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As well as providing a very readable and comprehensive study of the life and music of John Buckley,¿Constellations also offers an up-to-date and informative catalogue of compositions, a complete discography, translations of set texts and the full libretto of his chamber opera, making this book an essential guide for both students and professional scholars alike.

Lecture proceedings including the essence of theatre; Ireland's contribution to the art of theatre; the potential of drama in the classroom; the relationship between drama and film; and on opera and its history.

Poems 2000-2005 is a transitional collection written while the author - also known to be W. J. Me Cormack, literary historian - was in the process of moving back from London to settle in rural Ireland. It is also a vigorous contribution to the age-old dialogue between Sacred and Profane themes, questioning beliefs and pleasures, guilts and landscapes, poetic methods and prosaic realities.

This thought-provoking volume of essays, wide-ranging in scope and interdisciplinary in its approach, engages with questions surrounding the many meanings ascribed to death and the memorialisation of the dead.

The author looks at the gospels from a modern angle. Was Jesus a person like us? He investigates these issues conscientiously and opens up a new way in which the modern Christian, despite everything, can confidently be a believer.

The Drunkard is a wonderfully eloquent play.'Young Edward Kilcullen's life is blighted by alcohol.

This book is a literary tour de force, where 28 Irish plays are examined and their rich cultural context exposed in a way that educates and excites.

The essays collected in Edna O'Brien: New Critical Perspectives illustrate the range, complexity and interest of O'Brien as a fiction writer and dramatist.

The book is remarkably well-focused: half is a series of production histories of Playboy performances through the twentieth century in the UK, Northern Ireland, the USA, and Ireland. The remainder focuses on one contemporary performance, that of Druid Theatre, as directed by Garry Hynes

This book, edited by Christina Hunt Mahony, presents twelve essays that trace the development of Sebastian Barry's career and the individual achievement of his works, concentrating largely, but not exclusively, on the plays.

It aims to stimulate further enquiry, research and critical reflection, in sceptical, analytic or celebratory modes, on the riches of Irish literary texts and traditions. The collection discusses texts from the early 18th century to the present.

Brian Friel's Dramatic Artistry makes an important contribution to our understanding of the work of Ireland's greatest living playwright. The fifteen essays collected here provide us with new perspectives on Friel's most familiar works.

The central subject of the play is the quest a character at the point of emotional and moral breakdown for some source of meaning or identity.

With contributions from leading scholars and practitioners, Interactions explores and celebrates the Dublin Theatre Festival's achievements since 1957 featuring essays on major Irish writers, directors and theatre companies, as well as the impact of visiting directors and companies from abroad.

Since the late 1970s there has been a marked internationalization of Irish drama, with individual plays, playwrights, and theatrical companies establishing newly global reputations. This book reflects upon these developments, drawing together leading scholars and playwrights to consider the consequences that arise when Irish theatre travels abroad. Essays discuss some of Ireland¿s major theatre companies ¿ Druid, the Abbey Theatre, Rough Magic, Blue Raincoat, Field Day and others ¿ while also exploring the presence of Irish drama in the UK, the USA, Germany, and throughout Ireland. The volume also presents the views of key playwrights, featuring essays by Elizabeth Kuti and Ursula Rani Sarma, and including a new interview with Enda Walsh.

In this fascinating reappraisal of the non-literary drama of the late 19th - early 20th century, Christopher Fitz-Simon discloses a unique world of plays, players and producers in metropolitan theatres in Ireland and other countries where Ireland was viewed as a source of extraordinary topics at once contemporary and comfortably remote.

This book examines approaches and responses to working with the asylum-seeking, refugee and migrant communities in Ireland.

What are Monsters? Monsters serve as a warning about something amiss in our surroundings. This collection of original and accessible essays looks at a variety of contemporary monsters from literature, film, television, music and the internet in their respective cultural contexts. Texts range from District 9 to Cleverman to Lady Gaga.

In Synge and the Making of Modern Irish Drama, Anthony Roche draws on twenty-five years of engagement with Synge's plays to present ten chapters on the unfolding of a double narrative. It will be of considerable interest to students of Irish drama both in Ireland and worldwide.

Ireland on Stage: Beckett and After, a collection of ten essays on contemporary Irish theatre, focuses primarily on Irish playwrights and their works, both in text and on the stage, in the latter half of the twentieth century.

Die Beitrage des Bandes konzentrieren sich auf die unterschiedlichen Formen und Medien einer oeffentlichen Erinnerungskultur im deutsch-franzoesischen Kontext. Der Band leistet somit einen wichtigen Beitrag zur interdisziplinaren Vernetzung sowie zur Erweiterung der theoretischen Ansatze im Rahmen der Lion-Feuchtwanger-Forschung.

Ana Duffy holds a PhD in Latin American Literature from the University of Queensland, Australia. She has worked in various Australian universities as a lecturer and tutor in the fields of Latin American studies and literature, Spanish and, being a writer herself, in creative writing and literary studies.

Bloomsbury critics Roger Fry and Clive Bell instigated a new way of looking at art that focused on the visionary genius of the artist. This book traces the Anglo-American dialogue they inspired and demonstrates how Bloomsbury's new aesthetic was taken up by the urban intelligentsia in 1920s.

L'auteur montre comment, sous la plume de Jean Lorrain, de Marie Corelli, de Henry Rider-Haggard ou de Renee Vivien, des silhouettes mythologiques, bibliques et historiques invitent a nuancer l'omnipresence de la femme fatale dans le second dix-neuvieme siecle et a interroger la notion meme de fatalite.

This collection of essays and papers written over the span of fifteen years explore the dialogic element in selected works from late Romanticism to early Modernism. Essays discuss Byron, Ruskin, George Eliot, Matthew Arnold, Hopkins, Ouida, Joyce and T. S. Eliot.