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  • av John Gay
    91,-

    John Gay's bawdy and burlesque pastiche of classical Italian opera, often regarded as the world's first ever musical.

  • av Oliver Lansley
    195,-

    You're young, free and single and haven't had sex for the last eleven and a half months, then one morning you wake up pregnant, and here is the Angel Gabriel on your doorstep claiming parentage. Things quickly spiral into farcical confusion with no fewer than three more potential fathers claiming parentage.

  • av Sophocles
    99,-

    A newly published translation by Kenneth McLeish, with an introduction by Stephen Mulrine.

  • av Stephen Jeffreys
    195,-

    Elizabeth I is at death's door. Conspirators are everywhere. A politically-sensitive trade delegation is on its way to London. Who can be trusted to entertain them? Comedian Lucius Bodkin thinks he'll hit the big time but he's reckoned without the Tudor backstabbers and the City wide-boys.

  • av Tim Fountain
    195,-

    Guides the would-be playwright over the many hurdles that must be cleared. This work raises - and provides answers to - over fifty topics ranging from 'Should you know which theatre you are writing for?' to 'What if you get stuck?' and on to 'Where do you send your script?' It also includes a directory of theatres and contacts.

  • av Evan Placey
    195,-

    An explosive and thought-provoking piece of play exploring what happens when buried secrets catch up with you. But when it comes to sex and consent, are there really any blurred lines?

  • av Evan Placey
    293,-

    This collection features four urgent and explosive plays by award-winning playwright Evan Placey, each tackling issues facing young people today. They provide ideal material for teenagers to read, study and perform.

  • av Bea Roberts
    179,-

    A fierce, achingly tenders play that charts one farm's struggle to survive the march of history, from the bloodbath of the foot-and-mouth crisis to developers consuming land for real estate.

  • av Tanya Ronder
    179,-

    A funny and surreal family drama about the power of the individual in a world obscured by politics.

  • av Ian Kelly
    179,-

    Based on Ian Kelly's award-winning biography, Mr Foote's Other Leg is a riotously funny play exploring our obsession with celebrities, through the true story of the Oscar Wilde of the eighteenth century.

  • - The Physical Training of the Actor
    av Anne Dennis
    293,-

    The highly regarded actor training manual by a top movement teacher.

  • av Liz Lochhead
    228,-

    A funny, sad and truthful romantic comedy about beating the biological clock.

  • av Henrik Ibsen
    97,-

    The epic story of Peer's quest for the meaning of life as he staggers from the fjords of Norway to the deserts of Africa and back. Written in 1876.

  • av Jamila Gavin
    175,-

    Set in the 18th century, this is a tale of two cities, two boys and also a tale of fathers and sons. This is the story where the National Theatre has chosen its Christmas show on its biggest stage.

  • av Charles Dickens
    195 - 228,-

    Jo Clifford's beautifully simple adaptation of one of Dickens's best-loved novels brings it thrillingly to life for the stage. Eminently actable and stageable, this version is also ideal for schools and amateur theatre companies.

  • av Amanda Whittington
    175,-

    Set in a Mother and Baby Home in 1964 in the north of England and peppered with songs from the period, the book follows the fortunes of Mary Adams, unmarried and seven months pregnant. Forcibly sent to the home by a mother intent on keeping up appearances, Mary has to cope with the drawing realisation that the baby has to be given up for adoption.

  • av Geoffrey Chaucer
    193,-

    Published alongside premiere at the Royal Shakespeare Company in November 2005.

  • av Luke Dixon
    195,-

    Full of fresh speeches from Shakespeare's plays, this is the ideal guide for actors of all ages and experience. As an actor at any level you are likely to be called upon to perform a speech from Shakespeare. A great deal will depend on your coming up with something fresh that is suited both to your particular performing skills and to the purposes of the audition. This is where this volume of The Good Audition Guides comes in.Drawing on his extensive experience as a theatre director and in drama training, Luke Dixon has chosen fifty monologues for female actors from across the whole of Shakespeare's canon. Featured here are some of the very best-loved works (such as A Midsummer Night's Dream, Henry V and Hamlet) alongside many less well-known (and often more intriguing) speeches from plays like Love's Labour's Lost and The Merchant of Venice. Each monologue is prefaced with a neat summary of the vital information you need to place the piece in context and to perform it to maximum effect and in your own unique way. The volume also features a user-friendly introduction on the whole process of selecting your speech, tackling Shakespeare's language and approaching the audition itself.'Sound practical advice for anyone attending an audition' Teaching Drama Magazine on The Good Audition Guides.

  • av Luke Dixon
    195,-

    Full of fresh speeches from Shakespeare's plays, this is the ideal guide for actors of all ages and experience. As an actor at any level you are likely to be called upon to perform a speech from Shakespeare. A great deal will depend on your coming up with something fresh that is suited both to your particular performing skills and to the purposes of the audition. This is where this volume of The Good Audition Guides comes in.Drawing on his extensive experience as a theatre director and in drama training, Luke Dixon has chosen fifty monologues for male actors from across the whole of Shakespeare's canon. Featured here are some of the very best-loved works (such as A Midsummer Night's Dream, Henry V and Hamlet) alongside many less well-known (and often more intriguing) speeches from plays like Love's Labour's Lost, King John and Titus Andronicus. Each monologue is prefaced with a neat summary of the vital information you need to place the piece in context and to perform it to maximum effect and in your own unique way. The volume also features a user-friendly introduction on the whole process of selecting your speech, tackling Shakespeare's language and approaching the audition itself.'Sound practical advice for anyone attending an audition' Teaching Drama Magazine on The Good Audition Guides.

  • av Joanna Murray-Smith
    179,-

    Six brilliantly funny and perceptive monologues about the stresses of modern female life, from the author of the National Theatre and West End hit, Honour.

  • av William Wycherley, Aphra Behn & William Congreve
    145,-

    Announcing a new series of Drama Classic Collections.

  • av Euripides
    164,-

    Covers three of the most famous tragedies from Ancient Greece, all featuring female protagonists. This title presents a play-by-play introduction, key dates and a guide to pronunciation.

  • av Philip Roberts & Max Stafford-Clark
    195,-

    Drawing on diaries, photos, and interviews, this book recreates the evolution of nine of Max Stafford-Clark's famous and influential productions, three from each of his three main companies. It not only assesses Stafford-Clark's own role as director, but also the roles of actors and writers in this essentially collaborative creative process.

  • av Philip Pullman
    195,-

    The National Theatre's mega-hit in a new version.

  • - Full Text and Introduction (NHB Drama Classics)
    av Moliere
    100,-

    The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding. Alceste, the misanthrope, hates all mankind, and despairs of its hypocrisy and falseness. He believes that the world could be perfected if people were more honest with each other. But when his honesty starts to make him enemies, and the target of malicious gossips, it is his world and his life which suffer. He alienates his love, elimene, and reproaches her coquettish, flirty ways; he is summoned before the court of marshals to defend a candid opinion about Oronte's terrible poetry - a case which he knows he will lose despite the justness of the cause. He begins to realise that the only way to be left out of gossip is to get out of society - but will elimene go with him, or is she just like everybody else? Translated and introduced by Stephen Mulrine

  • av Sophocles
    97,-

    The Drama Classic edition of Sophocles' version of the Electra myth.

  • av Frank Wedekind
    179,-

    Lulu is the personification of the spirit of unbridled nature. Each of the first four acts of the play sees her married to a different man, each one of whom dies at the end. In the fifth act, Lulu has become a prostitute in late-Victorian London where she encounters Jack the Ripper.

  • av Stella Feehily
    151,-

    Neil is a TV reporter struggling to re-integrate into domesticity. Back from Darfur with a head full of nightmares, he takes a hammer to his life - and his 15 years of marriage. But is his extra-curricular relationship with Sarah going to mend anything... This hilarious play is set in modern-day Dublin, a city full of celebrity chefs.

  • av Chris Johnston
    195,-

    Following on from Keith Johnstone's famous "Impro" and Augusto Boal's "Games for Actors and Non-Actors", this book provides ideas and guidance for drama groups of various kinds. It is intended for teachers, theatre directors, and drama workshop leaders.

  • av David Edgar
    161,-

    David Edgar's breakthrough play, Destiny (1976), looked at the rise of racism and the National Front - and wondered about the future shape of a multicultural society in Britain. Now, thirty years on, Edgar looks at the realities of this multiracial nation in a brilliantly layered new play.

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