Bøker utgitt av Oxford University Press Inc

Buddhists, Shamans, and Soviets examines indigenous, post-Soviet religious revival in the Republic of Buryatia through the lens of Bakhtin's chronotope. Comparing histories from Buddhist, shamanic and civic rituals, Quijada offers a new lens for analyzing ritual and an innovative approach to the ethnographic study of how people know their past.

Democracy and Dictatorship in Europe examines the development of various political regimes in Europe from the ancien regime up through the present day. It analyzes why democracy flourishes at some times and in some places but not others and draws lessons from European history that can help us better understand the political situation the world finds itself in today.

What counts as the same? This simple question forms the core of how we constitute ourselves as groups and as individuals. This book suggests that different ways of constructing sameness foster different group dynamics and different benefits and risks for the creation of plural societies.

The Company They Keep advances a new way of thinking about Supreme Court decision-making. In so doing, it explains why today's Supreme Court is the first ever in which lines of ideological division are also partisan lines between justices appointed by Republican and Democratic presidents.

Nature Behind Barbed Wire uses an environmental lens to reinterpret the forced removal and confinement of Japanese Americans during World War II.

Soldier, Priest, and God is the first life of Alexander the Great to explore his religious experience. F. S. Naiden puts Alexander the Great's experience in Egypt and Asia on a par with his Macedonian upbringing and Greek education and explains how the European conqueror became a Muslim saint.

Organized Time is the first attempt to unite theories of harmony, rhythm, and form under a common idea of structured time. This is a major advance in the field of music theory, leading to new theoretical approaches to topics such as closure, hypermeter, and formal function.

Satiric TV in the Americas is the first book to focus on Latin American TV satire in order to understand their critical role in challenging the status quo, traditional journalism, and the prevalent local media culture. It introduces the notion of "critical metatainment" as negotiated dissent, a key concept for the study of postmodern satire.

Analyzing early Jewish accounts of the destruction of the Second Temple, Julia Watts Belser illuminates the brutal body costs of Roman conquest. Drawing on disability studies, feminist theory, and new materialist ecological thought, Belser reveals how rabbinic discourses of gender, sexuality, and the body are shaped in the shadow of empire.

Blasphemous Modernism argues that blasphemy is a signal mode of modernist literary expression. Reading a diverse range of poets (Mina Loy, Langston Hughes) and novelists (James Joyce, Djuna Barnes, Salman Rushdie), Pinkerton shows how these writers forged the literature of modernism from the idiom of blasphemy.

This first book length study of property-owning democracy argues that a society in which capital is universally accessible to all citizens uniquely meets the demands of justice. It defends a renovated form of capitalism in which the free market is no longer a threat to social democratic values, but is potentially convergent with them.

Who Belongs? tells the story of how in the late nineteenth and twentieth centuries, despite economic hardships and assimilationist pressures, six southern tribes insisted on their political identity as citizens of tribal nations and constructed tribally-specific citizenship.

Rural Fictions, Urban Realities examines late nineteenth-century American literature to reveal the increasingly intricate and sometimes problematic connections between urban and rural life.

Show Boat: Performing Race in an American Musical draws on exhaustive archival research to tell the story of how Jerome Kern, Oscar Hammerstein II, and a host of directors, choreographers, producers, and performers - among them Paul Robeson - made and remade the most important musical in Broadway history.

Assuming little prior knowledge, Biogeography explains the relationships between geographic variation in biodiversity and the geological, ecological, and evolutionary processes that shape it. The Fourth Edition builds on the strengths of previous ones, illustrating ideas with examples of plants and animals across aquatic and terrestrial ecosystems.

Curtain of Lies tells the story of the struggle to define the truth of Eastern Europe between 1948 and 1956. It examines how actors on both sides of the Iron Curtain tried to create knowledge about Eastern Europe, and thus helped solidify the battle lines of the Cold War.

The fourth century of our common era began and ended with a miracle: Constantine's famous Vision of the Cross at one end and Theodosius' victory bearing prayer at the other. In this book, historian H. A. Drake shows how miracles in this century forever altered the way Christians, pagans, and Jews understood themselves and each other.

The newest volume in the Oxford History of the United States series, The Republic for Which It Stands argues that the Gilded Age, along with Reconstruction-its conflicts, rapid and disorienting change, hopes and fears-formed the template of American modernity.

A profound and insightful look at how companies prepare for and respond to crises that threaten catastrophic disruption to their operations and even their existence.