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According to publisher's website (https://press.uchicago.edu/ucp/ books/series/FRCHCO.html), this volume forms part of the France Chicago Collectio

Violence haunts 1915 Atlanta and so does the golem a group of girls creates

"The American suburb conjures an image of picturesque privilege: manicured lawns, quiet streets, and, most important to parents, high-quality schools. These elite enclaves are also historically white, allowing many white Americans to safeguard their privileges by using public schools to help their children enter top colleges. That's changing, however, as Asian American professionals increasingly move into wealthy suburban areas to give their kids that same leg up for their college applications and future careers."--

"The definitive guide to starting and running a freelance editing business. You've been thinking about shifting into the world of freelance editing, but you don't know where to start. In a time when editors are seeking greater flexibility in their work arrangements and schedules, freelancing is an increasingly common career option. But deciding to go it alone means balancing the risks with the rewards. From the publisher of The Chicago Manual of Style comes The Chicago Guide for Freelance Editors, the definitive guide to running your business and finding greater control and freedom in your work life. In this book, Erin Brenner-an industry leader and expert on the business of editorial freelancing-gathers everything you need to know into a single resource. Brenner has run her own successful editing business for over two decades and has helped hundreds of editors launch or improve their businesses through her teaching, blog writing, and coaching.The Chicago Guide for Freelance Editors will walk you through the entire process of conceiving, launching, and working in a freelance editing business, from deciding on services and rates to choosing the best business structure to thinking through branding and marketing strategies and beyond. This book is ideal for beginning freelancers looking to get set up and land their first clients, but it's equally valuable to those who have already been freelancing, with detailed coverage of such issues as handling difficult clients and continuing professional development. You'll find a collection of advice from other successful freelance editors in this guide, as well as an extensive list of resources and tools. In the final and perhaps most important chapter, Brenner teaches you how to care for the key component of the business: yourself"--

"In recent years, more and more of our lives takes place online. But what about our afterlives? Thanks to the digital trails of data we leave behind, much of "who we are" can be reconstructed-even after our death. Sooner than we think, the dead will outnumber the living on Facebook, and in time, AI technology will allow us to "interact" with the departed. In this short, thought-provoking book, Carl èOhman asks us to consider what happens to our data after we pass away. How do we decide what data should be preserved? What sorts of ethical issues does it raise? We live in what èOhman calls the post-mortal condition, one in which the dead and the living coexist online through digital remains. Examining government digital heritage committees, public archives, NGOs, museums, and commercial institutions, èOhman analyzes various forms of data preservation and digital reanimation, ultimately calling for us, as a society, to acknowledge and to engage creatively with our condition. He calls for us to reevaluate the relationship between the living and the dead, and to work together to create a shared ethics of preservation. This isn't just the duty of our digital overlords. These are our lives, our deaths, and it is time we think seriously about how we want our data to be treated"--

"David Alff's stylish cultural history of the Northeast Corridor not only illuminates the history and geography of that heavily traveled stretch of railroad between Union Station in Washington, DC, and South Station in Boston-it provides a springboard to contemporary subjects like regional identity, the politics and perils of infrastructure, and the intense diversity of American populations. Paying as much attention to Aberdeen, Trenton, New Rochelle, and Providence as to America's earliest power centers and its current federal and cultural capitals, Alff tells a story of where America has been and where it might-if the rails remain intact-be going"--

Explores the effects of McCarthyism on American philosophy in the 1940s and 1950s and the possibility that the political pressures of the McCarthy era skewed the development of the discipline. What happens, McCumber asks, when events and pressures go beyond interfering with individual careers to influence the nature of a discipline itself?

"In this collection of three essays, internationally renowned tenor Ian Bostridge explores his relation to the performance of Western classical vocal music through the lens of gender, politics, or the ultimate paradoxical grounding of identity, death. As a performer who needs to negotiate between his own identity and that of the musical text he delivers on stage or in the concert hall, Bostridge asks questions about how the complex identity of a piece of music was creatively configured by composers at particular historical moments, and how today's performers can embody that complexity for their audiences. In lucid and compelling prose, Bostridge guides his readers through an exploration of the fluidity of gender roles in music by Monteverdi, Schumann, and Britten, the questioning of colonial power and hierarchy in Ravel's Songs of Madagascar, and Britten's reckoning with death in works from the War Requiem to his final opera, Death in Venice. As readers become privy to Bostridge's lines of inquiry into the music he performs, they are also primed for the searching intensity of his interpretations, in which the uncanny melding of song and self brings about moments of epiphany for both the singer and his audience"--

Sailor, painter, doctor, lawyer, polyglot, and writer, Dmitri Bystrolyotov (1901-75) led a life that might seem far-fetched for a spy novel, yet here the truth is stranger than fiction. The result of a thirty-five-year journey that started with a private meeting between the author and Bystrolyotov in 1973 Moscow and continued through the author's subsequent research in international archives, Stalin's Romeo Spy: The Remarkable Rise and Fall of the KGB's Most Daring Operative pieces together a life lived in the shadows of the twentieth century's biggest events. One of the "Great Illegals," a team of outstanding Soviet spies operating in Western countries between the world wars, Bystrolyotov was mthe response to Sidney Reilly, the British prototype for James Bond. A dashing man, his modus operandi was the seduction of women-among them a French embassy employee, a German countess, the wife of a British official, and a Gestapo officer-which enabled Stalin to look into diplomatic pouches of many European countries. Risking his life, Bystrolyotov also stole military secrets from Nazi Germany and Fascist Italy. A man of extraordinary physical courage, he twice crossed the Sahara Desert and the jungles of Congo. But his success as a spy didn't save him from Stalin's purges, at the height of which he was arrested and tortured until he falsely confessed to selling out to the enemy. Sentenced to twenty years of hard labor in the Gulag, Bystrolyotov risked more severe punishment by documenting the regime's crimes against humanity in unpublished and suppressed memoirs that rival those of Aleksandr Solzhenitsyn. The first full-length biography in any language, at once a real-life spy thriller, a drama of desire, and a prison memoir, Stalin's Romeo Spy is the true account of a flawed yet extraordinary man.

Despite their influence in our culture, sports inspire dramatically less philosophical consideration than such ostensibly weightier topics as religion, politics, or science. Arguing that athletic playfulness coexists with serious underpinnings, and that both demand more substantive attention, Daniel Dombrowski harnesses the insights of ancient Greek thinkers to illuminate contemporary athletics. Dombrowski contends that the ideas of Plato, Aristotle, and Plotinus shed important light on issues--such as the pursuit of excellence, the concept of play, and the power of accepting physical limitations while also improving one's body--that remain just as relevant in our sports-obsessed age as they were in ancient Greece. Bringing these concepts to bear on contemporary concerns, Dombrowski considers such questions as whether athletic competition can be a moral substitute for war, whether it necessarily constitutes war by other means, and whether it encourages fascist tendencies or ethical virtue. The first volume to philosophically explore twenty-first-century sport in the context of its ancient predecessor, Contemporary Athletics and Ancient Greek Ideals reveals that their relationship has great and previously untapped potential to inform our understanding of human nature.

Arguing with Tradition is the first book to explore language and interaction within a contemporary Native American legal system. Grounded in Justin Richland's extensive field research on the Hopi Indian Nation of northeastern Arizona--on whose appellate court he now serves as Justice Pro Tempore--this innovative work explains how Hopi notions of tradition and culture shape and are shaped by the processes of Hopi jurisprudence. Like many indigenous legal institutions across North America, the Hopi Tribal Court was created in the image of Anglo-American-style law. But Richland shows that in recent years, Hopi jurists and litigants have called for their courts to develop a jurisprudence that better reflects Hopi culture and traditions. Providing unprecedented insights into the Hopi and English courtroom interactions through which this conflict plays out, Richland argues that tensions between the language of Anglo-style law and Hopi tradition both drive Hopi jurisprudence and make it unique. Ultimately, Richland's analyses of the language of Hopi law offer a fresh approach to the cultural politics that influence indigenous legal and governmental practices worldwide.

India's folklore and classical literature abound with stories of parents who sacrifice their children. In The Hungry God, David Shulman examines one set of such tales - Hindu texts that bear similarities to the biblical aqedah, the account of Abraham's near-sacrifice of Isaac. In all the stories that Shulman explores, the sacrifice proceeds from a divine command and has no utilitarian explanation or rationale. Both the biblical and Indian aqedah texts are central to their cultures: later texts resume the narrative, rework its premises, and develop its paradigmatic character so that it comes to function as a "root metaphor" for its civilization. Shulman traces this history by unraveling the cumulative and sometimes conflicting meanings of the Hindu aqedah texts. Three Hindu tales figure most prominently in The Hungry God. First, there is the South Indian story of Ciruttontar (Siriyala), who kills and cooks his son to feast the god Siva. Shulman traces the development of this story through the medieval Telugu sources, which are often openly hostile to both the god and his murderous devotee. He then turns to the story of Sunahsepa, nearly slaughtered by his cruel father. Shulman studies this most famous Indian tale of child sacrifice in both its ancient Vedic form and in later epic and mythological versions. The third tale is that of Suka, who learns yoga from his father and then - to his father's infinite grief - disappears into the Absolute. Throughout, Shulman is sensitive to the tones and overtones of each text. In his final chapter he contrasts the Hindu tales of child sacrifice and their counterparts in Hebrew and Greek. At the heart of The Hungry God lies a series of fundamentalquestions: Why does God make such horrific demands on those he loves? Why do his followers obey? Is the meeting between human beings and their God inherently pregnant with ultimate pain?

The only quantitative deforestation study to focus on one country, this case analysis of the Philippines since 1946 yields more concrete data than previous cross-national studies. David Kummer's close examination of the interactions among political, economic, and cultural factors and their environmental consequences sheds light on similar situations in other countries.

Research physicians face intractable dilemmas when they consider introducing new medical procedures. Innovations carry the promise of preventing or curing life-threatening diseases, but they can also lead to injury or even death. How have clinical scientists made high-stakes decisions about undertaking human tests of new medical treatments? In "Lesser Harms," Sydney Halpern explores this issue as she examines vaccine trials in America during the early and mid-twentieth century. Today's scientists follow federal guidelines for research on human subjects developed during the 1960s and 1970s. But long before these government regulations, medical investigators observed informal rules when conducting human research. They insisted that the dangers of natural disease should outweigh the risks of a medical intervention, and they struggled to accurately assess the relative hazards. Halpern explores this logic of risk in immunization controversies extending as far back as the eighteenth century. Then, focusing on the period between 1930 and 1960, she shows how research physicians and their sponsors debated the moral quandaries involved in moving vaccine use from the laboratory to the clinic. This probing work vividly describes the efforts of clinical investigators to balance the benefits and dangers of untested vaccines, to respond to popular sentiment about medical hazards, and to strategically present risk laden research to sponsors and the public. "Concise and extremely well-written. . . . A fascinating synthesis of sociology, history, and institutional theory."--Samuel C. Blackman, "Journal of the American Medical Association "

The first major piece of unpublished work by Leo Strauss to appear in more than thirty years, Leo Strauss On Plato's "Symposium" offers the public the unprecedented experience of encountering this renowned scholar as his students did. Given as a course in autumn 1959 under the title "Plato's Political Philosophy," at the University of Chicago, these transcripts previously had circulated in samizdat fashion, passed down from one generation of students to the next. They show Strauss at his best, in his subtle and sometimes indirect style of analysis, which has attracted almost as much commentary as has the content of his thought. Strauss presents a coherent and complete interpretation of the Symposium, proceeding by a meticulous reading from beginning to end. Operating on the once common hypothesis that commentary is an excellent method of expounding the truth, Strauss sheds light not only on the meaning of the dialogue and its place in the Platonic corpus, but also on a host of important topics, including the nature of eros and its place in the overall economy of human life; the perennial quarrel between poetry and philosophy, and the relation of both to piety, politics, and morality; the character of Socrates and the questions of his trial; and many other matters. As provocative as they were a half century ago, these important lectures will be welcomed by students of classics, philosophy, politics, psychology, and political philosophy.