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Pan-Africanism in Barbados is a pioneering work. This is the first book exclusively on Pan-Africanism within Barbados, an island that is noted for its conservatism. The book traces the development of Pan-Africanism in Barbados during the 20th century, by looking at the major socio-political Pan-African formations in Barbados: the Universal Negro Improvement Association, the Workingmen's Association, Clement Payne and the loose Pan-African organization that played a leading role in workers struggle in 1937 before the disturbances in Barbados, the People's Progressive Movement/Black Star newspaper, Black Nights, the Southern African Liberation Committee, Rastafarians, the Marcus Garvey Hundredth Anniversary Committee, the Clement Payne Movement and the Pan-African Movement of Barbados. The work also examines the creation of the Commission for Pan-African Affairs, a government created institution to helped to promote the cause of Pan-Africanism. Worrell looks at the objectives, activities, rhetoric, weaknesses, important ideologues, what caused the demise of the various groupings and the lessons to be learnt.

This is the second edition of Russian Futurism through Its Manifestoes 1912-1928, originally published by Cornell University Press (1988). Futurism as a world movement profoundly affected the course of twentieth-century art and culture. This collection made available for the first time in English the writings of the Russian Futurists, which supplied the theoretical base of their movement. In her extensive introduction, Lawton has highlighted the historical development of the movement and has related Futurism both to the Russian national scene and to avant-garde movements worldwide. She describes how the Russian Futurists declared their enmity to the aesthetic canons of nineteenth-century realism and to the mysticism of the Symbolists. Eagle's concluding essay discusses how Futurism's most significant theoretical ideas, through the medium of Russian Formalism, had a lasting impact on the subsequent development of structuralism and semiotics. The lively and imaginative translations by Lawton and Eagle capture the distinctive polemical style of the Russian Futurists-jarring, provocative, neologistic-and reproduce their often idiosyncratic typography. Among many Futurists represented are Vladimir Mayakovsky, Viktor Khlebnikov, Aleksei Kruchenykh, David Burliuk, Vadim Shershenevich, and Boris Pasternak.