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Translation of: Soy una tonta por quererte.

"Given a second chance with an old love, a coolly detached archivist questions the life he could have had, and whether it's not too late to live it. Forty years ago-almost a lifetime-he confessed his love to a classmate and close friend, Franziska. Now, living in his late mother's house with the obsolete archive of the newspaper he once worked for, he looks back on days spent poring over files and clippings, increasingly withdrawn from the world. His occasional relationships never amounted to anything, and the memory of Franziska-who became pop singer Fabienne-continues to haunt him as she appears in the media. When the two cross paths again, the possibility of a different life feels achingly real. But should he risk the comfort of his ordered existence for a romance that might never match what he imagined?"--

"Spurred by his wife's Alzheimer's diagnosis and disenchanted with the slow progress of science in finding a cure, a rich Swiss businessman launches a contest for promising young neuroscientists who can think "outside the box." Five scientists compete for $100 million and the opportunity to head a new institute dedicated to research for the cure of Alzheimer's disease. Chosen on the basis of their scientific excellence and originality, they must travel throughout Europe in search of the answers to five fiendishly difficult riddles, each comprising an enigmatic neuroscientific question combined with a geographical and historical challenge. The personal stories of the competitors unfold while we follow and share with them their moments of elation and disappointment as they solve a riddle or reach a dead-end. Soon a conspiracy materializes to threaten and endanger the scientists in what seems at first a random way, but then becomes increasingly deliberate and targeted. The nature of the riddles and the talents of the competitors open a world of discovery for us, too, as we learn about some of the most pressing questions in current brain research, such as neurodegenerative diseases, stem cell grafts, artificial intelligence, drug addiction, genetics, and the mechanisms of memory. And as the candidates visit some of the great European cities-Prague, Vienna, Cordoba, Cambridge, Geneva, and Venice-we also step through a window into the past"--

"The best stories by the author of the unforgettable novel The Postman. Each of the stories in this book is an extraordinary piece of literature. Love, youth, desire, and freedom, along with versatile prose, sensitivity, and a subtle irony that sometimes morphs into dark humor, confirm Antonio Skâarmeta's position as one of the greatest storytellers in contemporary literature. Juan Villoro has selected and written a prologue for the best stories by Skâarmeta, originally published in five books that influenced an entire generation of writers and brought about a renewal of Latin American prose"--

Originally published in 2014 by Patakis Publishers, Athens.

Originally published in Italian as Sud in 2020 by Bompiani, Firenze-Milano.

"Mining everyday life in Mexico and abroad for psychological insight, these subtle, unsettling stories reveal new ways of looking at our world. The first story collection from prize-winning author Fabio Morâabito available in English, Mothers and Dogs features fifteen tales that show the emotional extremes involved in seemingly trivial details and quotidian situations: two brothers worry more about a dog locked in an apartment who hasn't been fed than they do about their dying mother; a man's evening jog on a racetrack turns into a savage battle between runners when the lights go out; a daughter learns to draft business letters as an homage to her mother. As he deftly explores feelings of loneliness and despair endemic in modern society, Morâabito finds threads of unexpected humor and lightness"--

Best Translated Novel of the Decade - Lit HubA New York Times Notable Book of 2015 - Michiko Kakutani, The Top Books of 2015, New York Times - TIME Magazine Top Ten Books of 2015 - Publishers Weekly Best Books of the Year - Financial Times Best Books of the Year"A tour-de-force reimagining of Camus's The Stranger, from the point of view of the mute Arab victims." -The New Yorker He was the brother of "the Arab" killed by the infamous Meursault, the antihero of Camus's classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling's memory, refuses to let him remain anonymous: he gives his brother a story and a name-Musa-and describes the events that led to Musa's casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud's story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.

An NPR Book of the DayIn this modern fable full of poetry, desire, and blood, a creative young Haitian girl struggles against seemingly impossible odds to escape the cruel reality of her Port-au-Prince slum.“You’ll be alone in the great night.” That’s what Papa has always prophesied to her. Papa, who isn’t her real father—he disappeared when she was born. Since then, her mother has been forced to walk the streets to provide for herself and her daughter, while Papa robs and murders for the local gang leader, to ensure his access to ganja and alcohol, but also for the sheer pleasure of it.    Often finding herself alone within the four walls of a hovel in a Haitian shantytown with corrugated iron for a roof, the young girl tirelessly tries to compose a letter that will capture what is in her heart and soul. She is consumed with love for a classmate, the daughter of her teacher, and searches for words to faithfully express her feelings and her dreams.    In a poetic language that encompasses poverty and idealism, she observes the violence, the shortcomings, and the addictions of the adults around her. Her passion makes her resilient, nurturing her character and helping her to invent a better fate than the one to which she seemed doomed.

This is a rare autobiographical history written from the center of the inner circle of psychoanalysis. Today, only a few psychoanalysts remain who have Dr. Rangell's unique, insider's view of the last half century of psychoanalytic history. His close associations with the major contributors to theory during this time permit him to chronicle the constant marriage of people and ideas that has been the hallmark of the psychoanalytic community over the previous decades. His insights are enhanced by his leadership role across the spectrum of psychoanalytic organizations (local, national, and international) that has allowed him to witness and participate in the great debates of our time. Written as Dr. Rangell approached the age of 90, this chronicle possesses the same clarity and incisiveness that has always characterized Rangell's writing. He is still the tough-minded thinker ready to challenge the fuzzy thinking that threatens to split psychoanalysis into factions.In this work, Dr. Rangell gives us his valuable perspective on the significant individuals in psychoanalysis and their ideas: from the early dissension of the 20s and 30s to the war years, to the "golden years" of the 50s and early 60s where complications in the field manifested in the splitting of Institutes. He goes on to cover the turmoil surrounding the theoretical debates of the 70s, followed by his look at the attempt at pluralism in the 80s, the eclecticism of the 90s, and finishing with a discussion of the discipline as it is now. Then, using his own prodigious contributions to the great debates of our time, Dr. Rangell fuses divisive views into a unitary theory of psychoanalysis. This composite theory offers an amalgamated view that provides coherence in place of the fragmentation, personal warring, and disarray that constitutes the present state of psychoanalysis.

Broken hearts, edgy nerves, tightened throats—our emotions grab and take hold of us. But if our emotions appear obvious to us, are they necessarily real or universal? This, of course, is what researchers in physiology and psychology assert, but they will ultimately be disappointed. Vinciane Despret sets out in this book to show how some of our emotions, precisely those we thought were a natural part of our make-up, do not exist unless they have been inscribed in our subjectivity through the mediation of culture. Emotions do not exist per se, but only within relations to others. Anthropologists and ethnologists often return from distant regions and remote islands with emotions unknown to their peers at home, and which can only be expressed in the tribal tongue they have learned. Following such discoveries, one should not be surprised to find that anger does not exist among the Uktus, and the Ikfalus have to teach fear to their children. One only has to consider the emotions of other cultures and traditions to recognize that they are human productions with wide and significant variations, like good manners. Our emotions, finally, represent the way that we see the world and try to make it our own.

Lacan Today: Psychoanalysis, Science, Religion offers a lucid overview of the French psychoanalyst's work. In five sections--"The Structure of the Subject," "Epistemology," "Four Discourses," "There is No Sexual Rapport," and "God is Real,"--the book maps out Lacan's thought for the lay reader with unmatched clarity. It does this by building from Lacan's graph and formulas, which are often misunderstood. This formalization acts as a pedagogical tool of wonderful economy, offering a broad overview without neglecting the essential details. The chapters are summarized by a general graph that visually demonstrates Lacan's rigor and coherence.The book examines often-neglected aspects of Lacan's work, like problems in the history of science, epistemology, and religion, in order to show Lacan's relevance to today's world. It makes the case for Lacan as one of the most important thinkers of the twentieth century, whose reach extends beyond the discipline of psychoanalysis. Indeed, Lacan's thought should lead readers into a reexamination of philosophy, literature, art, politics, economy, and desire.In his introduction, Alexandre Leupin writes: "If the unconscious exists, then Lacan is the only twentieth-century thinker who has drawn the consequences of Freud's discovery to their ultimate limits. I propose here what some will take as bombastic hyperbole: Lacan's radical reevaluation of human thinking is comparable to Einstein's."Though Lacan's thought is making tremendous inroads in countries of Latin culture, it has been slowly fading from public awareness in the English-speaking world. Often Lacan has been nothing more than a pawn in the bundling of contradictory doctrines labeled as "French thought"; or he has been reduced to a means of exchange between psychoanalysts or specialists in the humanities. Leupin's contention is that what Lacan said or wrote is of interest to the general public and that his consignment to oblivion is reversible. This book demonstrates that Lacan's thinking has vast implications, not only for college professors or practicing psychoanalysts, but also for scientists, epistemologists, and every man and woman.

This unique volume collects a series of essays that link new developments in Lacanian psychoanalytic theory and recent trends in contemporary cinema. Though Lacanian theory has long had a privileged place in the analysis of film, film theory has tended to ignore some of Lacan's most important ideas. As a result, Lacanian film theory has never properly integrated the disruptive and troubling aspects of the filmic experience that result from the encounter with the Real that this experience makes possible. Many contemporary theorists emphasize the importance of the encounter with the Real in Lacan's thought, but rarely in discussions of film. By bringing the encounter with the Real into the dialogue of film theory, the contributors to this volume present a new version of Lacan to the world of film studies.These essays bring this rediscovered Lacan to bear on contemporary cinema through analysis of a wide variety of films, including Memento, Eyes Wide Shut, Breaking the Waves, and Fight Club. The films discussed here demand a turn to Lacanian theory because they emphasize the disruptive role of the Real and of jouissance in the experience of the human subject. There is a growing number of films in contemporary cinema that speak to film's power to challenge and disturb the complacency of spectators, and the essays in Lacan and Contemporary Film analyze some of these films and bring their power to light.Because of its dual focus on developments in Lacanian theory and in contemporary film, this collection serves as both an accessible introduction to current Lacanian film theory and an introduction to the study of contemporary cinema. Each essay provides an accessible, jargon-free analysis of one or more important films, and at the same time, each explains and utilizes key concepts of Lacanian theory. The collection stages an encounter between Lacanian theory and contemporary cinema, and the result is the enrichment of both.

The nexus of psychoanalytic, literary, and philosophical approaches in this book focuses on an intertextual reading of Woolf and Kristeva in order to address the enigma of the persistent suppression of women's contributions to culture. In spite of the efforts of feminist theory and history to turn the tide, this process is with us still. "I am the first of a new genus" (Mary Wollstonecraft). "When I looked around, I saw and heard of none like me" (Mary Shelley). "I look everywhere for grandmothers and find none" (Elizabeth Barrett Browning). "Why isn't there a tradition of the mothers?" (Virginia Woolf). "Women have 'no past, no history'" (Simone de Beauvoir). "I look for myself throughout the centuries and I don't see myself anywhere" (Helene Cixous). As Woolf noted, "strange spaces of silence" separate the solitary female utterances throughout history. The brutal vicissitudes of the contemporary reception of feminist thinkers, crushed between traditional academia and an anti-intellectualism that describes itself as activism, are symptoms of the fact that the conditions, which produced the "strange spaces of silence" and made the repetitive generic loneliness from Wollstonecraft to Cixous possible, are still operative. They have found their way into the present age as "reactionary conformity that manages to discredit any notion of feminine specificity or freedom that is not based on seduction-which means not based on reproduction and consumption" (Kristeva).The intertextual approach to Kristeva and Woolf brings to light "matricide" as the silent engine behind the stammering of female temporality. "Matricide" is offered as an entrance to the conceptualization of the cultural ramifications of a language that wavers between hypnotic passion and murder. As Joan Scott has demonstrated, the oscillations between phantasies of uniqueness and phantasies of fusion are characteristic of women's movements. Matricide in Language claims that these fantasies are subtended by imaginary matricide and that they can explain the extreme discursive practices that are characteristic of the debate in and around feminism.

As Middle-East Bureau Chief of the French Public television network and a resident of Jerusalem since 1968, Charles Enderlin has had unequaled access to leaders and negotiators on all sides. Here he takes the reader step-by-step along the path that began with the hope of agreement but led only to the ultimate collapse of the peace process. The dramatic account moves between the occupied territories and the negotiation tables as it follows the emotional shifts in the conflict from the 1995 assassination of Yitzhak Rabin to the years when Benjamin Netenyahu was in power. In a definitive account of the meetings at Camp David in July 2000, Enderlin details what was said between Israeli and Palestinian negotiators brought together by Bill Clinton in the presence of Yasir Arafat, President of the Palestinian Authority, and Israeli Prime Minister Ehud Barak.