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  • - Healing the Father-Daughter Relationship
    av Linda Schierse Leonard
    220,-

    An invaluable key to self-understanding, The Wounded Woman shows that by understanding the father-daughter wound, it is possible to achieve a fruitful, caring relationship between men and women, between fathers and daughters, a relationship that honors both the mutuality and the uniqueness of the sexes.

  • - The Unexpurgated Diary of Anais Nin, 1939-1947
    av Anais Nin & Kim Krizan
    244,-

    Mirages opens at the dawn of World War II, when Anais Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be "the One," the lover who would satisfy her insatiable hunger for connection.

  • av Anais Nin
    164,99

    Although Anais Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her own experiences during her lifetime. Instead, she turned to fiction, where her stories and novels became artistic "distillations" of her secret diaries.

  • av Nikos Kazantzakis
    207 - 237,-

  • av Anais Nin
    175,-

    Although Under a Glass Bell is now considered one of Anais Nin's finest collections of stories, it was initially deemed unpublishable. Refusing to give up on her vision, in 1944 Nin founded her own press and brought out the first edition, illustrated with striking black-and-white engravings by her husband, Hugh Guiler.

  • - Contemporary Art in Glass, Wood, and Ceramics from the Wolf Collection
    av Amy Miller Dehan
    326

    One of the premier private collections of contemporary craft, the Nancy and David Wolf Collection features outstanding creations by the foremost artists working in craft media. This book introduces audiences to sixty-seven masterworks selected from this collection.

  • av Anais Nin
    172

    This "is the fifth and final volume of Anaèis Nin's continuous novel known as Cities of the Interior. First published by Swallow Press in 1961, the story follows the travels of the protagonist Lillian through the tropics to a Mexican city loosely based on Acapulco, which Nin herself visited in 1947 and described in the fifth volume of her Diary. As Lillian seeks the warmth and sensuality of this lush and intriguing city, she travels inward as well, learning that to free herself she must free the 'monster' that has been confined in a labyrinth of her subconscious. This new Swallow Press edition includes an introduction by Anita Jarczok"--

  • - The Unexpurgated Diary of Anais Nin, 1947-1955
    av Anais Nin
    387,-

    Anais Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented.

  • - A Search For The Limits Of Consciousness
    av Gary Brent Madison
    379,-

  •  
    852

  • av James Rick
    505,-

  • av Maeve Adams
    852

  • av Ric S. Sheffield
    276

  • av Mansel G. Blackford
    262 - 838

  • av John Burton Kegel
    390 - 1 225,-

  • av Devin Smart
    390 - 1 193,-

  • Spar 10%
     
    1 164,-

  • Spar 10%
    av Robert Ross
    392 - 1 176,-

  • av Sandra Swart
    274,-

  •  
    262,-

    This perspective on the creation of West Virginia during the Civil War challenges the conventional historiographical emphasis on military battles by highlighting the significance of transportation networks and citizen allegiances.

  • av Niq Mhlongo
    246

  • av Christoph Gradmann
    390 - 1 164,-

  • av Toyin Falola
    431 - 1 239,-

  • av Han VanderHart
    200

  • - (Re)Imagining Urban Senegal Through Cinema
     
    838

    Projections of Dakar studies the audiovisual creations and practices of twenty-first-century Senegalese filmmakers living, working, and distributing their films in urban Senegal. Although some observers have described contemporary Senegalese cinema as a dying industry, this book shows that it retains great potential. Senegalese cinematic practitioners are forging unique, dynamic responses to social challenges and producing content in innovative forms. Like contemporary Senegalese cinema, African urban centers are often perceived as sites of despair and social decay. In each chapter of this book, Devin Bryson and Molly Krueger Enz focus on a particular urban issue and analyze how Senegalese filmmakers document and reimagine it from diverse perspectives and contexts. The authors draw from interviews and ethnographic observations to center filmmakers' practices and conceptualizations of contemporary cinema in Dakar. Bryson and Enz trace developments in production, distribution, viewership, and audience response since 2012 to study how these films and their production both reveal and contribute to how people live in the city, relate to one another, build their lives, advocate for change, find joy and meaning, and build community. They also document and articulate more equitable and inclusive forms of these activities. Ultimately, the book illustrates how Senegalese filmmakers reimagine Africa as a place that will lead to a better future for its inhabitants.

  • - (Re)Imagining Urban Senegal Through Cinema
     
    378,-

    Projections of Dakar studies the audiovisual creations and practices of twenty-first-century Senegalese filmmakers living, working, and distributing their films in urban Senegal. Although some observers have described contemporary Senegalese cinema as a dying industry, this book shows that it retains great potential. Senegalese cinematic practitioners are forging unique, dynamic responses to social challenges and producing content in innovative forms. Like contemporary Senegalese cinema, African urban centers are often perceived as sites of despair and social decay. In each chapter of this book, Devin Bryson and Molly Krueger Enz focus on a particular urban issue and analyze how Senegalese filmmakers document and reimagine it from diverse perspectives and contexts. The authors draw from interviews and ethnographic observations to center filmmakers' practices and conceptualizations of contemporary cinema in Dakar. Bryson and Enz trace developments in production, distribution, viewership, and audience response since 2012 to study how these films and their production both reveal and contribute to how people live in the city, relate to one another, build their lives, advocate for change, find joy and meaning, and build community. They also document and articulate more equitable and inclusive forms of these activities. Ultimately, the book illustrates how Senegalese filmmakers reimagine Africa as a place that will lead to a better future for its inhabitants.

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