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Most translations of The Odyssey are in the kind of standard verse form believed typical of high-serious composition in the ancient world. Yet some scholars believe the epic was originally composed in a less formal, phrase-by-phrase prosody. Charles Stein employs the latter approach in this dramatic, and in some ways truer, version. Famous episodes such as the sirens, Scylla and Charybdis, and the Cyclops, are rendered with previously unseen energy and empathy. The poem's second half—where Odysseus, returned home to take revenge on his wife's suitors—has extraordinarily subtle, "novelistic” features that are made more transparent in this version. There is also a special feel for the archaic dimensions of Homer—the world of gods and their complex relations to Fate and Being that other translators tend to deemphasize in order to make the poem feel "modern.” Most versions exclude or minimize the magical aspects of the poem, but Stein gives these elements full play, so that the spirit of a universe predating the classical era shines through. This vibrant version of The Odyssey shows readers not only what the Greeks thought about their gods but the gods themselves. Summaries preceding each chapter and a list of recommended websites help expand the experience.
Louise Steinman's American childhood in the fifties was bound by one unequivocal condition: "Never mention the war to your father.” That silence sustained itself until the fateful day Steinman opened an old ammunition box left behind after her parents' death. In it she discovered nearly 500 letters her father had written to her mother during his service in the Pacific War and a Japanese flag mysteriously inscribed to Yoshio Shimizu. Setting out to determine the identity of Yoshio Shimizu and the origins of the silken flag, Steinman discovered the unexpected: a hidden side of her father, the green soldier who achingly left his pregnant wife to fight for his life in a brutal 165-day campaign that changed him forever. Her journey to return the "souvenir” to its owner not only takes Steinman on a passage to Japan and the Philippines, but also returns her to the age of her father's innocence, where she learned of the tender and expressive man she'd never known. Steinman writes with the same poignant immediacy her father did in his letters. Together their stories in The Souvenir create an evocative testament to the ways in which war changes one generation and shapes another.
A victim of debilitating injuries, Moshe Feldenkrais was intimately aware of the link between bodily suffering and mental health. Through healing himself, he made revolutionary discoveries, culminating in the development of the method that now bears his name. In an intellectually rich and eloquent style, Feldenkrais delves into neurology, prehistory, child development, gravity and anti-gravity, reflexive versus learned behavior, the effects of emotion, especially anxiety, on posture, and most importantly, the inseparability of body and mind.
Although contemporaries, Carl Jung and Wilhelm Reich, two giants in the field of psychoanalysis, never met. What might have happened if they had is the inspiration behind this detailed investigation. Jung and Reich succinctly outlines each man's personality and compares their lives and their work, emphasizing points of convergence between them. John Conger provocatively puts Jung's mystical and psychological approach to spiritual disciplines on the same plane as Reich's controversial theories of "genitality" and character armor. The result is a heady "what if?" bound to intrigue and inspire readers.
Bodywise is based on Joseph Heller's own brand of deep-tissue bodywork, which makes the connection between life issues and natural bodily alignment, and shows how to restore the body's natural balance. The book teaches readers how to regain control and become a full-time owner of their bodies. Part One explains the way the body works, in everyday life as well as in the structures of consciousness. Part Two takes the reader on a guided tour of the Hellerwork experience.
This book presents an anatomical overview of the changing form and structure of the human body. Although biomechanical embryology can be traced back to the 19th century, up until recently the most commonly accepted framework for the study of human ontogeny (development of the individual) was molecular biology, which all too frequently relied on findings from animal experiments that remained untested for humans. German embryologist and anatomist Erich Blechschmidt's research concentrates on the evidence presented by the human embryo itself. He offers a new approach to the study of early human growth as a way to shed light on the development of body build, instincts, gestures, language, mathematics, tools, and dress.
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