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  • - The Essential Handbook
    av Gail Pallin
    226

    Intended for students, graduates and various aspirants to stage management, amateur or professional, whether the production is on a large or small scale, this title offers the basics of stage management. Featuring charts and helpful checklists, it takes the reader through a typical production week by week.

  • av Jacqueline Wilson
    194

    Features a stage adaptation of Andrea who is condemned to shuttling between her Mum and Dad when each takes up with a new partner.

  • av Harley Granville Barker
    170

    A work based on the author's experience as a director and actor and his scholarly knowledge of the Elizabethan stage.

  • av Rona Munro
    164

    A play about an ill-assorted trio (two men and one woman) and their near-fatal obsession with mountaineering.

  • av George Etherege
    98,-

    First staged in 1676, "The Man of Mode" is perhaps the most typical 'Restoration Comedy'. This title is published alongside a revival of this play at the National Theatre, staged by the Artisitic Director, Nicholas Hytner.

  • av David Haig
    166

    The tragic story of how Rudyard Kipling sent his son to his death in the First World War. The year is 1913 and war with Germany is imminent. Rudyard Kipling's determination to send his severely short-sighted son to war triggers a bitter family conflict which leaves Britain's renowned patriot devastated by the warring of his own greatest passions: his love for children - above all his own - and his devotion to King and Country. My Boy Jack premiered at Hampstead Theatre, London, in October 1997. It was adapted for television in 2007, with a cast of Kim Cattrall, Carey Mulligan, Daniel Radcliffe, and the author himself as Kipling. 'dramatises Kipling's story beautifully. The family confrontations bristle with life' Financial Times

  • av Robert Louis Stevenson
    213

    A dramatisation of the classic children's story.

  • av Arthur Schnitzler
    98,-

    Schnitzler's 'daisy-chain' of sexual coupling.

  • av Amanda Whittington
    176

    Work, love and life are just one long hard slog for the fish filleting foursome Pearl, Jan, Shelley and Linda. But their fortunes are set to change when Linda finds tickets to Ladies' Day at Royal Ascot the year it relocated to York.

  • av Katherine Viner, Alan Rickman & Rachel Corrie
    176

    Why did a 23-year-old woman leave her comfortable American life to stand between a bulldozer and a Palestinian home? This book tells the story of Rachel Corrie's short life and sudden death from the words she left behind.

  • av Charles Dickens
    176 - 196

    A brand new adaptation of the Charles Dickens classic - one of the most loved short stories ever written. In one ghostly Christmas night, cold-hearted businessman Ebenezer Scrooge learns to pity himself and to love his neighbour - but is that enough? A brand new adaptation for the Royal Shakespeare Company of the Christmas classic.

  •  
    196

    50 monologues by some of the greatest writers working today, each with a summary of the vital information you need to place the piece in context and perform it to the best of your ability.

  •  
    196

    50 monologues from some of the greatest writers working today, each prefaced with a summary of the vital information you need to place the piece in context and perform it to the best of your ability.

  • av Elizabeth Kuti
    146,-

    Eddie returns home for a peaceful family Christmas for the first time in many years. Neither he nor his parents can forget or forgive themselves for the death of their other son, Richard. Was it an accident or did he intend to kill himself? Hurtful recriminations begin to surface and raise the ghosts of Christmases past.

  • av David Edgar
    180

    A play on immigration which provides a satirical look at what it means to be British.

  • - Preparation, Rehearsal, Performance
    av Oliver Ford Davies
    297

    Drawing on a lifetime's experience of playing Shakespearean roles, the author offers advice to actors, directors and drama students on a variety of scenes, characters, speeches and individual lines from Shakespeare's plays. He takes us through the process of Preparation, Rehearsal and Performance.

  • av Mike Bartlett
    176

    A razor-sharp, acid-tongued new play by Mike Bartlett, one of the UK's most exciting and inventive young writers. Two jobs. Three candidates. This would be a really bad time to have a stain on your shirt... Bull opened at Crucible Studio Theatre, Sheffield, in February 2013 in a Sheffield Theatres Production, directed by Clare Lizzimore. 'Sinewy, stinging, witty... it's as if Bartlett has taken the nastiest needling from a Mamet or a Pinter play and put them into a space of pure verbal aggression' The Times 'A writer with a startling breadth of ambition coupled with an ear for dialogue unmatched by many of his contemporaries... Bull taps into something incredibly relevant and potent' Exeunt Magazine

  • av Lisa McGee
    186

    Emma and Clare were childhood friends. Now, they replay the events and incidents of their youth: the tree house they sheltered in, the two elderly sisters they ran errands for, the film they went back to time and time again. But, Clare becomes obsessed with a new arrival on the street - an attractive young woman with a baby, but apparently no man.

  • av Michael Morpurgo
    176

    A stage adaptation of Michael Morpurgo's story of a boy washed ashore on a Pacific Island.

  • av Rudyard Kipling
    196

    A stage adaptation of "The Jungle Book".

  • av Chloe Moss
    164

    Down the road in Oil Street, Liverpool, there are no walls, and a fierce sense of belonging that has nothing to do with place. There are two families, two ways of life: yards apart, yet worlds between. But when Bobby starts skipping school to hang out with Danny, their friendship forces both families to look beyond the walls that divide them.

  • av Fin Kennedy
    196

    The award-winning play that follows one man's desperate attempts to buck the system, and asks what really makes us who we are in the 21st century. When a young executive reaches breaking point and decides to disappear, he pays a visit to a master of the craft in the form of a seafront fortune teller in Southend. Haunted by visitations from a pathologist who swears he is already lying flat out on her slab, he begins a nightmarish journey to the edge of existence that sees him stripped of everything that made him who he was. How To Disappear Completely and Never Be Found was first performed at the Crucible Studio, Sheffield, in March 2007. It won the John Whiting Award for New Theatre Writing. 'an unsettling, dangerous play that makes you want to run away from yourself' Guardian 'the sort of thrilling new work that completely restores your faith in theatre' Sheffield Star

  • av James Joyce
    180

    It's the summer of 1912. Back in Dublin after nine years abroad, Richard, a successful writer, and Bertha, his wife, have to confront two other people who love them, and ask themselves questions about guilt and responsibility. Will infidelity hold them together?

  • av Victoria Benedictsson
    196

    Paris in the 1880s. Louise Strandberg has fallen ill visiting her bohemian artist friends. An almost-famous French painter calls round and, somehow inevitably, she falls heavily under his spell. A year later, having run herself deep into debt on his account despite his coolness towards her, she - somehow also inevitably - kills herself.

  • Spar 10%
    av Enda Walsh
    166

    It's 11 o'clock in the morning in a council flat in south London. In two hours' time, as is normal, three Irishmen will have consumed six cans of Harp, fifteen crackers with spreadable cheese, ten pink biscuit wafers and one oven-cooked chicken in a strange blue sauce. Also in two hours' time, as is normal, five people will have been killed.

  • av Amanda Whittington
    176

    A follow-up play to "Ladies Day", here, Pearl, Jan, Shelley and Linda - are celebrating with the trip of a lifetime to the Land of Oz. While Shelley dreams of luxury and glamour, the rest of the gang decide to go and camp out under the stars at Ayers Rock. But Shelley soon discovers there's more on offer than posh hotels, casinos and surfers.

  • av Dan Muirden
    180

    Reformed womaniser Nick is approaching thirty and has fallen head over heels with the girl he wants to marry and have kids with. But then a dark little fling he'd rather forget comes back to threaten everything. How far will he go to keep himself in the game that everyone else seems to be playing?

  • av Ayub Khan Din
    247

    The wedding feast is over and his father's dancing the bhangra, but the groom himself is busy on the net, and when it's time for bed, he's so woefully inhibited by the proximity of his parents, let alone his brother's childish pranks, that his beautiful virgin bride remains just that. Six weeks later, the whole family start to panic.

  • av Ben Musgrave
    212,-

    Winner of the first prize in the 2006 Bruntwood Playwriting Competition.

  • av Jack Thorne
    272

    Includes two plays by Jack Thorne published alongside their premieres: "Stacy" at the Arcola Theatre, London and "Fanny and Faggot" at the Finborough Theatre, London.

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