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Without seeming to at first glance, Jim Murphy's Versions of May succeeds in speaking to the anxieties that move beneath the surface waters of our times. It is a collection of tremendous depth and breadth, piercing insight and tenderness. Global, and yet attentive to particulars of nature and human spirit, these poems artfully blend elements of elegy, Zen, jazz, and popular music. In line after line that resonate with echoes of terror and loss, but simultaneously with stunning celebrations of beauty, they sweep us off center, in the traditions of Zen or jazz masters, leaving us almost breathless, startled by the silence and light. "No truths / but this bright and noble moment," Murphy writes, and elsewhere, "We vanished. We left in total silence." These are poems to be savored, ones that will stay with us long after our reading. -Anand Prahlad, Curators Distinguished Professor Emeritus, University of Missouri-Columbia
A collection of essays celebrating the centenary of Carson McCullers by an international collaboration of scholars and writers. The essays bring to light multiple themes across McCullers's works and seek to bring readers along on a journey through some of McCullers's most well-loved pieces as well as her extraordinary life.
Part notebook, part ethical treatise, part fantasized autobiography, The Diary of Kaspar Hauser is a striking collection of forty or so haiku-like compositions, diary entries imagined to have been penned by the "idiot" Kaspar Hauser and discovered, by chance, after his death by brutal murder, among the papers of his patron, Franz Paul Webern.
From Lazer's ambitious ten-year Notebook shape-writing project, Evidence of Being Here: Beginning in Havana (N27) challenges the way we read and write poetry and reframes the terms of spiritual autobiography. Lazer's handwritten shape-writing presents itself as a visual experience that examines ways in which we both hear and are here.
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