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  • av Rachel Cattle
    195,-

    An unnamed, female narrator travels through school, then art school, then art school teaching jobs, finding or fashioning "the selves of herself" via encounters with PJ Harvey, the ghosts of Ann Quin, Susan Sontag, and a mansplaining Analyst that she first encounters in her grandparents' garden

  • av Victoria Brooks
    195,-

  • av Naomi Pearce
    167,-

    Tower Street, East London, 1975: a crumbling block of artists' studios shaped by the myth of male genius but maintained by Connie, a female caretaker struggling to find her creative voice. Cut to 2017, and this same building is now luxury apartments, the new home of young couple Jane and Tam...

  • av Nadia de Vries
    165,-

    Know Thy Audience, Nadia de Vries's third poetry collection, disavows the platitude from which it takes its name and makes the reader complicit in both her aggression and her submission, sparked by a history of domestic abuse that escapes all euphemism and metaphor - but not poetry altogether

  • av Sharon Kivland
    168,-

    The author writes five days a week for a year, for the length of the analytic hour. She follows Freud's model of train travel for his theory of free association, assuming a line of thought that reveals the hidden logic that connects seemingly disconnected ideas. She echoes other women throughout.

  • av Susan Finlay
    195,-

  • av Susan Finlay
    165,-

    "e;Early on you are assailed by an image so potently repellent, so graphically horrible that it squats in your brain and refuses to be dislodged."e; Jonathan Meades"e;Susan Finlay has a staggeringly beautiful prose style that belies a devastating viciousness. And, what's more, she knows how to tell a story."e; Anouchka GroseDescription - "e;I had just gotten away from it all, by which I mean all those ordinary, boring things like skyscrapers, cigar-smoking industrialists, linoleum, plastics, television, westerns and marihuana. I had either seen or heard about them. Whether they are good or bad is beside the point..."e;A nameless graphic designer is haunted by the concentration camp in which he was once interned. Obsessed with his past, as well as Italy's present 'economic miracle', he retreats to a rural villa where he decorates the rooms with "e;arrows, signs, advertisements"e;; invents a new, purposefully incomprehensible typeface; and attempts to devise a marketing campaign for stones. Upon finally returning to Milan life becomes even more unbalanced. He loses his job and acquires a mistress whom he soon confuses both with his wife and the memory of the young, Czech woman he abandoned at the end of the war. Known primarily as a screenwriter for Michelangelo Antonioni, Federico Fellini and Andrei Tarkovsky among many others, Tonino Guerra also wrote poetry and fiction. Reissued to mark the centenary of his birth, and with a new introduction by acclaimed cultural critic Michael Bracewell, Equilibrium remains a relevant, powerful, and intensely visual account of a broken but (post-)modern man.

  • av Annabel Dover
    166,-

    "e;Haunting, enchanting, and forensically observed... a tender, anthropological elegy, it will stay with you long after you finish it."e; Sophie Dahl "e;An archive of nature and artifice in which every word shimmers with kaleidoscopic brilliance."e; Nancy Campbell "e;Annabel Dover's writing is a delight: inquisitive, keen-eyed, alive with colour and texture; she has the rare ability to make details sing."e; Laura Barton "e;An alchemist, Annabel Dover transmutes the minutiae of life into poetry."e; Heidi JamesDescription - "e;I had just gotten away from it all, by which I mean all those ordinary, boring things like skyscrapers, cigar-smoking industrialists, linoleum, plastics, television, westerns and marihuana. I had either seen or heard about them. Whether they are good or bad is beside the point..."e;A nameless graphic designer is haunted by the concentration camp in which he was once interned. Obsessed with his past, as well as Italy's present 'economic miracle', he retreats to a rural villa where he decorates the rooms with "e;arrows, signs, advertisements"e;; invents a new, purposefully incomprehensible typeface; and attempts to devise a marketing campaign for stones. Upon finally returning to Milan life becomes even more unbalanced. He loses his job and acquires a mistress whom he soon confuses both with his wife and the memory of the young, Czech woman he abandoned at the end of the war. Known primarily as a screenwriter for Michelangelo Antonioni, Federico Fellini and Andrei Tarkovsky among many others, Tonino Guerra also wrote poetry and fiction. Reissued to mark the centenary of his birth, and with a new introduction by acclaimed cultural critic Michael Bracewell, Equilibrium remains a relevant, powerful, and intensely visual account of a broken but (post-)modern man.

  • av Tonino Guerra
    165,-

    Known primarily as a screenwriter for Antonioni, Fellini and Tarkovsky among others, Tonino Guerra also wrote fiction. Reissued to mark the centenary of his birth, and with a new introduction by acclaimed cultural critic Michael Bracewell, Equilibrium remains a relevant, powerful, and intensely visual account of a ruined man in a ruined Europe.

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