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"A lush gem of a book, both heartbreaking and heart-making."-AMY THIELEN
"There is so much bottle-dark beauty here. Jake Skeets is a new, essential voice in poetry, in literature." -TOMMY ORANGE
"Poetic exploration in Middle English about the body, physical space, ownership of space, gender, and transitioning genders."--
"Correspondence between playwright-teacher Sarah Ruhl and poet-cancer patient Max Ritvo, in which the student becomes the teacher" --
From National Geographic's 2014 Adventurers of the Year, a beautifully illustrated account of a year in the Boundary Waters Canoe Area Wilderness
From "one of the preeminent American visionaries of our moment" (G. C. Waldrep), a singular reflection on living well in a time of distraction and despair
Bonobos have captured the public imagination in recent years, due not least to their famously active sex lives. Less well known is the fact that these great apes dont kill their own kind, and that they share nearly 99% of our DNA. Their approach to building peaceful coalitions and sharing resources has much to teach us, particularly at a time when our violent ways have pushed them to the brink of extinction. Animated by a desire to understand bonobos and learn how to save them, acclaimed author Deni Ellis Bchard traveled into the Congo.Of Bonobos and Men is the account of this journey. Along the way, we see how partnerships between Congolese and Westerners, with few resources but a common purpose and respect for indigenous knowledge, have resulted in the protection of vast swaths of the rainforest. And we discover how small solutionsfound through openness, humility, and the principle that poverty does not equal ignoranceare often most effective in tackling our biggest challenges. Combining elements of travelogue, journalism, and natural history, this incomparably rich book takes the reader not only deep into the Congo, but also into our past and future, revealing new ways to save the environment and ourselves.
”A gutsy, wholly original memoir of ragged grace and raw beauty.”Kirkus Reviews (STARRED)From the memories of a childhood marked by extreme poverty, mental illness, and restrictive fundamentalist Christian rules, Janisse Ray crafted a memoir that has inspired thousands to embrace their beginnings, no matter how humble, and fight for the places they love. This edition, published on the fifteenth anniversary of the original publication, updates and contextualizes the story for a new generation and a wider audience desperately searching for stories of empowerment and hope.Janisse Ray grew up in a junkyard along U.S. Highway 1, hidden from Florida-bound travelers by hulks of old cars. In language at once colloquial, elegiac, and informative, Ray redeems her home and her people, while also cataloging the source of her childhood hope: the Edenic longleaf pine forests, where orchids grow amid wiregrass at the feet of widely spaced, lofty trees. Today, the forests exist in fragments, cherished and threatened, and the South of her youth is gradually being overtaken by golf courses and suburban development. A contemporary classic, Ecology of a Cracker Childhood is a clarion call to protect the cultures and ecologies of every childhood.
Since Milkweed Editions’ original publication of The Phoenix Gone, the Terrace Empty, Marilyn Chin has been widely celebrated as a consummate poet of the hybrid experience. At once ancient and contemporary, personal and political, grounded and yet uniquely dazzling, this extraordinary collection blends Asian and Western sensibilities in a pioneering way.Here, with wit and energy, Chin defines her existence as a first-generation Asian American woman, effectively straddling two cultures. And she spins virtuoso jazz in her juxtaposition of the contemporary with images and metaphors from Chinese tales and classic poems, creating an expansive poetry of self.Featuring an afterword by the author addressing the collection’s effect and the developments in her work since, this edition reintroduces a modern classic to a new generation of readers.
The speaker in this extraordinary collection finds herself multiply dislocated: from her childhood in California, from her familys roots in Mexico, from a dying parent, from her prior self. The world is always in motion both toward and away from usand it is also full of risk: from sharks unexpectedly lurking beneath estuarial rivers to the dangers of New York City, where, as Limn reminds us, even rats find themselves trapped by the garbage cans theyve crawled into. In such a world, how should one proceed? Throughout Sharks in the Rivers, Limn suggests that we must cleave to the world as it keeps opening before us, for, if we pay attention, we can be one with its complex, ephemeral, and beautiful strangeness. Loss is perpetual, and each persons mouth is the same / mouth as everyones, all trying to say the same thing. For Limn, its the sayingindividual and collective that transforms each of us into a wound overcome by wonder, that allows the wind itself to be our own wild whisper.
In Playing the Black Piano, poet Bill Holm confronts themes of aging, AIDS, friendship, and music, revealing an everyman sensibility that celebrates the beauty, truth, and evanescence of everyday life. Typical is "Playing Haydn for the Angel of Death," in which the reaper sits in a straight-backed chair in the side yard, in no hurry to claim his due as long as strains of Haydn drift through the window to amuse and distract him.
Larry Watson's bestselling novel Montana 1948 was acclaimed as a "e;work of art"e; (Susan Petro, San Francisco Chronicle), a prize-winning evocation of a time, a place, and a family. Justice is the stunning prequel that illuminates the Hayden clan's early years, and the circumstances that led to the events of Montana 1948. With the precision of a master storyteller, Watson moves seamlessly among the strong and hard-bitten characters that make up the Hayden family, and in the process opens an evocative window on the very heart of the American West.
Isabelle Lee has a problem, and it's not just Ape Face, her sister, or group therapy for an eating disorder, or even that her father died and her mother is depressed and in denial. It's that Ashley, the most popular girl in school, is inviting Isabelle to join her at lunch and at sleepovers at her house, and this is presenting Isabelle with a dilemma. Pretty Ashley has moved Isabelle up the social ladder, but is it worth keeping the secret they share? Caught in the orbit of popularity and appearances, Isabelle must navigate a world with mixed messages, false hopes, and potentially harmful turns, while coping with her own flailing family and emotions. The author brings a depth of characterization, humor, and a real adolescent's voice to this multileveled story about the desire to be perfect in an imperfect world.
First published in 1993, this pioneering anthology is a powerful polemic for fundamental cultural change: the transformation of basic attitudes about power, gender, race, and sexuality. The diverse contributors are activists, opinion leaders, theologians, policymakers, educators, and authors of both genders who tackle such not-button issues as pornography and the intersection of race and rape. The book's statistics have been thoroughly updated, as have essays about sexual violence in K-12 schools and in the church. New pieces from within America's immigrant communities depict struggles with domestic violence, sexual harassment, and community stigmas against reporting rape. This violence, not limited to one race, creed, or nationality, has its roots in cultural biases that are still much in need of change.
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