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Founded in Zurich in 2008 by architect Christian Penzel and structural engineer Martin Valier, Penzel Valier have established themselves as one of Switzerland's leading design firms. In fifteen years, they have realized projects that uniquely demonstrate the interplay between the two disciplines. Their portfolio includes a wide range of different typologies, including transportation and infrastructure buildings, office and sports structures, as well as housing, interior design, and objects. This first monograph on Penzel Valier combines the fundamentals of their design principles with a presentation of their key buildings and projects. Essays by distinguished authors examine the firm's work from different perspectives. A detailed illustrated complete catalog of their built, unrealized, and ongoing projects since 2007-2024 rounds off the beautiful volume.

Arata Isozaki (1931-2022) undoubtedly ranks among Japan's, and in fact the world's, most distinguished architects. He ran his own firm in Tokyo from 1963 and realized buildings in many countries, as well as holding teaching appointments at Columbia, Harvard, and Yale universities. He created a body of work that has constantly evolved and transformed over decades. His best-known designs include the Kitakyushu Municipal Museum of Art in Fukuoka, the Shenzhen Cultural Center Concert Hall, the Museum of Contemporary Art in Los Angeles, the Palau Sant Jordi in Barcelona, the Berliner Volksbank office building on Berlin's Potsdamer Platz, the Palasport Olimpico in Turin, and the Allianz Tower (Il Dritto) in Milan. Isozaki was awarded the RIBA Royal Gold Medal in 1986 and the Pritzker Prize in 2019. This book is the first new monograph on Arata Isozaki in 15 years. Conceived in close collaboration with Arata Isozaki & Associates, the book features photographs, plans, model images, drawings, and watercolors from all periods of Isozaki's career. Arranged thematically, it follows key concepts of the architect's creative development from the 1970s throughout his lifetime. Introductory essays round off this comprehensive survey of an outstanding architectural oeuvre.

Densification of our cities is an imperative that inevitably brings the topic of new high-rise buildings and the addition of stories to existing buildings to the foreground of discourse. Architecture and urban design must increasingly address the issues of verticality at all stages of planning, design, and composition. Social and cultural aspects must be considered in this process as well. The French-languag book De la verticalité combines two elements: a case study on high-rise buildings in Zurich and an explorative essay on the subject of verticality in philosophy, culture, and society. Together the threads form a dual commentary that highlights the challenges posed by the transformation of our cities. Illustrated with numerous spectacular montages and visualizations designed to broaden thinking, this volume, which comes from the laboratory of acclaimed Swiss architecture firm Made in, also offers concrete proposals aimed at architects and urban planners, politicians and flâneurs alike.

The Barrack, 1572-1914 tells the little-known history of a building type that many people used to register as an alien interloper in conventionally built-up areas. The barrack is a mostly lightweight construction, a hybrid between shack, tent, and traditional building. It is a highly efficient structure that sometimes also proves to be extremely durable. Easy to erect and to take down, it is-after the introduction of railways and later motor vehicles in the late 19th and early 20th centuries-also easy to transplant from one location to another. Originating as a standardized accommodation in the late 16th century, the barrack became a mass-produced utility of military and civilian mobilization in the 19th century, providing immediate shelter for soldiers as well as for displaced persons, disaster victims, or prisoners. The barrack played a decisive role in shaping the political space of modernity. Robert Jan van Pelt traces nearly 350 years of barrack history up to 1914. That year, in which the Great War broke out, proved to be a turning point in the perception of the barrack, away from pragmatic emergency shelter and towards sinister forced housing. Richly illustrated with some 250 images, van Pelt's book records the traditions of barrack design and the technological inventiveness that went into it in the late 19th century.

The creation of park systems is a historically proven method for communities to stabilize and cultivate healthy ecological habitats in country dwellings as well as in dense urban areas. Park systems ensure clean soil, water, and air for all. Moreover, they offer intergenerational and inclusive recreational opportunities along ecological corridors. Between 1900 and 1950, civic design-a practice in urban and landscape planning explicitly oriented towards the common good-experienced a heyday. Park systems were successfully used as "green armatures" hosting public facilities such as playgrounds, schools, administrative buildings, hospitals, and gardens. Living Cities offers a chronological survey of civic design based on more than 30 park systems on five continents. The examples range from Johann Wolfgang von Goethe's Park an der Ilm in Weimar (1778) and John Nash's Regent Street in London (1806) to Chicago's park system (1850), Albert Bodmer and Maurice Braillard's plans for Geneva (1936), and Frank Lloyd Wright's Taliesin Valley (1947), as well as to contemporary and future projects in Addis Ababa, Madrid, Medellín, New York, and Seoul. Matthew Skjonsberg's book demonstrates the ecological and social impact of park systems and highlights the diverse challenges that communities face when implementing such projects. At the same time, it encourages a reevaluation of civic design as an intergenerational practice for creating human settlements.

In 2023, the new Maison de la Chine was opened as part of the Cité Internationale Universitaire de Paris (CIUP), the French capital's famous campus of student residencies founded in 1925. Designed by Beijing-based Atelier Feichang Jianzhu (Atelier FCJZ) and realized in collaboration with the French architecture firm Coldefy, the building continues the tradition of national pavilions within the CIUP. The Maison de la Chine's design bears the DNA of traditional Chinese architecture, yet Atelier FCJZ also clearly acknowledges its inspiration from Le Corbusier. This book documents the building and its design process in rich detail through sketches, drawings, plans, and photographs. Architectural historian and curator Martino Stierli places the Maison de la Chine in the context of the evolution of contemporary Chinese architecture. Yung Ho Chang and Yishi Cheng, respectively the founding partner of and project architect at Atelier FCJZ, discuss conceptual and technical aspects of the design. The volume is completed by American critic Ariel Genadt, whose essay relates the building to the site's extraordinary history and the culture within which it was created.

Transversal Territory is a laboratory of urban, environmental, and artistic experimentation at the renowned Academy of Architecture in Mendrisio, Switzerland. It undertakes transdisciplinary and participatory research on the relationship between us, our bodies, and our built and natural environments. Its unique approach is to explore experiences of-and reflections on-urban space through performative bodywork and on-site artistic installations. This process aims at transcending the conventional paradigms of perception and the understanding of urban space, and at creating a new imagination of it-an augmented reality. Transversal Territory's innovative research is conducted in annual workshops, in which students and local residents collaborate, and subsequent public presentations of the results. This volume features 20 performances and installations realized in 2022 in Mendrisio's Rime-Brech neighborhood, a typical suburban area with its mix of industrial structures, social housing, shopping malls, fast food outlets, parking lots, wastelands, and highways. It is conceived as a map of Mendrisio that spreads across the pages to recontextualize the genius loci in book format.

The lavish five-volume set of Food for Architects is dedicated to the buildings and cooking of the renowned Zurich-based firm Steib Gmür Geschwentner Kyburz Partners. As enthusiastic housing designers, they have been searching for both the perfect floor plan and the perfect spaghetti for three decades. Volume 1 of this first comprehensive monograph on the firm's work brings together brief personal texts on the various types of rooms in a house or apartment as well as other aspects of living. Volume 2 offers insights into the evolution and design methods of Steib Gmür Geschwentner Kyburz Partners, documenting as well 65 key buildings and projects from their portfolio. Volume 3 features floor plans of a total of 168 furnished apartments with concise comments, interspersed with recipes for 12 spaghetti dishes. In a photo essay, volume 4 introduces the inhabitants of 11 apartments from various realized buildings, who also speak about their homes in brief interviews. The dessert of this five-course menu is the concluding volume 5, featuring a conversation with the firm's four partners-Jakob Steib, Patrick Gmür, Michael Geschwentner, and Matthias Kyburz-as they discuss topics that are key to their architectural work.

Scarcity of resources in all forms is commonly portrayed in a negative light. Yet these conditions-which have long been a reality in many extreme climate conditions across the global South and are increasingly becoming a global reality-often stimulate an abundance of innovation, inspiration, and ingenuity. Permanence has created a climate crisis, with spaces constructed with non-degradable materials, resource extraction without active replenishment, and buildings designed for a single-eternal use. Our present reality is marked by a global pandemic, violent conflicts, and the looming threat of climate change-induced environmental disasters. Yet there remains an optimism about the creative possibilities that arise within these constraints. Field Notes on Scarcity, published in conjunction with the 2023 Sharjah Architecture Triennial, examines what scarcity truly looks like on the ground, and the challenges and opportunities it presents across architecture and design. Sixty scholars and practitioners from across the Global South-including Lesley Lokko, Yinka Shonibare, Formafantasma, Rahul Mehrotra, Olalekan Jeyifous, Abeer Seikaly, Ilze and Heinrich Wolff, Chitra Vishwanath, and Deema Assaf-contribute reflections, poems, visual essays, and dialogues exploring what scarcity represents, what it inspires, and what it reveals.

Blackheath and Greenwich, in the southeast of London, proved to be an unusually fertile ground for modern architecture in the decades following WWII. Housing in particular became the prime field of work for many architecture firms, who designed a large number of residential buildings of various typologies, using new concepts and trying new solutions, inspired by the spirit and political developments of the time. Modern Buildings in Blackheath and Greenwich is based on an extensive research project by architect Ana Francisco Sutherland. It analyzes and celebrates outstanding buildings by well-known architects such as Eric Lyons, Patrick Gwynne, Peter Moro, Walter Greaves, and Chamberlin, Powell & Bon, alongside works by lesser-known firms. A total of 64 individual buildings and housing developments by 38 architects are featured with images, plans, and concise texts. Sutherland also takes a broader look at the evolution of modern English architecture in the context of social and housing policies of the time. Brief biographical portraits reveal personal connections between protagonists that made Blackheath and Greenwich such an extraordinary field of design experimentation over five decades. An enclosed map with suggested routes makes the volume also a guide of extraordinary detail for architects and architecture lovers alike. Bronze medal at the German Photo Book Award 24/25.

Hans Hollein (1934-2014), Austria's only Pritzker Prize laureate (1985) and a self-proclaimed avant-gardist of the 1960s, was a meticulous curator of his own work throughout his life. At the same time, the reception of this work was often overshadowed by Hollein's immense personality. Hollein Calling: Architectural Dialogues explores the Hollein phenomenon from today's perspective. In dialogue with the positions of a younger generation, this book revaluates and brings back into the current discourse Hollein's thinking and designs. The first part offers interviews with 15 European firms in which they talk about their relationship to Hollein and his oeuvre, ranging from profound knowledge or selective admiration of specific aspects to skepticism and criticism. Topics such as cultural identity, visual worlds, design tools, and architecture as an independent cultural production run as a thread through these conversations. The second part features a selection of Hollein's buildings through sketches, models, photographs, prototypes, and documents from the Archive Hans Hollein, Az W and MAK, Vienna-many of which are published here for the first time-as well as new contextualizing texts. The two sections are connected by a grid of key terms formed of pertinent texts and images.

Hermann Czech, born in 1936, is one of Austria's most eminent and influential architects and theorists. This influence is based not only on his work as a designing architect, which extends to furniture, interiors, and exhibitions. Czech is also widely admired just as much for his writings on architectural theory and as the editor and translator of classics of architectural history, including texts by Otto Wagner, Adolf Loos, Josef Frank, and Christopher Alexander, among others. This book is the long-awaited updated and expanded English edition of the only full monograph on Hermann Czech to date. First published in German in 2018, it goes far beyond a mere presentation of an architecture practice's buildings and projects. The first part traces what links Czech's work to the approaches of Viennese modernism. The second part explores Czech's biography and the trajectory of his career, analyzing as well the contemporary influences that shape his thinking and designs. The third part features selected buildings and unrealized projects, setting forth also Czech's numerous references and underlying reflections. A complete index of his buildings, projects, and writings, an essay by Vienna-based philosopher Elisabeth Nemeth on the relationship between architecture and philosophy in Czech's work, and an introduction by architectural historian Liane Lefaivre round off this volume.

Paris-based Le Penhuel & Associés architectes have acquired great expertise in the construction of school buildings over nearly 30 years, having made their name in this field with pioneering designs. Based on this wealth of experience, the firm's founding pricipal Gaëtan Le Penhuel now presents ABC: Schools of the Future. Best Design Practices, a compact and charming guide to developing school buildings for the future that meet the needs of students. Each of the ten chapters focuses on one key part of these structures, such as the classroom, the school yard, the hallway, the auditorium, and so on. In conversation with architectural publicist Alice Dubet, Le Penhuel outlines pathways to better school architecture, and points out obstacles to overcome and mistakes to avoid. Quentin Vijoux's illustrations provide easy visual access to the concepts of Le Penhuel & Associés architectes-not only for architects and teachers, but also for students and their parents.

In this book, Jeanne Gang, one of America's most distinguished contemporary architects, proposes applying the plant cultivation technique of grafting to architecture and urban design as a way of rethinking adaptive reuse and combatting climate change. Grafting is the process of connecting two separate living plants-one old and one new-so they can grow and thrive as one. This ancient practice continues to be performed today in search of more fruitful, palatable, and resilient varieties of plants. Grafting is also a useful paradigm for how architecture can address climate change on a broadly impactful scale by reusing and expanding older structures. Addressing both the environmental and cultural value of reuse, Gang shows how the concept of grafting can inform architecture across many scales, provoking the imagination and shaping tectonic, programmatic, formal, and regenerative adaptations.

The term "performance," as used in 1955 by the British philosopher of language John L. Austin, refers to processual, "performative" aspects that take center-stage instead of rigid states and fixed norms. It has found its way into the most diverse areas of science and technology and has recently also appeared in the architectural context. Performance has long been a recurring topic also in the design and research work of Zurich-based architecture firm Edelaar Mosayebi Inderbitzin (EMI). This is particularly visible in the award-winning design for a tourist infrastructure on the eastern ridge of the Jungfrau in the Swiss Alps (2012), in the temporary installation Anthropomorphic Form for the Swiss Art Awards (2019), and in the residential building on Stampfenbachstrasse in Zurich (2022). Their own work is a catalyst for EMI's deeper engagement with performance, now set forth in this book. Texts by the firm's founding partner Elli Mosayebi and by Joseph Schwartz, Laurent Stalder, and Nina Zschocke, all of whom also teach at ETH Zürich's Department of Architecture, as well as artistic and documentary photographs, plans, and drawings, illuminate the phenomenon from the different perspectives of architectural practice, theory of architecture, and structural engineering.

Conquering the extremes: LIQUIFER Systems Group, a design and research firm based in Vienna and Bremen, has been addressing the issue of human life on planet Earth and elsewhere in the universe for two decades. Their work demonstrates how considerate technology-based design solutions and careful use of available resources can enable us to live in space. Their concepts, feasibility studies, and technological developments all deal with the key issue of scarcity that defines life everywhere: on Mars, on the Moon, in orbit as well as on Earth. LIQUIFER Systems Group's projects range from a simulated Mars mission in Spain's Rio Tinto region and the interior design for the habitation module of the planned Gateway space station, to the EDEN ISS mobile greenhouse in Antarctica and biogenerative studies in which microbes are integrated into buildings to generate energy and recycle materials. LIQUIFER. Living Beyond Earth is the first book to present the practice's groundbreaking work. It features spectacular images and visualizations, detailed plans, and drawings that are supplemented with an introdutcion by and a conversation between the LIQUIFER team, as well asa prologue and an epilogue by renowned American space architects Brent Sherwood and Christina Ciardullo. It enables the reader to delve into the visionary world of Europe's leading space design firms.

Lux Guyer (1894-1955) was the first female architect to establish her own studio in Switzerland in 1924. One of her key designs is the Obere Schiedhalde, a single-family home above Küsnacht near Zurich. Completed in 1929 and temporarily occupied by Guyer and her family themselves, it is a variation on her legendary SAFFA-Haus of 1928. Between 2012 and 2018, the building itself as well as the surrounding garden were extensively and carefully restored by Basel-based architecture firm Christ & Gantenbein together with Sven Richter, co-founder of Richter Tobler Architects in Basel. Working in close collaboration with the Canton of Zurich's office for the preservation of historic monuments, they also called in experts for a historically conscious overhaul of the building's interior design, color scheme, furniture, and garden design. Together with the current owners, the architects made it their mission to not only preserve this significant architectural monument of Swiss Modernism, but also make it accessible to the public through this book. Conceived by graphic designers Ludovic Balland and Annina Schepping, it offers an in-depth documentation of the renovated Obere Schiedhalde. Some 200 photographs of the house, garden, interior details, and furniture, as well as historic and newly drawn plans are supplemented with texts in German and English that tell the story of the building and the entire undertaking of its restoration.

Protest movements shape public space not only through their messages, but in many cases also through their-mostly temporary-buildings. Frankfurt's Deutsches Architekturmuseum DAM and Vienna's MAK-Museum of Applied Arts are exploring this thesis in a joint exhibition project. The exhibition and the book coinciding with it explore the topic based on examples spanning from 1830 to 2022. Protest Architecture is the first-ever international survey of the architecture of protest and presents it in all its manifold forms and, in some cases, ambivalence. It is conceived as an encyclopedia with 176 entries, supplemented by 13 more expansive case studies. A preceding chronology portrays 68 protest movements and their architectural manifestations through concise texts and one image each, including examples from all over the world, such as the 1830 July Revolution in Paris, the 1848 March Revolution in Berlin, the 1911 Sugar Workers Strike in Queensland (Australia), the 1936-37 General Motors Sit-down Strike in Flint, MI (USA), the 1969-98 Troubles in Northern Ireland, Freetown Christiania in Copenhagen since 1971, the 1986 People Power Revolution in Manila, the 1999 WTO Protests in Seattle, WA (USA), the 2011 Arab Spring revolutions on Cairo's Tahrir Square and Manama's Pearl Roundabout, the 2013-14 Euromaidan uprisings in Kyiv, the 2015-16 #FeesMustFall student protests in Pretoria, the 2019 Acampamento Terra Livre in Brasilia, the 2020-21 Indian Farmers Protests, and the 2022 Freedom Convoy in Ottawa.

Gewers Pudewill is one of the most influential and successful contemporary German architecture firms. From their base in Berlin, founding partners Georg Gewers and Henry Pudewill are committed to a wide variety of projects: office buildings, conversions of manufacturing and commercial structures, housing, research buildings, and nursing residences for the elderly. Their designs combine functional and conceptual aspects with a highly expressive formal language. This book presents a selection of Gewers Pudewill's most exciting buildings realized since 2019, located in Berlin, Hamburg, Regensburg, Rostock, Stuttgart, and Wolfsburg. The lavishly illustrated volume features newly taken large-format photographs by the renowned German architectural photographer HG Esch, supplemented by five essays contributed by architectural publicist Ulf Meyer, who highlights the common threads in the firm's evolution and explains its philosophy.

The new SAY Swiss Architecture Yearbook is the first of its kind in Switzerland. Jointly edited by the Basel-based Swiss Architecture Museum S AM and the renowned architecture journal werk, bauen+wohnen on behalf of the Stiftung Architektur Schweiz, it reflects the country's remarkably diverse architectural creation and provides international visibility for the outstanding quality of Swiss architecture and building culture.Yet SAY is more than a mere selection of the best: it thoroughly examines current topics that concern many people at the time of a construction boom in the country and amid the increasingly felt effects of climate change. From a list of well over a hundred nominees from all parts of the country, 36 projects were selected by an international jury for SAY's inaugural 2023/24 edition. The featured projects are supplemented by topical essays that look at the most pressing questions in Swiss architecture discourse, at the characteristics of Swiss architecture today, and examine what lasting contribution it makes to the quality of life in all parts of the country.

"Cloud-to-ground" is the scientific term for lightning that strikes directly into the ground. The title of this book, published in conjunction with the Israeli pavilion at the 18th International Architecture Exhibition of the Venice Biennale, is derived from this. It investigates the shifts in political power structure that result from the wide-spread use of cloud technology: the storage, processing and analysis of inconceivable amounts of data in computer "clouds". The focus is on major infrastructure projects currently underway in Israel and the Middle East region. These include Nimbus, a major cloud project pursued by the Israeli government for which Google and Amazon are building new powerful data centers, or the Blue Raman fiber-optic cable across the Negev Desert, also laid by Google, which will bypass Egypt on its way from India to Europe and at the same time revive the ancient trade routes that passed through this country. Cloud-to-ground also documents the decommissioning and demolition of countless telephone exchanges in Israel's cities that have become obsolete. It thus brings to attention the physical nature of these largely ignored "black box" structures and connects them to the history of the Middle East and recent developments in global communication technology. Essays by prominent Israeli scholars are complemented by numerous photographs, sketches, and archival documents, as well as a newly compiled index of 140 telephone exchanges in Israel.

The Swiss Pavilion at the 18th International Architecture Exhibition of the Venice Biennale exhibits itself and its relations to its immediate surroundings. The exhibition is a conversation over the shared boundary of the pavilions of Switzerland (1952, designed by Bruno Giacometti) and Venezuela (1954, designed by Carlo Scarpa), the only two in the Giardini not fully detached: they share one wall. Artist Karin Sander and art historian Philip Ursprung temporarily open this wall and dismantle the gates from the Swiss Pavilion, thus revealing unanticipated connections between the two neighbors, both distant and close. The complementing book Neighbours offers a manifesto, a play with the two buildings as dramatis personae, and three brief topical essays. Ten conversations with figures such as architectural historian Kurt W. Forster, photographers Paolo Gasparini and Guido Giudi, and Venezuelan architects Elisa Silva and Margarita López-Maya round off this volume.

Zurich-based Boltshauser Architekten, which also runs a branch office in Munich, is one of most successful and idiosyncratic Swiss design firms. Precise examination of materials and their constructive potential is combined in their buildings with a profound understanding of ecological issues. Many of their realized designs of varied scale and typology have won international awards. Founder Roger Boltshauser has set himself the goal of finding new forms and solutions for the architectural challenges of our time. The elegant book Roger Boltshauser-Response reviews 12 of Boltshauser Architekten's key and recent buildings in a three-step presentation of plan, photograph, and sketch. Italian Swiss architecture photographer Luca Ferrario's atmospheric images, Roger Boltshauser's own artistic hand drawings, and the sections, axonometries, and floor plans produce a multilayered picture of the practice's oeuvre. Awarded the State Prize for Austria's most beautiful books in the category "Contemporary art books, photographic art, architecture, exhibition catalogs".

Über fast drei Jahrzehnte hat der Architekt Kashef Chowdhury mit seinem in Dhaka ansässigen Büro URBANA in einer der meteorologisch komplexesten und schwierigsten Weltgegenden ein vielfältiges Werk geschaffen. Ein Krankenhaus in einem durch den Anstieg des Meeresspiegels gefährdeten regionalen Wirtschaftsraum, Schutzbauten für die durch Wirbelstürme bedrohte Bevölkerung an der Küste oder architektonische Interventionen in einem der dichtesten Ballungsgebiete der Welt: Die Entwürfe von Kashef Chowdhury / URBANA sind prägnante, kritische Antworten auf unterschiedlichste Herausforderungen und Dringlichkeiten. Sie alle wurzeln in der Überzeugung, dass Architektur von Empathie für eine immer fragilere ökologische und soziale Situation entworfen und gebaut werden muss. Das englischsprachige Buch Meditations in Entropy ist die erste umfassende Monografie über die Arbeit von Kashef Chowdhury / URBANA. 16 Entwürfe des Büros werden mit Aufnahmen der gefeierten Architekturfotografin Hélène Binet sowie zahlreichen Plänen, Zeichnungen, Skizzen und weiteren Abbildungen im Detail vorgestellt. Ergänzt wird diese Dokumentation durch aufschlussreiche Texte der international renommierten Autoren Kenneth Frampton, William J. R. Curtis und Robert McCarter. Ein Gespräch zwischen Kashef Chowdhury, dem Schweizer Architekten Niklaus Graber und dem Architekturhistoriker Philip Ursprung erläutert den einzigartigen Ansatz von URBANA darüber hinaus.

Bisher war der Umgang mit Kälte der dominierende klimatische Faktor beim Entwerfen von Architektur in Mitteleuropa. Der offensichtliche Klimawandel weist nun der Hitze diese Rolle zu. Architektur und Stadtplanung streben nach effizienten, ressourcenschonenden technischen Lösungen, um den vorherrschenden klimatischen Bedingungen und energetischen Standards gerecht zu werden. Die Aufrechterhaltung von Komfortvorstellungen und die gewohnten Formen des Wohnens und Zusammenlebens werden dabei allerdings kaum hinterfragt. Anstatt lediglich zu versuchen, bestehende Normen zu erfüllen, sollte die Architektur jedoch vermehrt experimentelle Möglichkeiten und Wege aufzeigen, wie wir insbesondere in grossen Städten im heisser werdenden Klima gut zusammenleben können. Die in diesem Buch versammelten Beiträge formulieren - trotz der vermeintlichen Machtlosigkeit gegenüber der drohenden Klimakatastrophe - vielfältige Narrative, die von Erfahrungen, Beobachtungen und Bedürfnissen der Bewohnerinnen und Bewohner von (auch fiktiven) heisser werdenden Welten erzählen. Welche Rolle können Architektur und Stadt als Klimaproduzentinnen in der Gestaltung unseres Lebensraums einnehmen, wenn diese Fragen nicht nur rein technologisch, sondern auch kulturell und sozial verstanden werden?

This book features the work of Innsbruck-based architecture studio LAAC. Since 2012, this leading Austrian firm has been developing and exploring innovative architectural responses to contemporary urban and landscape challenges. This is done in collaboration with a network of other architects, artists, graphic designers, and experts from other disciplines. In addition to public buildings for culture, education, and sports, commercial buildings, and industrial structures, LAAC has a particular focus on landscape and public space designs. Information & Formation is the first monograph on LAAC and documents ten realized designs and projects in Innsbruck and other parts of the Austrian federal state of Tyrol, Vienna, and Venice in much detail through photographs, plans, visualizations, and texts. Essays by international authors and a complete catalog of LAAC's work to date round out this volume.

Selten sind Architekten mit ihrem Wirkungsort so verbunden wie Armando Ruinelli. Doch anders, als man es bei einem Dorf von knapp 100 Einwohnern wie dem im schweizerischen Bergell gelegenen Soglio erwarten würde, ist die Beschränkung in diesem Fall eine Auszeichnung. Haltung und Werk des 1954 geborenen Armando Ruinelli sind beinahe organisch aus dem starken Steinkörper dieses Dorfes gewachsen. So wurde der Architekt eine internationale Autorität im Weiterbauen am Vorhandenen, gerade in den Bergen. Er lehrt, hält Vorträge, sitzt in Jurys und Gestaltungskommissionen. Und er baut. Nicht viel, aber fein. Das zeigt dieses Buch: Von ersten Bauten im Heimatdorf aus den 1980er-Jahren über Um- und Neubauten, die lokale Traditionen weiterführen, aber auch heutigen Wohnvorstellungen gerecht werden, bis hin zu den neuesten Werken, bei denen sich seine architektonische Sprache emanzipiert, wie beim beinahe abstrakten Atelier für die Künstlerin Miriam Cahn in Stampa. Neben Fotos und Plänen beleuchten Texte hochkarätiger Autorinnen und Autoren sowie ein Bildessay der Fotografin Katalin Deér die Bauten und die Haltung des Architekten und vermitteln die Besonderheiten seiner alpinen Lebenswelt. Ausgezeichnet mit dem DAM Architectural Book Award als eines der zehn besten Architekturbücher 2023.

Opened in 1992, the Kunsthal in Rotterdam is a key design in the portfolio of Rem Koolhaas and OMA, the renowned firm Koolhaas cofounded in 1975. It is part of the Museumpark, a park also designed by OMA and the location of the Nederlands Architectuurinstituut NAi, the Museum Boijmans Van Beuningen, and the Museum of Natural History. The Kunsthal's exhibition space is divided into three large exhibition halls and two smaller galleries. The building also houses an auditorium and a restaurant. This outstanding space for art is a prime destination for countless architecture fans every year, and is celebrated by Tibor Pataky, architect and architectural historian, in this inspiring book. He explains the history, the programmatic background, and the cultural references of the design, which has been adapted several times. He also places it in the context of OMA's work of the 1980s and the intellectual environment of Deconstructivism. Eight captivating series of illustrations-historic and new photographs, plans and documents from OMA's archive, and other images-focus on the structure's outstanding qualities and its embedding within the park. A set of new plans, newly drawn for this book, illustrate the highlights of OMA's design. The volume is a hugely attractive tribute to one of the most significant works of post-WWII architecture in Europe.