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The Standard Book of Noun-Verb Exhibition Grammar is a partial compendium of the different modes of being that inhabit exhibitions. These different modes of being, often placed outside the realm of art objects proper, are described and activated here as crucial players in the world of contemporary art. Maximizing a poetic resourcefulness, this book proposes the exhibition as an ecology full of things that are infinitely more dimensional than their ascribed functionality would lead us to believe, and creates a space where species meet, where ontological and epistemological registers clash, overlap, and contaminate each other, where the living and inert, organic and inorganic exchange properties, qualities, and performances. Ultimately this book aims to show that what revolves around, within, and beyond any given system resolves to be just as serious and important as what that system aims to convey. The exhibition and catalog are curated by The Office for Curating, a generic name for a curatorial practice and an agency, established in 2012 by niekolaas Johannes Lekkerkerk, working in Rotterdam.

Tracy Mackenna & Edwin Janssen are interested in the relationship between conflict, looking and art. In War as Ever!, through visual reflection on images of war and violence they investigated the relationship between seventeenth century visual representations and the contemporary role of the media in the representation of war and violence.War is of all times, so war is now. By making us aware of war and its consequences, and by undermining representations of war, can artists play a role in preventing and ending wars? How can artists make works that relate to war in productive ways? How can the museums and archives that conserve and interpret our memories of war develop their role to mediate for art? The Van Kittensteyn album, a collection of more than 500 prints and drawings dating from 1613 whose subject is the Eighty Years¿ Dutch-Spanish War of 1568¿1648, served as a starting point. The album, currently part in the collection of the Atlas van Stolk (Museum Rotterdam), was compiled by Willem Luytsz van Kittensteyn of Delft and portrays in bloody reportage the lengthy series of battles; sieges, executions and plundering that dominated the Dutch war of independence against the Spanish. The slide projection WAR AS EVER!: Eighty Years and One Day, also shown at Onomatopee, is made up of a selection of prints from the Van Kittensteyn album and newspaper excerpts reporting the Iraq war on April 1st 2003, the day Tracy and Edwin¿s daughter was born. The full exhibition project as shown at the Nederlands Fotomuseum consisted of a double screen slide projection, performative actions, text posters, photographs, educational activities and a conference. The posters included here and designed by the artists, show a series of quotes from Susan Sontag¿s book ¿Regarding the Pain of Others¿. The images recorded in the WAR AS EVER! publication are complemented by texts by Nederlands Fotomuseum Head of Exhibitions Frits Gierstberg and Lina van der Wolde, Director of the Atlas van Stolk.Artists: Tracy Mackenna & Edwin JanssenCurators: Frits Giertsberg (Nederlands Fotomuseum) and Freek Lomme (Onomatopee)Graphic design publication: Stout/KramerTexts: Lina van der Wolde, Frits Gierstberg and Tracy Mackenna & Edwin JanssenTraslations: Charles Welling and Don MaderMade possible thanks to the generous support of The Carnegie Trust for The Universities of Scotland, Duncan of Jordanstone College of Art and Design, University of Dundee, Municipality of Eindhoven, Mondriaan fund, Stichting Begunstigers Atlas van Stolk and Nederlands Fotomuseum.