveying our heroes, our outcasts, and ourselves, in order to dismantle the persistent and pernicious cultural myth of female isolation and competition . . . once and for all.

In a work of blistering dark hilarity, a young Nietzsche experiences life in a metal band & the tribulations of finals season in a modern secondary schoolWhen a new student transfers in from a posh private school, he falls in with a group of like-minded suburban stoners, artists, and outcasts—too smart and creative for their own good. His classmates nickname their new friend Nietzsche (for his braininess and bleak outlook on life), and decide he must be the front man of their metal band, now christened Nietzsche and the Burbs. With the abyss of graduation—not to mention their first gig—looming ahead, the group ramps up their experimentations with sex, drugs, and...nihilist philosophy. Are they as doomed as their intellectual heroes? And why does the end of youth feel like such a universal tragedy? And as they ponder life''s biggies, this sly, elegant, and often laugh-out-loud funny story of would-be rebels becomes something special: an absorbing and stirring reminder of a particular, exciting yet bittersweet moment in life...and a reminder that all adolescents are philosophers, and all philosophers are adolescents at heart.

“This is a book about counterculture, and that’s a problem . . . “   So begins Curtis White’s thrilling call for the revitalization of counterculture today. The problem, White argues, is twofold: first, most of us think of counterculture as a phenomenon stuck in the 1960s, and, second, what passes as counterculture today . . . simply isn’t. Nevertheless, a reimagined counterculture is our best hope to save the planet, bypass social antagonisms, and create the world we actually want to live in. Now. White—“the most inspiringly wicked social critic of the moment" (Will Blythe, Elle)—shows how the products of our so-called resistance, from Ken Burns to Black Panther, rarely offer a meaningful challenge to power, and how our loyalty to the “American Lifestyle” is self-defeating and keeps us from making any real social change. The result is an inspiring case for practicing civil disobedience as a way of life, and a clear vision for a better world—full of play, caring, and human connection.