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"e;Children see and hear what is there; adults see and hear what they are expected to and mainly remember what they think they ought to remember,"e; David Lowenthal wrote in The Past Is a Foreign Country. It is on this fraught foundation that Fred Lanzing builds this memoir of his childhood in a Japanese internment camp for Dutch colonialists in the East Indies during the World War II.When published in the Netherlands in 2007, the book triggered controversy, if not vitriol, for Lanzing's assertion that his time in the camp was not the compendium of horrors commonly associated with the Dutch internment experience. Despite the angry reception, Lanzing's account corresponds more closely with the scant historical record than do most camp memoirs. In this way, Lanzing's work is a substantial addition to ongoing discussions of the politics of memory and the powerful-if contentious-contributions that subjective accounts make to historiography and to the legacies of the past.Lanzing relates an aspect of the war in the Pacific seldom discussed outside the Netherlands and, by focusing on the experiences of ordinary people, expands our understanding of World War II in general. His compact, beautifully detailed account will be accessible to undergraduate students and a general readership and, together with the introduction by William H. Frederick, is a significant contribution to literature on World War II, the Dutch colonial experience, the history of childhood, and Southeast Asian history.

Wayang kulit, or shadow puppetry, connects a mythic past to the present through public ritual performance and is one of most important performance traditions in Bali. The dalang, or puppeteer, is revered in Balinese society as a teacher and spiritual leader. Recently, women have begun to study and perform in this traditionally male role, an innovation that has triggered resistance and controversy.In Women in the Shadows, Jennifer Goodlander draws on her own experience training as a dalang as well as interviews with early women dalang and leading artists to upend the usual assessments of such gender role shifts. She argues that rather than assuming that women performers are necessarily mounting a challenge to tradition, "e;tradition"e; in Bali must be understood as a system of power that is inextricably linked to gender hierarchy.She examines the very idea of "e;tradition"e; and how it forms both an ideological and social foundation in Balinese culture. Ultimately, Goodlander offers a richer, more complicated understanding of both tradition and gender in Balinese society. Following in the footsteps of other eminent reflexive ethnographies, Women in the Shadows will be of value to anyone interested in performance studies, Southeast Asian culture, or ethnographic methods.

From 1952 to 1981, South Africa's apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station.

In The Crisis of Meaning and the Life-World, Lubica Ucnik examines the existential conflict that formed the focus of Edmund Husserl's final work, which she argues is very much with us today: how to reconcile scientific rationality with the meaning of human existence. To investigate this conundrum, she places Husserl in dialogue with three of his most important successors: Martin Heidegger, Hannah Arendt, and Jan Patocka.For Husserl, 1930s Europe was characterized by a growing irrationalism that threatened to undermine its legacy of rational inquiry. Technological advancement in the sciences, Husserl argued, had led science to forget its own foundations in the primary "e;life-world"e;: the world of lived experience. Renewing Husserl's concerns in today's context, UA nk first provides an original and compelling reading of his oeuvre through the lens of the formalization of the sciences, then traces the unfolding of this problem through the work of Heidegger, Arendt, and PatoA ka.Although many scholars have written on Arendt, none until now has connected her philosophical thought with that of Czech phenomenologist Jan PatoA ka. UA nk provides invaluable access to the work of the latter, who remains understudied in the English language. She shows that together, these four thinkers offer new challenges to the way we approach key issues confronting us today, providing us with ways to reconsider truth, freedom, and human responsibility in the face of the postmodern critique of metanarratives and a growing philosophical interest in new forms of materialism.

Late nineteenth-century Britain experienced an unprecedented explosion of visual print culture and a simultaneous rise in literacy across social classes. New printing technologies facilitated quick and cheap dissemination of imagesΓÇöillustrated books, periodicals, cartoons, comics, and ephemeraΓÇöto a mass readership. This Victorian visual turn prefigured the present-day impact of the Internet on how images are produced and shared, both driving and reflecting the visual culture of its time.From this starting point, Drawing on the Victorians sets out to explore the relationship between Victorian graphic texts and todayΓÇÖs steampunk, manga, and other neo-Victorian genres that emulate and reinterpret their predecessors. Neo-Victorianism is a flourishing worldwide phenomenon, but one whose relationship with the texts from which it takes its inspiration remains underexplored.In this collection, scholars from literary studies, cultural studies, and art history consider contemporary worksΓÇöAlan MooreΓÇÖs League of Extraordinary Gentlemen, Moto NaokoΓÇÖs Lady Victorian, and Edward GoreyΓÇÖs Gashlycrumb Tinies, among othersΓÇöalongside their antecedents, from PunchΓÇÖs 1897 Jubilee issue to Alice in Wonderland and more. They build on previous work on neo-Victorianism to affirm that the past not only influences but converses with the present.Contributors: Christine Ferguson, Kate Flint, Anna Maria Jones, Linda K. Hughes, Heidi Kaufman, Brian Maidment, Rebecca N. Mitchell, Jennifer Phegley, Monika Pietrzak-Franger, Peter W. Sinnema, Jessica Straley

In Jihad in West Africa during the Age of Revolutions, a preeminent historian of Africa argues that scholars of the Americas and the Atlantic world have not given Africa its due consideration as part of either the Atlantic world or the age of revolutions. The book examines the jihad movement in the context of the age of revolutions-commonly associated with the American and French revolutions and the erosion of European imperialist powers-and shows how West Africa, too, experienced a period of profound political change in the late eighteenth through the mid-nineteenth centuries. Paul E. Lovejoy argues that West Africa was a vital actor in the Atlantic world and has wrongly been excluded from analyses of the period.Among its chief contributions, the book reconceptualizes slavery. Lovejoy shows that during the decades in question, slavery expanded extensively not only in the southern United States, Cuba, and Brazil but also in the jihad states of West Africa. In particular, this expansion occurred in the Muslim states of the Sokoto Caliphate, Fuuta Jalon, and Fuuta Toro. At the same time, he offers new information on the role antislavery activity in West Africa played in the Atlantic slave trade and the African diaspora.Finally, Jihad in West Africa during the Age of Revolutions provides unprecedented context for the political and cultural role of Islam in Africa-and of the concept of jihad in particular-from the eighteenth century into the present. Understanding that there is a long tradition of jihad in West Africa, Lovejoy argues, helps correct the current distortion in understanding the contemporary jihad movement in the Middle East, Afghanistan, Pakistan, and Africa.

Throughout the 1960s and 1970s, Ivory Coast was touted as an African miracle, a poster child for modernization and the ways that Western aid and multinational corporations would develop the continent. At the same time, Marxist scholars-most notably Samir Amin-described the capitalist activity in Ivory Coast as empty, unsustainable, and incapable of bringing real change to the lives of ordinary people. To some extent, Amin's criticisms were validated when, in the 1980s, the Ivorian economy collapsed.In African Miracle, African Mirage, Abou B. Bamba incorporates economics, political science, and history to craft a bold, transnational study of the development practices and intersecting colonial cultures that continue to shape Ivory Coast today. He considers French, American, and Ivorian development discourses in examining the roles of hydroelectric projects and the sugar, coffee, and cocoa industries in the country's boom and bust. In so doing, he brings the agency of Ivorians themselves to the fore in a way not often seen in histories of development. Ultimately, he concludes that the "e;maldevelopment"e; evident by the mid-1970s had less to do with the Ivory Coast's "e;insufficiently modern"e; citizens than with the conflicting missions of French and American interests within the context of an ever-globalizing world.

Steve Howard departed for the Sudan in the early 1980s as an American graduate student beginning a three-year journey in which he would join and live with the Republican Brotherhood, the Sufi Muslim group led by the visionary Mahmoud Mohamed Taha.

Margaret Garner was the runaway slave who, when confronted with capture just outside of Cincinnati, slit the throat of her toddler daughter rather than have her face a life in slavery. Her story has inspired Toni Morrison's Beloved, a film based on the novel starring Oprah Winfrey, and an opera. Yet, her life has defied solid historical treatment. In Driven toward Madness, Nikki M. Taylor brilliantly captures her circumstances and her transformation from a murdering mother to an icon of tragedy and resistance.Taylor, the first African American woman to write a history of Garner, grounds her approach in black feminist theory. She melds history with trauma studies to account for shortcomings in the written record. In so doing, she rejects distortions and fictionalized images; probes slavery's legacies of sexual and physical violence and psychic trauma in new ways; and finally fleshes out a figure who had been rendered an apparition.

During his twenty-year tenure as a columnist for Viet Nam News, Ha Noi's English-language newspaper, Huu Ngoc charmed and invigorated an international readership hungry for straightforward but elegant entrees into understanding Vietnamese culture. The essays were originally collected in the massive Wandering through Vietnamese Culture. With Viet Nam: Tradition and Change, Ohio University Press presents a selection from these many treasures, which are perfectly suited to students of Vietnamese culture and travelers seeking an introduction to the country's rich history, culture, and daily life.With extraordinary linguistic ability and a prodigious memory, Ha u Nga c is among Via t Nam's keenest observers of and writers about traditional Vietnamese culture and recent history. The author's central theme-that all tradition is change through acculturation-twines through each of the book's ten sections, which contain Ha u Nga c's ideas on Vietnamese religion, literature, history, exemplary figures, and more. Taken on its own, each brief essay is an engaging discussion of key elements of Vietnamese culture and the history of an issue confronting Via t Nam today.

The most comprehensive, up-to-date book on Salvadoran politics of the last twenty-five years.

In Reading for Health: Medical Narratives and the Nineteenth-Century Novel, Erika Wright argues that the emphasis in Victorian Studies on disease as the primary source of narrative conflict that must be resolved has obscured the complex reading practices that emerge around the concept of health.

In the decades since the Vietnam War, veteran memoirs have influenced Americans' understanding of the conflict. Yet few historians or literary scholars have scrutinized how the genre has shaped the nation's collective memory of the war and its aftermath.

In the third installment of our series Biographies for Young Readers, Nancy Roe Pimm gives us the life of Jerrie Mock, who in 1964 became the first woman to fly solo around the world. Mock, born in Newark, Ohio, received little attention for her feat, despite accomplishing what her childhood heroine Amelia Earhart died trying.

Why did some central African peoples embrace gun technology in the nineteenth century, and others turn their backs on it? In answering this question, The Gun in Central Africa offers a thorough reassessment of the history of firearms in central Africa. Marrying the insights of Africanist historiography with those of consumption and science and technology studies, Giacomo Macola approaches the subject from a culturally sensitive perspective that encompasses both the practical and the symbolic attributes of firearms.Informed by the view that the power of objects extends beyond their immediate service functions, The Gun in Central Africa presents Africans as agents of technological re-innovation who understood guns in terms of their changing social structures and political interests. By placing firearms at the heart of the analysis, this volume casts new light on processes of state formation and military revolution in the era of the long-distance trade, the workings of central African gender identities and honor cultures, and the politics of the colonial encounter.

Encompassing history, geography, and political science, MacArthur's study evaluates the role of geographic imagination and the impact of cartography not only as means of expressing imperial power and constraining colonized populations, but as tools for the articulation of new political communities and resistance.

After designing and installing the massive murals for the Cincinnati Union Terminal in the 1930s, German immigrant artist Winold Reiss fell into relative obscurity, despite the vibrancy and boldness of his meticulous mosaic works.

Grounded in literary studies and spanning the Americas, India, England, and Scotland, this book explores the relationship between economic concepts and culture in the period, focusing on how economic tropes were abstracted into other discourses in fields as diverse as evolutionary science, business, or literary narrative.

From the seventeenth century into the nineteenth, thousands of Madagascar's people were brought to American ports as slaves. In Memories of Madagascar and Slavery in the Black Atlantic, Wendy Wilson-Fall shows that the descendants of these Malagasy slaves in the United States maintained an ethnic identity in ways that those from the areas more commonly feeding the Atlantic slave trade did not. Generations later, hundreds, if not thousands, of African Americans maintain strong identities as Malagasy descendants, yet the histories of Malagasy slaves, sailors, and their descendants have been little explored.Wilson-Fall examines how and why the stories that underlie this identity have been handed down through families-and what this says about broader issues of ethnicity and meaning-making for those whose family origins, if documented at all, have been willfully obscured by history.By analyzing contemporary oral histories as well as historical records and examining the conflicts between the two, Wilson-Fall carefully probes the tensions between the official and the personal, the written and the lived. She suggests that historically, the black community has been a melting pot to which generations of immigrants-enslaved and free-have been socially assigned, often in spite of their wish to retain far more complex identities. Innovative in its methodology and poetic in its articulation, this book bridges history and ethnography to take studies of diaspora, ethnicity, and identity into new territory.

Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musees Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, Sarah Van Beurden traces the relationship between the possession, definition, and display of art and the construction of cultural authenticity and political legitimacy from the late colonial until the postcolonial era. Her study of the interconnected histories of these two institutions is the first history of an art museum in Africa, and the only work of its kind in English.Drawing on Flemish-language sources other scholars have been unable to access, Van Beurden illuminates the politics of museum collections, showing how the IMNZ became a showpiece in Mobutu's effort to revive "e;authentic"e; African culture. She reconstructs debates between Belgian and Congolese museum professionals, revealing how the dynamics of decolonization played out in the fields of the museum and international heritage conservation. Finally, she casts light on the art market, showing how the traveling displays put on by the IMNZ helped intensify collectors' interest and generate an international market for Congolese art.The book contributes to the fields of history, art history, museum studies, and anthropology and challenges existing narratives of Congo's decolonization. It tells a new history of decolonization as a struggle over cultural categories, the possession of cultural heritage, and the right to define and represent cultural identities.

A breakthrough study of the underexamined lived experience of Islam, sexuality, and gender on the Swahili coast.

Before he joined the staff of Punch and designed its iconic front cover, illustrator Richard "Dicky" Doyle was a young man whose father (political caricaturist John Doyle) charged him with sending a weekly letter, even though they lived under the same roof.

In Slavery, Agriculture, and Malaria in the Arabian Peninsula, Benjamin Reilly illuminates a previously unstudied phenomenon: the large-scale employment of people of African ancestry as slaves in agricultural oases within the Arabian Peninsula. The key to understanding this unusual system, Reilly argues, is the prevalence of malaria within Arabian Peninsula oases and drainage basins, which rendered agricultural lands in Arabia extremely unhealthy for people without genetic or acquired resistance to malarial fevers. In this way, Arabian slave agriculture had unexpected similarities to slavery as practiced in the Caribbean and Brazil.This book synthesizes for the first time a body of historical and ethnographic data about slave-based agriculture in the Arabian Peninsula. Reilly uses an innovative methodology to analyze the limited historical record and a multidisciplinary approach to complicate our understandings of the nature of work in an area that is popularly thought of solely as desert. This work makes significant contributions both to the global literature on slavery and to the environmental history of the Middle East-an area that has thus far received little attention from scholars.

Phenomenology has played a decisive role in the emergence of the discourse of place, and the contribution of Merleau-Ponty to architectural theory and practice is well established. This collection of essays by 12 eminent scholars is the first devoted specifically to developing his contribution to our understanding of place and architecture.

The Experiment Must Continue is a beautifully articulated ethnographic history of medical experimentation in East Africa from 1940 through 2014. In it, Melissa Graboyes combines her training in public health and in history to treat her subject with the dual sensitivities of a medical ethicist and a fine historian. She breathes life into the fascinating histories of research on human subjects, elucidating the hopes of the interventionists and the experiences of the putative beneficiaries.Historical case studies highlight failed attempts to eliminate tropical diseases, while modern examples delve into ongoing malaria and HIV/AIDS research. Collectively, these show how East Africans have perceived research differently than researchers do and that the active participation of subjects led to the creation of a hybrid ethical form.By writing an ethnography of the past and a history of the present, Graboyes casts medical experimentation in a new light, and makes the resounding case that we must readjust our dominant ideas of consent, participation, and exploitation. With global implications, this lively book is as relevant for scholars as it is for anyone invested in the place of medicine in society.

Preaching Prevention examines the controversial U.S. President's Emergency Plan for AIDS Relief (PEPFAR) initiative to "e;abstain and be faithful"e; as a primary prevention strategy in Africa. This ethnography of the born-again Christians who led the new anti-AIDS push in Uganda provides insight into both what it means for foreign governments to "e;export"e; approaches to care and treatment and the ways communities respond to and repurpose such projects. By examining born-again Christians' support of Uganda's controversial 2009 Anti-Homosexuality Bill, the book's final chapter explores the enduring tensions surrounding the message of personal accountability heralded by U.S. policy makers.Preaching Prevention is the first to examine the cultural reception of PEPFAR in Africa. Lydia Boyd asks, What are the consequences when individual responsibility and autonomy are valorized in public health initiatives and those values are at odds with the existing cultural context? Her book investigates the cultures of the U.S. and Ugandan evangelical communities and how the flow of U.S.-directed monies influenced Ugandan discourses about sexuality and personal agency. It is a pioneering examination of a global health policy whose legacies are still unfolding.

The seventeen narratives of The Common Lot and Other Stories, published in popular magazines across the United States between 1908 and 1921 and collected here for the first time, are driven by Emma Bell Miless singular vision of the mountain people of her home in southeastern Tennessee. That vision is shaped by her strong sense of social justice, her naturalists sensibility, and her insiders perspective.Women are at the center of these stories, and Miles deftly works a feminist sensibility beneath the plot of the title tale about a girl caught between present drudgery in her fathers house and prospective drudgery as a young wife in her own. Wry, fiery, and suffused with details of both natural and social worlds, the pieces collected here provide a particularly acute portrayal of Appalachia in the early twentieth century.Miless fiction brings us a world a century in the past, but one that will easily engage twenty-first-century readers. The introduction by editor and noted Miles expert Grace Toney Edwards places Miles in the literary context of her time. Edwards highlights Miless quest for womens liberation from patriarchal domination and oppressive poverty, forces against which Miles herself struggled in making a name for herself as a writer and artist. Illustrations by the author and Miles family photographs complement the stories.

The job seems simple enough: Reporter Lee Hershey needs protection for a couple of weeks as he pursues the biggest story of his career with all eyes on swing state Ohio in the midst of a presidential election. Columbus private eye Andy Hayes, broke as usual, doesn't have much choice but to sign on, even with his girlfriend falling for the charming journalist.Then murder strikes at the Statehouse and Andy finds himself partly responsible for the death. With an innocent man behind bars, a mysterious vehicle following Andy around the city, and more lives in danger, the detective has his hands full trying to solve a killing in a poisonous political environment where everyone has a motive for murder and anyone could be the next target.

Central Asia has long stood at the crossroads of history. It was the staging ground for the armies of the Mongol Empire, for the nineteenth-century struggle between the Russian and British empires, and for the NATO campaign in Afghanistan.

In articles for the newspaper O Brado Africano in the mid-1950s, poet and journalist Jose Craveirinha described the ways in which the Mozambican football players in the suburbs of Lourenco Marques (now Maputo) adapted the European sport to their own expressive ends.