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One of the least well-known aspects of Albers's achievement is arguably one of his most inventive: a series of more than 70 collages made with his own photographs from his time at the Bauhaus.

This third volume in the children's series showcases famous photographs from around the world in a tender reflection on weather, seasons, perspective and memory.

A children's book on Degas's paintings, pastels and prints, inspiring children to make their own art about the people and places around them.

A collection of images and texts that deal with the idea of visual memory, shared visual knowledge and the interwoven texture of imagined and remembered sounds and images. It also explores the relationship between film and psychoanalysis, and the way these systems of thought have affected the idea of individual biography.

A children¿s book that brings to life a creative and inspiring female counterpart to Young Frank, Architect.

Beginning in 2009, The Museum of Modern Art offered a weekly series of film screenings titled An Auteurist History of Film. Inspired by Andrew Sarris' seminal work The American Cinema, which developed on the idea of 'auteur theory' first discussed by the critics of Cahiers du Cinéma in the 1950s, the series presented cinematic works from MoMA's expansive collection with particular focus on the role of the director as artistic author. For the five years that the series was presented, film curator Charles Silver wrote a concise post to accompany each screening. These texts described the place of each film in the oeuvre of its director as well as its significance to wilder film history. Following the end of the series' long run, the Museum has collected these posts for publication, bringing together Silver's insightful and often humorous readings of the series' films into a single volume. This volume is an invaluable guide to key directors and works of cinema as well as an excellent introduction to auteur theory.

Accompanies first major, all-inclusive, retrospective of the work of Joaquín Torres-García in the US since the 1970s.

Robert Gober rose to prominence in the mid-1980s and was quickly acknowledged as one of the most significant artists of his generation. In the years since, his reputation has continued to grow, commensurate with the rich and complex body of work he has produced.

Presents the work of 17 contemporary painters whose works reflect a singular approach that is peculiarly of our time: they are a-temporal, a term coined by William Gibson and Bruce Sterling, the originators of the cyberpunk aesthetic.

A children¿s book published to accompany what is certain to be a blockbuster exhibition, Matisse: The Cut-Outs, showing at Tate Modern from 17 April to 7 September 2014 and thereafter at The Museum of Modern Art, New York

Robert Heinecken (1931-2006) was a pioneer in the postwar Los Angeles art scene who described himself as a para-photographer because his work stood beside or beyond traditional ideas of the medium. This title presents the survey of Heinecken's oeuvre.

During a career spanning half a century, Ileana Sonnabend helped shape the course of postwar art in Europe and America. Both a gallerist and a noted collector, Sonnabend promoted some of the most significant art movements of her time.

In June 2012, Jasper Johns encountered a photograph of the painter Lucian Freud reproduced in a Christies auction catalogue. Inspired not only by the photographic image, but also by the physical qualities of the object itself, Johns took this motif through a succession of cross-medium permutations. This title presents each of these permutations.

"In the mid-1950s Robert Rauschenberg began making what he called "Combines"--Radically experimental works that mix paint and other art materials with things found in daily life. These hybrid creations offered a dramatic counterpoint to the gestural abstraction that prevailed in contemporary American painting. Canyon (1959), one of the artist's best-known Combines, is a large canvas bearing paint, a postcard, a man's shirt, photographs, newspaper clippings, wood, a flattened metal can and paint tube, a piece of glass, and, thrusting out from its surface, a stuffed bald eagle. Leah Dickerman's essay examines the genesis of this startling and enigmatic work and positions it within a key period in Rauschenberg's groundbreaking career."--Publisher's description.

"'Riot' is the autobiography of Isaac Julien"--Dust jacket, front flap.

The unexpected encounter of a rubber glove, a green ball and the head from the classical statue of the Apollo Belvedere gives rise to one of the most compelling paintings in the history of modernist art: Giorgio de Chirico's "The Song of Love" (1914). De Chirico made his career in Paris in the years before World War I, combining his nostalgia for ancient Mediterranean culture with his fascination for the curios found in Parisian shop windows. Beloved by the Surrealists, this uncanny image exemplifies de Chirico's radical "metaphysical" painting, which creates a disturbing sense of unreality, outside logical space and time, through the novel depiction of ordinary things. Emily Braun's essay explores the sources behind the work's enigmatic motifs, its influence on avant-garde painters and poets, and its continuing ability to captivate viewers as de Chirico intended, even a century after it was made.

By looking closely at works in a range of media, the catalogue shows how these long-established categories have expanded and transformed from Post-Impressionism to Photorealism, reflecting changes in our conceptions of individuals, objects and spaces.

Identical twins Stephen and Timothy Quay are internationally renowned moving image artists and designers for over thirty years have been in avant-garde of stop-motion puppet animation. This title presents their better known films as well as previously moving image works and including graphic design, drawings, typography and notebooks for films.

Features artwork produced during six years, from 1913 to 2013. This title provides an overall sense of the innovations and achievements of the last century. It also features a reading of major work from the period, complemented by an exploration of that years aesthetic zeitgeist.

From his mothers apartment, to the streets full of familiar and not-so-familiar faces, sounds, rhythms and smells, to the art studio where he goes each day after school to transform his everyday world on an epic scale, the author takes readers on a journey through the sights and sounds of his neighborhood.

In 1955 The Museum of Modern Art staged Latin American Architecture, since 1945, a landmark survey of modern architecture in Latin America. This book offers a complex overview of the positions, debates, and architectural creativity from Mexico and Cuba to the Southern Cone between 1955 and the early 1980s.

Henri Labrouste is one of the few nineteenth-century architects consistently lionized as a precursor of modern architecture throughout the twentieth century and into our own time. The two magisterial glass-and-iron reading rooms he built in Paris gave form to the idea of the modern library as a collective civic space. His influence was both immediate and long-lasting, not only on the development of the modern library but also on the exploration of new paradigms of space, materials and luminosity in places of great public assembly. Published to accompany the first exhibition devoted to Labrouste in the United States--and the first anywhere in the world in nearly 40 years--this publication presents nearly 225 works in all media, including drawings, watercolors, vintage and modern photographs, film stills and architectural models. Essays by a range of international architecture scholars explore Labrouste's work and legacy through a variety of approaches.

Published in conjunction with an exhibition at The Museum of Modern Art, this title thrives on an important late 20th-century cultural development in design: a shift from the centrality of function to that of meaning.

Examines the evolution of artistic practices related to prints, from the resurgence of ancient printmaking techniques often used alongside digital technologies to the worldwide proliferation of self-published artists books and ephemera. This title features focused sections on ten artists and publishers.

At the forefront of the social revolution that transformed Mexico during the first half of the twentieth century were three artists whose work had a great impact on the country's culture and politics: Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueiros. This title looks at ten important works by these artists.

"Published in conjunction with the exhibition 'Diego Rivera: Murals for the Museum of Modern Art' ... at the Museum of Modern Art, New York, November 13, 2011-May 14, 2012"--T.p. verso.