Bøker utgitt av OMNIBUS PRESS

God Is in the Radio gathers 50 pieces from 40 years of writing passionately about music. A former mainstay of NME and MOJO-and author of such acclaimed books as Hotel California and Small Town Talk-Barney Hoskyns hymns the artists that have thrilled and moved him most, from Frank Sinatra to Amy Winehouse, via the Cocteau Twins and Queens of the Stone Age. Together with acts as varied as Laura Nyro and Luther Vandross, Burial and Bobby Womack, these are the "e;unbridled enthusiasms"e; that-for Hoskyns-dissolve the rationalisation of feeling, producing a sense of rapture that borders on religious ecstasy. Spanning multiple decades and moments of music history, and containing personal reflections as well as recommendations, this is a poignant and evocative must-read book from one of the UK's foremost music writers.

When a musician dies, it is rarely the end of their story. While death can propel megastars to even further success, artists overlooked in their lifetime might also find a new type of fame. But a badly timed move or the wrong deal can see the artist die all over again. Colonel Tom Parker, the former carnival huckster, understood this high-wire act implicitly and the posthumous career of Elvis Presley has provided a template for everyone else. Estates have two jobs: keeping the artist's name alive and ensuring they continue to make money. These can sometimes be compatible goals, but often they spark a tension that is unique in the music business. Drawing on interviews with those running music estates as well as music lawyers, record companies and archivists, Leaving the Building reveals how the music industry is constantly striving to perfect the business of death.

Fully illustrated throughout, The Best of Jamming! includes numerous stand-out pieces from the zine's impressive 36 issue-run, from early features on The Jam, The Smiths, Run-D.M.C, Cocteau Twins and The Beat, to surprise exclusive interviews with Paul McCartney, U2 and Pete Townshend.

I Just Can't Stop It is the honest and compelling autobiography from British Music Legend, Ranking Roger.

Featuring honest and open first-hand accounts, Come and Get These Memories is more than just a behind-the-scenes look at Motown Records at its peak: Eddie and Brian set the record straight on both their personal and professional lives and offer a revealing slice of pop-music history.

Sylvain Sylvain was there from the start, and this is his story. Taking in his early life in New York, the rise, fall and rise again of the New York Dolls, and all his misadventures between, There's No Bones in Ice Cream is the true story of one of rock's greatest, told in his own authentic voice.

This hugely influential book from 1975, on how traditional folk music influenced and shaped rock, is now brought completely up to date, by original contributor and respected journalist Robin Denselow.

For most people in Britain in the 1970s and 1980s, Radio 1 provided the soundtrack to their lives. Commanding up to 24 million listeners a week, it was the most popular radio station in the world. An iconic institution and one of the UK's most famous brands, its history and socio-cultural impact is explored in full here for the first time. Robert Sellers draws on archive material and first-hand interviews with DJs and key personnel to capture the extraordinary story of Radio 1, from its beginnings in 1967 through to its controversial reorganisation in the early nineties.

Whether flying across a screen or lighting up the stage, Madness' wild, energetic sax player has always been hard to miss. For Lee ‘KIX' Thompson, life is for having as much fun as possible. Growing Out Of It is the tale of one ‘nutty boy' not really growing out of it at all. From getting up to no good as a teenager to his many musical (mis)adventures in the 1970s, Lee's memoir of his formative years captures his enduring love for his north London stomping ground, where he first met the other members of Madness.This is a story of growing up in a certain time and place when anything felt possible, even a bunch of north London lads forming a ska revival band – and becoming one of Britain's best-loved groups.

Based on interviews with the group themselves, Music is the Drug is the official biography of one of the best-loved folk-rock bands around.

Winner of the prestigious Penderyn Music Book Prize 2022Compelling and enlightening, The Velvet Mafia explores how the LGBT professionals at the heart of the music industry were working together and supporting each other at a time when being homosexual could mean the end of your career - or much worse.

Punkzines is the definitive visual guide to a crucial part of British and global subculture.

Starting at the beginning of Bowie's incredible ten-year odyssey changing the course of pop music, Simon Goddard's bold and expressionistic biography weaves time, space, rock'n'roll and social history to relive Bowie's 1970 - moment by vivid moment.

John Lennon, 1980: The Final Days in the Life of Beatle John tells the story of the legendary musician's incredible last year.

In his refreshing autobiography, Dave Ball recounts a musical journey from his first home-made amplifier to falling for northern soul and becoming an electronic pop wizard, first with Soft Cell and later with The Grid.

The long-awaited autobiography of legendary Hollie's drummer Bobby Elliott.

'Sheffield's funniest man' (The Times) and 'The 42nd best reason to love Britain' (The Telegraph) has made simple remedies to everyday domestic dilemmas, well... complicated! And ridiculous. And totally hilarious!

Including a number of unseen photographs and a full discography, All My Yesterdays is the first ever autobiography from a member of Yes, one of prog rock's most legendary bands.

In Listening to the Wind, Ian Preece sets out on an international road trip to capture the essence of life for independent record labels operating in the twenty-first century.

A must-read for any disco fan, Everybody Dance: Chic and the Politics of Disco is the essential story of the legendary band who still get us lost in music, over four decades on.

Rock 'n' Roll Sweepstakes is a frank and comprehensive biography of a remarkable man, an amazing life and an incredible musical legacy. This Authorised Biography shines a light on the highs and lows of stardom and the music business lifestyle.

This is the story of how 1969 cemented The Rolling Stones as "the greatest rock & roll band in the world".

John's account of his long life is both affectionate and compelling - a guided tour through more than sixty years of the music business and its stars, brought to vivid life by one of its undisputed pioneers.

Adrian Henri was a British poet and painter best remembered as the founder of poetry-rock group The Liverpool Scene and as one of three poets in the bestselling anthology The Mersey Sound, along with Brian Patten and Roger McGough. The trio of Liverpool poets came to prominence in that city's Merseybeat zeitgeist of the 1960s and 1970s. He was described by Edward Lucie-Smith as the "theoretician" of the three. His characterization of popular culture in verse helped to widen the audience for poetry among 1960s British youth. He has the distinct claim of having hosted the young Liverpool lads who became The Beatles, turning them onto avant-garde art, poetry, film, and music. Besides The Beatles, he could name among his friends George Melly and Allen Ginsberg. Unlike McGough and Patten, Henri turned his back on the trendier London scene and chose to remain in Liverpool, saying there was nowhere he loved better. This heavily illustrated biography written by Adrian's partner of fifteen years is a true celebration of Henri, Liverpool, and The Liverpool Scene.

David Toop has become one of our most significant touchstones of contemporary music writing and reportage. Flutter Echo is his memoir of a life enchanted with all aspects of music both composed and abstract.

This book shows for the first time the cream of the most unique photo archive of pop music history. Many of these photographs have never before been printed from their negatives, let alone published. They show The Beatles from before their first record right through all the years of Beatlemania from a viewpoint far closer to the group than any other's.

With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain's first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries.

Going Deaf for a Living is Steve Lamacq's candid reflection of several decades spent on the frontline of the alternative music scene.