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A hilarious and heart-felt landmark play about courage, compassion and the fear of loneliness in life's journey towards self-discovery.
The author's guide to Kindertransport, an invaluable and uniquely authoritative resource for anyone studying, teaching or performing the play. Since it was first staged by the Soho Theatre Company in London in 1993, Diane Samuels' Kindertransport has enjoyed huge success around the world, has been revived numerous times, and is widely studied in schools and colleges. The play tells the story of how nine-year-old Eva, a German Jewish girl, is sent by her parents on the Kindertransport to start a new life with a foster family in Britain just before the outbreak of World War Two. Over forty years later, she has changed her name to Evelyn and denied her roots. When her own daughter discovers some old letters and photos in the attic, she is forced to confront the truth about who she really is and to reveal a dark secret that she has done everything to keep hidden. In this author's guide to the play, Diane Samuels investigates the historical background, drawing on the personal testimony of those whose lives were transformed by the Kindertransport. She explores the creative process that shaped the play through successive drafts. And she presents detailed accounts from the actors, directors, a composer and designer who have contributed to the play's most notable productions.
A practical guide to writing radio drama and getting it produced, by a leading radio dramatist and a hugely experienced radio drama producer who have both created award-winning dramas for the BBC.For writers, radio drama offers a remarkable degree of creative freedom, a unique relationship with an audience listening at home or on the move, and a wealth of opportunities to earn a living. But writing for radio is also a very particular craft, with its own distinctive conventions, techniques and pitfalls. And you need to know how the industry works to stand the best chance of getting your play commissioned.This book, written from the dual perspective of a writer and a radio drama producer, tells you all you need to know about:What works well on radio, and what doesn'tHow to hook listeners from the start, and how to keep them listeningHow to format your scriptHow to research and contact the right producer for your playWhat to expect after you've received a commissionWhat happens when you're in the recording studioFull of practical advice, tips and invaluable inside information about the industry, it also includes extracts from many outstanding radio dramas and a series of writing exercises to help put ideas into practice.So You Want To Write Radio Drama? is an essential guide for anybody who wants to write a radio play, whether you're a first-time writer or one currently working in a different medium. It will also be of help to those already involved in making radio drama, or who simply want an insight into how it is written and made.'A useful new addition to NHB's eclectic So You Want series. A radio dramatist and a radio play producer, the authors take you step by step through the process, from defining what radio drama is and how it works, to creating your own and, most importantly, the practicalities of marketing your work. It's an inspiring book which left me thinking that perhaps during this bright, shiny new year I ought to hone my creative skills and have a go myself.' - The Stage'A hands-on guide, ideal for aspiring radio writers. Representing two books in one, it tackles both the initial process of writing a script and the daunting progression to getting commissioned. The authors' passion for radio effervesces throughout and makes for a motivational read.' - Teaching Drama Magazine
Reproduces the text of the "Shakespeare First Folio" (1623) in modern type.
This edition of "As You Like It" reproduces the First Folio of the play but in modern type. As an aid to understanding, a fully modernised version of the text appears on each opposite page. This edition also includes textual notes and a facsimile page from the First Folio.
One bathroom. Two people. One day. A relationship witnessed in minute, devastating detail. A story of intimacy, fragility and the darker side of love, Jack Thorne's Mydidae exposes the private and disturbing moments a couple share, and explores what becomes of a relationship when it is held together not only by love, but by fear, guilt and despair. 'A two-hander full of unexpected menace that probes and chips at its characters, peeling back layers of skin... a potent piece of writing' Exeunt Magazine 'Like a punch in the gut... what makes all of this not only bearable but completely transfixing is the unmistakeable honesty of the writing' Whatsonstage.com
A raw, uncompromising drama about bigotry and racism that explores the insidious rise of the British National Party. Winner of the 2012 Papatango New Writing Competition.
Forty monologues for young women, drawn from across the whole of Shakespeare's canon, complete with summaries, ideas for consideration and a glossary. Part of the Nick Hern Books Good Audition Guides series.
Forty monologues for young men drawn from across the whole of Shakespeare's canon, complete with summaries, ideas for consideration and a glossary. Part of the Nick Hern Books Good Audition Guides series.
Lucy Kirkwood's sharp comedy looks at power games and privacy in the media and beyond. Carrie's getting them out for the lads, Charlotte's just grateful to have a job, Sam's being asked to sell more than his body, and Aidan's trying to keep Doghouse magazine from going under. Set in the cut-throat media world, Lucy Kirkwood's timely new comedy exposes power games and privacy in the age of Photoshop. [NSFW = Not Safe For Work, online material which the viewer may not want to be seen accessing in a public or formal setting such as at work.]
A bewitching play by Jez Butterworth, author of the global smash-hit Jerusalem. Premiered at the Royal Court Theatre in 2012. On a moonless night in August when the sea trout are ready to run, a man brings his new girlfriend to the remote family cabin where he has come for the fly-fishing since he was a boy. But she's not the only woman he has brought here - or indeed the last... 'A delicately unfolding puzzle... all of it is wrapped in marvelous language... extraordinary.' The Times 'One of the best productions of the year... a magnetically eerie, luminously beautiful psychodrama.' Time Out 'Strange, eerie, tense... Butterworth possesses a singular talent.' Guardian
A stunningly ambitious work from one of the UK's most influential playwrights. Someone sneezes. Someone can't get a signal. Someone shares a secret. Someone won't answer the door. Someone put an elephant on the stairs. Someone's not ready to talk. Someone is her brother's mother. Someone hates irrational numbers. Someone told the police. Someone got a message from the traffic light. Someone's never felt like this before. In this fast-moving kaleidoscope, more than a hundred characters try to make sense of what they know. Premiered at the Royal Court in September 2012. 'This exhilarating theatrical kaleidoscope... What is extraordinary about Churchill is her capacity as a dramatist to go on reinventing the wheel' The Guardian 'The wit, invention and structural integrity of Churchill's work are remarkable... She never does the same thing twice' The Telegraph 'A wonderful web of complex emotions, memories, secrets and facts' A Younger Theatre
A gripping historical drama that dramatises a crucial moment of English history. Premiered at Hampstead Theatre in October 2012. December 1648. The Army has occupied London. Parliament votes not to put the imprisoned king on trial, so the Army moves against Westminster in the first and only military coup in English history. What follows over the next fifty-five days, as Cromwell seeks to compromise with a king who will do no such thing, is nothing less than the forging of a new nation, an entirely new world. Howard Brenton's play depicts the dangerous and dramatic days when, in a country exhausted by Civil War, a few great men attempt to think the unthinkable: to create a country without a king. 'A forgotten era of revolutionary British history is fascinatingly unlocked... electrifying.' Whatonstage.com '[A] confident and idea-packed piece... It could have been a dour history lesson. Instead it engages with the present, raising some pungent questions about the kind of democracy we have in Britain today.' Evening Standard
Nationally known and loved as a broadcaster, comedian and writer - Sandi Toksvig's ferociously gripping play BULLY BOY, with great tenderness, offers a startling insight into the minds of soldiers.
A harrowing site-specific drama about people-trafficking by an up-and-coming writer.
A short play by one of the UK's leading dramatists. Premiered at the Royal Court in October 2012. 'No one could blame me. I've been hurt. You're a monster.' A child is shut in her room, a dog is dead in the road, someone is kissing her brother in law. A family locked in hatred is sending a son to war. And meanwhile in another country... 'The best short play since Harold Pinter's Mountain Language' Mark Lawson, Front Row 'As always Churchill seems inventive, coolly socialist, bleak yet dazzling, a bit of a shaman' Evening Standard 'An intriguing work, with an underlying atmosphere of unease and menace reminiscent of Pinter... it nags away in the memory long after you have left the theatre' Telegraph
1949. Small town Colorado. A group of regular American students struggle to accept a foreigner in their midst; their unthinking behaviour will have terrible consequences that are to change world history.
When an irish busker and a young Czech mother meet through a shared love of music, their songwriting sparks a deep connection and a tender, longing romance that neither of them could have expected. Based on the much-loved Oscar-winning film, Once is an extraordinary, original and irresistibly joyous celebration of love, friendship and music. It won eight Tony Awards when it opened on Broadway in 2012, including Best Book and Best New Musical. It opened in Dublin in February 2013 before transferring to the West End. 'charmingly funny and affecting... demonstrates the power of music both to express deep psychic hurt and to perform a cure of sorts' Independent 'quiet, wistful, tender... it has a delicate soulfulness and a truthful charm' Evening Standard 'there is a genuine warmth and inclusiveness to this show... best of all is Enda Walsh's script, which has great, puckish fun applying a bit of Brechtian silliness to the romcom formula' Time Out
A startling and darkly comic drama about childhood, family and fantasy. Winner of the Bruntwood Prize 2011.
A story about dystopian, modern-fairy-tale town where the lines between fact and fiction weave and snag.
An intimate and hedonistic examination of a nineteenth-century love triangle, slope explores the affair between the poets Paul Verlaine and Arthur Rimbaud, and its impact on Verlaine's young wife, Mathilde.
A landmark volume which explores the remarkable flowering of radical, visionary and experimental design for performance in Russia from 1913-1933.
The second volume in a series of large-format, lavishly illustrated books documenting for posterity a collection of significant and influential theatrical set, costume, and lighting designs.
A collection of six plays by one of the UK's most exciting young writers. Also includes a revealing Introduction by the author.
An urgent political play from the writer behind Let The Right One In and This is England '86. Hope is a funny and scathing fable attacking the squeeze on local government.
A sharp black comedy with a tender heart that explores the paths we take in life and their repercussions on the people we love most.
Many theatre practitioners think of physical theatre as one thing and text-based theatre as another. In this book, Dymphna Callery, author of Through the Body: A practical guide to physical theatre, shows how exercises and rehearsal techniques associated with physical and devised theatre can be applied to scripted plays. Working 'through the body' enables performers to discover what really makes a play work. Drawing on key practitioners, including Jacques Lecoq, Joan Littlewood, Peter Brook and Simon McBurney, The Active Text offers a complete approach to working with a scripted play, leading the reader through a process of active exploration and experimentation that includes: Uncovering a play's internal dynamics Using improvisation and theatre games Exploiting the languages of the body Getting inside the words that are spoken (as well as those that aren't!) Discovering image structures Understanding the impact on the audience Throughout the book, the author draws on a core selection of well-known texts (from Sophocles and Shakespeare to Brecht, Arthur Miller, Steven Berkoff and Sarah Kane), showing how an active approach to text can challenge assumptions about even the most familiar of plays. Packed with theatre games, improvisation exercises and rehearsal techniques, The Active Text is an inspirational guide for performers, directors, students and teachers. It will revitalise work in the rehearsal room, workshop or classroom - anywhere that dramatic text needs to be brought to life.
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