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This anonymous fifteenth-century French verse-prose translation of Boethius' Consolatio Philosophiae is found in a single manuscript: Aberystwyth, National Library of Wales, 5038D. The text consists of a revised version of the meters from the anonymous verse translation Böece de Confort (edited by Marcel Noest and published in Carmina Philosophiae. Journal of the International Boethius Society, 8-9 (1999-2000), v-xviii, 1-331), 11 (2002), 9-15), and a new translation of the prose sections. It belongs to a network of related translations: Boeces: De Consolacion (c. 1320), Le Roman de Fortune et de Felicité de Renaut de Louhans (1336/1337), Le Livre de Boece de Consolacion (c. 1350-1360), and the Böece de Confort (c. 1380), which have now all been edited, and is the second-to-last of the twelve distinct medieval French translations of the Consolatio Philosophiae. It is an individual attempt through réécriture to master Boethius' thought. Critical material in French (Introduction, Notes, Glossary, Index of Proper Names) accompanies the edition of the text.

Amants séparés, vertu persécutée, moines lubriques et meurtriers, confrontation de l'Ancien Régime et du nouvel ordre, avec la Révolution en guise de deux ex machina ; mais aussi passions déchaînées, proclamations enflammées et tableaux frappants : l'intrigue des Victimes cloîtrées, drame de Jacques-Marie Boutet dit Monvel, avait tout pour plaire au public de 1791, et connut, tout au long de la période révolutionnaire, un grand succès scénique ainsi que de nombreuses rééditions. La présente édition retrace l'histoire du texte et de ses représentations, de sa création à ses dernières reprises lors des célébrations du Bicentenaire de la Révolution française en 1789. Elle s'efforce d'éclairer les implications historiques de cette pièce intimement liée aux circonstances et à la question monacale, en présentant les modifications imposées au texte par le contexte idéologique et les interprétations variées qui en ont été faites. Mais elle met également en lumière l'importance proprement dramatique de cette œuvre, écrite par un acteur soucieux de spectaculaire et d'effets scéniques. Avec Les Victimes cloîtrées, chaînon manquant entre le drame bourgeois de Diderot, le roman gothique anglais et le mélodrame du début du XIXe siècle, s'invente un nouveau type de dramaturgie et un nouveau rapport du public au spectacle : un véritable théâtre de la fascination. À tous ces titres, le drame de Monvel mérite d'être redécouvert. Separated lovers, persecuted virtue, lecherous and murderous monks; the confrontation between the Ancien Régime and the new order, the Revolution appearing as a kind of deux ex machine; unrestrained passions, enflamed speeches and striking tableaux: the plot of Les Victimes cloîtrées, a drame by Jacques-Marie Boutet, known as Monvel, had everything necessary to please the audiences of 1791. Throughout the revolutionary period this work enjoyed an immense success on the stage, and was also reprinted numerous times. This new edition retraces the history of the text and its performances, from its debut to its last production during the bicentennial celebrations of the French Revolution in 1989. This edition explores the historical implications of a work intimately linked to the times in which it was produced, as well as to the debate about monasteries and religious vows. This volume presents not only the changes imposed upon the text by the ideological context, but also the various interpretations that the play has provoked. It sheds light on the theatrical importance of the work, written as it was by an actor attentive to spectacle and stage effects. The missing link between Diderot's drame bourgeois, the English gothic novel and early nineteenth-century melodrama, Les Victimes cloîtrées invents a new kind of dramaturgy and a new relationship between the audience and the performance: a true theatre of fascination. For all these reasons, Monvel's drame deserves to be discovered afresh.

Aza ou le Nègre is a slave novel that was published anonymously in 1792, during the French Revolution. It differs from other contemporaneous works like Jean-François de Saint-Lambert's Ziméo and de Germaine de Staël's Mirza because, despite their advocacy for abolition, Ziméo and Mirza remain largely Eurocentric. By contrast, because it is largely narrated in the first person, Aza ou le Nègre makes for an Afrocentric fiction whence 'the White man' is markedly absent. In having its hero Aza return to his native Africa, this novel purports to envision an after-slavery locus. Aza ou le Nègre thus can be read in a post-modern perspective where an African hero takes his destiny into his own hands and turns his back on the West to offer his own Afrocentric solution to the issue of slavery. The book concludes with a seminal treatise that summarizes the Société des Amis des Noirs' ideology championed in Aza: Étienne Clavière's Adresse de la Société des amis des noirs à l'assemblée nationale, dating from 1791 Loïc Thommeret is lecturer in French at Oberlin College.

This satirical poem, known popularly as the Miliade because of its thousand-verse length (in octosyllabic verse), was printed anonymously around 1636. The poem's endurance and plentiful and specific political references make it a lively commentary encompassing discontent with the increasingly centralized government before the outbreak of the civil wars, the Frondes (1648-53).

The volume is offered as a Festschrift for Roger Stephenson, who recently retired from the William Jacks Chair of Modern Languages (German) at the University of Glasgow.

This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg and his works in various countries and during different periods. It is thus very much a study in reception as well as a bibliographical record of published material. It traces the developing image of Strindberg and his writing both during his lifetime and in subsequent years, and with frequent cross reference offers a comprehensive overview of a literary and existential project that has rarely been matched for its multifaceted diversity.The bibliography is published in three parts. Volume 1, General Studies (978-0-947623-81-4) and Volume 2, The Plays (978-0-947623-82-1) are also now available.Michael Robinson is Emeritus Professor of Drama and Scandinavian Studies at the University of East Anglia, Norwich.

This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg and his works in various countries and during different periods. It is thus very much a study in reception as well as a bibliographical record of published material. It traces the developing image of Strindberg and his writing both during his lifetime and in subsequent years, and with frequent cross reference offers a comprehensive overview of a literary and existential project that has rarely been matched for its multifaceted diversity.The bibliography is published in three parts. Volume 1, General Studies (978-0-947623-81-4) and Volume 3, Prose, Poetry, Miscellaneous (978-0-947623-83-8) are also now available.Michael Robinson is Emeritus Professor of Drama and Scandinavian Studies at the University of East Anglia, Norwich.

This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg and his works in various countries and during different periods. It is thus very much a study in reception as well as a bibliographical record of published material. It traces the developing image of Strindberg and his writing both during his lifetime and in subsequent years, and with frequent cross reference offers a comprehensive overview of a literary and existential project that has rarely been matched for its multifaceted diversity.The bibliography is published in three parts. Volume 2, The Plays (978-0-947623-82-1) and Volume 3, Prose, Poetry, Miscellaneous (978-0-947623-83-8) are also now available.Michael Robinson is Emeritus Professor of Drama and Scandinavian Studies at the University of East Anglia, Norwich.

The bibliography records doctoral and selected masters' theses (over 3,300 in all) from British and Irish universities in the field of Russian, Soviet and East European studies. This is broadly interpreted to include all disciplines in the humanities and social sciences as they relate to the area of Russia, the former USSR and Eastern Europe. Taken as a whole, the work probably forms the fullest and longest record of British and Irish postgraduate research in any sector of area studies. Besides its primary function as a bibliographic tool, it makes it possible to trace the effects of academic developments, institutional policies, and the changes in direction in this highly diversified field of study over the last hundred years. Entries are arranged by subject and area, supported by full author and subject indexes to aid searching.Dr Gregory Walker is a former Head of Slavonic and East European Collections at the Bodleian Library, University of Oxford. The late John S.G. Simmons, OBE, was Senior Research Fellow and Librarian, All Souls College, Oxford.