Bøker utgitt av Nick Hern Books

A useful, informative career guide for students considering a career in theatre.

A 'fast-forward' acting course covering all the essential techniques an actor needs to know and use - with a suite of exercises to put each technique into practice. The Acting Book offers various ways to analyse a text and to create character, using not only the established processes of Stanislavsky and Meisner, but also new ones developed by the author over many years of teaching drama students. It also sets out a wide range of rehearsal techniques and improvisations, and it brims over with inventive practical exercises designed to stimulate the actor's imagination and build confidence. The book will be invaluable to student actors as an accompaniment to their training, to established actors who wish to refresh their technique, and to drama teachers at every level. 'A fine source of ideas and information for drama teachers - a potted acting course, with plenty of practical exercises.' Teaching Drama

Eugene O'Neill's epic Pulitzer Prize-winning play about love and forgiveness charts one woman's longing to forget the dark secrets of her past and hope for salvation.

Set in northern Nigeria against a backdrop of global turmoil and corruption, Lydia Adetunji's Fixer is a fast-paced drama that asks questions about integrity, loyalty and the price of human life.

A tender and heartfelt debut play that asks whether it's ever too late to start all over again.

Features a play that freeze-frames a generation negotiating intimacy and distance in the 21st century.

A new play by Helen Edmundson, with songs by Neil Hannon, based on Arthur Ransome's much-loved children's classic. Now a major new musical in London's West End.

Four full-length plays and two previously unpublished shorts from the multi-award-winning author of Jerusalem. Jez Butterworth burst onto the theatre scene aged twenty-five with Mojo, 'one of the most dazzling Royal Court main stage debuts in years' (Time Out). This first volume of his Collected Plays contains that play plus the three that followed, as well as two short one-person pieces published here for the first time - everything in fact that precedes Jerusalem, 'unarguably one of the best dramas of the twenty-first century' (Guardian). Plays One includes: Mojo, The Night Heron, The Winterling, Leavings (previously unpublished), Parlour Song and The Naked Eye (previously unpublished). Introducing the plays is an interview with Jez Butterworth specially conducted for this volume. 'The verbal menace of Harold Pinter [combined with] the physical violence of Quentin Tarantino' The Times on Mojo 'It's funny, it's sad, it's haunting and it is also strangely beautiful. Best of all, it is quite unlike anything you have seen before' Telegraph on The Night Heron 'Dazzling' Guardian on The Winterling 'Wickedly funny' Financial Times on Parlour Song

Behind the shiny door of Hazel Robinson's London home, things aren't as good as they look. Her plastic surgeon husband, Richard, has embarked on his latest charitable mission to Haiti, leaving the heavily pregnant Hazel to cope with a failing business and a problem son. This psychological drama is about the darker side of modern parenthood.

An irresistibly funny and tender play about big dreams and small changes. Amid the dreaming, the dramas and the dirty dishes, something has to give. But will it be Kath or the kitchen sink? Things aren't going to plan for one family in Withernsea, Yorkshire. Pieces are falling off Martin's milk float as quickly as he's losing customers and something's up with Kath's kitchen sink. Billy is pinning his hopes of a place at art college on a revealing portrait of Dolly Parton, whilst Sophie's dreams of becoming a ju-jitsu teacher might be disappearing down the plughole. This volume also includes the monologue Spacewang. 'This is one of the best new plays I have seen anywhere this year, and I cannot recommend it too highly.' Charles Spencer, Telegraph 'Wells wrings more riches out of seemingly throwaway lines than a lot of writers manage in an entire play' Evening Standard

Lucy Gough brings Emily Bronte's gothic tale of tortured love to the stage in all its turbulent, passionate glory. Wuthering Heights embodies the eternal pull between good and evil, dark and light, and heaven and hell.

In an ancient, crumbling mansion, sheltering from the howling winds that tear across the surrounding desolate moorland, two men stumble across a dark and terrifying secret that will change their lives forever...

A woman seduced and a friend betrayed; desire, deceit and disguise in the heat and dust of Andalucia. RSC Chief Associate Director Gregory Doran spent years investigating the mystery of Shakespeare's lost play. This is his story, a quest to discover and stage a missing masterpiece.

A gripping and unsettling parable, Foxfinder is a darkly comic exploration of belief, desire and responsibility, set in a world both strange and familiar. William Bloor, a 'foxfinder', arrives at Sam and Judith Covey's farm to investigate a suspected contamination. He is driven by his education and beliefs to unearth and destroy an animal that threatens man's civilisation, and to remain free from its influence himself. As his investigations proceed, the events that follow change the course of all their lives - for ever. Winner of the 2011 Papatango New Writing Competition. 'Dawn King's play shines out like a beacon... the most compelling new work I have seen this year' Guardian

Musicals are the most popular form of stage entertainment today, with the West End and Broadway dominated by numerous long-running hits. But for every Wicked or Phantom of the Opera, there are dozens of casualties that didn't fare quite so well. In this book, Julian Woolford explores the musical-theatre canon to explain why and how some musicals work, why some don't, and what you should (and shouldn't) do if you're thinking of writing your own. Drawing on his experience as a successful writer and director of musicals, and as a lecturer in writing musicals at the University of London, Woolford outlines every step of the creative process, from hatching the initial idea and developing a structure for the work, through creating the book, the music and the lyrics, and on to the crucial process of rewriting. He then guides the reader through getting a musical produced, with invaluable advice about generating future productions and sustaining a career. The book includes dozens of exercises to assist the novice writer in developing their craft, and detailed case studies of well-known musicals such as Les Miserables, The Sound of Music, Miss Saigon, Little Shop of Horrors, Godspel and Evita. An essential guide for any writers (or would-be writers) of musicals, How Musicals Work is a fascinating insight for anyone interested in the art form or who has ever wondered what it takes to get from first idea to first night. 'If anyone knows how musicals work (I'm not sure I do), this highly entertaining dissection of every aspect of that bewildering art form reveals that Julian Woolford does.' Tim Rice 'Excellent... a useful source of information' The Stage

An accessible insider's guide to creating a play from scratch, from the award-winning author of The Reluctant Escapologist.

Poet, playwright and novelist Blake Morrison's play evokes the lives of the Bronte sisters, with a nod to Chekhov's Three Sisters.

A romantic-comedy-thriller about the heat of love and the magic of changing perspectives, from a leading Scottish playwright.

Patrick Sandford's acclaimed dramatisation of Mary Shelley's celebrated novel FRANKENSTEIN, a classic work of gothic fiction in the English canon.

Two women fight for their emotional survival in a rural wilderness dominated by men, money and an unbending morality.

Rwanda to Northern Ireland, Zimbabwe to Bosnia answers are demanded, reconciliation hard to hear and the truth reluctant to be told. World premiere at the Royal Court Theatre, London, 2011.

Two plays by a new, major award-winning Irish playwright.

In The Quality of Mercy, one of the world's most revered theatre directors reflects on a fascinating variety of Shakespearean topics. In this sequence of essays - all but one published here for the first time - Peter Brook debates such questions as who was the man who wrote Shakespeare's plays, why Shakespeare is never out of date, and how actors should approach Shakespeare's verse. He also revisits some of the plays which he has directed with notable brilliance, such as King Lear, Titus Andronicus and, of course, A Midsummer Night's Dream. Taken as a whole, this short but immensely wise book offers an illuminating and provocative insight into a great director's relationship with our greatest playwright. 'This book is an invaluable gift from the greatest Shakespeare director of our time... Brook's genius, modesty and brilliance shine through on every page.' James Shapiro, author of 1599: A Year in the Life of William Shakespeare 'Exquisite... enthralling... This short, modest and brilliant book does more than many more grandiose tomes to renew the reader's fascination with the plays, and the theatre-goer's wonder at the extraordinary and diverse situations locked up inside the First Folio. It should be required reading at all universities and drama clubs' Guardian 'This volume positively seethes and sparkles with ideas... provides not only acute insights into the texts, but intriguing details of performance history, and a few morsels of grand theatrical gossip' - Scotsman 'Should be required reading for any aspiring young directors and actors but also all serious theatregoers... the writing is a model of clarity, the ideas challenging but sensible... it should be on every reader's bookshelf' - British Theatre Guide

An uplifting story of the triumph of love, inspiration and hope against all odds, set against the austere backdrop of 1940s Britain.

An inspiring, practical handbook for anyone working with young people to make devised theatre.

Stella Feehily brings her trademark wit and emotional insight to this revealing play that goes behind the public face of charities, journalists and NGOs, and is drawn directly from workshops and interviews with aid workers, doctors, human rights defenders, government advisers, journalists and photographers.

Chris Hannan's play, written for Shakespeare's Globe, is a hectic and hilarious morality tale for the modern world. Sexy, feisty and real, it is a story about love at its dirtiest, maddest and most bittersweet.

Ibsen's political comedy in a crisp and satirical version by Andy Barrett.

An irreverent and unsettling play from rising new voice in Irish theatre Stacey Gregg, that interrogates paranoia, ambiguity and innocence in our highly sexualised world. It premiered at the Abbey Theatre, Dublin, in 2011.

An enchanting adaptation of Kenneth Grahame's legendary animal adventure story, from the the author of Waterloo Station Theatre smash hit THE RAILWAY CHILDREN.