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The stunning breadth of one of the most extensive private collections of ink art in Singapore is made public in Rediscovering Treasures: Ink Art from the Xiu Hai Lou Collection.

This catalogue bears witness to Chen Chong Swee's explorations across the mediums of ink and oil, the influence his immediate surroundings had on his art, and his insistence, above all, that it was impossible to divorce art from life.

This catalogue illuminates Iskandar Jalil's enduring relationship with clay and the pivotal role he plays in expanding the practice of ceramics.

The exhibition A Fact Has No Appearance explores the impact of new ideas on art in Southeast Asia during the 1970s through the case studies of three artists: Johnny Manahan, Redza Piyadasa, and Tan Teng-Kee.

Earth Work, originally staged at the National Museum Art Gallery In 1980 by Singaporean artist Tang Da Wu, was one of the earliest exhibitions of land art in Singapore. Earth Work 1979, a restaging of selected works from the seminal 1980 exhibition, revisits Tang's then unparalleled usage of organic materials and public spaces.

The exhibition Beauty Beyond Form at National Gallery Singapore spans 50 years of Wu Guanzhong's career. This catalogue includes full-colour reproductions of works from the exhibition, a detailed biographical timeline, and essays that offer insight into Wu's beliefs in relation to the function of art.

This beautiful volume featuring essays, over 100 artwork images and a detailed bigraphical timeline, celebrates Wu Guanzhong's art, life, remarkable achievements and donation to Singapore- the single largest donation made by the Chinese master to any public museum.

Siapa Nama Kamu? weaves together a rich and captivating narrative of artworks in a broadly chronological sequence, covering Singapore's art history from the 19th century to the present.

After the Rain is the first major survey of Chua Ek Kay, one of Singapore's leading ink practitioners, covering over three decades of his prolific practice.

Published to accompany National Gallery Singapore's inaugural exhibition Siapa Namu Kamu?, this catalogue presents a survey of Singapore art from the 19th century to the present, charting major themes across broad time periods.

Between Declarations and Dreams is National Gallery Singapore's inaugural exhibition of the art of Southeast Asia from the 19th century to the present. This richly illustrated catalogue tracks the broad time periods and thematic sections of the exhibition through more than 300 artwork images.

Accompanied by stunning photographs, this publication animates the story of the origins and physical transformations of the neoclassical City Hall and former Supreme Court into National Gallery Singapore, which overseas the largest public collection of Singapore and Southeast Asian modern art.

This book is the first of its kind on Cheong Soo Pieng, presenting the reader with the breadth and complexity of this Nanyang artist's extensive oeuvre.

Koko is a small boy who lives in a kampong by a river. Life is quiet and peaceful until one day a tree comes to life as the menacing Green Giant! Can Koko the Great save the day?

Liu Kang, one of Singapore's first generation artists, was a seminal observer, commentator, and visionary of modernity in Singapore art history. In this monograph, the cross-cultural richness in Liu Kang's way of seeing and art making are explored in four essays by curators and art researchers.

This book introduces the world of Singapore artist Liu Kang to children through fun and engaging ideas and activities.

Liu Kang: Essays on Art and Culture is a testament to the inexorable passion of an artist who knew no boundaries. This collection of essays, which Liu Kang wrote over 44 years, offers an insight into the artist's myriad interests as well as his contributions as a first generation Nanyang artist and art educator.

This colouring and activity book allows children to create new works of art as they learn about one of Singapore's first generation artists, Cheong Soo Pieng.

Lynn and Cotton Bunny are about to embark on a journey that they will never forget, a journey where art, memory, and the present meet.

The six essays in this volume explore the manifestations of realism in Asian art, relating this art of description to issues of colonialism, world and civil wars, nation building, religion and contemporary culture in Asia.

The essays in this book provide insights into Yeh Chi Wei's artistic practice, the influence of diverse cultural and historical resources in his paintings, and his legacy.

From pure reds to salmon pinks, subtle violets to ultramarine blues, Anthony Poon's brightly coloured works capture the full spectrum of the rainbow, and reflect an abstract artist's relationship with the basic components of art: line, form and colour.

Tracing the transformation of iconic buildings into the National Gallery Singapore, telling a story of competition, preservation and innovation.