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The implications for philosophy and cognitive science of developments in statistical learning theory.

An examination of the two most radical dissociation syndromes of the human pain experience-pain without painfulness and painfulness without pain-and what they reveal about the complex nature of pain and its sensory, cognitive, and behavioral components.

This is designed for the cancer patient or health professional who seeks a comprehensive overview of the available choices both in treatment and in living with cancer. Included are evaluations of a wide range of complementary therapies and traditional medicines from around the world.

An overview of the philosophical subfield of practical reasoning.

A comprehensive, in-depth, and thematically integratedanalysis of key issues in environmental governance today, fromperspectives including environmental economics, democratic theory, public policy, law, political science, and public administration.

In these engaging tales describing the growth of knowledge about the brain-from the early Egyptians and Greeks to the Dark Ages and the Renaissance to the present time-Gross attempts to answer the question of how the discipline of neuroscience evolved into its modern incarnation through the twists and turns of history.

The emphasis in The Craft of Prolog is on using Prolog effectively. It presents a loose collection of topics that build on and elaborate concepts learned in a first course. Hacking your program is no substitute for understanding your problem. Prolog is different, but not that different. Elegance is not optional. These are the themes that unify Richard O'Keefe's very personal statement on how Prolog programs should be written. The emphasis in The Craft of Prolog is on using Prolog effectively. It presents a loose collection of topics that build on and elaborate concepts learned in a first course. These may be read in any order following the first chapter, "Basic Topics in Prolog," which provides a basis for the rest of the material in the book.Richard A. O'Keefe is Lecturer in the Department of Computer Science at the Royal Melbourne Institute of Technology. He is also a consultant to Quintus Computer Systems, Inc.Contents: Basic Topics in Prolog. Searching. Where Does the Space Go? Methods of Programming. Data Structure Design. Sequences. Writing Interpreters. Some Notes on Grammar Rules. Prolog Macros. Writing Tokenisers in Prolog. All Solutions.

This second volume continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day.

A new analysis of adjectives, supported by comparative evidence.

Stephen Neale provides the first sustained defense and extension of Bertrand Russell's classical theory of descriptions, placing it in the center of a theory of singular and nonsingular descriptive phrases and anaphoric pronouns.

The essays are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance, or illusion, points to Adorno's links with Marx, Nietzsche, and Freud, the concept of subjectivity recalls his lifelong struggle with a philosophy ofconsciousness stemming from Kant, Hegel, and Lukacs.

An influential scholar in science studies argues that innovation tames the insatiable and limitless curiosity driving science, and that society's acute ambivalence about this is an inevitable legacy of modernity.

Architecture as imprint, as brand, as the new media of transformation-of places, communities, corporations, and people.

Cross-disciplinary, cutting-edge work on human empathy from the perspectives of social, cognitive, developmental and clinical psychology and cognitive/affective neuroscience.In recent decades, empathy research has blossomed into a vibrant and multidisciplinary field of study. The social neuroscience approach to the subject is premised on the idea that studying empathy at multiple levels (biological, cognitive, and social) will lead to a more comprehensive understanding of how other people's thoughts and feelings can affect our own thoughts, feelings, and behavior. In these cutting-edge contributions, leading advocates of the multilevel approach view empathy from the perspectives of social, cognitive, developmental and clinical psychology and cognitive/affective neuroscience. Chapters include a critical examination of the various definitions of the empathy construct; surveys of major research traditions based on these differing views (including empathy as emotional contagion, as the projection of one's own thoughts and feelings, and as a fundamental aspect of social development); clinical and applied perspectives, including psychotherapy and the study of empathy for other people's pain; various neuroscience perspectives; and discussions of empathy's evolutionary and neuroanatomical histories, with a special focus on neuroanatomical continuities and differences across the phylogenetic spectrum. The new discipline of social neuroscience bridges disciplines and levels of analysis. In this volume, the contributors' state-of-the-art investigations of empathy from a social neuroscience perspective vividly illustrate the potential benefits of such cross-disciplinary integration.ContributorsC. Daniel Batson, James Blair, Karina Blair, Jerold D. Bozarth, Anne Buysse, Susan F. Butler, Michael Carlin, C. Sue Carter, Kenneth D. Craig, Mirella Dapretto, Jean Decety, Mathias Dekeyser, Ap Dijksterhuis, Robert Elliott, Natalie D. Eggum, Nancy Eisenberg, Norma Deitch Feshbach, Seymour Feshbach, Liesbet Goubert, Leslie S. Greenberg, Elaine Hatfield, James Harris, William Ickes, Claus Lamm, Yen-Chi Le, Mia Leijssen, Abigail Marsh, Raymond S. Nickerson, Jennifer H. Pfeifer, Stephen W. Porges, Richard L. Rapson, Simone G. Shamay-Tsoory, Rick B. van Baaren, Matthijs L. van Leeuwen, Andries van der Leij, Jeanne C. Watson

Wireless Imagination addresses perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio art. Composed of both original essays and several newly translated documents, this book provides a close audition to some of the most telling and soundful moments in the "deaf century," conceived and performed by such artists as Raymond Roussel, Antonin Artaud, Marcel Duchamp, André Breton, John Cage, Hugo Ball, Kurt Weill, and William Burroughs. From the late nineteenth century to the 1960s, the essays uncover the fantastic acoustic scenarios projected through the writings of Raymond Roussel; the aural objects of Marcel Duchamp; Dziga Vertov's proposal for a phonographic "laboratory of hearing"; the ZAUM language and Radio Sorcery conjured by Velimir Khlebnikov; the iconoclastic castaways of F. T. Marinetti's La Radia; the destroyed musics of the Surrealists; the noise bands of Russolo, Foregger, Varèse, and Cage; the contorted radio talk show delivered by Antonin Artaud; the labyrinthine inner journeys invoked by German Hörspiel; and the razor contamination and cut-up ventriloquism of William S. Burroughs.

Error-Correcting Codes, by Professor Peterson, was originally published in 1961. Now, with E. J. Weldon, Jr., as his coauthor, Professor Peterson has extensively rewritten his material. The book contains essentially all of the material of the first edition; however, the authors state that because there has been so much new work published in error-correcting codes, the preparation of this second edition proved to be a much greater task than writing the original book. The major additions are the chapters on majority-logic codes, synchronization, and convolutional codes. Much new material has also been added to the chapters on important linear block codes and cyclic codes. The authors cite some highly regarded books on recent work done in Eastern Europe and an extensive bibliography on coding theory in the Soviet Union [sic]. In its much-expanded form, Error-Correcting Codes may be considered another valuable contribution to computer coding.

In Infinite Regress, David Joselit considers the plurality of identities and practices within Duchamp's life and art between 1910 and 1941, conducting a synthetic reading of his early and middle career.

How New York City subways signage evolved from a "visual mess” to a uniform system with Helvetica triumphant.For years, the signs in the New York City subway system were a bewildering hodge-podge of lettering styles, sizes, shapes, materials, colors, and messages. The original mosaics (dating from as early as 1904), displaying a variety of serif and sans serif letters and decorative elements, were supplemented by signs in terracotta and cut stone. Over the years, enamel signs identifying stations and warning riders not to spit, smoke, or cross the tracks were added to the mix. Efforts to untangle this visual mess began in the mid-1960s, when the city transit authority hired the design firm Unimark International to create a clear and consistent sign system. We can see the results today in the white-on-black signs throughout the subway system, displaying station names, directions, and instructions in crisp Helvetica. This book tells the story of how typographic order triumphed over chaos.The process didn't go smoothly or quickly. At one point New York Times architecture writer Paul Goldberger declared that the signs were so confusing one almost wished that they weren't there at all. Legend has it that Helvetica came in and vanquished the competition. Paul Shaw shows that it didn't happen that way—that, in fact, for various reasons (expense, the limitations of the transit authority sign shop), the typeface overhaul of the 1960s began not with Helvetica but with its forebear, Standard (AKA Akzidenz Grotesk). It wasn't until the 1980s and 1990s that Helvetica became ubiquitous. Shaw describes the slow typographic changeover (supplementing his text with more than 250 images—photographs, sketches, type samples, and documents). He places this signage evolution in the context of the history of the New York City subway system, of 1960s transportation signage, of Unimark International, and of Helvetica itself.

This text looks for an improved understanding of the politics of economic policy-making from a transaction cost perspective. It uses US fiscal policy and the General Agreement on Tariffs and Trade (GATT) as two examples that illustrate the framework.

The abstract structure of inquiry--the process of acquiring and changing beliefs about the world--is the focus of this important book.

The history and future of the Japanese financial system.

The history of an aesthetic sensibility that began with Op Art and album covers; with more than seventy-five stunning color images.

Nye uses energy as a touchstone to examine the lives of ordinary people engaged in normal activities.

One critical change in how people work, argues Larry Hirschhorn, is that they are expected to bring more of themselves psychologically to the job. To facilitate this change, it is necessary to create a new culture of authority—one in which superiors acknowledge their dependence on subordinates, subordinates can challenge superiors, and both are able to show their vulnerability.For many companies, the past decade has been marked by a sense of turbulence and redefinition. The growing role of information technologies and service businesses has prompted companies to reconsider how they are structured and even what business they are in. These changes have also affected how people work, what skills they need, and what kind of careers they expect. One critical change in how people work, argues Larry Hirschhorn, is that they are expected to bring more of themselves psychologically to the job. To facilitate this change, it is necessary to create a new culture of authority—one in which superiors acknowledge their dependence on subordinates, subordinates can challenge superiors, and both are able to show their vulnerability. In the old culture of authority, people suppressed disruptive feelings such as envy, resentment, and fear of dependency. But by depersonalizing themselves, they became "alienated"; in the process, the work of the organization suffered. In building a new culture of authority, we are challenged to express these feelings without disrupting our work. We learn how to bring our feelings to our tasks. The first chapters of the book examine the covert processes by which people caught between the old and new culture of authority neither suppress nor express their feelings. Feelings are activated but not directed toward useful work. The case studies of this process are instructive and moving. The book then explores how organizations can create a culture of openness in which people become more psychologically present. In part, the process entails an understanding of the changes taking place in how we experience our own identity at work and that of "others" in society at large. To do this, the book suggests, we need a social policy of forgiveness and second chances.

This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.