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  • av Hayden White
    577,-

  • av Andrew Cutrofello
    651

  • av Alexander Fomich Veltman
    340,-

  • av Elizabeth Robinson
    249,-

  • av Alexander Fomich Veltman
    340 - 1 218,-

  • av Rachel Aumiller
    428 - 1 322,-

  • av Lars Kleberg
    431 - 1 322,-

  • av Maggie Andersen
    285

  • av Anne Libera
    376

  • av Hussain Ahmed
    239

  • av Aubrey Gabel
    454 - 1 322,-

  • av Ella Parry-Davies
    428

  • av Margot Kahn
    242

  • av Natasa Kovacevic
    483

  • av Boris Wolfson
    431 - 1 221,-

  • av David McGlynn
    350,-

  • av Ever Jones
    275,-

  • av Alain Aspect
    200

    According to publisher's website (https://press.uchicago.edu/ucp/ books/series/FRCHCO.html), this volume forms part of the France Chicago Collectio

  • av Kellen Hoxworth
    592,-

  • av Maggie Nye
    416,-

    Violence haunts 1915 Atlanta and so does the golem a group of girls creates

  • av Natasha Warikoo
    237,-

    "The American suburb conjures an image of picturesque privilege: manicured lawns, quiet streets, and, most important to parents, high-quality schools. These elite enclaves are also historically white, allowing many white Americans to safeguard their privileges by using public schools to help their children enter top colleges. That's changing, however, as Asian American professionals increasingly move into wealthy suburban areas to give their kids that same leg up for their college applications and future careers."--

  • av Erin Brenner
    296,-

    "The definitive guide to starting and running a freelance editing business. You've been thinking about shifting into the world of freelance editing, but you don't know where to start. In a time when editors are seeking greater flexibility in their work arrangements and schedules, freelancing is an increasingly common career option. But deciding to go it alone means balancing the risks with the rewards. From the publisher of The Chicago Manual of Style comes The Chicago Guide for Freelance Editors, the definitive guide to running your business and finding greater control and freedom in your work life. In this book, Erin Brenner-an industry leader and expert on the business of editorial freelancing-gathers everything you need to know into a single resource. Brenner has run her own successful editing business for over two decades and has helped hundreds of editors launch or improve their businesses through her teaching, blog writing, and coaching.The Chicago Guide for Freelance Editors will walk you through the entire process of conceiving, launching, and working in a freelance editing business, from deciding on services and rates to choosing the best business structure to thinking through branding and marketing strategies and beyond. This book is ideal for beginning freelancers looking to get set up and land their first clients, but it's equally valuable to those who have already been freelancing, with detailed coverage of such issues as handling difficult clients and continuing professional development. You'll find a collection of advice from other successful freelance editors in this guide, as well as an extensive list of resources and tools. In the final and perhaps most important chapter, Brenner teaches you how to care for the key component of the business: yourself"--

  • av Carl Öhman
    246

    "In recent years, more and more of our lives takes place online. But what about our afterlives? Thanks to the digital trails of data we leave behind, much of "who we are" can be reconstructed-even after our death. Sooner than we think, the dead will outnumber the living on Facebook, and in time, AI technology will allow us to "interact" with the departed. In this short, thought-provoking book, Carl èOhman asks us to consider what happens to our data after we pass away. How do we decide what data should be preserved? What sorts of ethical issues does it raise? We live in what èOhman calls the post-mortal condition, one in which the dead and the living coexist online through digital remains. Examining government digital heritage committees, public archives, NGOs, museums, and commercial institutions, èOhman analyzes various forms of data preservation and digital reanimation, ultimately calling for us, as a society, to acknowledge and to engage creatively with our condition. He calls for us to reevaluate the relationship between the living and the dead, and to work together to create a shared ethics of preservation. This isn't just the duty of our digital overlords. These are our lives, our deaths, and it is time we think seriously about how we want our data to be treated"--

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