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  • av Thomas Middleton
    91,-

    "Women Beware Women" is a major tragedy of the period, anatomising lust, hypocrisy and moral blindness. It is a play of people corrupted by greed for sex, wealth and position.

  • av Nicholas Wright
    176

    A moving portrait of the young Vincent van Gogh - a hit in the West End and on Broadway. Winner of the Olivier Award for Best New Play. Brixton, 1873. A brash young Dutchman rents a room in the house of an English widow. Three years later he returns to Europe on the first step of a journey which will end in breakdown, death and immortality. Vincent in Brixton premiered at the National Theatre, London, in April 2002, before transferring to the West End. 'one of the best new plays ever presented by the National Theatre' >Sunday Times 'a brilliant portrait of the artist as a young man' Guardian 'Nicholas Wright has convincingly imagined himself into the life of the 20-year-old Vincent van Gogh... superlative... An evening to savour' Evening Standard</div>

  • - A Practical Guide to Physical Theatre
    av Dymphna Callery
    196

    A step-by-step guide to Physical Theatre in both theory and practice - full of detailed exercises and inspiring ideas. In Through the Body, based on twelve years of teaching physical theatre, Dymphna Callery introduces the reader to the principles behind the work of certain key 20th-century theatre practitioners (Artaud, Grotowski, Meyerhold, Brook and Lecoq, among others) and offers exercises by which their theories can be turned into practice and their principles explored in action. The book takes the form of a series of workshops starting with the preparation of the body through Awareness, Articulation, Energy and Neutrality. A section on Mask-work is followed by further work on the body, investigating Presence, Complicite, Play, Audience, Rhythm, Sound and E-motion. The book - and the work - culminates in sections on Devising and on the Physical Text. There is also a thorough bibliography and a contact list of training courses in the UK and abroad.

  • av debbie tucker green
    240,-

    Two plays from the acclaimed playwright debbie tucker green.

  • - Good Audition Guide
    av Marina Caldarone
    196

    Fifty monologues for women drawn from classical plays throughout the ages, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way.

  • - Good Audition Guides
    av Marina Caldarone
    196

    Fifty monologues for men drawn from classical plays throughout the ages, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way.

  • av John Gay
    86,-

    John Gay's bawdy and burlesque pastiche of classical Italian opera, often regarded as the world's first ever musical.

  • av Oliver Lansley
    176

    You're young, free and single and haven't had sex for the last eleven and a half months, then one morning you wake up pregnant, and here is the Angel Gabriel on your doorstep claiming parentage. Things quickly spiral into farcical confusion with no fewer than three more potential fathers claiming parentage.

  • av Sophocles
    80 - 146,-

  • av Stephen Jeffreys
    196

    Elizabeth I is at death's door. Conspirators are everywhere. A politically-sensitive trade delegation is on its way to London. Who can be trusted to entertain them? Comedian Lucius Bodkin thinks he'll hit the big time but he's reckoned without the Tudor backstabbers and the City wide-boys.

  • av Tim Fountain
    196

    Guides the would-be playwright over the many hurdles that must be cleared. This work raises - and provides answers to - over fifty topics ranging from 'Should you know which theatre you are writing for?' to 'What if you get stuck?' and on to 'Where do you send your script?' It also includes a directory of theatres and contacts.

  • av Evan Placey
    186

    An explosive and thought-provoking piece of play exploring what happens when buried secrets catch up with you. But when it comes to sex and consent, are there really any blurred lines?

  • av Evan Placey
    276

    This collection features four urgent and explosive plays by award-winning playwright Evan Placey, each tackling issues facing young people today. They provide ideal material for teenagers to read, study and perform.

  • av Bea Roberts
    180

    A fierce, achingly tenders play that charts one farm's struggle to survive the march of history, from the bloodbath of the foot-and-mouth crisis to developers consuming land for real estate.

  • av Tanya Ronder
    180

    A funny and surreal family drama about the power of the individual in a world obscured by politics.

  • av Ian Kelly
    180

    Based on Ian Kelly's award-winning biography, Mr Foote's Other Leg is a riotously funny play exploring our obsession with celebrities, through the true story of the Oscar Wilde of the eighteenth century.

  • - The Physical Training of the Actor
    av Anne Dennis
    294,-

    The highly regarded actor training manual by a top movement teacher.

  • av Liz Lochhead
    229

    A funny, sad and truthful romantic comedy about beating the biological clock.

  • av Henrik Ibsen
    98,-

    The epic story of Peer's quest for the meaning of life as he staggers from the fjords of Norway to the deserts of Africa and back. Written in 1876.

  • av Jamila Gavin
    176

    Set in the 18th century, this is a tale of two cities, two boys and also a tale of fathers and sons. This is the story where the National Theatre has chosen its Christmas show on its biggest stage.

  • av Charles Dickens
    196 - 229

    Jo Clifford's beautifully simple adaptation of one of Dickens's best-loved novels brings it thrillingly to life for the stage. Eminently actable and stageable, this version is also ideal for schools and amateur theatre companies.

  • av Amanda Whittington
    176

    Set in a Mother and Baby Home in 1964 in the north of England and peppered with songs from the period, the book follows the fortunes of Mary Adams, unmarried and seven months pregnant. Forcibly sent to the home by a mother intent on keeping up appearances, Mary has to cope with the drawing realisation that the baby has to be given up for adoption.

  • av Luke Dixon
    196

    Full of fresh speeches from Shakespeare's plays, this is the ideal guide for actors of all ages and experience. As an actor at any level you are likely to be called upon to perform a speech from Shakespeare. A great deal will depend on your coming up with something fresh that is suited both to your particular performing skills and to the purposes of the audition. This is where this volume of The Good Audition Guides comes in.Drawing on his extensive experience as a theatre director and in drama training, Luke Dixon has chosen fifty monologues for female actors from across the whole of Shakespeare's canon. Featured here are some of the very best-loved works (such as A Midsummer Night's Dream, Henry V and Hamlet) alongside many less well-known (and often more intriguing) speeches from plays like Love's Labour's Lost and The Merchant of Venice. Each monologue is prefaced with a neat summary of the vital information you need to place the piece in context and to perform it to maximum effect and in your own unique way. The volume also features a user-friendly introduction on the whole process of selecting your speech, tackling Shakespeare's language and approaching the audition itself.'Sound practical advice for anyone attending an audition' Teaching Drama Magazine on The Good Audition Guides.

  • av Luke Dixon
    196

    Full of fresh speeches from Shakespeare's plays, this is the ideal guide for actors of all ages and experience. As an actor at any level you are likely to be called upon to perform a speech from Shakespeare. A great deal will depend on your coming up with something fresh that is suited both to your particular performing skills and to the purposes of the audition. This is where this volume of The Good Audition Guides comes in.Drawing on his extensive experience as a theatre director and in drama training, Luke Dixon has chosen fifty monologues for male actors from across the whole of Shakespeare's canon. Featured here are some of the very best-loved works (such as A Midsummer Night's Dream, Henry V and Hamlet) alongside many less well-known (and often more intriguing) speeches from plays like Love's Labour's Lost, King John and Titus Andronicus. Each monologue is prefaced with a neat summary of the vital information you need to place the piece in context and to perform it to maximum effect and in your own unique way. The volume also features a user-friendly introduction on the whole process of selecting your speech, tackling Shakespeare's language and approaching the audition itself.'Sound practical advice for anyone attending an audition' Teaching Drama Magazine on The Good Audition Guides.

  • av Joanna Murray-Smith
    180

    Six brilliantly funny and perceptive monologues about the stresses of modern female life, from the author of the National Theatre and West End hit, Honour.

  • av William Wycherley, Aphra Behn & William Congreve
    146,-

    Announcing a new series of Drama Classic Collections.

  • av Euripides
    170

    Covers three of the most famous tragedies from Ancient Greece, all featuring female protagonists. This title presents a play-by-play introduction, key dates and a guide to pronunciation.

  • av Max Stafford-Clark & Philip Roberts
    196

    Drawing on diaries, photos, and interviews, this book recreates the evolution of nine of Max Stafford-Clark's famous and influential productions, three from each of his three main companies. It not only assesses Stafford-Clark's own role as director, but also the roles of actors and writers in this essentially collaborative creative process.

  • av Philip Pullman
    196

    The National Theatre's mega-hit in a new version.

  • - Full Text and Introduction (NHB Drama Classics)
    av Moliere
    101,-

    The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding. Alceste, the misanthrope, hates all mankind, and despairs of its hypocrisy and falseness. He believes that the world could be perfected if people were more honest with each other. But when his honesty starts to make him enemies, and the target of malicious gossips, it is his world and his life which suffer. He alienates his love, elimene, and reproaches her coquettish, flirty ways; he is summoned before the court of marshals to defend a candid opinion about Oronte's terrible poetry - a case which he knows he will lose despite the justness of the cause. He begins to realise that the only way to be left out of gossip is to get out of society - but will elimene go with him, or is she just like everybody else? Translated and introduced by Stephen Mulrine

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