Bøker utgitt av Museum of Modern Art

Beginning in 2009, The Museum of Modern Art offered a weekly series of film screenings titled An Auteurist History of Film. Inspired by Andrew Sarris' seminal work The American Cinema, which developed on the idea of 'auteur theory' first discussed by the critics of Cahiers du Cinéma in the 1950s, the series presented cinematic works from MoMA's expansive collection with particular focus on the role of the director as artistic author. For the five years that the series was presented, film curator Charles Silver wrote a concise post to accompany each screening. These texts described the place of each film in the oeuvre of its director as well as its significance to wilder film history. Following the end of the series' long run, the Museum has collected these posts for publication, bringing together Silver's insightful and often humorous readings of the series' films into a single volume. This volume is an invaluable guide to key directors and works of cinema as well as an excellent introduction to auteur theory.

Accompanies first major, all-inclusive, retrospective of the work of Joaquín Torres-García in the US since the 1970s.

Robert Gober rose to prominence in the mid-1980s and was quickly acknowledged as one of the most significant artists of his generation. In the years since, his reputation has continued to grow, commensurate with the rich and complex body of work he has produced.

A children¿s book published to accompany what is certain to be a blockbuster exhibition, Matisse: The Cut-Outs, showing at Tate Modern from 17 April to 7 September 2014 and thereafter at The Museum of Modern Art, New York

Robert Heinecken (1931-2006) was a pioneer in the postwar Los Angeles art scene who described himself as a para-photographer because his work stood beside or beyond traditional ideas of the medium. This title presents the survey of Heinecken's oeuvre.

During a career spanning half a century, Ileana Sonnabend helped shape the course of postwar art in Europe and America. Both a gallerist and a noted collector, Sonnabend promoted some of the most significant art movements of her time.

In June 2012, Jasper Johns encountered a photograph of the painter Lucian Freud reproduced in a Christies auction catalogue. Inspired not only by the photographic image, but also by the physical qualities of the object itself, Johns took this motif through a succession of cross-medium permutations. This title presents each of these permutations.

"In the mid-1950s Robert Rauschenberg began making what he called "Combines"--Radically experimental works that mix paint and other art materials with things found in daily life. These hybrid creations offered a dramatic counterpoint to the gestural abstraction that prevailed in contemporary American painting. Canyon (1959), one of the artist's best-known Combines, is a large canvas bearing paint, a postcard, a man's shirt, photographs, newspaper clippings, wood, a flattened metal can and paint tube, a piece of glass, and, thrusting out from its surface, a stuffed bald eagle. Leah Dickerman's essay examines the genesis of this startling and enigmatic work and positions it within a key period in Rauschenberg's groundbreaking career."--Publisher's description.

"'Riot' is the autobiography of Isaac Julien"--Dust jacket, front flap.

Identical twins Stephen and Timothy Quay are internationally renowned moving image artists and designers for over thirty years have been in avant-garde of stop-motion puppet animation. This title presents their better known films as well as previously moving image works and including graphic design, drawings, typography and notebooks for films.

From his mothers apartment, to the streets full of familiar and not-so-familiar faces, sounds, rhythms and smells, to the art studio where he goes each day after school to transform his everyday world on an epic scale, the author takes readers on a journey through the sights and sounds of his neighborhood.

Henri Labrouste is one of the few nineteenth-century architects consistently lionized as a precursor of modern architecture throughout the twentieth century and into our own time. The two magisterial glass-and-iron reading rooms he built in Paris gave form to the idea of the modern library as a collective civic space. His influence was both immediate and long-lasting, not only on the development of the modern library but also on the exploration of new paradigms of space, materials and luminosity in places of great public assembly. Published to accompany the first exhibition devoted to Labrouste in the United States--and the first anywhere in the world in nearly 40 years--this publication presents nearly 225 works in all media, including drawings, watercolors, vintage and modern photographs, film stills and architectural models. Essays by a range of international architecture scholars explore Labrouste's work and legacy through a variety of approaches.

Published in conjunction with an exhibition at The Museum of Modern Art, this title thrives on an important late 20th-century cultural development in design: a shift from the centrality of function to that of meaning.

Examines the evolution of artistic practices related to prints, from the resurgence of ancient printmaking techniques often used alongside digital technologies to the worldwide proliferation of self-published artists books and ephemera. This title features focused sections on ten artists and publishers.

"Published in conjunction with the exhibition 'Diego Rivera: Murals for the Museum of Modern Art' ... at the Museum of Modern Art, New York, November 13, 2011-May 14, 2012"--T.p. verso.

Looks at The Museum of Modern Arts holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the 20th century.

Paul Cezanne, whom Pablo Picasso called the father of us all, is widely considered to be 20th-century modernisms presiding genius. This essay accompanies each work, illuminating its significance and placing it in its historical moment in the development of modern art.

Frederick Wiseman has made films that together form a monumental chronicle of late twentieth-century institutional and cultural life. This title provides a comprehensive overview of Wiseman's work (including projects for theatre and opera), featuring original essays by a variety of writers, critics, filmmakers and actors, and by Wiseman himself.

Considers the broad spectrum of influential German films made between the world wars. This title investigates important themes in films from this period, including the portrayal of women and the role of sound.

Examines the beginnings of Onos extensive career, demonstrating her pioneering role in visual art, performance and music during the 1960s and early 1970s. This book includes an introduction written by a guest scholar, artwork descriptions and key figures from the time. It also features exhibition dedicated exclusively to the artists work.

Explores the individual accomplishments and parallel developments of two of the foremost practitioners of avantgarde photography in Europe and Latin America. This book traces their artistic development from the early 1930s, when the two met in Berlin at the Bauhaus. It also examines the careers of these two influential artists.

Hurry Up and Wait.

Examines the 20th-century transformation of the kitchen through the collection of The Museum of Modern Art, featuring a wide variety of design objects, architectural plans, posters, archival photographs and artworks ranging from the iconic Frankfurt Kitchen, massproduced for German public housing estates in the aftermath ofWorldWar I.

Formed by Harvey S Shipley Miller, the Judith Rothschild Foundation's trustee, the Museum of Modern Art comprises over 2,500 works on paper by more than 650 artists and was conceived to be the widest possible cross-section of contemporary drawing. This title brings together approximately 250 works from the Foundation's drawings.

By interrogating the most basic ideas of narrative and reality and rejecting classical cinematic ideals, Dutch artist Aernout Miks creates works that are rich in allusion but subversive of codes. This title explores Miks work and process. It discusses the creative aspects of Miks installations that extend the traditional boundaries of media.

Explores the important artists represented in the collection of The Museum of Modern Art, and guides readers through various artists' memorable achievements.

Formed by Harvey S Shipley Miller, trustee of the Judith Rothschild Foundation, and given to MoMA in 2005, The Judith Rothschild Foundation Contemporary Drawings Collection was conceived to be a broad survey of contemporary drawing practice. This catalogue raisonne presents the collection as a whole.