Bøker utgitt av PALH

Finalist 41st National Book Award, Anthology English GROWING UP FILIPINO 3: NEW STORIES FOR YOUNG ADULTS collects 25 short stories by Filipino authors in the US and the Philippines about what it means to be young and Filipino. The stories explore the universal themes of coming-of-age, love, angst, family, relationships, and other young adult issues. The stories reveal Filipino and Filipino American culture, mores, history, society, politics, and other nuances. For instance, Filipino respect for their elders, extended families, religious practices, funereal rites, love for folklore are apparent in the stories.GROWING UP FILIPINO 3 follows two earlier critically acclaimed books -- GROWING UP FILIPINO: STORIES FOR YOUNG ADULTS (2003) and GROWING UP FILIPINO II: MORE STORIES FOR YOUNG ADULTS (2010), books that have been used by educators and enjoyed by adults and young adults alike.The contributors are (in no particular order): Gina Apostol, Kannika Pena, Jack Wigley, Veronica Montes, Nikki Alfar, Yvette Fernandez, Danton Remoto, Cecilia Brainard, George Deoso, Patricia Go, Migs Bravo Dutt, Ian Casocot, James Fajarito, Sarge Lacuesta. Dom Sy, Eileen Tabios, Marianne Villanueva, Marilyn Alquizola, Brian Roley, Patrick Joseph Caoile, Zak Linmark, Linda Ty-Casper, Renee Macalino Rutledge, Noelle de Jesus, Oscar Peñaranda. PRAISE"At the heart of Growing Up Filipino 3 are layered, dynamic, questioning, inspiring characters, young and Filipino, who have stayed true to their roots." Aileen Cassinetto, Author & Academy of American Poets Laureate Fellow."In this scintillating collection of stories, children's often-surprising viewpoints are juxtaposed memorably against the stark realities of adult life ... Once again Cecilia Manguerra Brainard has assembled a bravura collection of stories in Growing Up Filipino 3." Vince Gotera, Author & former Editor, North American Review."Growing up Filipino 3 presents the richness of the diverse experiences of Filipinos all over the globe. The authors of these stories show how Filipinos effectively navigate the complexities of their culture and society in order to live meaningful lives. " Edmundo Edward F. Litton, Professor of Education.

Asian and Philippine Folktales contains retellings of beloved Asian and Philippine folktales as retold by members of PAWWA (Philippine American Women Writers and Artists), a small group of Filipina writers who had published these stories in two books. This folklore collection includes 25 stories from places such as Laos, Japan, Korea, Sumatra, Vietnam, China, Bali, Indonesia, India, and the Philippines. The book's target audience is 9 and older. The book has black and white illustrations. PAWWA was founded in 1991 by a group of seven Filipina writers in Southern California. It was the first such support group for Filipina women writers.PAWWA's founding members are: Valorie Slaughter Bejarano, Cecilia Manguerra Brainard, Mariquita Athena Davison, Fe Panalingan Koons, Susan N. Montepio, Cecile Caguingin Ochoa, and Nentuzka C. Villamar. For six years, PAWWA received the highly competitive Multicultural Entry Grant from the California Arts Council (CAC), which PAWWA used to publish newsletters and books. When PAWWA's CAC funding ran out in June 1998, the remaining members of PAWWA decided to move on, and PAWWA was dissolved. PRAISE FOR THE BOOK These stories unlock a storehouse of cultural knowledge - of lessons learned from tapestries of words. Parents, children, and educators and all others who love "old-time stories" will enjoy this collection." Herminia Meñez Coben, Folklorist, Author of Explorations in Philippine Folklore and Verbal Arts in Philippine Indigenous Communities: Poetics, Society, and History. What a wonderful book! I know that when I read them to my grandchildren, I will also be that little girl again, enraptured by my nanny's tales of the characters in these stories. Joselyn Geaga-Rosenthal, LCSW, Licensed Psychotherapist

Award-winning Filipino novelist, Linda-Ty-Casper -- the author of this biography says this book is the Memoir that her husband Leonard Ralph Casper did not get to write. Born in Fond du Lac Wisconsin in 1923, Leonard Casper had a full life as a writer, an academic, a literary critic until he passed away in 2018. Linda Ty-Casper collects the letters to and from Leonard Casper, letters which reflect who he was to many friends, high school classmates, teachers and professors, colleagues in the Universities of Rhode Island, Ateneo University of Manila, University of the Philippines and Wisconsin, from editors of Southwest Review who encouraged Len to send stories from the European front during World War II; from Robert Penn Warren starting with his first letter of inquiry (two pages) when he began on his dissertation at the University of Wisconsin, the dissertation becoming the first book on Warren, which critics said showed the way for later books on the Southern writers. There are letters from Filipino writers Len grew to know as friends from years of teaching in the Philippines. Linda Ty-Casper's short stories and novels have been published in the Philippines and abroad. "The character of their wisdom and strength give the stories their distinct nationality" Mauro Avena. They "must first be read as information...then as knowledge, which is power, which empowerment leads to wisdom..." Franz Arcellana. The novels, both historical and contemporary, are set in periods critical to the country, beginning with the Spanish to the American period, up to the martial law years in the Philippines.

Edited by Cecilia Manguerra Brainard, the book, Fiction by Filipinos in America, is a collection of short stories that includes writings by Philippine and Philippine American writers Cecilia Manguerra Brainard, Carlos Bulosan, Luis Cabalquinto, Virgina R. Cerenio, Juan C. Dionisio, Alberto S. Florentino, Ligaya Victorio Fruto, Jean Vengua Gier, N.V.M. Gonzalez, Erlinda Villamor Kravetz, Paulino Lim, Jr. Manuel R. Olimpo, Julia L. Palarca, Oscar Peñaranda, Bienvenido N. Santos, Nadine Sarreal, Michelle Cruz Skinner, Samuel Tagatac, Linda Ty-Casper, Nenutzka Villamar, Marianne Villanueva, and Manuel A. Viray. First published in the Philippines in 1993, this 2020 US edition hopes to accommodate librarians, professors, teachers, and students interested in Philippine American literature, books which are still scarce in the US. This collection, which has been used by educators and cited as a valuable resource includes classic stories such as "A Scent of Apples" by Bienvenido N. Santos and "The Romance of Magno Rubio" by Carlos Bulosan. Writing for World Literature Today, Professor Al Camus Palomar, praises the book saying: "(Editor) Manguerra Brainard's selection is a delight. Some of the stories are masterly, especially those written by such reliables as Carlos Bulosan, Linda Ty-Casper, N.V.M. Gonzalez, and Alberto S. Florentino. None is less than highly competent, and all are worth reading. Manguerra Brainard has done an excellent job of mixing critical judgement and personal taste." Isagani R. Cruz wrote in Philippines Star: "Definitely one of the most outstanding anthologies published [in 1993], this collection of stories by 23 Filipino writers who work or used to work in the United States is a must-read for all students of Philippine Literature." The stories convey the history of Filipinos in America via fiction and the book is acknowledged an important addition to Philippine, Philippine-American, as well as Asian-American literature.

First published in the Philippines in 1995, this 2020 US Edition of Acapulco at Sunset and Other Stories collects seventeen stories inspired by the author Cecilia Manguerra Brainard's Filipino and Filipino American experiences; the short stories are grouped into four categories: Long Ago Tales, Stories from the '60s and '70s, Stories from the '90s, and American Tales. The poet Marjorie Evasco praises the book saying: "The stories of Cecilia Manguerra Brainard tell of voyages the heart could have taken, of places haunted by old memories like ghosts lingering under an ancient mango tree, of times seemingly irretrievable but always there at the farthest end of the thread of remembering" Professor Les Adler writes in Pilipinas that "Brainard enriches the conventional understanding of exile by applying the concept to Filipino experience in the Philippines. She is thereby able to show the cultural and social issues that a Filipino/a faces while in exile are universal Filipino experiences." Isagani R. Cruz's review in StarWeek notes that: "In Brainard's stories, Acapulco and Intramuros are the same, and at the same time, completely different places. Dead characters and live characters talk to each other nonchalantly. A young poor boy falls in love with an older rich woman, and by loving her, kills her. Filipinos find their identity in, of course, San Francisco, but not so ordinarily, in Alaska. The green card - actually blue - spells the difference between authenticity and an authentic life, between dreaming and the American dream. Brainard is the author and editor of over twenty books of fiction and nonfiction. She is the recipient of several awards including a California Arts Council Fellowship, a Brody Arts Fund Award, and an Outstanding Individual Award from her birth city of Cebu, Philippines. Her work is widely anthologized and has been translated into Finnish and Turkish. Her literary endeavors are considered significant contributions to Filipino, Philippine-American, as well as Asian American literature.

"The newspaper widow was first published by the University of Santo Tomas Publishing House, copyright Ã2017, Cecilia Manguerra Brainard"--Title page verso.

LYRICAL AND POETIC NOVEL BY AWARD WINNING AUTHOR This 2021 US Edition of the novel MAGDALENA includes illustrations by the author, Cecilia Manguerra Brainard. Written in the fragmented style, Philippine American author Cecilia Manguerra Brainard's lyrical novel, MAGDALENA, tells the story of three generations of Filipino women whose lives have been affected by the Philippine American War, World War Two, and the Vietnam War. A favorite among poets, academics, and feminists, the book has been the subject of academic papers by Drs. John Jack Wigley, Rhodora G. Magan, and Ruth S. Rimando, among others. An excerpt from World Literature Today's review says, "Cecilia Manguerra Brainard's novel MAGDALENA takes its title from a protagonist descended from several generations of equally compelling female characters. Brainard's earlier novel When the Rainbow Goddess Wept (1994) employed the viewpoint of an adolescent girl to recount the Japanese invasion of the Philippines during World War II. With Magdalena Brainard uses a nonlinear narrative and multiple points of view to describe the history of the Philippines that roughly corresponds to its contact with the United States from the Spanish-American War to the war in Vietnam. Magdalena begins and ends with the perspective of Juana, daughter of the title character and her American lover (a POW in Vietnam), who is herself pregnant and curious about her family history. Letters, diaries, and narratives from numerous characters help Juana reconstruct her maternal and, to a lesser extent, paternal lineage." Midwest Book Review reviewed this book as follows: "Expertly written by Cecilia Manguerra Brainard ... Magdalena is set in the chaotic backdrop of twentieth century East Asia. A romantic, powerful tale of three generations of Filipino women, written with a close eye on the terrors of war and the Japanese invasion of the Philippines during World War II, Magdalena is an intense, involving, highly recommended saga that documents author Cecilia Manguerra Brainard as a gifted author with a mastery of storytelling that will keep the reader's total attention and engagement from first page to last!" Alma Anonas-Carpio reviewed the book for The Philippines Graphic as follows: "The story of Magdalena's life is a rich one, full of emotional intensity told with the brilliant clarity of Manguerra Brainard's pen ... Rarely have I read such exquisite command of storytelling as I see in the pages of this novel. Here she uses the backdrop of a Japanese-occupied Philippines to maximum effect, devastating the reader's emotions without giving any quarter nor taking any prisoners. You die inside and come to life again when the feelings of hope hit you-and they will ... Read MAGDALENA to see how the strength and beauty of these women spanned three generations, defeating even death. No, not even death can save you from the intense and iridescent beauty of Manguerra Brainard's mastery of her craft." Filipino author Linda Ty-Casper praised the book saying: "With her second novel, Magdalena, Cecilia Brainard adds new portraits to the gallery in Philippine literature. She has always had a strong sense of place. Here, she provides an inner landscape as well. Together, these provide the coordinate for the family secrets that bind the characters as securely as bloodlines. By the end they have glimpsed who they have become, allowing the novel beyond its last page, to live on in the readers' thoughts." Likewise the author Aimee Liu said: "Cecilia Manguerra Brainard has written an ambitious novel of forbidden love. Set against the turbulent history of East Asia in the twentieth century and by turns erotic and tragic, Magdalena vividly depicts three generations of strong Filipino women."

Winner 40th National Book Award Best Book Short Fiction EnglishFinalist Gintong Aklat Award Selected Short Stories by Cecilia Manguerra Brainard collects 39 of the award-winning Filipina American author's short fiction. The book includes some of her best short stories, including fiction that deal with fictional Manila and Mexico, Intramuros and Acapulco, Ubec and Cebu. The book has been praised as follows: Powerful, poignant and engrossing, the Selected Short Stories by Cecilia Manguerra Brainard is an important work by a major writer. Written in a poetic style rich in imagery, her observant eye's subject is both transnational and local, societal and relational in the more personal scale of family, friendship, love. These stories have an oral quality in the best sense of the word, by a master of the form. Brian Ascalon Roley, author of Ambuscade and American Son , and Professor of English, Miami University. Cecilia Manguerra Brainard's short stories cover not just the history of the Philippines - Spanish and American colonial rule, the bloody Marcos era, the high price of fighting for political and economic freedom - but also the deeply moving hesitations and complexities of the human heart: the loves and longings and losses that shape and haunt a life, the sensuality and desires that rip apart the fabric of social life, the intricacies of girlhood and female friendship, the confrontation of cultures, the loneliness and courage of Filipino-Americans and others who have left their homelands and the idea of home. Beautifully written, masterfully crafted, these stories are at once heart-breaking, entertaining, and profoundly humane - very difficult to put down, impossible to forget. Reine Arcache Melvin, author of The Betrayed: A Novel . Cecilia Brainard's well-crafted stories deal with fictional Manila and Mexico, Intramuros and Acapulco, Ubec and Cebu. She has the uncanny ability to enter the skin of her characters and give them their singular voices. Her Selected Stories only affirm what we have long known: that she has already vaulted into the front rank of the Philippines' best writers fiction. Brava!" Danton Remoto, author of Riverrun, A Novel. Cecilia Brainard is the author of over 20 books, including the novels: When the Rainbow Goddess Wept, Magdalena, and The Newspaper Widow. She has received awards, including a California Arts Council Fellowship, a Brody Arts Fund Fellowship, an Outstanding Individual Award from Cebu, a City of Los Angeles Cultural Grant, and more. She has served as an Executive Board Member of PEN; and she has also served as an officer in such groups as Pacific Asian American Women Writers West, and the Arts & Letters at the Cal State University, Los Angeles.

Cecilia Manguerra Brainard has collected an impressive array of 29 stories about what it means to be young and Filipino. The book delves into universal and personal themes of how it is to grow up Filipino in the Philippines and the US.

Please, San Antonio! & Melisande in Paris are two delightful novellas written by award-winning authors about women who journey to Rome and Paris and find creativity, identity, love, and healing.In Eve La Salle Caram's Please, San Antonio!, an emotionally isolated American woman's trip to Rome becomes a powerful quest to find what she has lost: her creativity, identity, and "an open place in her heart."In Cecilia Manguerra Brainard's Melisande in Paris, a young seamstress from the French countryside comes to Paris to assist her dressmaker aunt, and rediscovers her talent, strength, and a precious "feeling of wholeness" in her new lover's arms.Together, Caram's Beatrice and Brainard's Melisande cross geographical borders and borders of the heart with vitality and spirit, and will inspire those who believe in the possibility of heaven on heart. Eve La Salle Caram is the author of five novels, those in her book Trio, A Corpus Christi Trilogy, and the interconnected duo of The Blue geography and Wintershine. She is also the editor of Palm Readings, Stories from Southern California, a multicultural anthology of stories by Southern California women.For over thirty years she has taught Literature and Writing at California State University, Northridge, and Fiction Writing at UCLA Extension's renowned Writers' Program where she won the Outstanding Instructor in Creative Writing in 2006. She also teaches at Los Angeles City College whose students helped inspire her novel, Rena, A Late Journey, and who asked her to write Looking for Johnny, the short novel that completes Trio. All of her books have been used in Literature and Writing classes in California and in Texas.Cecilia Manguerra Brainard has written three novels: When the Rainbow Goddess Wept, Magdalena, and The Newspaper Widow. She has also written and edited eighteen other books,including the two volumes of Growing Up Filipino, a widely praised book used in many classrooms.Cecilia has received a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District. She has also been awarded by the Filipino and Filipino American communities she has served. In 1998, she received the Outstanding Individual Award from her birth city, Cebu, Philippines. She has received several travel grants in the Philippines, from the USIS (United States Information Service). In 2001, she received a Filipinas Magazine Award for Arts. Her books have won the Gourmand Award and the Gintong Aklat Award. Her literary work is recognized as significant contributions to Filipino, Philippine American, and Asian American literature.