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The Nazis created nature preserves, championed sustainable forestry, curbed air pollution, and designed the autobahn highway network as a way of bringing Germans closer to nature. How Green Were the Nazis?:

Indian Angles is a new historical approach to Indian English literature. It shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and recreates the historical webs of affiliation and resistance that writers in colonial India-writers of British, Indian, and mixed ethnicities-experienced.

This is the first book to be written by autistic college students about the challenges they face. Aquamarine Blue 5 details the struggle of these highly sensitive students and shows that there are gifts specific to autistic students that enrich the university system, scholarship, and the world as a whole.Dawn

This omnibus edition brings together concise and up-to-date biographies of Steve Biko, Emperor Haile Selassie, Patrice Lumumba, and Thomas Sankara. African Leaders of the Twentieth Century will complement courses in history and political science and serve as a useful collection for the general reader.

This is the first investigation of the relation between time and memory in Maurice Merleau-Ponty's thought as a whole and the first to explore in depth the significance of his concept of institution. It brings his views on the self and ontology into contemporary focus, arguing that the self is not a self-contained or self-determining identity.

Between the Brown and the Red captures the multifaceted nature of church-state relations in communist Poland, relations that oscillated between mutual confrontation, accommodation, and dialogue. Ironically, under communism the bond between religion and nation in Poland grew stronger.

Domestic Violence and the Law in Colonial and Postcolonial Africa reveals the ways in which domestic space and domestic relationships take on different meanings in African contexts that extend the boundaries of family obligation, kinship, and dependency. The term domestic violence encompasses kin-based violence, marriage-based violence, gender-based violence, as well as violence between patrons and clients who shared the same domestic space. As a lived experience and as a social and historical unit of analysis, domestic violence in colonial and postcolonial Africa is complex. Using evidence drawn from Subsaharan Africa, the chapters explore the range of domestic violence in Africa\u2019s colonial past and its present, including taxation and the insertion of the household into the broader structure of colonial domination. African histories of domestic violence demand that scholars and activists refine the terms and analyses and pay attention to the historical legacies of contemporary problems. This collection brings into conversation historical, anthropological, legal, and activist perspectives on domestic violence in Africa and fosters a deeper understanding of the problem of domestic violence, the limits of international human rights conventions, and local and regional efforts to address the issue.

Taifa is a story of African intellectual agency, but it is also an account of how nation and race emerged out of the legal, social, and economic histories in one major city, Dar es Salaam.

Contains essays that trace the idea of democracy in Polish thought and practice. This book covers the transformative events of the mid-nineteenth century, which witnessed revolutionary developments in the socioeconomic and demographic structure of Poland. It also covers the changes that marked the postcommunist era of free Poland.

For two spring days in 2001, John Updike visited Cincinnati, Ohio, engaging and charming his audiences, reading from his fiction, fielding questions, sitting for an interview, participating in a panel discussion, and touring the Queen City.

Presents the study of the Mongo people of the upper Congo River basin that focuses on the evolution of Mongo work patterns from the period of the late nineteenth century to 1940, the high-water mark of the colonial period.

In Victorian England, virtually all women were taught to sew; needlework was allied with images of domestic economy and with traditional female roles of wife and mother- with home rather than factory. The professional seamstress, however, labored long hours for very small wages creating gowns for the upper and middle classes.

Readers do not always take into account how books that combine image and text make their meanings. But for the Pre-Raphaelite poet Christina Rossetti, such considerations were central.

Sierra Leone's unique history, especially in the development and consolidation of British colonialism in West Africa, has made it an important site of historical investigation since the 1950s.

The Power of Blackness is a profound and searching reinterpretation of Hawthorne, Poe and Melville, the three classic American masters of fiction. It is also an experiment in critical method, an exploration of the myth-making process by way of what may come to be known as literary iconology.

The volume develops an anthropology of public health in Africa.

This brilliant little book tells the story of the African National Congress (ANC) Youth League from its origins in the 1940s to the present and the controversies over Julius Malema and his influence in contemporary youth politics.

Govan Mbeki (1910-2001) was a core leader of the African National Congress, the Communist Party, and the armed wing of the ANC during the struggle against apartheid. Known as a hard-liner, Mbeki was a prolific writer and combined in a rare way the attributes of intellectual and activist, political theorist and practitioner.

The author was a novelist, poet, and short-story writer whose literary career spanned almost the entire twentieth century. Born and educated in Chicago, she lived in California for most of her adult life and taught at both Stanford University and the University of California at Berkeley. This book tells her story.

The author was a novelist, poet, and short-story writer whose literary career spanned almost the entire twentieth century. Born and educated in Chicago, she lived in California for most of her adult life and taught at both Stanford University and the University of California at Berkeley. This book tells her story.

Between the 1880s and the 1940s, the region known as British West Africa became a dynamic zone of literary creativity and textual experimentation.

The Battle of Kosovo cycle of heroic ballads is generally considered the finest work of Serbian folk poetry. Commemorating the Serbian Empire's defeat at the hands of the Turks in the late fourteenth century, these poems and fragments have been known for centuries in Eastern Europe.

In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book.

When Linda Spence asked her aging mother to write her life story, her mother stared at a blank sheet of paper and asked-"e;How? Where do I begin?"e; In this practical guide to capturing those memories that have been stored away, Linda Spence provides the questions that are the keys to unlocking the memories that make up a life.Beyond the vital statistics are the personal stories that tell what it was like, what we did, and why we did it, how we feel about our choices, and what our circumstances were. Through encouraging coaching, shared memories, and open-ended questions, the process of producing a personal history becomes intriguing and engaging.With Legacy the possibilities expand: a personal record is preserved-with its myths, traditions, joys, pains, gains, and losses; a family opens a potential dialogue that will last for generations; the writer has an opportunity for insight and resolution; the culture of a time and place is noted; the tradition of personal story is revitalized, and our present and future find nourishment and knowledge in the past.Either as a gift that can act as a shared experience as the memories are recounted or as a personal way to take account of one's experiences, often long since forgotten, Legacy is indeed a way to get one's story down.

This is a remarkable record of being young in a nation undergoing tremendous turmoil, and provides a glimpse into South Africa's pivotal kwaito (South African hip-hop) generation and life in Soweto. Set in 1994, just as South Africa is making its post-apartheid transition, Dog Eat Dog captures the hopes - and crushing disappointments - that characterise such moments in a nation's history.

For more than half a century before World War II, black South Africans and "American Negroes" - a group that included African Americans and black West Indians - established close institutional and personal relationships that laid the necessary groundwork for the successful South African and American antiapartheid movements.

The abolition of the slave trade is normally understood to be the singular achievement of eighteenth-century British liberalism. Abolitionism and Imperialism in Britain, Africa, and the Atlantic expands both the temporal and the geographic framework in which the history of abolitionism is conceived.

Intonations tells the story of how Angola's urban residents in the late colonial period (roughly 1945-74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format.Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans forged the nation and developed expectations about nationalism. Through careful archival work and extensive interviews with musicians and those who attended performances in bars, community centers, and cinemas, Moorman explores the ways in which the urban poor imagined the nation.The spread of radio technology and the establishment of a recording industry in the early 1970s reterritorialized an urban-produced sound and cultural ethos by transporting music throughout the country. When the formerly exiled independent movements returned to Angola in 1975, they found a population receptive to their nationalist message but with different expectations about the promises of independence. In producing and consuming music, Angolans formed a new image of independence and nationalist politics.