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An NYRB Classics Original Simone Weil-philosopher, activist, mystic-is one of the most uncompromising of modern spiritual masters. In "On the Abolition of All Political Parties" she challenges the foundation of the modern liberal political order, making an argument that has particular resonance today, when the apathy and anger of the people and the self-serving partisanship of the political class present a threat to democracies all over the world. Dissecting the dynamic of power and propaganda caused by party spirit, the increasing disregard for truth in favor of opinion, and the consequent corruption of education, journalism, and art, Weil forcefully makes the case that a true politics can only begin where party spirit ends. This volume also includes an admiring portrait of Weil by the great poet Czeslaw Milosz and an essay about Weil's friendship with Albert Camus by the translator Simon Leys.

Nothing More to Lose is the first collection of poems by Palestinian poet Najwan Darwish to appear in English. Hailed across the Arab world and beyond, Darwish's poetry walks the razor's edge between despair and resistance, between dark humor and harsh political realities. With incisive imagery and passionate lyricism, Darwish confronts themes of equality and justice while offering a radical, more inclusive, rewriting of what it means to be both Arab and Palestinian living in Jerusalem, his birthplace.

An NYRB Classics OriginalCharacters from every corner of society and all walks of life-lords and ladies, businessmen and military men, poor clerks, unforgiving moneylenders, aspiring politicians, artists, actresses, swindlers, misers, parasites, sexual adventurers, crackpots, and more-move through the pages of The Human Comedy, Balzac's multivolume magnum opus, an interlinked chronicle of modernity in all its splendor and squalor. The Human Comedy includes the great roomy novels that have exercised such a sway over Balzac's many literary inheritors, from Dostoyevsky and Henry James to Marcel Proust; it also contains an array of short fictions in which Balzac is at his most concentrated and forceful. Nine of these, all newly translated, appear in this volume, and together they provide an unequaled overview of a great writer's obsessions and art. Here are "The Duchesse de Langeais," "A Passion in the Desert," and "Sarrasine"; tales of madness, illicit passion, ill-gotten gains, and crime. What unifies them, Peter Brooks points out in his introduction, is an incomparable storyteller's fascination with the power of storytelling, while throughout we also detect what Proust so admired: the "mysterious circulation of blood and desire."

Finalist for the 2016 Pulitzer Prize in PoetryAmerican poet Elizabeth Willis has written an electrifying body of work spanning more than twenty years. With a wild and inquisitive lyricism, Willis—“one of the most outstanding poets of her generation” (Susan Howe)—draws us into intricate patterns of thought and feeling. The intimate and civic address of these poems is laced with subterranean affinities among painters, botanists, politicians, witches and agitators. Coursing through this work is the clarity and resistance of a world that asks the poem to rise to this, to speak its fury.

Walt Whitman worked as a nurse in an army hospital during the Civil War and published Drum-Taps, his war poems, as the war was coming to an end. Later, the book came out in an expanded form, including “When Lilacs Last in the Dooryard Bloom''d,” Whitman''s passionate elegy for Lincoln. The most moving and enduring poetry to emerge from America’s most tragic conflict, Drum-Taps also helped to create a new, modern poetry of war, a poetry not just of patriotic exhortation but of somber witness. Drum-Taps is thus a central work not only of the Civil War but of our war-torn times.But Drum-Taps as readers know it from Leaves of Grass is different from the work of 1865. Whitman cut and reorganized the book, reducing its breadth of feeling and raw immediacy. This edition, the first to present the book in its original form since its initial publication 150 years ago, is a revelation, allowing one of Whitman’s greatest achievements to appear again in all its troubling glory.

An NYRB Classics OriginalSimon Leys is a Renaissance man for the era of globalization. A distinguished scholar of classical Chinese art and literature and one of the first Westerners to recognize the appalling toll of Mao's Cultural Revolution, Leys also writes with unfailing intelligence, seriousness, and bite about European art, literature, history, and politics and is an unflinching observer of the way we live now.The Hall of Uselessness is the most extensive collection of Leys's essays to be published to date. In it, he addresses subjects ranging from the Chinese attitude to the past to the mysteries of Belgium and Belgitude; offers portraits of André Gide and Zhou Enlai; takes on Roland Barthes and Christopher Hitchens; broods on the Cambodian genocide; reflects on the spell of the sea; and writes with keen appreciation about writers as different as Victor Hugo, Evelyn Waugh, and Georges Simenon. Throughout, The Hall of Uselessness is marked with the deep knowledge, skeptical intelligence, and passionate conviction that have made Simon Leys one of the most powerful essayists of our time.

Going to the Dogs is set in Berlin after the crash of 1929 and before the Nazi takeover, years of rising unemployment and financial collapse. The moralist in question is Jakob Fabian, “aged thirty-two, profession variable, at present advertising copywriter . . . weak heart, brown hair,” a young man with an excellent education but permanently condemned to a low-paid job without security in the short or the long run.What’s to be done? Fabian and friends make the best of it—they go to work though they may be laid off at any time, and in the evenings they go to the cabarets and try to make it with girls on the make, all the while making a lot of sharp-sighted and sharp-witted observations about politics, life, and love, or what may be. Not that it makes a difference. Workers keep losing work to new technologies while businessmen keep busy making money, and everyone who can goes out to dance clubs and sex clubs or engages in marathon bicycle events, since so long as there’s hope of running into the right person or (even) doing the right thing, well—why stop?Going to the Dogs, in the words of introducer Rodney Livingstone, “brilliantly renders with tangible immediacy the last frenetic years [in Germany] before 1933.” It is a book for our time too.

Plot and counterplot lie at the heart of Don Giovanni, Così fan tutte, and The Marriage of Figaro, the three brilliant libretti that Lorenzo Da Ponte prepared for Mozart. They were also central to Da Ponte's own extraordinary life. His Memoirs record a fantastic variety of romantic, political, and professional intrigues, and tell of meetings with a host of remarkable men. In a life that took him from the canals of Venice to the streets of New York, Da Ponte was at different times priest, professional gambler, proprietor of a bordello, political agitator, court poet, impresario, grocery store owner, and the first professor of Italian literature at Columbia University. His Memoirs, a minor classic of Italian literature, are the picaresque and engrossing story of a man of enormous talent and unsurpassed flair who was, above all, an indefatigable survivor."I shall speak of things . . . so singular in their oddity as in some manner to instruct, or at least entertain, without wearying." —Lorenzo da Ponte

Paul Goodman’s Growing Up Absurd was a runaway best seller when it was first published in 1960, and it became one of the defining texts of the New Left. Goodman was a writer and thinker who broke every mold and did it brilliantly—he was a novelist, poet, and a social theorist, among a host of other things—and the book’s surprise success established him as one of America’s most unusual and trenchant critics, combining vast learning, an astute mind, utopian sympathies, and a wonderfully hands-on way with words.For Goodman, the unhappiness of young people was a concentrated form of the unhappiness of American society as a whole, run by corporations that provide employment (if and when they do) but not the kind of meaningful work that engages body and soul. Goodman saw the young as the first casualties of a humanly re­pressive social and economic system and, as such, the front line of potential resistance. Noam Chomsky has said, “Paul Goodman’s impact is all about us,” and certainly it can be felt in the powerful localism of today’s renascent left. A classic of anarchist thought, Growing Up Absurd not only offers a penetrating indictment of the human costs of corporate capitalism but points the way forward. It is a tale of yesterday’s youth that speaks directly to our common future.

No one has written more feelingly and more beautifully than Nescio about the madness and sadness, courage and vulnerability of youth: its big plans and vague longings, not to mention the binges, crashes, and marathon walks and talks. No one, for that matter, has written with such pristine clarity about the radiating canals of Amsterdam and the cloud-swept landscape of the Netherlands. Who was Nescio? Nescio-Latin for "I don't know"-was the pen name of J.H.F. Grönloh, the highly successful director of the Holland-Bombay Trading Company and a father of four-someone who knew more than enough about respectable maturity. Only in his spare time and under the cover of a pseudonym, as if commemorating a lost self, did he let himself go, producing over the course of his lifetime a handful of utterly original stories that contain some of the most luminous pages in modern literature. This is the first English translation of Nescio's stories.

This story of adventure, bravery, daring, friendship, and honor begins when Runcible, a Weimaraner, digs a hole from Cape Cod all the way to Japan. There he meets Taka-chan, a little girl who has been imprisoned by a fierce and fearsome sea dragon. The dragon is angry that Taka-chan’s father and his fellow fishermen no longer pay him proper respect, but he is willing to free Taka-chan on one condition: Runcible must seek out the most loyal creature in all Japan and lay a flower at his feet. So Taka-chan and Runcible set out on a quest of discovery that takes them to the bustling heart of Tokyo. From palace grounds to noodle shop, Runcible explores the city, stopping at nothing to solve the mystery that will release his new friend from her captivity.Taka-chan and I joins image and word in a tale that is as thrilling as it is poignant. Betty Jean Lifton, a lifelong student of Japanese folklore, and Eikoh Hosoe, a renowned Japanese photographer, have together created an enduring work of beauty that is fit to share a shelf with a classic like The Red Balloon.