Bøker utgitt av Patrick Remy Studio

While based in New York, London and Paris, American photographer Sean Thomas constantly travels and photographs around the world. His images for fashion magazines are ephemeral by nature. He thus decided to collect them in a yearbook, where each year he gathers unpublished images, various shootings, and personal works - the personal diary of a fashion photographer who likes to tell stories. Sean Thomas was born in 1970 in Omaha, the largest city in Nebraska. He studied art initially before moving to New York in 2000 where he began working as creative director for the record label Rykodisc before joining Warner Music. He thus had the opportunity to work with pop icons like David Bowie and Elvis Costello, groups including the Talking Head and more. After about ten years in the music industry, Thomas turned to photography. His first series for the magazine i-D in 2008 captured the early menswear creations of the young fashion designer Thom Browne. The creative director Nathaniel Kilcer, one of Thomas's close friends, introduced him to Bruce Weber. In 2013, Here and Beyond: A Nebraska Story, a 42-page photographic series by Thomas in three parts, was featured in All-American, the journal published by Weber. Thomas likes to tell stories, whether real or imagined, and enjoys combining fashion and reporting in his commissions for American and British Vogue, Holiday, Self Service, L'Étiquette, Modern Weekly and Vanity Fair, among other publications. Between his frequent trips, all giving rise to extensive portfolios of images from Central and South America to Cuba, Ethiopia and India, he works for leading fashion labels such as Ralph Lauren, Massimo Dutti, Tommy Hilfiger, Chloé, Stella McCartney, Michael Kors and Victoria's Secret.

In 1999, Babeth Djian - fashion editor and avant-gardestylist - founded Numéro, a Parisian magazine now famous for itsunique and bold aesthetic combining fashion and contemporaryart. From the first issue, then very regularly, Babeth gives GuidoMocafico carte blanche for the closing pages of the magazine. Free and suffering no diktat, the photographer takes the opportunityto create immutable and provocative still lifes the major genresin photography such as architecture, landscape, or nude. This platform, a place of innovation and experimentation, allows him togive free rein to his imagination, to offer an offbeat, critical lookat our contemporary world made of vanity. In 2016, the box set Mocafico / Numéro gathered all theseries from 1999 to 2016 in 6 volumes. Here is volume 7. Italian still life photographer Guido Mocafico was bornin Switzerland; he currently divides his time between his homein Switzerland and his studio in Paris. Guido Mocafico has become recognized as a contemporarymaster of still life. His interest in this most classic of art formsstarted early whilst studying photography at Vevey School inSwitzerland. He initially focused on commercial and advertisingprojects for brands such as Chanel, Clinique, Dior, Gucci, Armaniand YSL. His images have been published in numerous magazinesover the years including Vogue US, Vogue France, Harpers Bazaar,The Face, and Wallpaper and Numéro. About more than twenty years ago he began to developpersonal projects, separate from his commercial accomplishments;these resulted from his personal passions. He explored hischosen themes deeply, first with research, to gain an in-depthunderstanding of his subjects. Subject topics are varied and copious: in architecture, with hisseries Brasilia/Beirut; Medusa, jellyfish; Serpens, snakes; Aranea,spiders; Guns and Roses; Movement, fine watches; Nature Morte,banquets and floral arrangements, an interpretation of Dutch StillLife, and most recently Blaschka - glass models, by the father andson duo Leopold and Rudolf Blaschka. His work has been exhibitedinternationally since 1999, including venues in London, Paris,Munich and Tokyo. Various books have been published comprisinghis personal projects: Venenum (2005), Medusa (2006); Serpens(2007); Movement (2008) and Stilleven (2012), published by Steidl.

David Hughes took the time to delve into his iPhone memory. He extracted some images, which he reworked or even cropped to give them a new life. Do these images make sense? Is there any information to decipher? Images that mean nothing special, but not banal, even sophisticated. A new narrative is needed... All the photographs in this book are small pop-ups that open and close, a reflection on the image, little things that make a story to be invented, beyond the image, Impermanence!David Hughes utilizes his profound knowledge of the history of photography to create images of enduring wit and substance. Known best for his still life fashion photography, Hughes deploys a sophisticated lexicon of classical black-and-white photography as well as striking and complexapproaches to color. Hughes also creates memorable fashion editorials and advertising, often taking its cues from historical cultural references, which he reanimates in his contemporary image-making. His editorial stories have been published in An0ther Man, Arena Homme + , Beat, i-D, LOVE, Man About Town, V, and Vogue Homme Japan. Hughes has also created artwork for musicians including Mark Ronson, Massive Attack, Nick Cave, and The Rolling Stones. His commercial clients include AlexanderMcQueen, Bally, Burberry, Coach, Ferragamo, J.W.Anderson, Louis Vuitton, Marc Jacobs,Marc Jacobs Fragrances, and Prada. Hughes' project was shown at the inaugural Frieze Art Fair in London and collected and exhibited by the Victoria and Albert Museum.

These photographs were taken across Ukraine between 2015 and 2020, during spring and summer. They form a collective portrait of Ukrainian youth, and were taken on the way to the sea, along the banks of the Dnipro River to the beaches of the Black Sea; and further, on to the Arabat Spit, a mineral hot spring in a small village near the Sea of Azov called "Shchaslyvtseve", which means "happy" in Ukrainian.

"Have any conversation with Donna Trope and it will somehow wind its way back to sex. It lies at the heart of everything she does, every image she creates. If the legendary beauty photographer isn't aroused on set, then she might as well not be on set at all. "One of my earliest beauty memories is watching my young stepmother getting ready for my father to come home," she says. "Her hair and makeup were akin to that of a fashion shoot. They had a decidedly sexual aura. Her getting ready was almost ritualistic and I watched this, maybe as a voyeur, and was fascinated enough to remember it all my life. " Dazed BeautyDonna was born in Los Angeles and bred in London. Being self-taught, she drew from her own experiences and developed a look and a style. Donna Trope is an award winning, world-renowned photographer specialising in beauty images Her sexy, conceptual, ground breaking beauty shots went against the grain of what was considered commercially beautiful and are now the much imitated status quo. She has shot campaigns for clients such as Guerlain,Lancôme, Pantene, Rochas, Guinness, Christofle, France Telecom, Maybelline, Vichy, Revlon, Bic, Coty, Sephora, ITV, Boots, Bobbi Brown, Hennessey and Roger et Gallet. Her editorial clients include The Sunday Times, Vogue, Vogue Hommes, L'Officiel, GQ, Jalouse, Tush , Flaunt, Forme, Harper's Bazaar, Glamour, In Style, Cosmopolitan, Dazed and Confused. Donna's work has been exhibited in galleries worldwide. She has photographs in the permanent collections of The Victoria & Albert Museum as well as in selected private collections. Donna Trope has been a master of beauty photography for decades. She has always used Polaroids on her shootings as a test before the final take on film, even in the digital era. Preciously stored away, there are over 25,000 of them now. Here is a short selection of them.