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In her newest feat of poetic innovation, Amy Newman wanders the lives of mid-century poetry immortals, including Berryman, Bishop, Lowell, Plath, and Sexton, peeking in from the periphery on personal moments both sensational and mundane, imagining their consequences for the poets, their readers, and their shared American century. Affecting and refreshing, a perfect mix of literariness and pulp, On this Day in Poetry History is the latest accomplishment from a poet of incomparable wit and imagination.

Published more than fifteen years after the publication of her Juniper Prize-winning first book, Fugitive Red, the poems in Karen Donovan's second collection continue to mine the language and systems of science and social science as a way of portraying our lineage of experience. Whether through the symbols of an ancient Irish alphabet or the "lost gospel of ribosome," Donovan traces the way our inner and outer expressions and gestures combine to form our humanness.

A poet whose innovations have influenced generations of writers, Thylias Moss is a sort of taxonomist-preacher, whose profound meditation on American culture underlies and propels the dazzling lyrical and impassioned passages she writes in outraged response. This new volume gathers together substantial selections from her previous books and follows them with more than fifty pages of daring new work. Whether in early poems or more recent output, Moss make no promises of smooth sailing: even when they begin with beloved cultural icons (Robert Frost, Dr. Who, the Statue of Liberty), her poems spiral outward, insisting on new perspectives, truths, and realities-particularly of African American experience. For more than three decades, Moss has been a fearless re-inventor of poetry's possibilities. Her New & Selected is a momentous publication by "a visionary storyteller, a major figure in contemporary American poetry" (Charles Simic).

Rosal finds trouble he isn't asking for in his unforgettable new poems, whether in New York City, Austin, Texas, or the colonized Philippines of his ancestors. But trouble is everywhere, and Rosal, acclaimed author of My American Kundiman, responds in kind, pulling no punches in his most visceral, physical collection to date. "My hand's quick trip from my hip to your chin, across / your face, is not the first free lesson I've given," Rosal writes, and it's true-this new book is full of lessons, hard-earned, from a poet who nonetheless finds beauty in the face of violence.

Following her mother's death, nearly twenty years after her time as a Peace Corps volunteer in Botswana, Sandra Meek began traveling extensively through Botswana, Namibia, and South Africa. During this same period, she and her sister also traveled the American Southwest with their declining father, confronting and healing  from a difficult family history before his death. Whether describing a Namibian baby seal hunt, 1500-year-old Welwitschia plants living off of fog in a desert studded with landmines, or the sandstone "temples" of Zion National Park, Meek's poems attend to the endangered as well as the enduring, braiding personal narrative with those of the natural world from which they arise. At once nomadic and deeply rooted to place, An Ecology of Elsewhere interweaves a difficult past (personal and terrestrial) with an uncertain future.

Inthese gritty, imaginative stories set in the mountains and small towns of theSouth-often in motels, theme parks, or resorts-men and women find themselves atthe mercy of an inspiration gone wrong: a man on a tryst is seduced by a ghost;a woman conducts a test to discover who is her true best friend-her husband orher dog; a beleaguered young writing professor goes one step too far whilechaperoning the famous writer he finds darkly alluring.  In the title story, an ex-high-schoolbasketball player living an uneventful life in her small hometown as a cashier helps her boyfriend rob a lottery winner, and finds herselfon an epic journey of fear, deceit, and betrayal.

Thiscollection, winner of the 2014 Lexi Rudnitsky Editor's Choice Award, furtherestablishes Shane McCrae as an indispensible poetic voice. With hisunmistakable cadences, he probes insistently yet big-heartedly into someparadoxes of belief and righteousness, confronting God from the quagmire of hisupbringing: half-Black and raised by White supremacists.

Known for her poetic portrayals of polar expeditions throughout theages, Elizabeth Bradfield explores environments remote and local, ecologicaland interior, in these enthralling new poems. Whether afloat on the Amazon orwandering her home turf of Cape Cod, Bradfield connects her natural surroundingswith the most essential of human longings.

These visceral, mystical poems give voice to the phantom and the embryonic (homunculi, ectopic twins, fleeced lambskin) and to those who create them, biologically or otherwise. Part spell-book, part anatomical primer, Paper Doll Fetus surveys the landscape of the womb and offers us a haunting chorus of its denizens.

Uncommon Prayer is a book about desire, and about the ways in which desire can and cannot be expressed, contained, or controlled by language.  Invoking the structural organization of the liturgical hours, the calendar, and the alphabet, Uncommon Prayer explores how external forms might compensate for the incommunicability of human want-that is, how the parts of expression that aren't found in dictionary definitions might help to make up for what our words never quite manage to express.

If long-dead poet E.A. Robinson and Sex and the City author Candace Bushnell had collaborated todepict a contemporary Midwestern woman in verse, they just might have come upwith Wynona Stone, Caki Wilkinson's sort-of heroine, who is stuck in thehometown she always meant to leave, faced with a life that seems desperatelymediocre. Wilkinson follows in the footsteps of Eliot and Berryman, giving us,in winsome poems, a figure at odds with herself and her surroundings.

This fourth collection, bythe author of Ivory Cradle, unearthsa hidden prehistoric world of art and art-makers. Anne Marie Macari delves deepwithin the earth, exploring the prehistoric caves of France and Spain, communingwith the lives and art of those who once inhabited them.  Writing from a variety of perspectives and indiverse voices, Macari connects us with a distant past, with "memory / stumblinginto mineral stillness. . .a forgotten animal / across my shoulders."

Winner of the 2013 Lexi Rudnitsky First Book Prize, a collection of gemlike poems combining delicacy with unmistakable hardiness. These poems are exquisite, deceptively complex revelations of the domestic and natural worlds: chiseled, unflinching, set beside a "painted paper lake/of gilded folds laid straight,/the gowned hills/on hidden feet/late coming light." Reminiscent of the writing of Robert Creeley, Shinn's debut conveys a life condensed-deeply felt and keenly observed.

Here is an impressive roster of poets from the past 75 years, including Hall of Famers like Richard Hugo, Irving Feldman, William Matthews, Marianne Moore, Ogden Nash, and May Swenson, and contemporary All-Stars like B.H. Fairchild, Linda Gregerson, Donald Hall, Denis Johnson, Yusef Komunyakaa, Thomas Lux, Gail Mazur, and others. In all, nearly one hundred poets represent the spectrum of verse writing about the National Pastime: from stickball and sandlot games to the Majors, from spectators to scrubs and superstars. They underscore baseball's particular poetic sensibility, capturing its rhythms, culture, and timelessness. Includes a Foreword by Daniel Okrent, acclaimed author (Nine Innings, Last Call, and others), inaugural Public Editor of the New York Times, and inventor of Rotisserie League Baseball, also known as Fantasy Baseball. A very classy collection, excellent poetry and excellent baseball-a perfect gift.

Sidney Wade continues to showcase her talents as a poet of potent play in this buoyant sixth collection. Oftentimes reminiscent of the work of Marianne Moore, these striking new poems-rustic, reflective, and typically set lakeside-are limber and unbelievably lean, quick as bubbling brooks, and packed with whimsy and wisdom in equal measure.

In this "hauntingly spectacular debut" (Claudia Emerson, winner of the Pulitzer Prize), Allison Seay portrays a world fraught with the powers of its own harrowing imagination-an inner world of seemingly irreversible retreat and, almost impossibly, of spiritual resurgence. To See the Queen describes the terrain of one woman's psychological wilderness, only to bless us with the story of its population, growth, and ultimate transcendence.

This is the eighth collection from a poet of formal grace an open heart. Blasing's poems of love, the passing of time, and the kinds of desires that transcribe a life are timeless and full of warmth.

The lean, musical poems in this touching second collection depict a southern family after the death of its matriarch. Douglas transcribes the spirit and ghosts of one people's America in poems that are principled and tender.

With her trademark language-baroque yet colloquial, immediately recognizable but impossible to duplicate-Lisa Russ Spaar has written her most sumptuous, alluring, and steamy poems to date, each one bursting with an appetite for the sensuous and the lingual. "Is syntax erotic?" she asks in Vanitas, Rough. "If so, please. Please read. Here."

This bittersweet posthumous collection solidifies Rachel Wetzsteon's place among the most talented poets of her generation. Written with her characteristic wit, incisiveness, and flair, it confirms her as a peerless flaneuse of New York City, a skeptical yet large-hearted bookworm with spot-on takes about culture, love, and loss.

Edwin Page, a fussy middle-aged professor, no sooner bids farewell to his obstetrician wife, Cecilia, who accepted a fellowship abroad, when his new neighbors, Mrs. Botts and her sexy, twentyish daughter, Leila, arrive. Since they're locked out of their house, Edwin invites them in-and then can't get them to leave. He becomes obsessed with Leila and convinces himself that she is a perfect surrogate mother for the childless Cecilia. "Wickedly amusing . . . subversive" (New York Times Book Review), The Sugar Mother undoes the institution of marriage.

Nâzim Hikmet (1902-1963), Turkey's best-loved poet and a commanding presence in its public life, lived through a turbulent era-the end of the Ottoman Empire, the rise of Communist Russia, and the birth of the Turkish Republic. Born into the Ottoman elite, Hikmet embraced Communist ideals and joined the revolutionary ranks at nineteen. Of passionate temperament, he lived his life full-tilt, deeply romantic in his loves and uncompromising in his politics-for which he spent more than a third of his life in prisons or in exile. His stirring free verse in simple words, praising his country, his women, and the common man, was considered "subversive" and banned for decades. Today it is available in more than fifty languages, and Hikmet is recognized worldwide as a major twentieth-century poet.

Hikmet's final book--an autobiographical novel about a man who is imprisoned for being a Communist, his friends, and the women he loved. Considered to be a major work in his oeuvre. This is the first publication in English translation.

Short prose forms are elusive to define--one writer's prose poem is another's flash fiction or brief essay. Rather than quibble, Short opts for inclusiveness. Here is a dazzling array: 100s of pieces (under 1250 words) from 24 Western countries, written over five centuries by more than 200 contributors, including major authors of every era. Fables, histories, aphorisms, anecdotes, faux dictionary entries, a faux job application, hint fiction, lists, tableaus, meditations, chants, rants, and much more. Intensely pleasurable.Contributors include: Montaigne, von Kleist, Leopardi, Poe, Baudelaire, Bierce, Chopin, Stein, Jacob, Woolf, Kafka, J. Roth, Toomer, Borges, Queneau, Kunitz, Beckett, Milosz, Cortazar, Paz, Barthes, Calvino, O'Hara, Merwin, Lispector, Transtromer, Sanchez, Edson, Simic, Atwood, Valenzuela, Wideman, L. Davis, Komunyakaa, A. Carson, Forche, Harjo, Hempel, Wenderoth, Keret, B. Marcus, A. Bender, Eggers, B. Lerner, T. Brimhall.

Randall Mann combines the regal and ribald, his ear for poetic form matched by his unrelenting eye for lasciviousness, in this fetching chronicle of oversexed youth. "Craft and bravura mix well...Mann shows himself [Thom Gunn's] apt pupil...The clarity startles." -Richard Rayner, Los Angeles Times