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Wallace Bacon's critical edition brings Warner's important novel - with its young protagonists being dragged through many adventures, tried and tested by Fortune, with their tales being brought to a close by auspicious gods - to life, preserving it and introducing it to new generations of readers.

Provides a reading of Johnson that emphasizes his moral discourse. After its publication, Alkon's book became the standard reading of Johnson's essays, contrasting them with the moral ideas Johnson discussed in his sermons, as moral writings, and one of the first books to explore the essayist's focus on moral thinking as central to his writing.

Presents an analysis of the contradictory obsession with female virginity and idealization of maternal nature in Germany from the late eighteenth to the early twentieth centuries. Lauren Nossett explores how the ideal of woman as both a sexless and maternal being led to the creation of a unique figure in German literature: the virginal mother.

Studies the rise and fall of the Yellow Press. This book documents the fierce competition that characterized yellow journalism, the social realities and trends that contributed to its success (and its ultimate demise), its accomplishments for good or ill, and its long-term legacy.

In her third poetry collection, Miracle Marks, the indomitable Purvi Shah charts women's status through pointed explorations of Hindu iconography and philosophy and powerful critiques of American racism.

New media are often greeted with suspicion by older media. The Fourth Estate at the Fourth Wall explores how, when the commercial press arrived in France in 1836, popular theatre critiqued its corruption, its diluted politics, and its tendency to orient its content toward the lowest common denominator.

Enlivened by rum, mutiny, and buried treasure, Treasure Island is the classic pirates' tale, widely regarded as the forerunner of this genre. After discovering a treasure map, young Jim Hawkins sets off to sea as cabin boy aboard the Hispaniola, where he encounters one of the most unforgettable characters in literary history.

Jacques Ranciere's work is increasingly central to several debates across the humanities. Distributions of the Sensible confronts a question at the heart of his thought: How should we conceive the relationship between the ""politics of aesthetics"" and the ""aesthetics of politics""?

Explores the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is an entirely new approach to the study of literature as the interaction of text and sonic practice, voice and noise.

Aesthetic Spaces analyzes intermedial relations between film, painting, and theater.

The world is made of seductions. In Quincy Troupe's Seduction, the "I" becomes the "Eye", serving as metaphor and witness in a narrative compilation from a master of poetic music. Elegies and dramatic odes look at the seduction of all things loved or hated, especially the man made of colour.

If we were all brave enough to resurrect the voices lost from our humanity, what would they say? Award-winning poet Quincy Troupe, spokesman for the humanizing forces of poetry, music, and art, parts the Atlantic and rattles the ground built on slavery with Ghost Voices: A Poem in Prayer.

Employs a performance studies lens to examine how instances of Indigenous self-representation in Quebec challenge the national and identity discourses of the French Quebecois de souche - the French-speaking descendants of white European settlers who understand themselves to be settlers no more but rather colonized.

In the broadest sense, this volume offers a fresh evaluation of Tolstoy's program to reform the ways we live, work, commune with nature and art, practice spirituality, exchange ideas and knowledge, become educated, and speak and think about history and social change.

The extraordinarily productive life of curator, artist, and activist Margaret Burroughs was largely rooted in her work to establish and sustain the South Side Community Art Center and the DuSable Museum of African American History. As Mary Ann Cain reveals, the primary motivations for these efforts were love and hope.

Shows how the philosophy of Maurice Merleau-Ponty, from its very beginnings, seeks to find sense or meaning within nature, and how this quest calls for and develops into a radically new ontology. This makes key issues in Merleau-Ponty's philosophy clear and accessible to a broad audience while also advancing original philosophical conclusions.

When Fyodor Dostoevsky proclaims that he is a "realist in a higher sense", it is because the facts are irrelevant to his truth. And it is in this spirit that Apollonio approaches Dostoevsky's work, reading through the facts-the text-of his canonical novels for the deeper truth that they distort, mask, and, ultimately, disclose.

While Dostoevsky's relation to religion is well-trod ground, there exists no comprehensive study of Dostoevsky and Catholicism. Elizabeth Blake's ambitious and learned Dostoevsky and the Catholic Underground fills this glaring omission in the scholarship.

Examines the presence of theory in the nineteenth-century French novel. Emerging after the French Revolution, what we call literature was conceived as an art liberated from representational constraints. Patrick Bray shows how literature's freedom to represent anything has meant, paradoxically, that it cannot articulate a coherent theory of itself.

Explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers' sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama's non-visible and eccentric elements embellish, alter, and subvert visible action on the stage.

Originally published in 1947, Ann Petry's classic Country Place depicts a predominantly white community disillusioned by the indignities and corruption of small-town life. Accompanied by a new foreword from Farah Jasmine that builds on the legacy of a literary celebrity and one of the foremost African American writers of her time.

Charts a modern history of form as emergent from force. Offering a provocative alternative to the imagery of crisis and estrangement that has preoccupied scholarship on modernism, Malika Maskarinec shows that German modernism conceives of human bodies and aesthetic objects as shaped by a contest of conflicting and reciprocally-intensifying forces.

The poems in Dulce are at once confession and elegy that admit the speaker's attempt and possible failure to reconcile intimacy toward another and toward the self. The collection asks: what's the point in any of this? - meaning, what's the use of longing beyond pleasure; what's the use of looking for an origin if we already know the ending?

A foundational text by Eugene Gendlin, increasingly recognised as one of the most original contemporary thinkers, A Process Model demonstrates how human behaving, perceiving, speaking, and everyday living arise from body-environment interaction. Gendlin creates ""an alternative model in which we define living bodies in such a way that one of them can be ours.

Offers the first sustained examination of the relationship between law and selfhood in Shakespeare's work. Taking five plays and the sonnets as case studies, Kevin Curran argues that law provided Shakespeare with the conceptual resources to imagine selfhood in social and distributed terms, as a product of interpersonal exchange or as a gathering of various material forces.

Traces the philosophical relation between Georg Simmel and his one-time student Walter Benjamin, two of the most influential German thinkers of the twentieth century. Reading Simmel's work alongside Benjamin's concept of Unscheinbarkeit, More Than Life demonstrates that both Simmel and Benjamin conceive of art as the creation of something entirely new.

Unorthodox Beauty shows how Russian poets of the early twentieth century consciously adapted Russian Orthodox culture in order to create a distinctly religious modernism. Martha M. F. Kelly contends that, beyond mere themes, these writers developed an entire poetics that drew on liturgical tradition.

James Magruder's collection of linked stories follows two gay cousins, Tom and Elliott, from adolescence in the 1970s to adulthood in the early '90s. With a rueful blend of comedy and tenderness, Magruder depicts their attempts to navigate the closet and the office and the lessons they learn about libidinous co-workers, resume boosting, Italian suffixes, and frozen condoms.

Leopold Tyrmand, a Polish Jew who survived World War II by working in Germany under a false identity, would go on to live and write under Poland's Communist regime for twenty years before emigrating to the West, where he continued to express his deeply felt anti-Communist views. Diary 1954--written after the independent weekly paper that employed him was closed for refusing to mourn Stalin's death--is an account of daily life in Communist Poland. Like Czeslaw Milosz, Václav Havel, and other dissidents who described the absurdities of Soviet-backed regimes, Tyrmand exposes the lies--big and small--that the regimes employed to stay in power.