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Par l'auteur du best-seller Le forex pour les débutants ambitieux et le fondateur de CryptoAcademy, Trading de cryptomonnaies pour les débutants ambitieux est un guide très pratique sur la façon de réussir vous-même dans le trading de cryptomonnaies. Les auteurs vous montrent ce qu'est la cryptomonnaie, comment fonctionne le marché des cryptomonnaies et comment réussir à trader vous-même des crypto. Ils vous montreront également comment aller au-delà le battage médiatique et sélectionner les pièces ayant un véritable potentiel. Devenir un trader de cryptomonnaies constamment rentable est plus difficile qu'il n'y paraît. Pourquoi ? D'une part, parce que le marché des cryptomonnaies est notoirement volatil. Il est courant d'observer des pics de plusieurs dizaines de pourcent, et lorsque cela se produit, vous pouvez subir de lourdes pertes si vous n'avez pas une stratégie de trading solide.>Trading de cryptomonnaies pour les débutants ambitieux vous apprendra donc comment: Identifier les monnaies prometteusesDéterminer les bons moments pour entrer et sortirProtéger vos positions contre la volatilitéTrouver une stratégie de trading adaptée à vos besoinsAugmenter le rendement de vos actifs en cryptomonnaiesÉviter de nombreuses erreurs de débutantsEt beaucoup plusEn bref: Trading de cryptomonnaies pour les débutants ambitieux vous donnera tous les outils nécessaires pour prendre de l'avance sur le marché des cryptomonnaies et devenir un trader de cryptomonnaies réussi ! Si vous recherchez le meilleur guide pour vous lancer dans la crypto, vous venez de le trouver. À propos des auteurs: Jelle Peters est l'auteur du livre populaire sur le trading forex, Le forex pour les débutants ambitieux, qui a été traduit dans plusieurs langues. Il publie également fréquemment sur les évolutions du marché des cryptomonnaies. Jan Robert Schutte est un trader actif depuis plus de vingt-cinq ans. Il est également le fondateur de CryptoAcademy et a coaché des milliers d'investisseurs. Grâce à son expertise en tant que trader de cryptomonnaies, Schutte est un intervenant recherché lors des événements internationaux sur les cryptomonnaies.

A group of artists and musicians bridge the gap between the visual and the auditoryA dialogue with musicians initiated by Italian artist Raffaella Crispino (born 1979) and Belgian artist Hans Demeulenaere (born 1974) led to the creation of the works featured here. Incomplete Neighbor explores how visual art and music activate our mind and trigger it to create ideas and feelings.

Cross-disciplinary speculations on expanding the creative possibilities of fieldworkGathering contributions from artists, writers and theorists, Fieldwork for Future Ecologies addresses the role that art and art-based research plays in expanding notions of fieldwork. At once a research handbook and a philosophical speculation, it explores ways of working within diverse climates using image, sound, movement and other sensing technologies, and also offers more creative interventions into the idea of "the field" itself. Focusing on projects from various geographic locations and situations, the book highlights the crucial contribution that art can make to environmental and climate studies.Contributors include: A.S.T. (Diann Bauer, Felice Grodin, Patricia M. Hernandez, Elite Kedan), Saskia Beudel, Imani Jacqueline Brown, David Burns, Angus Carlyle, Julie Gough, Henriette Gunkel, Eline McGeorge, Bianca Hester, Melody Jue, Therese Keogh, Kreider + O'Leary, Ruth Maclennan, Nicholas Mangan, Simon O'Sullivan, Kate Pickering, Philip Samartzis, Susan Schuppli and Kristen Sharp.

Durable Discussions brings together seventeen essays written by designers and artists from the Disarming Design Department of Sandberg Instituut in Amsterdam. Engaged in social, material, and political struggles, they generously retell their personal histories, writing across objects, events, places, and habits. In research through writing, they sense and transform the poetics and politics of the everyday. This publication presents life-making practices through language, typography, weaving, aesthetics, cooking, land, speculation, and pedagogies. Offering perspectives in thinking about art and design as emancipatory politics, and as a practice of hope, the essays speak of making what is deemed impossible possible. The authors of this book are:Lama Aloul, Saja Amro, Julina Vanille Bezold, Rasha Dakkak, Farah Fayyad, Mohamed Gaber, Anna Garcia Gómez, Ayman Hassan, Siwar Kraitem, Ott Metusala, Naira Nigrelli, Karmel Sabri, Qusai Al Saify, Sarah Saleh, Mohammed Tatour, Jara van Teeffelen, Samira VogelEssay tutors: Rana Ghavami, Sherida Kuffour

Czech sculptor Nina Fránková (born 1987) maintains a fascination with basic forms, found shapes and residual materials collected throughout the making process. Her practice reflects upon the beauty of primary procedures in working with clay. This is her first major monograph.

Over the past few years, design has been learned and unlearned, done and undone, patriarchised and depatriarchised, colonized and decolonized, centralized and decentralized, and so forth. Meanwhile, (departments of) schools appear to be wandering, un-stable, not-yet, unsettling, or impermanent, making way for anything other than sturdiness. The question must then be asked, if all within design is being undone, unmade, and unlearned, what is it exactly that is being done, being made, and being learned?'Unununimimimdededesign - the hesitant state of design' wishes to delve into this question by offering divergent views from within and upon design discourse and education. It does not aim to 'fix' this hesitant state or offer solutionist approaches, but instead reflectively pause and build upon the knowledge, thoughts, hesitations and discomforts that accompany it. special thanks toThe participants and alumni of The Critical Inquiry Lab: Viktoria Kaslik, Cecilia Casabona, Lara Chapman, Maxime Benvenuto, Josh Plough, Fernand Bretillot, Ram. n Jimenez Cardenas, Janfer Chung, Tiiu Meiner and Sofia Irene Marmolejo Bijnsdorp for their contribution to Saskia & Nadine's contribution;Rana Ghavami and her students for sharing thoughts, ideas and feedback; Anja Kaiser and Rebecca Stephany for an insightful conversation; and all the other engaged individuals involved in the process of developing this publication.

Belgrade collective Škart has been operating within and around existing hierarchies of the art world and everyday life, working in collaboration with marginalized groups, NGOs, and anti-war movements. Škart 's understanding of the artwork is fluid and relationship based. No matter the medium -poetry, embroidery, graphic design, choir, or radio broadcast- its artistic explorations are characterised by self-organisation, rooted in creating an open, accessible infrastructure for being together. This approach has been incorporated into a different scale of activities ranging from the street level to participation in the Venice Biennale of Architecture. Different social experiences create different forms of relativity. Through conversations with Škart`s members, a collection of images, poems, drawings as well as newly commissioned texts by Zdenka Badovinac, Branislav Dimitrijevi? and Milica Peki?, this book captures traces of Škart`s practice from the 1990s to present.

In these circumstances: On collaboration, performativity, self-organisation and transdisciplinarity in research-based practices assembles curatorial, artistic and pedagogical practices inspired by a. pass: an inter- national artistic and educational research environment focusing on performativity and scenography. This book discloses a history of the methods of artistic research in the context of the academisation of art education, and an abrasion of the once unbridled scene of artist-run organisations in Northern Europe. There are 35 contributions, many of them collaborative, ranging from concrete projects to inter- rogative speculations about artistic research. It aims to demonstrate how artistic research operates institutionally through a complex intertwinement of practices and how a. pass, over the past 14 years, has carved out a space for artistic research to imbricate in fields of both art and education, and stir the sedimentsof disciplinary enclosures.

A delightful romp through the surprising subcultures of an obsolete formatThis volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond: what drives people to continue working with the medium that is typically deemed obsolete? What challenges and affordances does it provide? And what does the future hold in store for the familiar black square?By looking at the current presence of past technology we can assess our present-day situation and speculate on the future developments of our media landscape. After all, the technology of the past is also part of our future. This volume features interviews with key players in the contemporary floppy-disk world, including not only artists and filmmakers using floppy disks in their practice but also businessmen, archivists and museum proprietors working to preserve the medium.Interviewees include: Jason Scott, the founder of archive.org; Tom Persky, founder of floppydisk.com, often dubbed the "last man standing in the floppy disk business"; Florian Cramer; Jason Curtis, founder of the Museum of Obsolete Media; Adam Frankiewicz, founder of Pionierska Records; Foone Turing; Clint Basinger, creator of a YouTube channel called Lazy Game Reviews; Nick Gentry; Joerg Droege and AJ Heller, cofounders of the popular diskmag Scene World; and Bart van den Akker, founder of the Helmond Computer Museum.

Celebrating 15 years of a unique artist-run gallery in GalwayUsing 126, an artist-run gallery in Galway, Ireland, as an exemplar of an artist-run democracy, this book celebrates 15 years of 126 and explores the grounds for its unique mode of organization.

When artefacts become pieces of evidence and artists are transfigured into fictional characters animated by their worship of Western art, culture shrinks into the narrow border of the state nation:" would state Tweetu, the weird curator and main suspect of the plot. Detective Elchmanyahu's auto-da-fe follows the bound to fail investigation on the fire that burned a public art collection in southern Tel Aviv. The dodgy officer in charge uses all imaginable tricks and trades of whodunit novels to unfold a police investigation that casts a gloomy yet lucid look over the Israeli culture and its visual art scene. Framed in between fact and fiction by the tendentious writing of Jonathan Touitou, this book is a layered investigation of the art world and its deeds. Against the backdrop of the second Intifada and today's recurrent undermining of Palestinian rights, this controversial book will provide its readers with a perspective of an infiltrated outsider on the Israeli society, possibly supply the welding torch for the cynical ones, a bonfire for the freaks and fireworks for the wholehearted.

On ecological and social metabolisms, cohabitation, engineering and economy in urbanised shallow water territories. This magazine explores two extreme cases of urbanized shallow water territories - Markermeer/IJsselmeer in the heart of the Netherlands and the Venetian Lagoon. One is probably the most technologically controlled water on Earth, while the other negotiates a balance of natural water cycles, extreme weather, and a robust tourist economy. Providing points of reflection for similar territories where prospective sea level rise in the near future poses urgent questions about human and more-than human cohabitation, engineering, economy, and both ecological and social metabolisms. BIOBureau LADA (Landscape, Architecture, Design, Action) is a cross-disciplinary Amsterdam based studio with a focus on architecture. Currently active between Amsterdam, Venice and Cairo, the practice specialises in design strategy, social ecology, and the future of education. Established in 2010 by Croatian-Dutch architect and urbanist Lada Hršak, the studio collaborates with practitioners from the fields of ecology, science, art, heritage, and sociology. The studio's research initiative Shallow Waters was selected for the Parallel Program of the Dutch pavilion at the 2021 Venice Architecture Biennial. The bureau's team members engaged in the Shallow Waters project are Ludovica Beltrami, Juliette Gilson, Lada Hršak, Zoe Panayi, Simone Spiga, and Zhao Zhou.

A chunky artist's-book homage to the Russian Constructivist style that also probes the fluidity of screen and printThis dynamic and superbly designed book is Berlin-based graphic designer Polina Joffe's investigation into Russian Suprematism and Constructivism, demonstrating the fluidity of design in the digital age.

Two New York Times fact-checkers spark a multidisciplinary meditation on truth and fictionThis volume connects two seemingly contradictory paradigms of knowledge-seeking: speculation, which attempts to think and act beyond existing knowledge and structures, and fact, which seeks a robust consensus on which reality can be built. The backbone of the book is an email exchange between Alex Carp and Jamie Fisher, two fact-checkers from the New York Times Magazine, to which artists and writers respond, via an initiative at the Jan van Eyck Academy in Maastricht. The publication includes the original letters and workshop scripts, as well as additional texts by philosophers, journalists, writers and artists, addressing the question: when expanding knowledge and speculating with fiction, what sense of responsibility is needed in times of democratized opinion and fake news?

Pedagogical and participatory art from the coauthor of Making and BeingIn Art, Engagement, Economy: the Working Practice of Caroline Woolard, this acclaimed New York-based artist and educator (born 1984) proposes a politics of transparent production in the arts, whereby heated negotiations and mundane budgets are presented alongside documentation of finished gallery installations. Readers follow the behind-the-scenes work that is required to produce interdisciplinary art projects, from a commission at MoMA to a self-organized, international barter network with over 20,000 participants. With contextual analysis of the political economy of the arts, from the financial crisis of 2008 to the Covid pandemic of 2020, this book suggests that artists can bring studio-based sculptural techniques to an approach to art-making that emphasizes interdisciplinary collaboration and dialogue.

Digital art scholars reflect on the cultural impact of digital exhibitionsThis publication investigates the idea of digital exhibitions, gathering artistic and theoretical reflections on post-digital culture. Contributors consider the transformative potential of exhibitions experienced individually behind screens, focusing on questions of subjectivity, technical elements, circulation and cultural impact.

On the constraints of systems in designIn graphic design, the concept of systems is profoundly rooted in form. Starting from a series of design research residencies in the context of the Porto Design Biennale, this volume proposes a variety of social and political perspectives to challenge this deeply engrained tradition.

Exploring how design educators deploy the idea of the "radical"This book argues that, over the past 15 years, there has been a consistent deterioration of democracy in tandem with the establishment of the marketization and monetization of design education. Navigating difficult external political contexts in the middle of internal power struggles, college design courses seem to be incapable of challenging political, social, cultural and environmental phenomena with the urgency that all of these demand. Swallowed by an ever-rolling snowball of neoliberal educational models, small gestures do not produce the kind of radical change that design education and our catastrophic climate crisis needs for our survival. The fourth issue of Onomatopee's annual design criticism journal investigates the use of the word "radical" in design discourse and practice, exploring the challenges design universities face in responding with urgency to political, social, cultural and environmental struggles.This issue features essays by Danah Abdulla, Anne-Marie Willis, Tanveer Ahmed, Kenneth Fitzgerald, Anja Groten, Hannah Ellis and the research-led platform Depatriarchise Design.

In this fourth edition of Field Essays we explore the specific decolonial and tactile research approach in the work of Paris-based design-duo dach&zephir. Convinced of the symbolic act of transmission and the gestures objects convey they zoom into the historic making of identity.

Both practical and critical, this book will guide you through the concepts underlying copyright and how they apply in your practice.How do you get copyright? For what work? And for how long? How does copyright move across mediums, and how can you go about integrating the work of others? Because they get copyright too! Copy this Book will detail the concepts of authorship and original creation that underlie our legal system. This way, it will equip you with the conceptual keys to participate in the debate on intellectual property today. This sharp and useful book shines a light on the rights of all artists to protect¿and share¿their work. Eric Schrijver has produced an essential guide for navigating the new Commons and the old laws of copyright control.

The center of the city is the place for meeting and consumption. It is where everyone goes, it's where our culture is consumed and lived. However, the offering there is limited, and not a lot is allowed. It's not everybody's space, but the space of the majority. Yet even for that majority, there is no free choice, so it is also place for the silent majority. Meanwhile, every human being wants an inclusive culture, with free offering and free access. Although our culture turns out not to be free, but forced. With this project we ask what could be on offer, and what perhaps ought to be? Many free-thinkers such as designers, philosophers, journalists, artists and others take space to explore this. In short: WE ARE THE MARKET! calls out to freedom in the capitalist commons, within the cultural production of the high street.

In this paperback, questions regarding how to navigate in the present are not raised to generate an answer, a method, or a map, but rather as framing principles analogous to those of a logbook. On a voyage, a ship's crew registers surroundings and important events in a manner such as this. The cargo contained within this edition is an assemblage of materials provided by over 60 practitioners from a variety of professions and personal backgrounds, and is therefore heterogeneous in terms of language, form, and content. The resulting narratives emerge across the pages in the trails left by individuals and collectives of human beings as they move, teach, learn and unlearn, traversing the various apparatuses that determine their agency. In this way, the term "navigation" is activated, implicitly and explicitly on myriad levels such as the biographical, historical, epistemological, technological, and the aesthetical.