Bøker utgitt av MIT Press Ltd

An interdisciplinary overview of current research on imitation in animals and artifacts.

The MIT Sloan School of Management perspective on future management challenges.

The broad range of material included in these volumes suggests to the newcomer the nature of the field of artificial intelligence, while those with some background in AI will appreciate the detailed coverage of the work being done at MIT. The results presented are related to the underlying methodology. Each chapter is introduced by a short note outlining the scope of the problem begin taken up or placing it in its historical context.Contents, Volume IExpert Problem Solving: Qualitative and Quantitative Reasoning in Classical Mechanics • Problem Solving About Electrical Circuits • Explicit Control of Reasoning • A Glimpse of Truth Maintenance • Design of a Programmer's Apprentice • Natural Language Understanding and Intelligent Computer Coaches: A Theory of Syntactic Recognition for Natural Language • Disambiguating References and Interpreting Sentence Purpose in Discourse • Using Frames in Scheduling • Developing Support Systems for Information Analysis • Planning and Debugging in Elementary Programming • Representation and Learning: Learning by Creating and Justifying Transfer Frames • Descriptions and the Specialization of Concept • The Society Theory of Thinking • Representing and Using Real-World Knowledge

Focusing on the Alpine region to look at climate change's regional manifestations.

This analyzes in depth such topics logical compulsion and mathematical conviction; calculation as experiment; mathematical surprise, discovery, and invention; Russell's logic, Godel's theorem, cantor's diagonal procedure, Dedekind's cuts; the nature of proof and contradiction; and the role of mathematical propositions in the forming of concepts.

A comprehensive assessment and analysis of the validity, trustworthiness, and effectiveness, of such environmental ratings as ENERGY STAR, LEED, and USDA Organic.

Prominent scholars and practitioners consider the role of global environmental politics in the face of increasing environmental stress.Humanity's collective impact on the Earth is vast. The rate and scale of human-driven environmental destruction is quickly outstripping our political and social capacities for managing it. We are in effect creating an Earth 2.0 on which the human signature is everywhere, a “new earth” in desperate need of humane and insightful guidance. In this volume, prominent scholars and practitioners in the field of global environmental politics consider the ecological and political realities of life on the new earth, and probe the field's deepest and most enduring questions at a time of increasing environmental stress. Arranged in complementary pairs, the essays in this volume include reflections on environmental pedagogy, analysis of new geopolitical realities, reflections on the power of social movements and international institutions, and calls for more compelling narratives to promote environmental action. At the heart of the volume is sustained attention to the role of traditional scholarly activities in a world confronting environmental disaster. Some contributors make the case that it is the scholar's role to provide activists with the necessary knowledge and tools; others argue for more direct engagement and political action. All the contributors confront the overriding question: What is the best use of their individual and combined energies, given the dire environmental reality?ContributorsErik Assadourian, Frank Biermann, Wil Burns, Ken Conca, Peter Dauvergne, Daniel Deudney, Navroz Dubash, Richard Falk, Joyeeta Gupta, Maria Ivanova, Peter Jacques, Sikina Jinnah, Karen T. Litfin, Michael F. Maniates, Elizabeth Mendenhall, Simon Nicholson, Kate O'Neill, Judith Shapiro, Paul Wapner, Oran R. Young

A generously illustrated volume that documents the career of Jason Rohrer, one of the most heralded art game designers working today.A maker of visually elegant and conceptually intricate games, Jason Rohrer is among the most widely heralded art game designers in the short but vibrant history of the field. His games range from the elegantly simple to others of almost Byzantine complexity. Passage (2007)—acquired by the Museum of Modern Art in New York—uses game rules and procedurals to create a contemporary memento mori that captures an entire lifetime in five minutes. In Chain World (2011), each subsequent player of the game's single copy modifies the rules of the universe. A Game for Someone (2013) is a board game sealed in a box and buried in the Mojave Desert, with a list of one million potential sites distributed to Rohrer's fan base. (Rohrer estimated that it would take two millennia of constant searching to find the game.) With Chain World and A Game for Someone, Rohrer became the first designer to win the prestigious Game Challenge Design award twice.This book, and the exhibition it accompanies, offers a comprehensive account of the artist's oeuvre. The book documents all seventeen of Rohrer's finished games, as well as sketches, ephemera, and related material, with color images throughout. It includes entries on individual games (with code in footnotes), artist interviews, artist writings, commentary by high scorers, and interpretive texts. Two introductory essays view Rohrer's work in the contexts of game studies and art history. ExhibitionThe Davis Museum at Wellesley College February-June 2016

A lucid and wide-ranging meditation on why photography is unique among the picture-making arts.

Why we don't really want simplicity, and how we can learn to live with complexity.

An introduction to a powerful and flexible network modeling tool for developing and understanding complex systems, with many examples from a range of industries.Design structure matrix (DSM) is a straightforward and flexible modeling technique that can be used for designing, developing, and managing complex systems. DSM offers network modeling tools that represent the elements of a system and their interactions, thereby highlighting the system's architecture (or designed structure). Its advantages include compact format, visual nature, intuitive representation, powerful analytical capacity, and flexibility. Used primarily so far in the area of engineering management, DSM is increasingly being applied to complex issues in health care management, financial systems, public policy, natural sciences, and social systems. This book offers a clear and concise explanation of DSM methods for practitioners and researchers.

A visionary report on the revitalization of the liberal arts tradition in the electronically inflected, design-driven, multimedia language of the twenty-first century.

Why some architects fail to realize their ideal buildings, and what architecture critics can learn from novelists.

An argument that the word order of a given language is largely predictable from independently observable facts about its phonology and morphology.

An overview of the most prominent contemporary parallel processing programming models, written in a unique tutorial style.

An account of the movement for sustainable development in Ecuador through four eras: movement origins, neoliberal boom, neoliberal bust, and citizens' revolution.

A study of biodiversity governance analyzes the factors that determine the effectiveness of transnational advocacy networks and the importance of justice claims to conservation.

A novel, model-driven approach to security requirements engineering that focuses on socio-technical systems rather than merely technical systems.

Examining the role of implicit, unconscious thinking on reasoning, decision making, problem solving, creativity, and its neurocognitive basis, for a genuinely psychological conception of rationality.

How xerography became a creative medium and political tool, arming artists and activists on the margins with an accessible means of making their messages public. This is the story of how the xerographic copier, or "Xerox machine,” became a creative medium for artists and activists during the last few decades of the twentieth century. Paper jams, mangled pages, and even fires made early versions of this clunky office machine a source of fear, rage, dread, and disappointment. But eventually, xerography democratized print culture by making it convenient and affordable for renegade publishers, zinesters, artists, punks, anarchists, queers, feminists, street activists, and others to publish their work and to get their messages out on the street. The xerographic copier adjusted the lived and imagined margins of society, Eichhorn argues, by supporting artistic and political expression and mobilizing subcultural movements. Eichhorn describes early efforts to use xerography to create art and the occasional scapegoating of urban copy shops and xerographic technologies following political panics, using the post-9/11 raid on a Toronto copy shop as her central example. She examines New York's downtown art and punk scenes of the 1970s to 1990s, arguing that xerography—including photocopied posters, mail art, and zines—changed what cities looked like and how we experienced them. And she looks at how a generation of activists and artists deployed the copy machine in AIDS and queer activism while simultaneously introducing the copy machine's gritty, DIY aesthetics into international art markets.Xerographic copy machines are now defunct. Office copiers are digital, and activists rely on social media more than photocopied posters. And yet, Eichhorn argues, even though we now live in a post-xerographic era, the grassroots aesthetics and political legacy of xerography persists.

A detailed examination of WTO agreements regulating trade in goods, discussing legal context, policy background, economic rationale, and case law. The General Agreement on Tariffs and Trade (GATT) has extended its institutional arsenal since the Kennedy round in the early 1960s. The current institutional design is the outcome of the Uruguay round and agreements reached in the ongoing Doha round (begun in 2001). One of the institutional outgrowths of GATT is the World Trade Organization (WT0), created in 1995. In this book, Petros Mavroidis offers a detailed examination of WTO agreements regulating trade in goods, discussing legal context, policy background, economic rationale, and case law. Each chapter examines a given legal norm and its subsequent practice. In particular, he discusses agreements dealing with customs clearance; "contingent protection” instruments, which allow WTO members unilaterally to add to the negotiated amount of protection when a certain contingency (for example, dumping) has occurred; TBT (Technical Barriers to Trade) and SPS (Sanitary and Phyto-sanitary Measures) agreements, both of which deal with such domestic instruments as environmental, health policy, or consumer information; the agreement on Trade Related Investment Measures (TRIM); sector-specific agreements on agriculture and textiles; plurilateral agreements (binding a subset of WTO membership) on government procurement and civil aviation; and transparency in trade relations. This book's companion volume examines the GATT regime for international trade.

A detailed examination of the GATT regime for international trade, discussing the negotiating record, policy background, economic rationale, and case law.

A concise and accessible examination of sustainability in a range of contemporary contexts, from economic development to government policy.The word "sustainability” has been connected to everything from a certain kind of economic development to corporate promises about improved supply sourcing. But despite the apparent ubiquity of the term, the concept of sustainability has come to mean a number of specific things. In this accessible guide to the meanings of sustainability, Kent Portney describes the evolution of the idea and examines its application in a variety of contemporary contexts—from economic growth and consumption to government policy and urban planning.Portney takes as his starting point the 1987 definition by the World Commission on Environment and Development of sustainability as economic development activity that "meets the needs of the present without compromising the ability of future generations to meet their own needs.” At its heart, Portney explains, sustainability focuses on the use and depletion of natural resources. It is not the same as environmental protection or natural resource conservation; it is more about finding some sort of steady state so that the earth can support both human population and economic growth. Portney looks at political opposition to the promotion of sustainability, which usually questions the need for sustainability or calls its costs unacceptable; collective and individual consumption of material goods and resources and to what extent they must be curtailed to achieve sustainability; the role of the private sector, and the co-opting of sustainability by corporations; government policy on sustainability at the international, national, and subnational levels; and how cities could become models for sustainability action.

This long-awaited biography of Alfred Jarry reconstructs a life both "ubuesque" and pataphysical. When Alfred Jarry died in 1907 at the age of thirty-four, he was a legendary figure in Paris—but this had more to do with his bohemian lifestyle and scandalous behavior than his literary achievements. A century later, Jarry is firmly established as one of the leading figures of the artistic avant-garde. Even so, most people today tend to think of Alfred Jarry only as the author of the play Ubu Roi, and of his life as a string of outlandish "ubuesque” anecdotes, often recounted with wild inaccuracy. In this first full-length critical biography of Jarry in English, Alastair Brotchie reconstructs the life of a man intent on inventing (and destroying) himself, not to mention his world, and the "philosophy” that defined their relation. Brotchie alternates chapters of biographical narrative with chapters that connect themes, obsessions, and undercurrents that relate to the life. The anecdotes remain, and are even augmented: Jarry's assumption of the "ubuesque,” his inversions of everyday behavior (such as eating backward, from cheese to soup), his exploits with gun and bicycle, and his herculean feats of drinking. But Brotchie distinguishes between Jarry's purposely playing the fool and deeper nonconformities that appear essential to his writing and his thought, both of which remain a vital subterranean influence to this day.

Redefining curatorial practice for those working with new kinds of art.As curator Steve Dietz has observed, new media art is like contemporary art—but different. New media art involves interactivity, networks, and computation and is often about process rather than objects. New media artworks are difficult to classify according to the traditional art museum categories determined by medium, geography, and chronology and present the curator with novel challenges involving interpretation, exhibition, and dissemination. This book views these challenges as opportunities to rethink curatorial practice. It helps curators of new media art develop a set of flexible tools for working in this fast-moving field, and it offers useful lessons from curators and artists for those working in such other areas of art as distributive and participatory systems.The authors, both of whom have extensive experience as curators, offer numerous examples of artworks and exhibitions to illustrate how the roles of curators and audiences can be redefined in light of new media art's characteristics. Rethinking Curating offers curators a route through the hype around platforms and autonomous zones by following the lead of current artists' practice.