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Phebe Florence Miller was a poet and postmistress who lived in Topsail, Newfoundland and Labrador from 1889-1979. Despite her success as a poetic voice in the 1920s and '30s, Miller is an obscure figure for today's readers. This book brings her life and her contributions to Newfoundland and Labrador culture back into focus through the lens of her most personal writing. Mistress of the Blue Castle: The Writing Life of Phebe Florence Miller is an evocative exploration of the ways that identity and place are created together through the diaries, journals, poems and letters that this mercurial artist left behind.

A multi-dimensional analysis of the social, political, and environmental problems the hydroelectric project has caused.

At the end of World War I, after four years of unimaginable man-made destruction, a swiftly killing virus travelled the planet. Up to one hundred million people perished in the most lethal pandemic in recorded history, the so-called "Spanish" influenza. More than half those who died were young adults aged between twenty and forty. Nowhere on earth was the flu more deadly than in isolated settlements on the far northeastern coast of North America. In We All Expected to Die: Spanish Influenza in Labrador, 1918-1919 Anne Budgell reconstructs the horrific impact of the pandemic in hard-hit Labrador locations, such as the Inuit villages of Okak and Hebron where the mortality rate was 71%. Using the recollections of survivors, diaries kept at the time, Hudson's Bay Company journals, newspaper reports, and government documents, this powerful and uncompromising book tells the story of how the flu travelled to Labrador and wreaked havoc there. It examines how people dealt with the emergency, when all were sick and few were well enough to care for others, and how authorities elsewhere refused to provide assistance. The story We All Expected to Die reveals is both devastating and haunting. It is a story of great loss, but also of human endurance, heroism, and survival.

A vividly crafted portrait of a challenging yet rewarding life spent on the Naskaupi River, from Nunatsiavut Elder Louie Montague.

Was Robert Bond really "Newfoundland's only statesman"? First elected to Newfoundland's House of Assembly in 1882, Robert Bond served as a member of government and opposition--and notably as prime minister--in an era filled with challenges that still resonate today. During three turbulent decades, St. John's burned down, the banks failed, and the drive for economic diversification caused difficult problems (and included railway building, the century's favoured mega-project). As for external affairs--Bond struggled to negotiate reciprocity with the United States, to navigate tricky issues concerning the French Shore and to deal successfully with imperial powers in London whose priorities could vary greatly from those in Newfoundland. In this in-depth examination of Bond's political activity, James Hiller explores the stakes, the rivalries and the competing visions at play during the period, and he highlights the strengths and weaknesses of the man who was often at or near centre stage: Robert Bond, politician, leader and Newfoundland patriot.

How does one transform small size and relative isolation into a powerful combination for sustainable growth and prosperity? Some islands and rural regions have already done so. Winning tools and strategies deployed by these middle-level governance structures include: 'scaling up' of municipal units; developing tourist and computer-driven industries; engaging strategically with their diaspora; branding niche products and services; facilitating 'boutique', small-scale manufacturing; limiting local firm rivalry; and, overall, deploying a creative 'resourcefulness of jurisdiction'. The papers in this collection flesh out these tools and strategies. They do so by unpacking and challenging received wisdom; charting out the parameters of effective government; teasing in the critical role of empowered local communities and the engagement of civil society with the multiple levels of decision-making of the state. The book's message emphasizes a proactive, creative, and assertive approach to governance; one that aims to instill a sense of efficacy to achieve remote control.

In 1965, the classically trained musician and composer Kenneth Peacock published a three-volume work, Songs of the Newfoundland Outports, based on six years of collecting folksongs in that province on behalf of the National Museum of Canada. Folksongs and Folk Revivial provides a critical review of Peacock's Newfoundland fieldwork to better understand his motivations for creating Outports and his treatment of the materials he collected. The study considers the cultural politics of the day, such as National Museum policies and directions, and, in particular, how the growth of the Canadian folk revival during the 1950s and 1960s influenced his work. It considers the dynamic relations between Peacock and other individuals who had a vested interest in documenting and presenting Newfoundland culture. New knowledge regarding Peacock's life and times facilitates our understanding of this man's immense contribution to both Newfoundland and Canadian folklore scholarship while at the same time allowing researchers to make greater use of the materials he so diligently collected.

A broad range of perspectives and voices united in their commitment to understanding what Inuit leadership is, has been, and will be.

A collection of essays situating Newfoundland and Labrador resettlement in conversation with global relocation debates, such as those in Quebec, Greenland and Ireland.

"We were like human animals in one of the old-style zoos." Shaped by Silence brings together the powerful stories of five women from Ireland, Canada, and Australia whose lives were shaped by forced confinement in Magdalene laundries and other institutions operated by the Roman Catholic Order of Sisters of the Good Shepherd. Their narratives include one teenager's experience in a Good Shepherd training school in Canada; another story of a child who was born in a Canadian Good Shepherd laundry; and three accounts of adolescent girls held in Good Shepherd Magdalene laundries in Ireland and Australia. In these institutions, women and girls became a coerced workforce. Hard, unpaid and relentless physical toil, isolation, enforced silence, and prayer constituted the nuns' strategy for converting their "fallen" charges into the Christian image of pure womanhood. Within this regime, girls and women suffered physical, psychological, and emotional abuse. While intimately capturing the dark and enduring after-effects of ill-treatment, the stories recounted in Shaped by Silence also describe survivors' efforts to heal and rebuild their lives. This important book shines a light on a pervasive and systemic pattern of cruelty and exploitation. It reveals the unwarranted confinement of generations of girls and women in Good Shepherd institutions around the world and constitutes a call for full acknowledgement of their suffering. RIE CROLL is an associate professor of sociology in the social/ cultural studies programme at Memorial University, Grenfell Campus, and a former therapist who worked with abused girls and women.

While well-known songs such as "The Badger Drive" and "Tickle Cove Pond" provide glimpses into the hard labour and rich culture of woods work in early twentieth-century Newfoundland and Labrador, little has been written about the lives of woods workers and the extent of their enduring cultural legacies. Songs, stories, recitations, poems, and instrumental tunes flourished in the woods camps. Many of them were created locally and reflect the people and experiences of woods work. Passed down by oral tradition in bunkhouses and at work sites, in family kitchens and at community concerts, these songs and stories address a gap in our understanding of this occupational culture and its history. This book is the first comprehensive collection of musical compositions, recitations, poems, and narratives written by, for, and about twentieth-century woods workers in Newfoundland and Labrador. It analyzes their significance--as both grassroots social history texts and creative and musical contributions--and creates a portrait of a culture shaped by the harvesting of timber. Inside you will find: a history of lumbering and logging; an exploration of the place of song and story in woods work and culture; musical transcriptions of 76 locally composed songs and tunes, with analysis of this musical tradition; complete song lyrics with contextual discussion; more than 70 archival photos; and a glossary of occupational words.

A place-based examination of development in rural, island, and remote regions of a globalized and centralized world.

The remarkable memoirs of Mi'kmaw elder John Nick Jeddore, who recounts a lifetime of following in his ancestors' footsteps.

An insightful study of gendered civil society perspectives, with a focus on the Moyle Women's forum of Northern Ireland.