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A small book of collaborative black and white monotypes and poetic text by Mathew Staunton and Ian Joyce meditating on space, loss and the survival of hope in the face of disaster and forced migration.
Carole Ecoffet et Marc Thébault se sont associés en 2011 sous le label d cm. pour développer une réflexion singulière sur les relations entre art et science.Albus, Alba, Album, par l'entrechoquement des mots et des images, traduit en un récit de manière visuelle et sensible, la rencontre d'une scientifique et d'un artiste en 3 X 7 possibles énoncés du blanc.
This book is an extension of the 2019 exhibition The Probable Causes of Future Experience which explores what it is to experience the world from a child's perspective. Irish Artist Yvonne Higgins has used materials drawn from instructional manuals, illustrated encyclopaedias, family health guides, books about wildlife and the natural world, to investigate the power dynamic between adult and child and the shifting boundaries between adulthood and childhood.Between Four Walls extends the artist's work through collaboration with an invited panel of international poets who have responded to her collages and photographs. It is prefaced by an essay on representing childhood by historian Mathew Staunton and artist Ian Joyce.
There's something for nobody-the poet himself insists!-in Rosenstock's latest volume of poems from The Onslaught Press, a publisher of poetry and haiku that has championed his recent body of work. Poetry International says he is 'famously difficult to pin down': indeed, now more than ever.
118 haiku in Scots by haiku master John McDonald with transcreations in Irish by Gabriel Rosenstock. Raw, real, disturbing and beautiful, these haiku are "...an invitation to see more clearly, to hear more sharply, to feel more soulfully. If we have at all those eyes to see and those ears to hear they wake us up, not only to taste the language, but to hear the music of wonder. These verbal explosions echo in the chambers of wisdom". Alan Titley (Writer & scholar, Professor Emeritus of Modern Irish, UCC)
L'Innommable n'a pas de frontie¿re, et on de¿couvrira au travers des nouvelles pre¿sente¿es ici que, de la Finlande profonde aux falaises de la verte Erin, le Mythe de Cthulhu a laisse¿ sa marque tentaculaire: ici, le Livre du Venin, ouvrage impie dont le texte s'adapte ä celui qui le lit; lä, une i¿le abandonne¿e de tous et qui cache, enfouie, un terrible secret, et encore enfin, un club musical abandonne¿, hante¿ par le souvenir d'un musicien capable d'ouvrir des portes interdites gräce ä son ge¿nie cre¿atif.L'esprit des premiers cercles Lovecraftiens se retrouve dans ces courts textes de Panu Petteri Höglund et S. Albert Kivinen, aux re¿ferences implicites et au style direct et sobre, illustre¿s par les tableaux hallucine¿s du talentueux Jeff Grimal, compositeur, guitariste et chanteur du groupe The Great Old Ones.
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