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This award-winning home is located on an eight acre, ex-urban property at the base of the Oakland Hills near San Francisco Bay.

An in-depth investigation of architectural technologies by leading contemporary architects.

The book provides a detailed insight into the entire design and construction process.

This monograph presents a comprehensive overview of a Landscape Architecture career spanning more than four decades: the life's work of John L. Wong. The featured works were created in collaboration across diverse cultures and countries, employing a vast range of concepts and exploring the whole spectrum of possibilities, from crafting small gardens to planning large-scale neighborhoods, towns and new communities. John L. Wong's prolific body of work is global with focal points in North America, the Middle East, and Asia, especially Japan, Korea and China. In addition to the wide array of project types and locations, a notable portfolio highlight is his long-term design collaboration with Stanford University, which continues to evolve and have a number of far-ranging impacts. More than 150 campus improvement projects at Stanford University (which include campus connections, open space systems, and public realm and site-specific uses) make up this large-scale design work which both reclaims Leland Stanford and Frederick Law Olmsted's 100-year-old vision while also building on that legacy to create a beautiful, resilient campus environment that facilitates learning in the 21st century. Another groundbreaking, in every sense of the word, keystone of this body of work are the groundscape designs for a number of high rises which include 12 of the 100 tallest buildings in the world. With the continual emergence of climate change issues and increasing resilience and social equity requirements asked of environmental design, the remaining works explore Wong's new and myriad responses to the challenges of our time. A solid grasp of the four foundational elements that make up a project--Client, Program, Site and Budget--is key to a successful design. Combining all four, as well as asking the right questions and listening attentively, is the path to forging the "Big Idea" through which Design can truly begin.

If youâEUR(TM)re going to design a big house, make it gorgeously grand, fantastically executed, and in perfect, reciprocal balance with the landscape.

Twenty evocative depictions of Coral Gables¿ distinctive twentieth-century architecture

Twenty evocative depictions of Miami Beach¿s Art Deco Historic District

Shows how XRANGE's unconventional architecture places an emphasis on systemization and tactility.

This book contains a compilation of the work of Perkins & Will Miami since it's inception in 1996. Drawing from a legacy of nearly a century of the fabled Chicago architectural Firm, the story of the Miami Studio is one of a search for a regional and critical modernist language unique to its time and place. Starting as a five person office, the studio has grown to a team of 70 architects, interior designers, and landscape professionals who have come together with a single vision of meaning and purpose. The work ranges from one of the most visionary Corporate Headquarters in the country, to a Hospital in Ghana; from the most important new Public Park in Florida to the largest Women's University in the Middle East; from an Innovation Center in Rio de Janeiro, to an Office Building in Wynwood. The book contains a series of interviews with the founding members and partners carrying the Studio into the future.

STRIVE explores Jones Studio's four decades of work bringing inventive design to our built environment.

The building of STRATA outside of Phoenix, Arizona, was an act of audacity, perseverance, and grit, as is any undertaking in the deserts of the American Southwest.The three responsible entities--Drewett Works Architecture, Desert Star Construction, and David Michael Miller, Ltd. Interiors, drew on the long, great tradition of 20th-century modernism in Arizona, whose very name means "dry" (Arrida Zona) in Spanish. Frank Lloyd Wright and Richard Neutra are just two modern masters who have attempted to tame the Arizona desert, make it habitable, and add to its natural beauty. STRATA celebrates modernist design in multiple ways. Its vast use of glass blurs the inside with the outside. Its deep overhanging eaves intersecting with each other at various angles recalls the best work of Wright. Its expansive glass calls to mind Neutra's work and his insistence on architectural transparency. The house's imaginative interiors bespeak comfort and solace needed for days spent in the unforgiving Arizona sun. Its construction required extensive work on the site before the first slab was poured, a testament to the talent of the construction team. Whenever and wherever possible, native stone and wood were used to give the house a sense of authenticity. The sliding glass doors located at multiple points allow the owners to have delightful dinner parties just as the sun is setting and the dry air is cooling - neither indoors nor outdoors, but a vivid combination of the two. This book is about the process of building STRATA and also puts the house in historical perspective with an essay, "Building in the Sonoran Desert," by James Moore McCown, a prominent architectural journalist based in Boston. This work is careful to chronicle the work of all three collaborators - without one of them, the results would not have been possible. The Architect. The Interior Designer. The Builder. All get their due in STRATA, a celebration of audacity and the beauty of the American Southwest.

These seventy-five works are the harvest of seventeen years of exploration from our office in San Francisco.

The first book by father-and-son team Stan and Jess Field reveals an inspirational collection of projects that balances the beauty of human creation and the purity of natural systems. The Fields bring a vision of architecture that is deeply connected to the land such that each of the buildings in this volume forms a symbiotic relationship with the distinctive landscape that inspired it. The living environments unfold as a series of closely choreographed spatial and sensory experiences. Each reflects the alchemy that occurs when buildings and their natural settings are intimately intertwined, as these buildings are. They not only capture--but also elevate--the ineffable feeling of living with the land.Conversations with the Land follows the architects' journey of exploration across the places and events that influenced their creative process. From their native country of South Africa to their adopted home in Northern California, Stan and Jess learned how to pair architecture with natural terrain by examining its range and diversity. This book captures the insights and moments of discovery gained from their encounters with the land. The Fields' responsive approach and meticulous execution extends to every element of their architectural practice, from considering the way that a tree casts a shadow on a wall to carefully orchestrating a project to minimize the impact of construction on a site. The book includes a Q&A with Stan Field; an essay by Jess Field on his sources of inspiration; sketches and models that they use as design tools; and a portfolio of 10 exquisitely crafted houses shaped by the imprint of the natural world and beautifully documented by acclaimed photographers Joe Fletcher and Matthew Millman.

This installment of the Oscar Riera Ojeda Masterpiece Series focuses on Fort 137 by Daniel Joseph Chenin. Set in a remote location to the west of Las Vegas, Nevada, the brief was for a residence that established a direct connection to its surroundings in a sustainable, environmentally-friendly manner using locally-sourced materials as much as possible. In response, Chenin produced an open structure divided into three different levels with each volume carefully placed to be read as a series of rock masses and also to protect against the harsh sun and wind while also offering uninterrupted views of the surrounding landscape. This book provides a privileged glimpse into the conception and execution of this superlative structure with a text by the renowned architectural critic Aaron Betsky, an interview with the architect, sumptuous photography by Stetson Ybarra, XXXX and XXXX, illuminating drawings, diagrams and layouts. An homage to the forts built when the area was first being settled, the building sits resplendently alone in the tranquility of the landscape: truly a modern masterpiece.

All the details of the stunning redesign of Hayward Field, the home of the University of Oregon track and field and hopeful US Olympians over the decades, outfitting it for the 21st Century. Hayward Field has hosted more Olympic trials than any other venue in history, becoming a beacon of human potential and an unparalleled symbol for the sport of track and field--both its past and its future. This architectural monograph provides a comprehensive overview and in-depth analysis of the redesign by SRG Partnership that created a state-of-the-art stadium and training facility, from initial conception to the completed building, showing how the architects adapted and enhanced their program to take into account the project's different goals, history and importance to the university and local community. Featuring detailed plans, diagrams, analysis and appreciation from renowned architects and architectural critics as well as texts that place the building in its true context, this volume also includes dozens of high-quality photographs of the construction process and completed building to convey a full understanding of this extraordinary architectural and sporting achievement.

"Exploring possibilities: A journey of architectural fantasy" takes readers deep into the aoe story, showcasing every step of their process from conception to execution.

A striking addition to the Birdseye Masterpiece series celebrating sustainable and innovative rural modernism. Field House showcases a distinctive Rhode Island residence designed by the award-winning Vermont architecture and building firm Birdseye. Fronted by an open meadow and otherwise surrounded by a deciduous forested hillside, the minimalistic design of the home engages the landscape and is an exercise of contrasts. Featuring an introduction by the renowned architecture critic Aaron Betsky as well as in-depth analysis, sumptuous photographic documentation and detailed plans and diagrams, this volume explores every stage of the design and building process, from its conception to the stunning end result. It thus offers valuable insight into how an award-winning residence like Field House came into being, showing how brilliant design, thoughtful landscaping and a harmonious philosophy can come together to create a subtle architectural masterpiece. The residence is composed of two separate gable volumes: a two-story main house and a one-story garage, knitted together with a perpendicular exterior walkway buttressed with an intermittent full-height site wall.

¿ 20 original drawings¿ The beauty of Taos and Santa Fe captured with exquisite mastery¿ Exhibition quality production¿ An homage to a great painter¿ A remarkable artistic feat by a leading architect

- 20 original drawings - The beauty of Venice and Sicily captured with exquisite mastery - Exhibition quality production - An homage to one of the world's richest artistic traditions - A remarkable artistic feat by a leading architect Between 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series of twenty piano pieces. While playing them for a gathering of friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of Italy. I have always been eager to capture the faded beauty of cities and buildings. This obsession would inevitably draw me to Venice and Sicily. Wandering amidst the shadows of the Venetian light I have tried to portray the beauty of this luminous city. No part of Italy has as many layers of history or been inhabited by so many different peoples as Sicily. From the Greeks who colonized Siracusa and Selinunte, to the Romans in Agrigento, to the Normans in Palermo. "In every fugitive vision I see worlds filled with the changing play of rainbows." Konstantin Balmont

- 20 original drawings - The beauty of regional China captured with exquisite mastery - Exhibition quality production - An homage to one of the world's richest artistic traditions - A remarkable artistic feat by a leading architect Between 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series of twenty piano pieces. While playing them for a gathering of friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of China. For a country that has of late been focused on the future, I have been fascinated by the search for a true contemporary regional language in traditional Chinese architecture and painting. The intricate and careful composition in relation to landscape and light has been a continual revelation, as evidenced by the Summer Palace on the outskirts of Beijing and vanishing water towns such as Zhujiajiao, known as the "Venice of Shanghai." "In every fugitive vision I see worlds filled with the changing play of rainbows." Konstantin Balmont

The rectilinear pavilions seem to float over the tropical landscape, offering an uninterrupted stream of views of the Big Sarasota Pass and/or Bayou Louise throughout the property.

A building that is not just a brilliant work of architecture in its own right but that also provides an inspiring, tailor-made environment in which to educate the architects of the future

It is the architectural responsesto site and climate that infuse the specific designs with character and identity, resulting in a uniquely Floridian version of modernism.

As a realist artist who specialized in depicting the vernacular architecture and landscapes of the West Indies, Sanchez was attracted to Cuban folklore and to architectural scenes of everyday life rather than the great historical narratives of Western civilization.

These were Massimo Vignelli's words "friendly houses" - houses that welcomed and celebrated the idea of "house" without compromising their modernity.