Bøker utgitt av MIT Press

The enormous task of preserving the world's heritage in the face of war, natural disaster, vandalism, neglect, and technical obsolescence.

An examination of the central role of water politics and engineering in Spain's modernization, illustrating water's part in forging, maintaining, and transforming social power.

A rigorous, pathbreaking analysis demonstrating that a country's prosperity is directly related in the long run to the skills of its population.

How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music.

The trailblazing book that influenced a generation of writers, and proves that mature reflection needn’t be lacking in attitude.In the beginning when everything was very sexual we talked about our fantasies. She thought about having a guy for some of it. She thought about having a gun. I had gone through a lot to get away from guys so I admit that the thought of going back to them, even for a little adventure, was surprising and disconcerting …Ann Rower’s first book, If You’re a Girl, published by Semiotext(e)’s Native Agents series in 1991 in tandem with Cookie Mueller’s Walking Through Clear Water in a Pool Painted Black, cemented her reputation as the Eve Babitz of lower Manhattan.Rower was fifty-three years old at the time. Her stories—urtexts of female autofiction—had long been circulating within the poetry and postpunk music scenes. They were unlike anyone else’s: disarming, embarrassing, psuedoconfessional tales of everyday life dizzily told and laced with dry humor. In If You’re a Girl, she recounts her adventures as Timothy Leary’s babysitter, her artistic romance with actor Ron Vawter, and her attempts to evade a schizophrenic stalker.Rower went on to publish two novels: Armed Response (1995) and Lee & Elaine (2002). After the 2002 suicide of her partner, the writer Heather Lewis, Rower stopped writing for almost two decades. And then she picked up where If You’re a Girl left off. No longer a girl, she produced dozens of stories from her life in New York as an octogenarian.This new, expanded edition includes most of the original book, together with selections from both her novels and her recent writings. If You’re a Girl is a trailblazing book that manifests Rower’s influence on a generation of writers, and proves that mature reflection needn’t be lacking in attitude.

Selected short stories by one of the most acclaimed voices in post-war US American science fiction.This volume presents a selection of short fiction by Vonda Neel McIntyre (1948–2019), one of the most acclaimed writers of post-war US American science fiction, and the winner of multiple awards for both novels and short fiction.These stories, which span the whole of McIntyre’s career, show the broad range of her interests and her voice, taking us from bleak dystopian worlds on the verge of environmental collapse to baroque intergalactic civilizations populated by genetically modified humans, from cries for freedom to sharp-eyed satire to meditations on aging. Throughout run her distinctive themes of gender and power dynamics, human and species diversity, and a pragmatic utopianism that emphasises our mutual dependency.The stories included in the volume are: "Breaking Point," "Thanatos," "Shadows, Moving," "Elfleda," "A Story for Eilonwy," "Malheur Maar," "The Adventure of the Field Theorems," "Little Faces", "Little Sisters," and "XYY" (previously unpublished).

On the emergence, embodiment, and mediation of voice as skin.How do we build or make a voice together? Can we imagine the voices we make in the form of a skin, a multi-sensory interface that behaves both as a boundary and as a point of connection? What does such a voice capacitate in times of crises and uncertainties? In Building a Voice: Sound, Surface, Skin, Zeynep Bulut explores these questions. She examines the multi-sensory and collective forms of voice making in experimental music, sound and media art in conversation with the use of voice in creative interventions for environmental crisis, experiences of voice hearing, and digital technologies of artificial and tactile speech. Through this conversation, she points to two key terms: plasticity of voice, and non-dialogue. Plasticity of voice indicates both malleable and resistant aspects of voice. Non-dialogue refers to cross-sensory, non-dyadic, and distributed modes of interaction across both humans and nonhumans. The plasticity of voice and the non-dialogue, Bulut argues, encourage us to think about voice in the form of a skin, a surface that both connects and differentiates, without being limited to human body or labels of verbal language. Voice-as-skin, in effect, prompts us to reflect on both individual and collective, concrete and emergent, and uncertain and shared aspects of voice and speech, as well as to pace and revisit our conceptions of communication, intersubjectivity, connectivity, understanding and empathy.

The practices of magic and contemporary myth-making in relation to landscape, performance, and writing.From Magic and Myth-Work to Care and Repair is a two-part book bringing together fourteen essays broadly concerned with the “fiction of the self” and with practices and explorations beyond that fiction. Each part of the book approaches this theme from a different angle.The first part, entitled “On Magic and Myth-Work,” deals with practices of transformation and with contemporary myth-making in relation to landscape, performance, and writing. The second part, “On Care and Repair,” gathers together essays that are more personal, but that also look to various technologies (or devices) of self-care alongside ideas of collaboration and the collective. Crucial throughout this exploration are questions of agency and self-narration, but also how these connect to larger issues around historical trauma, neoliberalism, and ecological crisis.The essays reference many other texts and fellow travellers, and also draw on the author's own experiences (and teaching) within various art and theory worlds, as well as with performance, magical practices, gaming, and Buddhism.

Wild new adventures in word-infatuated flânerie from a celebrated literary provocateur.This book of thirty-six poetic bulletins by the humiliation-advice-giver Wayne Koestenbaum will teach you how to cruise, how to dream, how to decode a crowded consciousness, how to find nuggets of satisfaction in unaccustomed corners, and how to sew a language glove roomy enough to contain materials gathered while meandering. Koestenbaum wrote many of these poems while walking around New York City. He’d jot down phrases in a notebook or dictate them into his phone. At home, he’d incorporate these fragmented gleanings into overflowing quasi sonnets. Therefore each poem functions as a coded diary entry, including specific references to sidewalk events and peripatetic perceptions. Flirting, remembering, eavesdropping, gazing, squeezing, sequestering: Koestenbaum invents a novel way to cram dirty liberty into the tight yet commodious space of the sonnet, a fourteen-lined cruise ship that contains ample suites for behavior modification, libidinal experiment, aura-filled memory orgies, psychedelic Bildungsromane, lap dissolves, archival plunges, and other mental saunterings that conjure the unlikely marriage of Kenneth Anger and Marianne Moore. Carnal pudding, anyone? These engorged lyrics don’t rhyme; and though each builds on a carapace of fourteen lines, many of the lines spawn additional, indented tributaries, like hoop earrings dangling from the stanzas’ lobes. Koestenbaum’s poems are comic, ribald, compressed, symphonic. They take liberties with ordinary language, and open up new pockets for sensation in the sorrowing overcoat of the “now.” Imagine: the training wheels have been removed from poetry’s bicycle, and the wheeling flâneur is finally allowed a word pie equal to fantasy's appetite. Stubble—a libidinal detail—matters when you’re stranded on the archipelago of your most unsanctioned yet tenaciously harbored impulses.

How to use design as a tool to create not only things but ideas, to speculate about possible futures.

"How a deliberate merger of design and innovation capabilities can help organizations garner more strategic advantage, pursue sustainable growth, navigate disruption, and improve foresight"--

"The Complex Answer: On Art as a Non-Binary Intelligence presents a series of entangled essays on the question on how art--and contemporary art practices in particular--embodies an intelligence capable of serving the erasure of the culture/nature distinction. The book is conceived in four parts and each not only introduces a slightly different writing on the subject matter, but also refers to concrete questions that affect the practice of art, the exercise of exhibiting, the duty of reflecting, and the institutional forms that define our present but may radically change in a near future." --publisher.

Explorations of the audio essay as medium and method.With contributors including Justin Barton, Angus Carlyle, Kodwo Eshun, Steve Goodman, Robin Mackay, Paul Nataraj, and Iain Sinclair, Sonic Faction presents extended lines of thought prompted by two Urbanomic events which explored the ways in which sound and voice can produce new sensory terrains and provoke speculative thought.Three recent pieces provide the catalyst for a discussion of the potential of the "audio essay" as medium and method, a machine for intensifying listening and unsettling the boundaries between existing forms: documentary, music, ambient sound, audiobook, field recording, radio play….Kode9’s Astro-Darien (2022) is a sonic fiction about simulation, presenting an alternative history of the Scottish Space Programme, haunted by the ghosts of the British Empire. Justin Barton and Mark Fisher’s On Vanishing Land (2006) is a dreamlike account of a coastal walk that expands into questions of modernity, capitalism, fiction, and the micropolitics of escape. Robin Mackay’s By the North Sea (2021) is a meditation on time, disappearance, and loss as heard through the fictions of Lovecraft, Ccru, and the spectre of Dunwich, the city that vanished beneath the waves.Alongside photographic documentation of the events and edited transcripts of the artists’ discussions, Sonic Faction brings together contributors with diverse perspectives to address the question of the audio essay and to imagine its future.ContributorsLawrence Abu Hamdan, Lendl Barcelos, Justin Barton, Ben Borthwick, Angus Carlyle, Matt Colquhoun, Jessica Edwards, Kodwo Eshun, Steve Goodman, Ayesha Hameed, Eleni Ikoniadou, Lawrence Lek, Robin Mackay, Paul Nataraj, Emily Pethick, Iain Sinclair, Shelley Trower

A journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles. BURN & GLOOM! GLOW & MOON! Thousand Years of Troubled Genders was the most comprehensive exhibition to date of Vienna-based artist and filmmaker Katrina Daschner. It was curated by Övül Ö. Durmuşoğlu and encompassed works from the 1990s to the present, ranging from sculptures, textiles, music, performance, community-based work, and, most prominently, film, which sits at the heart of Katrina Daschner's practice. This publication transfers the immersive environment of senses, textures, and feelings created in the exhibition into book form. Just like the exhibition, it confronts, touches, embraces, and dreams of transforming "femme"-ness, transforming bodies, and transforming genders. With stylized performances and video works, Daschner plays with the boundaries of human and non-human, and what is socially defined as the norm, exposing the artificiality of the gendered binary--the dualism of men* and womxn--and the prejudices it generates, freeing the body. In doing so, the stage becomes the setting for a precarious desire for visibility and, at the same time, an endless yearning for rebirth. The bodies that perform and the potential audience that follows them mutate and embody different emotional cycles again and again. These artistic acts generate their own community in the making; everyone participating contribute to the stories in the making. They function like threads attaching her stories, stages, and characters together. In Daschner's textile-based works, threads are minimal yet highly visible, akin to the pinch needed to wake up from a dream. These works--as well as her collages--merge with her confronting yet inviting image politics: she cuts and pastes stories of love and pleasure, violence and resilience, death and rebirth. The written contributions reflect on Katrina Daschner as part of a hardworking generation of queer artists and makers who have been responding to the major conceptual shifts and gender upheavals happening in contemporary art since the 1990s, especially in New York and London. They highlight Katrina Daschner's longstanding line of intersectional queer interest that continues to undermine (neo-)liberal, heteropatriarchal conceptions of sexuality, gender, subjectivity, and relationships. Copublished by Kunsthalle Wien ContributorsRike Frank, Amelia Groom, Tim Stüttgen

Reflections on the Mediterraneans, their interconnected cultures and bodies of sweet and salty water, and the possibilities of narrating their current transformations. In 2021, Etel Adnan and Simone Fattal recorded an intimate conversation about the Mediterranean at their Parisian home: "There are many Mediterraneans: the geographical, the historical, the philosophical... the personal, the one we swim, and we have swum in. It's an experience to swim, it is something you can't explain to somebody who never swam. This feeling of being held up by this water." The third cycle of TBA21-Academy's curatorial fellowship program The Current, spanning from 2021-2023 focused on the Mediterraneans in a program entitled Thus waves come in pairs after a line from Adnan's poem "Sea and Fog." It pointed to the necessity of thinking of, and thinking with, the Mediterraneans as plural--plural as their interconnected cultures, and bodies of sweet and salty water, and possibilities of narrating their current transformations. The rapid expansion of droughts, disruption of cycles of water and heat waves (above and below the rising sea level, where temperatures are rising and biodiversity is declining) across all Mediterranean shores is a key indicator of climate change in this area, occurring at a pace 20 percent faster than anywhere else on the planet. Mediterraneanization is an expansive global phenomenon now, whose borders and inhabitants are on the move. It calls for reorienting, and registering "the limits of our own apparatuses of knowledge," as Iain Chambers and Marta Cariello write in their essay "The Mediterranean Question: Thinking with the Diver." By taking the conversation between Adnan and Fattal as a point of departure and inspiration, this publication intends to collect interdisciplinary reflections around/about the Mediterraneans through art, oceanic thinking, science, and activism, as well as to record fragments of the past two years of research, carried out through conversations, lectures, walks, trips, live performances, and podcasts. Contributors>Copublished by TBA21-Academy

Nearly 40 nearly forgotten essays on magic and esotericism by Ithell Colquhoun.Writer, artist, and wilfully dissident surrealist Ithell Colquhoun (1906–1988) invested her unique works with magical learning, esoteric lore, and a palpable sense of mystery. Despite having published widely on esoteric and occult topics during her lifetime, Colquhoun was never to produce a single book-length edition of her magical writings. As a result, many of her essays were lost or neglected.A Walking Flame: Selected Magical Writings Of Ithell Colquhoun gathers nearly 40 texts by this unique artist and magical practitioner, and displays cohesively, and for the first time, the impressive breadth of Colquhoun’s magical interests and expertise, and how these came to inform her singular works. Ranging from early encounters with the Kabbalah and esoteric color theory, to Celtic mysticism and alchemy, this volume, edited by Colquhoun scholar and folklorist Amy Hale, promises to shed a necessary light on an integral body of Colquhoun’s thought that has remained occluded for too long.

"A practical guide for companies to engage in racial justice work"--

"Melancholy Wedgwood is an experimental biography that traces multiple strands in the ceramic entrepreneur's life to propose an alternative look at eighteenth-century England's tenuous relationship to our own lives and times"--

Experts from a range of disciplines assess the foundations and implications of a novel action-oriented view of cognition.

"The story of how a self-consious schoolgirl who worried she wasn't smart became the president of Wellesley College, and a leader in philanthropy and social change"--

"This book presents the story of Amaza Lee Meredith (1895-1984), a little-known black woman architect, artist and educator born into the Jim Crow South. Her life and work bridge national boundaries to disrupt our understandings of the Great Migration, expand the reach of the well-documented Harlem Renaissance, and reveal the importance of architecture as a force in New Negro identity and Black middle-class self and group formation"--

"This is a story of profound urban change over decades of time in a symbolic space celebrated as a worldwide phenomenon. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines, twenty years later, how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighborhoods, particularly Hell's Kitchen. The contrast in development growth between these neighborhoods tells a broader story of New York City"--