Bøker utgitt av Mousse Publishing

Juxtaposing contemporary Aboriginal art with the work of Yves KleinThis volume presents works by 13 Aboriginal artists alongside pieces by the influential French artist Yves Klein (1928-62), whose early childhood art and writings reflect an interest in prehistorical Aboriginal motifs. Artists include: Angkaliya Curtis, Waigan Djanghara, Judy Watson and Sally Gabori.

Helsinki-based Swiss Haitian artist Sasha Huber's (born 1975) multimedia practice investigates colonial residues. Her projects conceive of natural spaces as contested territories, highlighting how history is imprinted onto the landscape through acts of remembrance, including through the erection and naming of monuments.

Eerie portraiture from an artist inspired by surrealism and religious iconographyItalian artist Pietro Roccasalva (born 1970) makes uncanny and gloomy paintings that are influenced by religious iconography, modernist collage and digital distortion. This exhibition catalog accompanies his recent solo show at MASI Lugano in Switzerland.

"[...] what I consider to be one of the most important arts of the future: the art of translation. "-Édouard GlissantWith The Poetry of Translation, Kunst Meran Merano Arte investigates the compelling phenomenon of translation. Over seventy works by over thirty artists shed light on the process of translation from novel perspectives. Inspired by the living multilingual environment of South Tyrol and its eventful history of interethnic cohabitation, Kunst Meran Merano Arte offers the ideal context for a research on translation and questions surrounding identity, multiculturalism, and diversity. The essays and visuals included in the book address translation in its complexity: on the one hand, as a source of inclusion, international understanding, creativity, genius and poetry, while on the other as a cause of misunderstanding and exclusion. It is understood here as a creative process through which something new is always created.

"Chests fall up and down. Particles fow from inside the lungs into the open air. They comingle until pulled again into another chest. Quietly the bodies exchange gasses, heat, moisture. They create their own weather. Currents twist in the air until coming to rest in a pair of lungs, only to be expelled back into the rafters. All this is invisible. Nothing could be seen if there were eyes open to look. " -Becket Flannery Isabelle Andriessen investigates ways to physically animate inanimate (synthetic) materials in order to provide them with their own metabolism, behavior and agency. Her sculptures are agents inhabiting the liminal space between sculpture and performance, composed of materials that act and evolve, seemingly beyond control and often irreversibly. On the occasion of the exhibitions DORM (2021) and BUNK (2021), this publication brings together three distinct voices. Sci-fi writer and art critic Mark Von Schlegell contributes a short story in which an engineer is trying to locate a lost AI as a spaceship hurdles of course. In an autonomous photo series photographer Nikola Lamburov reimagines Andriessen's sculptures, capturing their processes in sticky, eerie and surreal landscapes. Through fractals, liquids, vapors and metals, curator Laura McLean-Ferris's essay traces the state changes that are enacted across Andriessen's works, and in doing so fnds systems of porous entanglement that fourish in a world without humans.

Los Angeles-based artist Paul Sietsema (born 1968) compounds organic and artificial detritus in his artwork. Using photographs and other objects that reference specific bodies of knowledge as starting points for his carefully crafted drawings and sculptures, he then films these images and objects, arranging and comparing both the physical works and the ideas, information and knowledge associated with them. Through his multistep, multimedia approach, Sietsema explores what it means to make art today, amid the barrage of images and the telescoping of past, present and future that instant access to information seems to provide. His film projects are both a consideration of time and how we apprehend it and an effort to return significance to the activity of image-making in an age of digital immediacy. This slim, clothbound hardcover is the first publication on Sietsema's film works, and includes stills from seven films accompanied by three curatorial essays.

Working in photography, film, sculpture, performance and installation, Los Angeles-based artist Elad Lassry (born 1977) has established himself as one of the most original artists of his generation, with works that are at once visually seductive and conceptually challenging. This book documents Lassry's solo exhibition at the Padiglione d'Arte Contemporanea in Milan, Italy. With an essay by Aram Moshayedi (Curator at the Hammer Museum in Los Angeles) and a conversation between the artist and Jörg Heiser (co-editor of Frieze magazine), it provides an in-depth critical examination of Lassry's work from the beginning of his career to the present.

Recent experiments in color, from a Japanese painter known for his grayscale paletteJapanese artist Tomoo Gokita (born 1969) is known for his monochromatic and grayscale figurative paintings. This latest body of work, made during lockdown, consists of bright, pastel-colored large-scale paintings portraying pinup models, female wrestlers and familial portraiture alongside mundane symbols embedded in our current reality.

Artists and writers on the aesthetic appeal of the unexpectedFirst presented in 2021 as a digital magazine in 12 issues, The Strangeness of Beauty was, after O Sole Mio, the second digital project curated by Ziba Ardalan during the repeated pandemic lockdowns. In it, artists and other art professionals consider how "strangeness" often produces beauty.

An engaging spiralbound portrait of Jesper Just's interactive theatrical spectacleCelebrated for his interactive piece Interpassivities (which premiered at BAM with music by Kim Gordon), the filmmaker, choreographer and performance artist Jesper Just (born 1974) has inaugurated a new style of Gesamtkunstwerk. This artist's book compiles visual documentation of his works.

Published on the occasion of the exhibition Tom Wesselmann: La Promesse du Bonheur, curated by Chris Sharp with the scientific coordination of Cristiano Raimondi, held at Villa Paloma in Monaco June 29, 2018, through January 6, 2019, this catalogue is a critical overview of a key American Pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze, and strategies of indeterminacy. Every aspect of the book's design, including its more than 170 color illustrations, is conceived to reflect on the artist's haptic, indexical painterly approach and oversize scale system.