Bøker utgitt av Paul Holberton Publishing Ltd

Chaim Soutine (1893¿1943) produced some of the most powerful and expressive portraits of modern times. His ability to capture in paint the character, humanity and emotion of his sitters is the hallmark of Soutine¿s greatest work. The major exhibition at the Courtauld Gallery, London, focuses upon one of his most important series of portraits; his paintings of cooks, waiters and bellboys who sat for him inParis and the South of France during the 1920s. These works helped to establish Soutine¿s reputation as a major avant-garde painter, seen by many as the twentieth centuryheir to van Gogh. This will be the fi rst time that this outstanding group of masterpieces has ever been brought together and it will be the fi rst exhibition of Soutine¿s work in London for over thirty years. Soutine arrived in Paris as an ¿gr¿rom Russia in 1913 and began a precarious existence as a penniless artist in Montparnasse living among fellow painters, such as Marc Chagall and Amedeo Modigliani. As part of this avant-garde coterie of artists, Soutine developed a highly original style that combined an expressive handling of paint with deep reverence for the Old Masters that he studied in the Louvre.His portraits often appear both timeless and vividly modern. These qualities are exemplifi ed by the series of paintings of cooks, waiters and bellhops that he produced during the 1920s. These lowly and often-overlooked fi gures from Paris¿s fashionable hotels and restaurants, including the famous Maxim¿s, appealed to Soutine¿s sense that profound emotion and a deep sense of humanity could be found in such humble sitters. The contrast between their working uniforms and the individuality of their faces adds to the emotional charge of these extraordinary portraits. Soutine strived to achieve the most powerful eff ects of colour from the bold whites, reds and blues of their diff erent uniforms. When he started the series, Soutine was living in near-poverty as a struggling artist. These portraits helped to lift him out of these desperate circumstances as they were soon admired by friends and become prized by collectors. Today, they are considered among his greatest achievements. This publication will bring together the most comprehensive group of these portraits. It will be a unique opportunity to experience the power and profound emotion of Soutine¿s art.

A lively and engaging introduction to one of the most charismatic figures in the history of British art, G.F. Watts. Covering all aspects of Watts's career, it places him back at the centre of the visual culture of the 19th century. Published to celebrate the 200th anniversary of his birth.

Of Modernism presents original research by ten contemporary scholars of modern art. By turns provocative, insightful and informative, these essays rethink some of the crucial artworks, problems and practitioners of European high modernism.

First serious study of Rodin's late sculptural series known as the Dance Movements (from 1911), comprising essays from leading scholars in the field of sculpture.

Accompanying a display at The Courtauld Gallery that will bring together for the first time Pieter Bruegel the Elder's only 3 known grisaille paintings, this book will examine the sources, function and reception of these 3 exquisite and unusual masterpieces.

Banks and his team returned from the Endeavour voyage with unprecedented collections of artefacts and specimens of stunning birds, fish and plants, and they produced remarkable drawings of the peoples and places they saw. 140 objects will tell the story of the Endeavour voyage.

This beautiful and extensively illustrated catalogue presents in-depth case studies of 24 rare and remarkable Late Medieval panel paintings. Often fragments of larger altarpieces can be monumental and dramatic or small and intimate, but all on close examination prove to be rich in meaning.

Jonathan Richardson (1667-1745) was one of 18th-century England's most significant cultural figures. At the age of 61, shortly before his retirement, Richardson began to create a remarkable series of self-portrait drawings. Not intended for public display, these were unguarded explorations of his own character.

"Catalogue of the art collection: paintings, drawings, sculpture and prints / John Ingamells": p. 103-177.

Until recently, the Dutch draughtsman Johan Thopas, who was born in 1626 both deaf and dumb, was only known to a small group of connoisseurs, dealers and collectors. However, his remarkable, subtle and technically refined portrait drawings on parchment deserve a wider audience.

A masterpiece of medieval Arab metalwork revealed, shedding light on courtly life in northern Iraq under the Mongol governorship.

This publication will be a valuable resource for art historians as well as the general public, with little scholarship previously published in English about Zorn.

This groundbreaking reconstruction of Goya's so-called 'Witches and Old Women' album will offer rich insights into the artist's concerns and preoccupations and will immeasurably deepen our understanding of the artist.

Inspired by the recent identification of a third autograph version of Gainsborough's masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s.

Michelangelo's masterpiece The Dream ( Il Sogno) has been described as one of the finest of all Italian Renaissance drawings and is amongst The Courtauld Gallery's greatest treasures.

Ken Thomson was no mere trophy gatherer. A man of passionate commitment and of wide-ranging cultural curiosity, the late Lord Thomson of Fleet (19232006) began a half-century of collecting in 1953 and continued to the very end of his life. The most important private art collection in Canada, it has drawn the respect of museum curators worldwide.

?This is a comprehensive introduction to the young Epstein, a study of his personality, his art, his culture, his milieu, his domestic menages, his Jewishness, his unJewishness, his vision, his lovers and again his art, for Epstein lived, starved and suffered all for his art. Immigrants to New York, his parents took the name Epstein without appreciating that it would make him forever a foreigner in his chosen homeland, London, where his startlingly original responses to public commissions worked the popular press into a lather.

Accompanies the loan exhibition of drawings from Waddesdon Manor, Rothschild house near Aylesbury, owned by the National Trust. This catalogue reflects the diversity of the Rothschild Collection and the overlapping preoccupations and unflagging curiosity of its creators. It sheds light on the many different techniques and uses of drawing.