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Examines Husserl's concept of necessary, a priori, and absolutely certain indubitable evidence, which he terms apodictic, and his related concept of complete evidence, which he terms adequate. To do so the book explicates some of the more general relevant features of phenomenology as a whole.

Offers an examination of the philosophy of G.E. Moore, one of the foremost Anglo-American, analytic philosophers of the twentieth century. This book seeks to redress an imbalance in analytic philosophy by making a case for the relevance of analytically oriented historical studies to contemporary problems.

In Fair Rosamond Virgil B. Heltzel traces the character of Rosamond Clifford, known as ""Fair Rosamond"" - which has its origins as a theme in medieval literature - through its use in poetry and plays and novels, from the Renaissance through the early twentieth century.

Originally published in 1951, this book makes the original argument that the renowned English critic Matthew Arnold contributed to the climate of ""racialism"" current during his lifetime. Frederic Faverty shows that in his essays on national character, Arnold used anthropological concepts of race and language, albeit inconsistently.

Offers a study of the sources of the Tristan romance, tracing them through the various versions of the legend. Sigmund Eisner makes the claim that the story was first written in North Britain during the seventh century, that it involves people who actually lived in the area, and that its writer wove in motifs from various classical legends.

In this first full-length study of Yeats's interest in Shakespeare, Rupin Desai explores how Shakespearean works influenced Yeats's poetry and mythological drama. Desai illustrates the deep degree to which Yeats identifies with Shakespeare, even to the extent of including some of Shakespeare's heroes in his own late poetry.

Examines the significance of Scandinavian history, literature, and languages for the composition of James Joyce's masterwork. The significance of Dounia Bunis Christiani's work lies in her deep historical and cultural analysis.

Wallace Bacon's critical edition brings Warner's important novel - with its young protagonists being dragged through many adventures, tried and tested by Fortune, with their tales being brought to a close by auspicious gods - to life, preserving it and introducing it to new generations of readers.

Provides a reading of Johnson that emphasizes his moral discourse. After its publication, Alkon's book became the standard reading of Johnson's essays, contrasting them with the moral ideas Johnson discussed in his sermons, as moral writings, and one of the first books to explore the essayist's focus on moral thinking as central to his writing.

Presents an analysis of the contradictory obsession with female virginity and idealization of maternal nature in Germany from the late eighteenth to the early twentieth centuries. Lauren Nossett explores how the ideal of woman as both a sexless and maternal being led to the creation of a unique figure in German literature: the virginal mother.

Studies the rise and fall of the Yellow Press. This book documents the fierce competition that characterized yellow journalism, the social realities and trends that contributed to its success (and its ultimate demise), its accomplishments for good or ill, and its long-term legacy.

In her third poetry collection, Miracle Marks, the indomitable Purvi Shah charts women's status through pointed explorations of Hindu iconography and philosophy and powerful critiques of American racism.

Enlivened by rum, mutiny, and buried treasure, Treasure Island is the classic pirates' tale, widely regarded as the forerunner of this genre. After discovering a treasure map, young Jim Hawkins sets off to sea as cabin boy aboard the Hispaniola, where he encounters one of the most unforgettable characters in literary history.

Jacques Ranciere's work is increasingly central to several debates across the humanities. Distributions of the Sensible confronts a question at the heart of his thought: How should we conceive the relationship between the ""politics of aesthetics"" and the ""aesthetics of politics""?

Explores the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is an entirely new approach to the study of literature as the interaction of text and sonic practice, voice and noise.

Aesthetic Spaces analyzes intermedial relations between film, painting, and theater.

The world is made of seductions. In Quincy Troupe's Seduction, the "I" becomes the "Eye", serving as metaphor and witness in a narrative compilation from a master of poetic music. Elegies and dramatic odes look at the seduction of all things loved or hated, especially the man made of colour.

If we were all brave enough to resurrect the voices lost from our humanity, what would they say? Award-winning poet Quincy Troupe, spokesman for the humanizing forces of poetry, music, and art, parts the Atlantic and rattles the ground built on slavery with Ghost Voices: A Poem in Prayer.

Employs a performance studies lens to examine how instances of Indigenous self-representation in Quebec challenge the national and identity discourses of the French Quebecois de souche - the French-speaking descendants of white European settlers who understand themselves to be settlers no more but rather colonized.

In the broadest sense, this volume offers a fresh evaluation of Tolstoy's program to reform the ways we live, work, commune with nature and art, practice spirituality, exchange ideas and knowledge, become educated, and speak and think about history and social change.

The extraordinarily productive life of curator, artist, and activist Margaret Burroughs was largely rooted in her work to establish and sustain the South Side Community Art Center and the DuSable Museum of African American History. As Mary Ann Cain reveals, the primary motivations for these efforts were love and hope.

Shows how the philosophy of Maurice Merleau-Ponty, from its very beginnings, seeks to find sense or meaning within nature, and how this quest calls for and develops into a radically new ontology. This makes key issues in Merleau-Ponty's philosophy clear and accessible to a broad audience while also advancing original philosophical conclusions.

When Fyodor Dostoevsky proclaims that he is a "realist in a higher sense", it is because the facts are irrelevant to his truth. And it is in this spirit that Apollonio approaches Dostoevsky's work, reading through the facts-the text-of his canonical novels for the deeper truth that they distort, mask, and, ultimately, disclose.

While Dostoevsky's relation to religion is well-trod ground, there exists no comprehensive study of Dostoevsky and Catholicism. Elizabeth Blake's ambitious and learned Dostoevsky and the Catholic Underground fills this glaring omission in the scholarship.

Examines the presence of theory in the nineteenth-century French novel. Emerging after the French Revolution, what we call literature was conceived as an art liberated from representational constraints. Patrick Bray shows how literature's freedom to represent anything has meant, paradoxically, that it cannot articulate a coherent theory of itself.

Explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers' sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama's non-visible and eccentric elements embellish, alter, and subvert visible action on the stage.

Originally published in 1947, Ann Petry's classic Country Place depicts a predominantly white community disillusioned by the indignities and corruption of small-town life. Accompanied by a new foreword from Farah Jasmine that builds on the legacy of a literary celebrity and one of the foremost African American writers of her time.

Charts a modern history of form as emergent from force. Offering a provocative alternative to the imagery of crisis and estrangement that has preoccupied scholarship on modernism, Malika Maskarinec shows that German modernism conceives of human bodies and aesthetic objects as shaped by a contest of conflicting and reciprocally-intensifying forces.

The poems in Dulce are at once confession and elegy that admit the speaker's attempt and possible failure to reconcile intimacy toward another and toward the self. The collection asks: what's the point in any of this? - meaning, what's the use of longing beyond pleasure; what's the use of looking for an origin if we already know the ending?

A foundational text by Eugene Gendlin, increasingly recognised as one of the most original contemporary thinkers, A Process Model demonstrates how human behaving, perceiving, speaking, and everyday living arise from body-environment interaction. Gendlin creates ""an alternative model in which we define living bodies in such a way that one of them can be ours.