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In recent years, household indebtedness in the United States reached its highest levels in history. From mortgages to student loans, from credit card bills to US deficit spending, debt is widespread and increasing.Drawing on scholarship from economics, accounting, and critical rhetoric and social theory, Kellie Sharp-Hoskins critiques debt not as an economic indicator or a tool of finance but as a cultural system. Through case studies of the student-loan crisis, medical debt, and the abuses of municipal bonds, Sharp-Hoskins reveals that debt is a rhetorical construct entangled in broader systems of wealth, rule, and race. Perhaps more than any other social marker or symbol, the concept of "debt" indicates differences between wealthy and poor, productive and lazy, secure and risky, worthy and unworthy. Tracking the emergence and work of debt across temporal and spatial scales reveals how it exacerbates vulnerabilities and inequities under the rhetorical cover of individual, moral, and volitional calculation and equivalency.A new perspective on a serious problem facing our society, Rhetoric in Debt not only reveals how debt organizes our social and cultural relations but also provides a new conceptual framework for a more equitable world.

An examination of Leo Strauss's 1948 notebook and other writings on the Euthyphro, Plato's dialogue on piety, using close analysis and line-by-line commentary.

Explores humor and satire as a comic contact zone between the United States and the Pacific world from 1840 to 1890. Considers how nineteenth-century Americans and Pacific Islanders used humor to employ stereotypes or to question them.

Explores the search for religious meaning during World War I and the wide range of spiritual responses that emerged across boundaries. Examines how religious experience and battle experience were intertwined.

Explores lyrical representations of romantic and sexual betrayal in the blues, revealing deceit and entrapment constraining the physical, socioeconomic, and political movement of African Americans. Argues that blues music calls for a reckoning while expressing faith in a secular and moral justice-to-come.

A collection of essays examining the history of Quakerism from 1830 to 1937, tracing the resurgence of missionary work and the development of Quakerism as a global faith.

This engrossing narrative recounts the story of Jane de La Vaudère (née Jeanne Scrive), a prolific and celebrated writer of France's Belle Époque. Interweaving biography and literary analysis, Sharon Larson examines the ways in which La Vaudère adapted her persona to shifting literary trends and readership demands--and how she created and profited from controversy.Relatively unknown today, La Vaudère published more than forty novels, poetry collections, and dramatic works as well as hundreds of shorter pieces. A controversial figure who was known as a plagiarist, La Vaudère attracted the attention of the public and of her peers, who caricatured her in literary periodicals and romans à clef. Most notably, La Vaudère claimed to have written the Rêve d'Egypte pantomime, whose 1907 production at the Moulin Rouge featured a kiss between Missy and Colette that led to riots and the suspension of future performances. Larson scrutinizes the ensemble of these various media constructions, privileging La Vaudère's self-representation in interviews and advertisements, and brings to light her agency in creating an image that captivated public attention and boosted sales of her writings.An engrossing examination of La Vaudère's life and work, this volume probes the quandaries of scholarship seeking to responsibly recover lost female voices and makes a long-overdue contribution to nineteenth-century French literary studies.

Argues for the importance of public higher education and the work of teaching and emphasizes the shared ethical responsibilities that underpin the connections between teachers and students.

A collection of essays examining transatlantic Quakerism in the eighteenth century, a period during which Quakers became increasingly sectarian even as they expanded their engagement with worldly affairs.

Examines crucial concerns in palliative care, including the proper balance between comfort and cure for the patient, the integration of spiritual well-being, and the challenges of providing care in the absence of basic medical services and supplies.

Explores stereotyping and electrotyping in U.S. literature and history. Examines how printers, typefounders, authors, and publishers managed the transition as new technologies displaced printing traditions of the early nineteenth century.

Gary B. Nash was Professor Emeritus of History at the University of California, Los Angeles, and the author of numerous books, including Warner Mifflin: Unflinching Quaker Abolitionist, a biography of Anne Emlen Mifflin's husband. Emily M. Teipe is Professor Emerita of History at Fullerton College. Among her many publications are A Feminist Primer: Readings for Women's Studies and Different Voices: Women in United States History.

A collection of essays by scholars of eighteenth-century literature, sharing their experiences as both producers and users of explanatory annotations.

Examines the relationship between imperial Germany and its empire in southwest Africa (present-day Namibia), exploring how Africans confronted foreign rule and altered German national identity between 1842 and 1915.

Explores how gender, socioeconomic status, and religious identity shaped the lives and work of Jewish and Christian women in medieval Catalan cities.

Explores the diverse views of Jules Michelet, Thomas Hobbes, and Seneca on the extralegal aspects of sovereign prerogative power, often associated with grace, favor, leniency, and pardons.

Focuses on the ways in which Christianity has become an integral part of Xiamen, a southeastern Chinese city profoundly influenced by western missionaries. Illustrates the complexities of memory and mission in shaping the city's cultural landscape, church-state dynamics, and global aspirations.

Originally published by Myriad Editions.

In this graphic novel, the author documents his reconciliation with his father, dying of emphysema, as he cares for him in hospice.

A collection of essays exploring the variety and complexity of biblical interpretation and practice among early awakened Protestants, providing insight into the history of the Bible and the entangled religious cultures of the eighteenth-century North Atlantic world.

The Revenge Of God is a translation of the best-selling book, LaRevanche de Dieu, Gilles Keel, one of Europe's leading authorities on Islamic societies, offers a compelling account of the resurgence of religious belief in the modern world.

In The Impossible Craft, Scott Donaldson explores the rocky territory of literary biography, the most difficult that biographers try to navigate. Writers are accustomed to controlling the narrative, and notoriously opposed to allowing intruders on their turf. They make bonfires of their papers, encourage others to destroy correspondence, write their own autobiographies, and appoint family or friends to protect their reputations as official biographers. Thomas Hardy went so far as to compose his own life story to be published after his death, while falsely assigning authorship to his widow. After a brief background sketch of the history of biography from Greco-Roman times to the present, Donaldson recounts his experiences in writing biographies of a broad range of twentieth-century American writers: Ernest Hemingway, F. Scott Fitzgerald, John Cheever, Archibald MacLeish, Edwin Arlington Robinson, Winfield Townley Scott, and Charlie Fenton. Donaldson provides readers with a highly readable insiders' introduction to literary biography. He suggests how to conduct interviews, and what not to do during the process. He offers sound advice about how closely biographers should identify with their subjects. He examines the ethical obligations of the biographer, who must aim for the truth without unduly or unnecessarily causing discomfort or worse to survivors. He shows us why and how misinformation comes into existence and tends to persist over time. He describes ';the mythical ideal biographer,' an imaginary creature of universal intelligence and myriad talents beyond the reach of any single human being. And he suggests how its very impossibility makes the goal of writing a biography that captures the personality of an author a challenge well worth pursuing.

This volume presents an editied version of Thomas Reid's "Essays on the Intellectual Powers of Man" (1785), together with evidence relating to the original text's composition.