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"Evie Porter has everything a nice, Southern girl could want: a perfect, doting boyfriend, a house with a white picket fence and a garden, a fancy group of friends. The only catch: Evie Porter doesn't exist. The identity comes first: Evie Porter. Once she's given a name and location by her mysterious boss Mr. Smith, she learns everything there is to know about the town and the people in it. Then the mark: Ryan Sumner. The last piece of the puzzle is the job. Evie isn't privy to Mr. Smith's real identity, but she knows this job will be different. Ryan has gotten under her skin, and she's starting to envision a different sort of life for herself. But Evie can't make any mistakes--especially after what happened last time. Because the one thing she's worked her entire life to keep clean, the one identity she could always go back to-her real identity-just walked right into this town. Evie Porter must stay one step ahead of her past while making sure there's still a future in front of her. The stakes couldn't be higher--but then, Evie has always liked a challenge.."--

"Deeply introverted Catriona lives for her work at Oxford and her fight for women's suffrage. She dreams of romance, too, but since all her attempts at love have ended badly, she now keeps her desires firmly locked inside her head--until she climbs out of a Scottish loch after a good swim and finds herself rather exposed to her new colleague. Elias Khoury has wheedled his way into Professor Campbell's circle under false pretenses: he did not come to Oxford to classify ancient artefacts; he is determined to take them back to his homeland in the Middle East. Winning Catriona's favor could be the key to his success. Unfortunately, seducing the coolly intense lady scholar quickly becomes a mission in itself, and his well-laid plans are in danger of derailing"--

"Twenty-five-year-old Ryke Meadows knows he's hard to love. With a billion-dollar inheritance, a track-star resume, and an alpha-male personality-he redefines the term likable-asshole. But he's not living to make friends. Or enemies. He just wants to free climb three of the toughest mountains in Yosemite without drama or interruption. And then he receives a distressed call from a girl in Paris. Daisy Calloway is finally eighteen. With her newfound independence, she can say goodbye to her overbearing mother and continue her modeling career. Next stop: Paris. Fashion Week begins with a bang, and Daisy uncovers the ugly reality of the industry. She wants to prove to her family that she can live on her own, but when everything spirals out of control, she turns to Ryke to keep her secrets. As Daisy struggles to make sense of this new world and her freedom, she pushes the limits and fearlessly rides the edge. Ryke knows there's deep hurt beneath every impulsive action. He must keep up with Daisy, and if he lets her go, her favorite motto -- 'live as if you'll die today' -- may just come true."--

"The Roaring Twenties -- the Jazz Age -- has been characterized as a time of Gatsby frivolity. But it was also the height of the uniquely American hate group, the Ku Klux Klan. Their domain was not the old Confederacy, but the Heartland and the West. They hated Blacks, Jews, Catholics and immigrants in equal measure, and took radical steps to keep these people from the American promise. And the man who set in motion their takeover of great swaths of America was a charismatic charlatan named D.C. Stephenson. Stephenson was a magnetic presence whose life story changed with every telling. Within two years of his arrival in Indiana, he'd become the Grand Dragon of the state and and the architect of the strategy that brought the group out of the shadows - their message endorsed from the pulpits of local churches, spread at family picnics and town celebrations. Judges, prosecutors, ministers, governors and senators across the country all proudly proclaimed their membership. But at the peak of his influence, it was a seemingly powerless woman - Madge Oberholtzer - who would reveal his secret cruelties, and whose deathbed testimony finally brought the Klan to their knees."--

A no-holds-barred guidebook aimed at white women who want to stop being nice and start dismantling white supremacy.It's no secret that white women are conditioned to be "nice," but did you know that the desire to be perfect and to avoid conflict at all costs are characteristics of white supremacy culture? As the founders of Race2Dinner, an organization which facilitates conversations between white women about racism and white supremacy, Regina Jackson and Saira Rao have noticed white women's tendency to maintain a veneer of niceness, and strive for perfection, even at the expense of anti-racism work. In this book, Jackson and Rao pose these urgent questions: how has being "nice" helped Black women, Indigenous women and other women of color? How has being "nice" helped you in your quest to end sexism? Has being "nice" earned you economic parity with white men? Beginning with freeing white women from this oppressive need to be nice, they deconstruct and analyze nine aspects of traditional white woman behavior--from tone-policing to weaponizing tears--that uphold white supremacy society, and hurt all of us who are trying to live a freer, more equitable life. White Women is a call to action to those of you who are looking to take the next steps in dismantling white supremacy. Your white supremacy. If you are in fact doing real anti-racism work, you will find few reasons to be nice, as other white people want to limit your membership in the club. If you are not ticking white people off on a regular basis, you are not doing it right.

Filled with the spectacle of the Paris Opera House in the nineteenth century, this classic work of suspense remains a riveting journey into the dark regions of the human heart. The tale begins as an investigation into the strange stories of an ';Opera ghost,' legendary for scaring performers as they sit alone in their dressing rooms or walk along the building's labyrinthine corridors. Some even think they've seen the ghost in evening clothes moving in the shadows. But it isn't until the triumphant performance of beautiful soprano Christine Daae that the Phantom begins his attacksstriking terror in the hearts of everyone in the theater. A story that has captured the imagination for a century, The Phantom of the Opera continues to this day as an unparalleled work of sheer entertainment. With an Introduction by Dr. John L. Flynnand an Afterword by J.R. Ward

A definitive collection of stories from the unrivaled master of twentieth-century horror in a Penguin Classics Deluxe edition with cover art by Travis LouieFrequently imitated and widely influential, Howard Philips Lovecraft reinvented the horror genre in the 1920s, discarding ghosts and witches and instead envisioning mankind as a tiny outpost of dwindling sanity in a chaotic and malevolent universe. S. T. Joshi, Lovecraft's preeminent interpreter, presents a selection of the master's fiction, from the early tales of nightmares and madness such as "e;The Outsider"e; to the overpowering cosmic terror of "e;The Call of Cthulhu."e; More than just a collection of terrifying tales, this volume reveals the development of Lovecraft's mesmerizing narrative style and establishes him as a canonical - and visionary - American writer.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.