Bøker utgitt av Ohio State University Press

From the rise of Nazism to the conflict in Kashmir in 2008, nationalism has been one of the most potent forces in modern history. Yet the motivational power of nationalism is still not well understood. In Understanding Nationalism: On Narrative, Cognitive Science, and Identity, Patrick Colm Hogan begins with empirical research on the cognitive psychology of group relations to isolate varieties of identification, arguing that other treatments of nationalism confuse distinct types of identity formation. Synthesizing different strands of this research, Hogan articulates a motivational groundwork for nationalist thought and action.Understanding Nationalism goes on to elaborate a cognitive poetics of national imagination, most importantly, narrative structure. Hogan focuses particularly on three complex narrative prototypes that are prominent in human thought and action cross-culturally and trans-historically. He argues that our ideas and feelings about what nations are and what they should be are fundamentally organized and oriented by these prototypes. He develops this hypothesis through detailed analyses of national writings from Whitman to George W. Bush, from Hitler to Gandhi.Hogan's book alters and expands our comprehension of nationalism generally-its cognitive structures, its emotional operations. It deepens our understanding of the particular, important works he analyzes. Finally, it extends our conception of the cognitive scope and political consequence of narrative.

Postmodern Spiritual Practices: The Construction of the Subject and the Reception of Plato in Lacan, Derrida, and Foucault, by Paul Allen Miller, argues that a key element of postmodern French intellectual life has been the reception of Plato. This fact has gone underappreciated in the Anglophone world due to a fundamental division in culture. Until very recently, the concerns of academic philosophy and philology have had little in common. On the one hand, this is due to analytic philosophy's self-confinement to questions of epistemology, speech act theory, and philosophy of science. As such, it has had little to say about the relation between antique and contemporary modes of thought.On the other hand, blindness to the merits of postmodern thought is also due to Anglo-American philology's own parochial instincts. Ensconced within a nineteenth-century model of Alterumswissenschaft, only a minority of classicists have made forays into philosophical, psychoanalytic, and other speculative modes of inquiry. The result has been that postmodern French thought has largely been the province of scholars of modern languages. A situation thus emerges in which most classicists do not know theory, and so cannot appreciate the scope of these thinkers' contribution to our understanding of the genealogy of Western thought, while most theorists do not know the Platonic texts and their contexts that ground them. This book bridges this gap, offering detailed and theoretically informed readings of French postmodernism's chief thinkers' debts to Plato and the ancient world.

"Who are we to each other when we're afraid?" Kisha Lewellyn Schlegel asks in Fear Icons, her moving and original debut essay collection. Her answer is a lyric examination of the icons that summon and soothe our fears. From Donald Trump to the Virgin Mary, Darth Vader to the Dalai Lama, Schlegel turns cultural criticism personal with bracing intelligence and vulnerability as she explores what it means to be human, a woman, an artist, and, in particular, a parent: what it means to love a child beyond measure, someone so vulnerable, familiar, and strange. Schlegel looks at fear and faith-the ways the two are more similar than we realize-and the many shapes our faith takes, from nationalism to friendship, from art to religious dogma. Each essay is woven through with other voices-Baldwin, Ashbery, Du Bois, Cixous-positioning Schlegel's arguments and meditations within a diverse and dynamic literary lineage. Fear Icons is a vital and timely inquiry into the complex relationship between love and fear-and the ways that each intensifies the other.

Secrecy, Magic, and the One-Act Plays of Harlem Renaissance Women Writers seeks to rescue the plays of eight black women, Marita Bonner, Mary P. Burrill, Thelma Duncan, Shirley Graham, Zora Neale Hurston, Georgia Douglas Johnson, May Miller, and Eulalie Spence, from obscurity. This volume is the first book-length treatment to address these plays and their authors exclusively rather than as part of a discussion of other African American playwrights from different eras. It is also one of the few to carry out an extensive discussion of secrecy's role in both literary representation and social interaction. Exploring secrecy from the standpoints of poststructuralist language theory and game theory as well as dramatic performance, Taylor Hagood argues that the secret--a thing visible for its very invisibility--is a fundamental cog in the machinery of society, employed as a tool for both oppression and subversion. The many facets of secrecy have been particularly salient in African American culture, informing everything from the Underground Railroad to the subtle coding of Signifying. Most devastatingly, people on both sides of the color line are caught within a web of secrecy that is the result of centuries of distrust, doubt, and fear, a fact that is powerfully manifest not only in these one-act plays but in the reader's/spectator's interactions with them.

In Sustainability: A Love Story, Nicole Walker questions what it means to live sustainably while still being able to have Internet and eat bacon. After all, who wants to listen to a short, blond woman who is mostly a hypocrite anyway-who eats cows, drives a gasoline-powered car, who owns no solar panels-tsk-tsking them? Armed with research and a bright irony that playfully addresses the devastation of the world around us, Walker delves deep into scarcity and abundance, reflecting on matters that range from her uneasy relationship with bats to the fragility of human life, from adolescent lies to what recycling can reveal about our not so moderate drinking habits. With laugh-out-loud sad-funny moments, and a stark humor, Walker appeals to our innate sense of personal commitment to sustaining our world, and our commitment to sustaining our marriages, our families, our lives, ourselves. This book is for the burnt-out environmentalist, the lazy environmentalist, the would-be environmentalist. It's for those who believe the planet is dying. For those who believe they are dying. And for those who question what it means to live and love sustainably, and maybe even with hope.

Diagnosed with severe anxiety, PTSD, and OCD in her early twenties, Sarah Fawn Montgomery spent the next ten years seeking treatment and the language with which to describe the indescribable consequences of her mental illness. Faced with disbelief, intolerable side effects, and unexpected changes in her mental health as a result of treatment, Montgomery turned to American history and her own personal history-including her turbulent childhood and the violence she faced as a young woman-to make sense of the experience.Blending memoir with literary journalism, Montgomery''s Quite Mad: An American Pharma Memoir examines America''s history of mental illness treatment-lobotomies to sterilization, the rest cure to Prozac-to challenge contemporary narratives about mental health. Questioning what it means to be a woman with highly stigmatized disorders, Montgomery also asks why mental illness continues to escalate in the United States despite so many "cures." Investigating the construction of mental illness as a "female" malady, Montgomery exposes the ways current attitudes towards women and their bodies influence madness as well as the ways madness has transformed to a chronic Illness in our cultural imagination. Montgomery''s Quite Mad is one woman''s story, but it offers a beacon of hope and truth for the millions of individuals living with mental illness and issues a warning about the danger of diagnosis and the complex definition of sanity.  

In his latest collection, Hummingbirds Between the Pages, prizewinning Irish essayist Chris Arthur muses on subjects ranging from Charles Darwin''s killing of a South American fox to the carnal music sounding in a statue of the Buddha, from how Egyptian seashells contain echoes of World War II to a child''s first encounter with death. Whether he''s looking at skipping stones, old photographs, butterflies, the resonance of a remembered phrase, or being questioned at an army checkpoint during Northern Ireland''s Troubles, what gives these unorthodox meditations their appeal is the way in which-with striking lyricism-they tap into unexpected seams of meaning and mystery in our everyday terrain. Arthur explores the moments that have left him spellbound, tying his own experiences as a young boy from Ulster who saw his first hummingbirds in London to the wonder felt by early settlers to America who sent pressed hummingbirds across the ocean to the communities they had left behind. Through rumination on the seemingly quotidian, Arthur''s lyrical prose exposes new layers of possibility just beneath the surface of the expected.

Unexceptional Women:Female Proprietors in Mid-Nineteenth-Century Albany, New York, 1830-1885 by Susan Ingalls Lewis challenges our conceptions about mid-nineteenth-century American women, business, and labor, offering a detailed study of female proprietors in one industrializing American city. Analyzing the careers of more than two thousand women who owned or operated businesses between 1830 and 1885, Lewis argues that business provided a common, important, and varied occupation for nineteenth-century working women. Based on meticulous research in city directories, census records, and credit reports, this study provides both a demographic portrait of Albany's female proprietors and an examination of the size, scope, longevity, financing, and creditworthiness of their ventures.Although the growing city did produce several remarkable businesswomen in trades as diverse as hotel management, plumbing, and the marketing of pianos on the installment plan, Albany's female proprietors were most often self-employed artisans, shopkeepers, petty manufacturers, and service providers. These women used business as a method of self-employment and survival, as a means of both individual and family mobility, and as a strategy for immigrant assimilation into an urban economy and middle-class lifestyle. Intriguingly, among the ranks of Albany's female proprietors Lewis discovered substantial evidence of such supposedly recent phenomena as self-employment, dual-income marriages, working motherhood, home-based business, and the juggling of domestic and professional priorities. The stories of these businesswomen make fascinating reading while simultaneously providing the basis for a theoretical discussion of how to define and understand enterprise for mid-nineteenth-century women.

Afro-Future Females: Black Writers Chart Science Fiction's Newest New-Wave Trajectory,edited by Marleen S. Barr, is the first combined science fiction critical anthology and short story collection to focus upon black women via written and visual texts. The volume creates a dialogue with existing theories of Afro-Futurism in order to generate fresh ideas about how to apply race to science fiction studies in terms of gender. The contributors, including Hortense Spillers, Samuel R. Delany, Octavia E. Butler, and Steven Barnes, formulate a woman-centered Afro-Futurism by repositioning previously excluded fiction to redefine science fiction as a broader fantastic endeavor. They articulate a platform for scholars to mount a vigorous argument in favor of redefining science fiction to encompass varieties of fantastic writing and, therefore, to include a range of black women's writing that would otherwise be excluded. Afro-Future Females builds upon Barr's previous work in black science fiction and fills a gap in the literature. It is the first critical anthology to address the "blackness" of outer space fiction in terms of feminism, emphasizing that it is necessary to revise the very nature of a genre that has been constructed in such a way as to exclude its new black participants. Black science fiction writers alter genre conventions to change how we read and define science fiction itself. The work's main point: black science fiction is the most exciting literature of the nascent twenty-first century.

Winner of 2018 Lambda Book Award (Bisexual Nonfiction)What makes a pink-haired queer raise his hand to enlist in the military just as the nation is charging into war? In his memoir, Out of Step, Anthony Moll tells the story of a working-class bisexual boy running off to join the army in the midst of two wars and the "Don't Ask, Don't Tell" era. Set against the backdrop of hypermasculinity and sexual secrecy, Moll weaves a queer coming-of-age story.Out of Step traces Moll's development through his military service, recounting how the army both breaks and builds relationships, and what it was like to explore his queer identity while also coming to terms with his role in the nation's ugly foreign policy. From a punk, nerdy, left-leaning, poor boy in Nevada leaving home for the first time to an adult returning to civilian life and forced to address a world more complicated than he was raised to believe, Moll's journey isn't a classic flag-waving memoir or war story-it's a tale of finding one's identity in the face of war and changing ideals.

Across disciplines, scholars have employed theories of precarity to help explain the pervasiveness of problems related to labor, migration, biopolitics, global and state governance, economies of war and violence, poverty, environmental degradation, and a host of other pressing issues. Precarous Rhetorics is the first work to bring precarity studies to the field of rhetoric and communication-and to couple it with new materialist frameworks-in order to unearth and analyze the material conditions and structuring logics of inequality.This collection features cross-disciplinary contributions from leading scholars, including the editors of the volume as well as James J. Brown Jr., Gale Coskan-Johnson, Ronald Greene, Lavinia Hirsu, Arabella Lyon, Louis Maraj, Sara McKinnon, Alexandra Schultheis Moore, Kimberlee Pérez, Margaret Price, Amy Shuman, Kristin Swenson, Becca Tarsa, and Belinda Walzer. Chapters emphasize a materialist-rhetorical approach while also drawing on feminist studies, women of color feminisms, affect studies, critical disability studies, critical race and ethnic studies, medical humanities, sexuality studies, queer migration studies, and human rights and humanitarian studies. While theoretically rich, this volume intentionally features chapters that explore precarious rhetorics as they operate in practice-whether in borderlands, politics, public policy, or the quotidian spaces of human activity, such as school, work, social media, and medicine.

On September 9, 2015, in the quirky village of Yellow Springs, Ohio, the Miami Township Board of Trustees arbitrated a dispute concerning an area bed and breakfast that was apparently causing problems in the neighborhood where it was located. People were irate: the B&B was considered too loud by some but unfairly under attack by others, while township officials were called incompetent by both sides for not ruling in their favor. The trustees were amused, concerned, and baffled at the situation before them. This quaint debate represents just one of many fascinating problems the trustees deal with on a daily basis. While Miami Township is small, the concerns are myriad-from cemeteries filled with unknown remains to a fire department to oversee to legal action required against properties clogged with junk. The responsibilities are doubly impressive considering no trustees have backgrounds in public office. This book combines entertaining nonfiction vignettes with well-researched township history-including a history of religious cults and the possibility that Lee Harvey Oswald was once in town-and elucidates the processes behind an entire civic division. Dance of the Trustees documents twenty-first-century small-town life with humor, warmth, and erudition.

Across disciplines, scholars have employed theories of precarity to help explain the pervasiveness of problems related to labor, migration, biopolitics, global and state governance, economies of war and violence, poverty, environmental degradation, and a host of other pressing issues. Precarous Rhetorics is the first work to bring precarity studies to the field of rhetoric and communication-and to couple it with new materialist frameworks-in order to unearth and analyze the material conditions and structuring logics of inequality.This collection features cross-disciplinary contributions from leading scholars, including the editors of the volume as well as James J. Brown Jr., Gale Coskan-Johnson, Ronald Greene, Lavinia Hirsu, Arabella Lyon, Louis Maraj, Sara McKinnon, Alexandra Schultheis Moore, Kimberlee Pérez, Margaret Price, Amy Shuman, Kristin Swenson, Becca Tarsa, and Belinda Walzer. Chapters emphasize a materialist-rhetorical approach while also drawing on feminist studies, women of color feminisms, affect studies, critical disability studies, critical race and ethnic studies, medical humanities, sexuality studies, queer migration studies, and human rights and humanitarian studies. While theoretically rich, this volume intentionally features chapters that explore precarious rhetorics as they operate in practice-whether in borderlands, politics, public policy, or the quotidian spaces of human activity, such as school, work, social media, and medicine.