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strange and twisted characters populate the pages of Why, Why, Why?, a delectable brew of dark humor and biting satire on human relationships. In these stories, the characters don t start falling until they know they re off the cliff. By then, rock bottom isn t a long way off. Another stunning entry from Catalan s greatest contemporary writer, Monzì s stories dust themselves off and speed on to their next catastrophe.

An instant classic of Russian literature, Maidenhair weaves together myriad plots, all revolving around innocence and violence and escape.

"e;A remarkably funny book written by a remarkable pair of collaborators."e;New York TimesOstap Bender, the "e;grand strategist,"e; is a con man on the make in the Soviet Union during the New Economic Policy (NEP) period. He's obsessed with getting one last big scorea few hundred thousand will doand heading for Rio de Janeiro, where there are "e;a million and a half people, all of them wearing white pants, without exception."e;When Bender hears the story of Alexandr Koreiko, an "e;undercover millionaire"e;no Soviet citizen was allowed to openly hoard so much capitalthe chase is on. Koreiko has made his millions by taking advantage of the wide-spread corruption and utter chaos of the NEP, all while serving quietly as an accountant at a government office and living on 46 rubles a month. He's just waiting for the Soviet regime to collapse so he can make use of his stash, which he keeps hidden away in a suitcase.Ilya Ilf (18971937) and Evgeny Petrov (19031942) were the pseudonyms of Ilya Arnoldovich Faynzilberg and Evgeny Petrovich Katayev, a pair of Soviet writers who met in Moscow in the 1920s while working on the staff of a newspaper that was distributed to railway workers. The foremost comic novelists of the early Soviet Union (invariably referred to as Ilf & Petrov), the pair collaborated together for a dozen years, writing two of the most revered and loved Russian novels, The Twelve Chairs and The Golden Calf, as well as various humorous pieces for Pravda and other magazines. Their collaboration came to an end following the death of Ilya Ilf in 1937he had contracted tuberculosis while the pair was traveling the United States researching the book that eventually became Little Golden America.Konstantin Gurevich is a graduate of Moscow State University and the University of Texas at Austin. He translates with his wife, Helen Anderson. Both are librarians at the University of Rochester.Helen Anderson studied Russian language and literature at McGill University in Montréal. She translates with her husband, Konstantin Gurevich.

Winner of the 2015 Best Translated Book AwardIn Mother River, Can Xue, one of China’s most daring and visionary writers, invites us into a surreal landscape where reality is as fluid as a river itself. This collection of thirteen stories weaves together vivid, dreamlike narratives that challenge our perceptions of time, identity, and existence. Through her signature blend of the absurd and the profound, Can Xue explores the fragile boundaries betwen the known and unknown, between humanity and nature. In these tales, a man tries to chase down an ellusive golden peacock, a woman communicates with mysterious, shifting forms of light,  and the river that runs through a small village seems to pulse with memories of its own.Surreal, provocative, and unique, Mother River reinforces Can Xue’s status as one of the most rewarding and complex writers working today—and a perennial favorite to win the Nobel Prize.

Winners of the Inaugural Spain-USA Foundation Translation AwardInfused with the spirit of pulp fiction, b-movies, zines, and punk rock, The Fake Muse is a linguistic tour-de-force from the author of The Adventures and Misadventures of the Extraordinary and Admirable Joan Orpí, Conquistador and Founder of New Catalonia.The book opens by introducing us, one by one, to an array of troubled characters, each with their own typographical voice. There’s Johnny (an Aries) who turns into a vampire at a showing of Nosferatu, there’s Meritxell (a Leo) who falls in love with a giant mutant hamster-philosopher, Josep (Cancer) who is also known as the “King Kong of the Bronx,” and Amanda aka Maryjane (Scorpio) who has had it with the abuse she’s suffered at the hands of the . . . author, Max Besora (Aquarius), and who is ready to take whatever action necessary.Wildly inventive, with each character’s vignette more hilarious and explosive than the last, The Fake Muse weaves these stories together into a thrilling cinema-like production à la Sonic Youth meets Quentin Tarantino, raising questions about power structures, victimization, and the role of the author in bringing it all to life.

Winner of the Inaugural Armory Square Prize for TranslationThe Kettledrum and Other Stories introduction the extraordinary voice of renowned Urdu novelist, short story writer, playwright, and critic Siddique Alam. He is considered to be a modern master, whose introduction of fantastical elements into his narratives and experimental techniques (especially in his plays) have garnered him critical acclaim and popular success. With each story in the collection he creates a unique territory revealing a deeply curious mind, and an master craftsman whose care and regard for the worlds of his stories imbues them with a rare authenticity. From the animistic tales of Adivasi tribespeople,and the interplay of complex relationships between broken people, to the complexities of lives lived on the fringe, Alam is able to create characters and events that function on the level of myth and archetype.As we navigate Alam’s complex, intricate fictional worlds, we encounter both a multitude of emotional universes imagined or drawn from keenly observed life, and nightmarish abstractions.

Sanki Saitō (1900–1962), born Keichoku Saitō in Tsuyama, Japan, was a pioneering short story writer and poet whose bold, modern haiku challenged the conventions of his time. As a key figure in the New Rising Haiku movement of the 1930s, Sanki redefined the boundaries of haiku by breaking with the strict traditionalists who insisted on “season words” and the direct observation of nature. In their place, Sanki and his peers opened haiku to imagined experience, infusing it with radical new perspectives that would forever transform the form.Writing under the pen name Sanki, meaning “Three Demons,” his reputation as a literary maverick grew rapidly. His radical, inventive approach to haiku, however, also made him a target of Japan’s militaristic government. In 1940, Sanki was imprisoned as part of the wartime crackdown on dissident artists and writers, and he was officially silenced—banned from writing or publishing his work.Three Demons brings together Sanki's most evocative haiku, meticulously curated and beautifully translated by Ryan Choi. Drawing from five of Sanki’s collections—Flags (1940), Night Peaches (1948), One Hundred Haiku (1948), Today (1952), and Transformations (1962)—this anthology introduces readers to the revolutionary spirit and emotional depth of a poet who helped redefine one of Japan’s most treasured literary traditions.

Winner of the Neustadt International Prize for LiteratureAs with the rest of her literary career, Dubravka Ugresic's final work, A Muzzle for Witches, is uncategorizable. On its surface, the book is a conversation with the literary critic Merima Omeragić, covering topics such as "Women and the Male Perspective," "The Culture of (Self)Harm," and "The Melancholy of Vanishing." But the book is more than a simple interview: It's a roadmap of the literary world, exploring the past century and all of its violence and turmoil—especially in Yugoslavia, Ugresic's birth country—and providing a direction for the future of feminist writing. One of the greatest thinkers of the past hundred years, Ugresic was one-of-a-kind, who novels and literary essays pushed the bounds of form and content, and A Muzzle for Witches offers the chance to see her at her most raw, and most playful.

Winner of Spain’s Premio Nacional de Narrativa in 2023“A funerary poem about a bird flying underground; a psychodrama of two sisters drowning in the mirror of memory; a center of a necrophilic labyrinth; Virginia Woolf’s Rhoda lost in John Hawkes’s Travesty. Pilar Adon’s novel is the most haunting I have read in years.”—Mircea Cărtărescu, winner of the Dublin Literary Award Summer is ending and Coro, an artist frightened of what her paintings of her dead sister may represent, gets in her car one night and starts to drive, with no plan or destination. After a wrong turn down a narrow dirt road, she runs out of gas outside the gates of a large and isolated house called Bethany, a place inhabited exclusively by a small group of women who seem to exist in a closed, hierarchical system a world apart. The women of Bethany live closely with the natural and animal world, celebrate rites and rituals, and, like devotees of an ancestral cult, all dress the same. Most unsettlingly, they seem to know who Coro is already. In fact, they have been expecting her. How the women came to live in Bethany, why they believe Coro is destined to be there, and most pressing, why won’t they let her leave are questions Coro must face as she struggles between the instinct to escape and the sense that something larger is at work. When Bethany’s careful balance is disturbed—with violent consequences—by the appearance of a mysterious man who claims the house and land are his, Coro will find herself forced to meet her own ghosts, reckon with her choices, and accept that Bethany might just be where she belongs. Winner of Spain’s Premio Nacional de Narrativa in 2023, Of Beasts and Fowls introduces a grand talent new to English audiences in a haunting novel rife with natural descriptions, signs and symbols, and a sense of the uncanny.

"A dying father in the grip of fever and delirium recounts his youth, his Grand Tour, the Venetian palaces populated by fascinating and evil figures, his ruin, and his most beautiful journey--the crossing on foot of the frozen Hudson River. His son, still a child, sits at the foot of the bed, attentively collecting these final, hallucinated words"--

Originally published as Una vez Argentina by Editorial Anagrama, 2003. Revised and expanded edition published by Editorial Alfaguara, 2014.

"Rina is a defector from a country that might be North Korea, traversing an "empty and futile" landscape. Along the way, she is forced to work at a chemical plant, murders a few people, becomes a prostitute, runs a lucrative bar, and finds a solace in a motley family of wanderers all as disenfranchised as she. Brutal and unflinching, with elements of the mythic and grotesque interspersed with hard-edged realism, Rina is a pioneering work of Korean postmodernism"--

Originally published in Spanish as La Parvâa by Sangria Publishers, 2015.

From the internationally acclaimed author of One Hundred Shadows and I’ll Go On Years and Years opens with the elderly Yi Sunil, devoted housewife and mother of three, making her annual pilgrimage to a remote village in South Korea to visit her grandfather’s grave—likely for the final time. What follows is a multigenerational exploration of desires thwarted by societal obligations and mores for the women in this family.Sejin, the middle child, keeps her sexuality closeted, while her older sister, Yeongjin, finds herself financially responsible for the rest of the family, forcing her to give up on her personal dreams. Meanwhile, the youngest, Mansu, leaves the family for New Zealand, where he is free to pursue his own career and life, ironically supported by the sacrifices of his mother and sisters.Tracing the lives of the family’s three women, Years and Years exposes the ways in which, despite the empathy we harbor for our loved ones, we inevitably trap one another in particular roles, while also illuminating our resolve to carry on through the constraints of time and tradition.

When truth is more gruesome than fiction—Ha Seong-nan is there. When people give in to their most intrusive thoughts—Ha Seong-nan is there. When man is more animal than animals themselves—Ha Seong-nan is there. In Wafers, her third short-story collection to appear in English, Ha continues to weave troublesome coincidences into the seemingly banal in her signature style of engrossing and unsettling prose. A best-seller in Korea, Ha Seong-nan is one of the stars of contemporary short fiction, writing edgy, socially conscious stories that bring to mind the novels of Han Kang and the film Parasite.

"As his weapon, he developed a private investigator who is already at the scene or in the immediate vicinity when foul play takes place, so that the perp can be caught redhanded and the case quickly solved, thus offering crime fiction to people who don't have the time to read long books, or who simply hate to read, but love crime."--

"Gorgonowa, a governess having an affair with her employer, was accused of brutally murdering his daughter, the 17-year-old Lusia on New Year's Eve in 1931. Despite her claims of innocence, Gorgonowa was declared Poland's ultimate villain, and eventually convicted. But questions remain about this case--the most notorious murder trial of the Second Polish Republic--along with questions about what exactly happened to Gorgonowa post-World War II."--

"The Culture of Lies is one of the most intelligent and lucid accounts of an appalling episode in history. It shows us the banality and brutality of nationalism and the way that nationalistic ideology permeates every pore of life."--

Ninth Building is a fascinating collection of vignettes drawn from Zou Jingzhi's experience growing up during the Cultural Revolution, first as a boy in Beijing and then as a teenager exiled to the countryside. Zou poetically captures a side of the Cultural Revolution that is less talked about--the sheer tedium and waste of young life, as well as the gallows humor that accompanies such desperate situations.

A haunting novel of grief from one of Argentina's greatest modernist writers.

"The nights were terrible, during the day we were occupied, but at night we got to thinking, picturing food, our houses, food again, painful memories from our childhoods--that abominable era--would mix with images of food and our torture would grow and grow, I recalled my impotence before the plate I was ordered to clean, the impossibility of choice in a world into which I had been thrust unwillingly, war was indeed an extension of the torture of being born . . . Set during the difficult era of the Great War, The Silence Devastation is the story of a captain in the Portuguese Expeditionary Corps who, with no documents showing his rank, finds himself in a German prison camp forced to share the circumstances of his poorer countrymen. He is hungry, constantly plagued by the sound of incessant detonations--and trying to finish his oral account of a strange story about a German scientist and voice recordings. In all this, he must seek meaning in his observations, his dreams, and, above all, silence."--

"Demetrio Rota, a garbage collector from Buenos Aires, sleeps in the afternoons and assembles puzzles at night before leaving for work. His daily life is mediocre and he keeps his balance through sheer exhaustion. However, through the puzzles, Demetrio inspects and sorts through his own memories. At the end of the journey through his history, the present seems to devour him, until he's left with only the emptiness of himself and his daily misery. A parable of memory and deterioration, Andrâes Neuman's Bariloche juxtaposes the astonished memories of youth with a skeptical conscience; the impossible idealization of nature or first love with the moral and physical suffocation of the big city; being uprooted with returning to one's origins, with a language fascinated by both lyricism and rottenness"--

From the author of Winter in Sokcho, Winner of the 2021 National Book Award for Translated Literature.The days are beginning to draw in. The sky is dark by seven in the evening. I lie on the floor and gaze out of the window. Women’s calves, men’s shoes, heels trodden down by the weight of bodies borne for too long.It is summer in Tokyo. Claire finds herself dividing her time between tutoring twelve-year-old Mieko, in an apartment in an abandoned hotel, and lying on the floor at her grandparents’: daydreaming, playing Tetris, and listening to the sounds from the street above. The heat rises; the days slip by.The plan is for Claire to visit Korea with her grandparents. They fled the civil war there over fifty years ago, along with thousands of others, and haven’t been back since. When they first arrived in Japan, they opened Shiny, a pachinko parlor. Shiny is still open, drawing people in with its bright, flashing lights and promises of good fortune. And as Mieko and Claire gradually bond, a tender relationship growing, Mieko’s determination to visit the pachinko parlor builds.The Pachinko Parlor is a nuanced and beguiling exploration of identity and otherness, unspoken histories, and the loneliness you can feel among family. Crisp and enigmatic, Shua Dusapin’s writing glows with intelligence.

Sofa is thirty-five and her husband has left her. Her father died the year before, and her mother is living in the Canary Islands with a new partner. Sofa flees the city with her young son, seeking refuge in her fathers house on the southern coast of Spain, where she spent summers as a girl. Her younger sister, with whom she has a close but uneasy relationship, joins her. Living together again, the sisters face their present as well as their childhood and tangled past.Wolfskin is an intimate meditation on ambivalence and motherhood, eroticism and disappointment, family violence and failure, and ultimately, the possibilityor impossibilityof living with those you love.