Bøker utgitt av Otago University Press

Fibs, porkies, little white lies, absolute whoppers and criminal evasions: the ways we can deceive each other are legion. Liar, Liar, Lick, Spit, the new collection by ¿tepoti poet and writer Emma Neale combines a personal memoir of lies with an exploration of wider social deceptions.

Remembering and Becoming investigates how oral history enriches our understanding of Aotearoa New Zealand's past. The book provides clear explanations of oral history methodologies and insightful analyses of personal narratives while exploring themes such as ethnicity, culture, class, religion, gender, place, sexuality, and family.

Lyndy McIntyre's Power to Win tells the story of the living wage movement in Aotearoa New Zealand. The living wage movement is grounded in the fundamental belief that all New Zealanders should be paid enough to meet their needs, enjoy their lives and participate in society. Yet, from the 1980s, with the gap between rich and poor growing and poverty increasing, more and more workers could no longer afford to aspire to this quality of life. The question of how to rectify resultant social inequities was becoming urgent.In Power to Win, McIntyre documents the history of the Living Wage Movement Aotearoa New Zealand from these roots to the present day. This is the story of the movement's efforts to lift the wages of the most disadvantaged people in our workforce - women, M¿ori, Pacific Peoples, migrants and refugees, and young workers. McIntyre provides a window into the lives of these workers and those committed to ending in-work poverty: the activists, faith groups, unions and community organisations who come together to tilt the axis of power from employers to low-wage workers.Power to Win is the record of an extraordinarily successful movement. It is a celebration of hope and an inspiring read. This book shows that communities have power and that change can happen.

The Twisted Chain combines a personal story about the impacts of rheumatic fever in Jason Gurney's family with an exploration of the multifactorial causes of rheumatic fever, investigating the reasons for the shockingly high rates of rheumatic fever in New Zealand's M¿ori and Pasifika communities.

Echoes from Hawaiki is a comprehensive account of taonga p¿oro ancestral musical traditions and instrument-playing techniques.In this thoroughly researched and beautifully illustrated book, Jennifer Cattermole traces the origins and development of taonga p¿oro, the stories they carry and how they connect present-day iwi with ancestral knowledge and traditions. She shows how traditional M¿ori and Moriori musical instruments have developed in response to available materials and evolving cultural needs, from their ancestral origins through the suppression of their use in nineteenth and early twentieth-century Aotearoa New Zealand to twenty-first-century practice.An essential resource for all who are interested in what taonga p¿oro carry as treasured objects and as voices through time and place.

Landfall is New Zealand's foremost and longest-running arts and literary journal. Published twice a year, each volume showcases two full-colour art portfolios and brims with vital new fiction, poetry, cultural commentary, reviews, and biographical and critical essays. Bringing together a range of voices and perspectives, from established practitioners to emerging talents, Landfall is an exciting anthology that has its finger on the pulse of innovation and creativity in Aotearoa today.Landfall 247: Autumn 2024 announces the winner of the Landfall Young Writers' Essay Competition, an annual competition that encourages young, up-and-coming writers to explore the world around them through words. Landfall 247 will feature the winning essay, alongside the judge's report from Landfall editor, Lynley Edmeades.Landfall 247 also includes essays from the 2024 collaboration between Landfall and RMIT University's nonfiction/Lab. These trans-Tasman essays, written in collaboration between New Zealand and Australian writers, focus on the theme of 'making space,' and what it means to use writing as a tool to create space for different voices, perspectives and ideas.

During the Covid-19 pandemic, eighteen thousand uncrossable kilometres lay between poet Majella Cullinane in Aotearoa New Zealand and her mother in Ireland, a distance unbridgeable even by phone as Cullinane's mother's language was lost to dementia. Meantime calls and keens across this terrible distance.With attentiveness, tenderness and extraordinary vulnerability, these poems speak directly to personal experience while also addressing a wider world shadowed and altered by illness, where everything once familiar and coherent is disintegrating, in flux, uncertain and strange.These poems are works of vigil and devotion, breathed into existence by a daughter who could not be at the bedside of her beloved, dying parent. Personal and universal in its themes, the poems in Meantime possess a gravitas born of sorrow, steeped in love.A warm and loving conversation about memory and forgetting, and a celebration of the power of voice to connect and heal, this is a collection for our times.

Bob Crowder: A New Zealand organics pioneer, by leading garden historian Matt Morris, tells the story of Bob Crowder''s life and his role in the birth of the organics movement in Aotearoa New Zealand.Growing up in wartime Britain, the peaceful pursuit of gardening was young Bob''s refuge.He later became an innovative horticulturalist and early champion of regenerative agriculture. After emigrating to New Zealand in the early 1960s, Crowder established the country''s only university-based organics research unit at Lincoln, where he experimented with new techniques and plant varieties and inspired generations of students.A controversial figure within orthodox agricultural science, Crowder''s impatience with bureaucracy and criticism of industrial growing methods brought him into conflict with the mainstream. From the late 1970s on, he became an outspoken advocate of organics, helping to build a sector now worth hundreds of millions of dollars.To those who knew him, Crowder was a larger-than-life character, pragmatic and visionary, but his homosexuality also made him an outsider in many ways, and he wrestled with the impact of homophobia throughout his career.Scrupulously researched, drawing on extensive interviews with Crowder, and accompanied by full-colour illustrations, Bob Crowder: A New Zealand organics pioneer captures a complex man whose legacy goes beyond his achievements in horticulture.

Robert Lord (1945- 1992) is an important figure in the history of literature and theatre in Aotearoa New Zealand. Co-founder of Playmarket and author of Well Hung, Bert and Maisy and Joyful and Triumphant, Robert Lord wrote incisive and often satiric radio and stage plays, experimenting with traditional theatre forms and incorporating queer characters at a time when almost nobody else did. His diaries, which record his life from 1974, when he first moved to New York, until his death in Dunedin in 1992, capture the highs and lows of his writing practice, the theatre world and his social life. Revealing the dramatic contrast between life as a gay man in 1970s and 80s New York - a world of sex, drugs and socialising - and provincial New Zealand, with its respectable living rooms, fields of carrots and the occasional homoerotic demonstration of sheep shearing, his diary entries tell of torn loyalties and reveal the intense creative momentum Lord forged from his dislocated, outsider status.

At the Point of Seeing is the extraordinary debut collection from Otepoti Dunedin poet Megan Kitching. Poised, richly observant and deftly turned, Kitching's poems bestow a unique attention upon the world. Her eye is finely attuned to the well-trodden yet overlooked - the places between ' dirt and thumb' or ' together and alone' - and especially the weedy, overgrown and pest-infested places where the human impulse to name, control and colonise meet nature's life force and wild exuberance. These compelling poems urge the reader to slow down and give space to the living, moving, breathing environment that surrounds them. ... the garden is making something of you, situated on the border of dirt and thumb, the corner with its stepover wall where two streets grow neighbourly and flora and animal meet. -- from ' Growing Advice'

"Beautifully written and illustrated with maps and stunning photography, Katherine Mansfield's Europe is part travelogue, part literary biography, part detective story and part ghost story. Guided by Mansfield's journals and letters, Redmer Yska traces her restless journey in Europe, seeking out the places where she lived, worked and died."--

"Aftermaths explores the life-changing intergenerational effects of colonial violence in Aotearoa New Zealand, Australia and the Pacific. The settings of these accessible, illustrated short essays range from Orakau pa in the Waikato to the Kimberleys in northwest Australia, from orphanages in Fiji to the ancestral lands of the Wiyot Tribe in Northern California. Story by story, this collection powerfully reveals the living legacy of historical events, showing how they have been remembered (and misremembered) within families and communities into the present day. Editors Angela Wanhalla, Lyndall Ryan and Camille Nurka have invited a group of prominent scholars to write about colonial histories by reflecting on a range of events through a variety of perspectives, including personal experiences, family stories, collaborative research, oral and literary histories, commemoration activities and contemporary artworks. The result is a readable, informative and often extremely moving book that makes an essential contribution to our knowledge of the effects of colonial violence and dispossession."

In this wry and witty collection--addressed to the first interstellar object ever to be detected in our solar system--James Norcliffe applies a cool, clear eye to human life on Earth. Our foibles and absurdities are laid bare, but so too is the human capacity for love, desire, sorrow, and regret. Norcliffe's succinct observations traverse the personal and the political. Grounded in the local but encompassing the global, they range through subjects such as commuting, insomnia, and faltering health to the contemplation of current events and issues such as gun violence and climate change. The landscapes and settings of these poems are vividly evoked, often in terms of human impact. Birds, 'knowing what we are, ' take flight at the approach of a person; a coal range is the acknowledged centre of a West Coast family's survival. Often very funny, and always deeply felt, Norcliffe's Letter to 'Oumuamua describes a world where every day is both everyday--gritty, material, bread-and-butter--and also luminous and precious: a 'day like no other.'

Respirator is a sumptuous celebration of David Eggleton's tenure as the Aotearoa NZ Poet Laureate (2019-22). In this collection, Eggleton explores how the social changes and upheavals of the past four extraordinary years manifested in Aotearoa NZ, from the impact of living through a pandemic to ecological concerns, technological changes, and shifting viewpoints about identity and global consumerism.

Landfall is New Zealand's foremost and longest-running arts and literary journal. Published twice a year, each volume showcases two full-colour art portfolios and brims with vital new fiction, poetry, cultural commentary, reviews, and biographical and critical essays. In the 2022 Spring edition, Landfall 244, Lynley Edmeades brings together a range of voices and perspectives, from established practitioners to emerging voices.

Histories of Hate explores intolerance and extremism in Aotearoa New Zealand, from the emergence of the precursors to the radical right during British settlement in the late nineteenth century to today's QAnon conspiracists and keyboard warriors. A definitive, benchmark text, this volume sheds light on the social and cultural intolerances that continue to shape New Zealand society to this day.

In Rogelio Guedea's bold new poetry collection, O me voy o te vas / One of us must go (with English translations by Roger Hickin), love is a powerful magnet that attracts and repels in equal measure. In language both lyrical and spare, Guedea examines what it means to share one's life with another person and questions whether--and how--love can survive reality's steady tap-drip repetitions.